Those in control of the execution of the Covid-19 psychological operation – the Society of Jesus or the Jesuit order in control of the Vatican in Rome – have always believed and understood, the success of any large scale psychological operation depends upon a full spectrum dominance of the MSM’s media narrative.
This is why – in such cases – the effective utilization of the masonic concept of duality remains pertinent and even paramount.
In the case of the Covid-19 psychological operation, both sides – pro-vax and anti-vax – represent fully controlled but preconceived narratives.
Though most haven’t bothered to notice, social media posts – both on Twitter and Facebook – which reflect the views of “anti-vaxxers” have been programmed by AI bots and distributed through fabricated accounts.
This method of operation is known as setting up a strawman which can later be discredited.
Case-in-point: “Del Bigtree”.
For those unfamiliar, “Del Bigtree” was established as a publicly conspicuous “anti-vaxxer” who, upon further investigation, has also been identified as a fabricated character scheme, one who has been created solely to play out a strawman role which the MSM can then easily discredit.
Turns out, the surname of “Bigtree” is a play-on-words, a phallic-oriented inside joke concerning yet another fabricated character scheme which was promoted by the MSM decades ago, a media generated character scheme once known to the American public as “John Wayne Bobbitt”.
Turns out, as well, the host actor (live-action role player) identified in portrayal of both “John Wayne Bobbit” and “Del Bigtree” is no stranger to the concept of Post-Modern Reality Simulation.
In fact, the family to which Bigtree’s live-action role player belongs is well known in Hollywood.
In the past, over a series of decades, both Bigtree’s hidden parents – Burt Reynolds (AKA Marlon Brando) and Lonnie Anderson (AKA Sally Field) have portrayed a slew of fabricated character schemes.
Reynolds – as proved by extensive ear biometric, facial recognition, and image comparison analyses – has also been modified into the fabricated character schemes known as television personality Doctor Phil McGraw and Russian Premiere Vladimir Putin. The role of “Doctor Phil” has also been portrayed, at times, by Reynold’s other hidden son, Hollywood actor Kevin Spacey, who has also portrayed the fabricated character scheme known as “Doctor Drew Pinksy”.
While often referred to as the bugbear of “conspiracy theorists”, assuredly, everyone, at one time or another, has observed the famous prosthetic mask which hides the face of the host actor (live-action role player) identified in portrayal of Kissinger’s fabricated character scheme.
On many occasions, to be certain, everyone has seen the golem countenance observed in the image posted below prominently featured on both television and computer screens, as well as appearing on the front cover of the prestigious Time magazine and upon the front pages of respected periodicals such as the New York Times.
Perhaps, on occasion, some of you may have even bothered to tread through some of the turgidly composed newspaper columns, or one of the many ponderous self-aggrandizing tomes which have been published and attributed to Kissinger’s authorship.
But such publications – larded with opaque ideological generalizations, historical canards – merely represent more colorful but distractive, disposable scenery, created for the public to gawk at, to admire, and for those throngs of useful dupes desperately wishing to vicariously obtain some measure of intellectual legitimacy while simultaneously pretending to have read or to have even understood their execrable content.
In fact, everyone who frequents this site – by now – has become well-familiarized with the Hollywood executive who, for decades while donned in strategically-layered prosthetics, has portrayed this master of geopolitical disaster.
Though “Heinz Kissinger” is better known as a geopolitical chess master of global diplomacy, his host actor is also one of the world’s greatest actors now living.
He is also, respectively, the hidden grandson, son, and sibling of a trio of men – Harry S. Truman (AKA Hollywood actor Jimmy Stewart/Prince Tassilo von Furstenberg), “Dwight D. Eisenhower” (AKA Hollywood executive Barry Diller/Prince Eduard Egon von Furstenberg), “Richard M. Nixon” (AKA Hollywood actor Warren Beatty) – who served as “president” of the US corporation.
Behind Kissinger’s carefully crafted public persona as a geopolitical mover and shaker hides a powerful Hollywood executive who, throughout his life, has worn many masks and donned a myriad of famous disguises, a man to whom the theatrical execution of Post-Modern Reality Simulation has become second nature.
As Chairman of the Planetary Society, Neil DeGrasse Tyson has assumed the mantle of public science communicator which, over two decades ago, was left vacated by the death of the legendary Carl Sagan.
Perhaps, it is better to say, like his mentor, Sagan, Tyson is renowned for his ability to make the esoteric sciences appear palatable and even comprehensible to the American public.
Since the beginning of his career in the science community during the era of the 1990’s, Tyson has made several high-profile television appearances, most notably as the host of PBS’s Nova Science Now. Tyson has also been the author of several books and articles on the subject of astrophysics and, in 2001, was appointed by President George W. Bush (AKA Brian Williams/Joe Biden/Prince Stefano Casiraghi Grimaldi of Monaco) to serve on the Commission on the Future of the United States Aerospace industry and, in 2004, served on the President’s Commission on Implementation of United States Space Exploration Policy.
But when the “science” career of “Neil deGrasse Tyson” is examined much more closely, it becomes quite evident, the great majority of Tyson’s career has been devoted to either the hosting of slickly produced television programs or as an appointee to vaguely entitled government panels created as promotional vehicles for NASA, a taxpayer funded organization, which, in turn, falls under the rubric of the US corporate government’s Department of Defense.
Examination of Tyson’s “doctoral thesis” reveals a gumbo of inspirational pop-astronomy and theorized assertions created to appear authoritatively plausible.
Does everyone recognize the man observed in the following images?
Have you seen him somewhere else before and, even perhaps, while appearing in the public’s eye under other names?
While looking much closer and, while employing keen ocular senses, there’s a chance, he may begin to seem more familiar.
Though not everyone may recognize him, this man lives the life of a chameleon, an accomplished actor on the world’s stage.
He is also a reigning sovereign, a European monarch, who has been identified as yet another high-level perpetrator of the phenomenon of Post-Modern Reality Simulation.
Shortly, he will be exposed as the host actor (live-action role player) behind the masks of several fabricated character schemes, a pair of whom happen to appear regularly as major players on the world’s stage.
One of these fabricated character schemes – as evidenced by the article’s title – is a conspicuous figure in the realm of British high-politics.
Another character, portrayed by this European royal, is known as one of the world’s wealthiest billionaires, and best-known as the owner of a famous airline.
Still yet another fabricated character scheme, synonymous to this reigning European monarch, has also starred on American television as an MSM newscaster, on a program entitled Dateline NBC.
As shall soon be proved, “Boris Johnson”, known to the general public as the Prime Minister of the UK, is a fabricated character scheme portrayed by a European royal host actor (live-action role player), one who is also genealogically related to the immediate royal family of Queen Elizabeth II and, therefore, in line for the British throne. Continue reading “Behind the Curtain of Boris’s Big Top”→
Max Igan is well-known as a popular figure in the so-called alternative news community.
Like David Icke, and others of a similar ilk, Igan has appeared to research, as well as publish, reams of verifiable information concerning a variety of subjects relevant to the current state of geopolitical affairs.
Admittedly, Igan’s research on a wide-ranging number of topics – including the Covid-19 psychological operation – happens to be not only verifiable, but highly informative.
This fact, however, marks the establishment of a troubling conundrum.
Nevertheless, though Igan appears to be a legitimate alternative news researcher, pertinent questions – as to his legitimacy – remain.
For one, Igan – to the best of one’s knowledge – has never mentioned the Society of Jesus or the Jesuit order during any of his podcasts.
Considering the exposure of Alex Jones (AKA Gustav, seventh prince of Sayn-Wittgenstein-Berleburg) as a fabricated character scheme portrayed by a royal host actor (live-action role player), it seems entirely appropriate for everyone to wonder, or even to begin to speculate, as to the genuine and exact source of Igan’s in-depth information.
Turns out, like “Alex Jones”, “Max Igan” is a true insider (counter-intelligence/controlled opposition agent) with connections to Britain’s Defense Intelligence Agency.
As was discovered to be the case with “Alex Jones”, the information published by “Max Igan” derives straight from the source: the thirteen ruling elite Jesuit families, specifically, the royal House of Saxe-Coburg-Gotha (AKA Windsor/Rothschild/Rockefeller) and related intelligence sources.
Therefore, would everyone be surprised to learn, “Max Igan” has been discovered to be yet another fabricated character scheme, portrayed by a high-level European royal, one who is very close – in genealogical relation – to the sitting monarch of Britain, Queen Elizabeth II of the royal House of Saxe-Coburg-Gotha?
When it comes to considering the influential politicians whom appear on the world’s stage, things are never what they seem. The political machinations the general public witnesses, played out on their television and computer screens, are purely theatrical charades; a well-scripted manifestation of Post-Modern Reality Simulation.
As everyone who regularly visits this site has discovered, when it comes to politics, the major executive decisions, the sweeping geo-political agendas – such as the Covid-19 psychological operation – are made and carefully crafted behind closed doors by those representing and working on behalf of the global commercial interests of the thirteen, ruling elite Jesuit families.
As extensive investigation has revealed, the politicians (blackmailed puppets/freemason intelligence operators) everyone witnesses performing on their television and computer screens, are merely salesman, pitchmen, and high-level influencers, and sworn by solemn oath to the international brotherhood of Freemasons whom, in turn, are controlled by the military order of the Society of Jesus, at the Vatican, in Rome.
Considering the political career of Tony Blair, his turns out to be no exception to this rule.
“Tony Blair”, too, like his hidden mother (Shirley Temple Black), is a controlled operative, and a highly skilled one at that.
L to R: Tony Blair, Charles Alden Black Junior/Shirley Temple Black
Blair, of course, is known to the American and British publics as the former Prime Minister of the United Kingdom.
However, incredible as it may seem – at least among the maiden voyagers to this site – Blair is a fabricated character scheme portrayed by Charles Alden Black Junior, a man who – in addition to the world of politics – also has connections to Hollywood, and to the music/entertainment complex.
Charles Aden Black Junior
L to R: Shirley Temple Black/Charles Alden Black Junior
The chameleon-like Charles Alden Black Junior, the son of former Hollywood child star Shirley Temple Black (AKA Jaclyn Kennedy Onassis/Judy Garland/Marilyn Monroe/Helen Thomas/Queen Silvia of Sweden), not only performs on the world stage as “Tony Blair”, he also portrays one of Hollywood’s most widely renowned celebrities.
But before the dramatic unveiling of that shocking revelation, everyone – decades ago – may have known the notorious Mister Black in the guise of yet another of his famous fabricated character schemes, “John Taylor”, bass player of the 1980’s MTV pop band Duran Duran.
L to R: John Taylor, Charles Alden Black Junior
Ear biometric, facial recognition, and image comparison analyses also confirms that throughout his career(s), “John Taylor” (AKA Tony Blair/Charles Alden Black Junior) has also been specifically modified to portray the live-action role players of several other famous figures (fabricated character schemes) in the Hollywood music/entertainment industry. Among these: “Steven Tyler” of American classic rock band Aerosmith, the “late” “Freddie Mercury” of pomp rock act Queen, the “late” “Sid Vicious”, the heroin-addicted bass player who performed as part of the short-lived “punk rock” phenomenon the Sex Pistols, and the “late” Chris Cornell, the American rock singer who was alleged to have hung himself from a hotel showerhead.
But even deeper investigation has revealed, both of these commercially profitable institutions, the political arena and the Hollywood music/entertainment industry, while serving as experimental crucibles and think-tank laboratories for the execution of psychological operations, are also controlled by the military/industrial/complex, the CIA’s global intelligence octopus and, primarily, in the case of Hollywood, controlled by the Pallavicini, Von Furstenberg, and families genealogically related to the royal House of Saxe-Coburg-Gotha (AKA Windsor/Rockefeller/Rothschild).
It should also be noted, these three families are numbered among the majority shareholders/owners of the US corporation.
Lately – at least to anyone paying attention – “Tony Blair” has emerged, once again, on the world’s stage.
But this time, as an advocate for the success of the ongoing Covid-19 psychological operation and the complete fruition of its covert end game – per the UN’s Agenda 2030 – of globally implementing a crypto-currency (cashless) financial system based on the use of body activity, a blockchain system which will replace mobile “smart phones” as the predominant tracking system of global human resources.
In the case of iconic Hollywood actor Charlie Sheen (AKA Corey Feldman) there can be fewer examples of greater irony.
Some time ago, as everyone may be aware, the actor known as “Corey Feldman”, the fabricated character scheme portrayed by Charlie Sheen, went on record, threatening to expose the seedy underbelly of Hollywood’s hidden pederasts. “Corey Feldman” even went so far as attempts to solicit funds for a documentary expose which, he promised, during several high-profile interviews, upon its release to the public, would serve to shed devastatingly revelatory light on Hollywood’s covert cabal of pedophiles. Among these, “Feldman” claimed, existed some of Hollywood’s most prominent and influential figures, executives, and even film directors.
Alas, Feldman’s expose has yet to see the light of day.
Nor, is it ever likely to.
It seems probable, Feldman’s (AKA Sheen) “film project” was designed as a cruel deception, merely more distractive noise generated and promoted by the MSM.
This is a standard and time-worn tactic of psychological operations: placing a fabricated cult of personality at the forefront of a social movement – controlled opposition – to co-opt, dissuade, or even to mitigate the further development and organization of genuine grass-roots motivated movements which are perceived as potential or even genuine threats to the hegemonic status quo of the thirteen, ruling elite Jesuit families.
The other grand irony of this scenario: not only is “Corey Feldman” a fabricated character scheme, the father of his host actor (live-action role player), Charlie Sheen, was the chief editor and executive founder of – what was for decades – a popular men’s publication filled with soft-core pornography.
From L to R, Hugh Hefner, Charlie Sheen, Corey Feldman
As everyone is about to learn, Sheen’s (AKA “Corey Feldman”) secret father, in fact, was himself no stranger to the phenomenon of Post-Modern Reality Simulation.
As confirmed by ear biometric, facial recognition, and image comparison analyses, Sheen’s (AKA Corey Feldman) father was known as “Hugh Hefner”, America’s primary purveyor of commercially peddled soft-core smut.
“Hefner”, however, as confirmed by further and extensive ear biometric, facial recognition, and image comparison analyses, was also known, during the era of the 1950’s forward, as Pat Boone, a successful pop singer/”B” Hollywood movie actor, who, even more ironically, was reputed to cultivate the public image of a god fearing “Christian”.
From L to R, Pat Boone, Hugh Hefner, Charlie Sheen, Corey Feldman
But as everyone shall also learn, the king of soft core smut Hugh Hefner (AKA Pat Boone) has a fascinating genealogy which connects him to William Bradford, the former governor of Plymouth Colony, established in the 17th century.
Through an extensive study of William Bradford, it was discovered Hefner (AKA Pat Boone) has connections to King Edward VII of England (AKA Teddy Roosevelt/J.P. Morgan Senior), to Alistair Crowley (AKA Winston Churchill), to 1960’s counter-culture LSD guru Timothy Leary, and to the history of Crown Temple in the City of London.
In what would appear to be an unprecedented political maneuver, the governor of Ohio, Mike DeWine, has made an offer of one million dollars – along with free college tuition and other commercially-oriented perquisites – to incentivize Ohioans, especially those perceived to harbor what has been termed “vaccine hesitancy”, into willingly accepting the “coronavirus vaccine”.
One supposes, DeWine – or, rather, his masters belonging to the highest echelons of the Society of Jesus, the Jesuit order – is counting on the fact the residents of Ohio are too obtuse to have figured out that, according to page 1051 of the AMA (American Medical Association) Encyclopedia (1989 edition), the term “coronavirus” is synonymous with what was formerly known as the common cold or flu.
Indeed, Don Corleone, the fictional but ruthless mob boss of Hollywood’s ‘the Godfather’, would be proud to learn of DeWine’s clever strategy in offering the citizens of his state what was, no doubt beforehand, perceived as ‘an offer they can’t refuse’.
From all that we have learned, thus far, about the genuine motivations behind the Jesuit-executed Covid-19 psychological operation, DeWine’s proposal smacks of an exercise in cynicism, if not utter desperation.
Turns out, too, however, like Don Corleone, “Mike DeWine”, the reigning governor of Ohio, exists as a fictional character, a fabricated character scheme portrayed by a Hollywood actor.
Everyone should look very closely at the image posted below.
Has everyone seen this guy somewhere before?
Does he, at all, appear familiar?
To everyone, especially those who spent their formative years during the era of the 1980’s, the Governor of Ohio, known to the American public as “Mike DeWine”, should, indeed, appear familiar.
Immediately below, everyone shall observe a video excerpt from a popular movie of the 1980’s.
Somebody, though, should speak up and tell the high school teacher, featured in the following video clip, taking classroom role call that the location of “Bueller” has been discovered.
The Hollywood actor who was once cast in the role of “Bueller” has now been busted, caught out as the host actor (live-action role player) in portrayal of Ohio Governor “Mike DeWine”.
Organized religion – it has often been said – is the opiate of the masses.
Here, in America, the predominant religion of the masses has become professional sports entertainment or, as it was known during the era of imperial Rome, “Bread and Circuses.”
As is well-known, every religious cult has an underlying governing philosophy, dogma, or doctrine.
Such centralizing doctrines are administered to the congregation of cult members by pastors or high-priests. Or, in the case of the church of sports entertainment, by television analysts and commentators, most of whom were formerly professional athletes. “Howard Cosell” – the obstreperous and opinionated sports television commentator of decades past – once derided this specialized class of sports “journalists” as the “Jockocracy”.
As most of this site’s regular visitors may recall, “Howard Cosell”, the former host of ABC’s Monday Night Football, was identified as a fabricated character scheme portrayed by Hollywood actor Rod Steiger.
But no religious doctrine would be completely solidified without a unifying or centrifugal charismatic figure.
In the religion of Christian fundamentalism, there is the figure of Jesus Christ.
In the universalist religion of the Catholic church – controlled by the Jesuit order or Society of Jesus – there are venerated figures elevated to sainthood such as Mother Mary, the exoteric version of the esoteric or occult figure known as Isis or Sophia.
The religious cult known as sports entertainment has its own “saints” or charismatic figures – star athletes – who are fawned over and virtually worshipped by those known as “fans”.
These cult worshippers known as sports “fans” are a relatively modern-day sociological phenomenon.
This commonly expressed vernacular – ‘fan’ – exists as an abbreviated form of the term fanatic or fanaticism.
According to Webster’s dictionary, a ‘fanatic’ is defined as follows, 1.) disapproving: a person exhibiting excessive enthusiasm and intense uncritical devotion toward some controversial matter (as in religion or politics), “a religious fanatic (=extremist), the fanatics are convinced they are serving a righteous cause and that all means are justified…”
How many of your friends, family members, or co-workers – whether relating to politics, religion, or sports – would the above definition – as so expressed – appropriately apply?
Turns out, it is just this sort of uncritically devoted fanaticism which has blinded America’s legions of sports fans to its fabricated and utterly scripted theatricality.
Remarkably, this overt fanaticism has also blinded a majority of those congregated among America’s cult of sports entertainment worshippers from noticing an alleged “dead” man is now playing in the NFL.
Also, fans of the cult of sports entertainment have yet to realize one of the NBA’s major stars – Lebron James – was formerly known by another name which, not so long ago, became superlatively renowned in the world of professional sports.
Those who own and collectively control the profitable business of sports entertainment (the Society of Jesus or the Jesuit order) have informed its fanatical legions – in the form of a legal disclaimer printed on ticket stubs and in the form of an official judgement issued by a US Circuit Court of Appeals Judge – of the true nature of professional sports and, specifically, that of the NFL.
In the case of the NFL, the league is only legally required to present their “fans” with a license (i.e. ticket) to observe an entertainment spectacle, but it is not legally required to officially sanction or provide its ‘fans’ with a legitimate sporting contest.
Apparently, in view of this fact, the NFL reserves the right to draft or contract “athletes” (actors) who, allegedly, have been reported as officially “dead”, and to also recycle athletes under the guise of pseudonyms to satisfy profitable motives.
Does the NFL athlete observed in the image above appear eerily familiar to everyone?
Perhaps, everyone has seen this particular athlete don another professional league’s uniform, one which might be more familiar?