Regarding the ubiquity of digital technologies, artificial intelligence, the general public’s consensus has grown to reflect the idea that dependence on such devices have facilitated ease of informational access, commercial convenience, streamlined the performance, execution of mundane tasks.
On the other hand, seldom has it been considered that those same technologies, especially when placed in the hands of the morally bankrupt corporate mainstream media, could have gravely insidious, even perception altering implications.
Within the context of mainstream news television production, the idea that digital technologies are often utilized to satisfy the objectives of ulterior, covert agendas or become weaponized as effective instruments to widely distribute propaganda against the interests of targeted viewing audiences often goes unconsidered, completely ignored. As has been demonstrated time-and-again, ideas of that sort are largely dismissed out of hand, branded as outlandish ‘conspiracy theory’ by those among a majority of the American public. Those most inclined to regurgitate that particular pejorative response are unaware that not only does control of the MSM fall under a single monopolizing umbrella belonging to the Swiss banking consortium, City of London’s Crown Temple, but that all forms of media messaging – including those messages tailored for distribution to targeted audiences whom frequently seek out sources of information from “alternative media” channels – track back to and derive from a single source: CIA (AKA Virginia Company) controlled by the Jesuit’s Society of Jesus at Vatican City, in Rome.
Given this, would it be so surprising to discover that research has indicated and in fact confirms, the media-driven phenomenon known as “Julia Assange” was spawned at and directed from CIA’s headquarters in Langley, Virginia? Nor, therefore, would it be so surprising to discover that, accordingly, the actor identified in portrayal of Assange’s fabricated character scheme, a popular MSM news anchor, also has admitted ties to the agency.
FAKE BIRTH CERTIFICATE
The first noticeably anomalous biographical detail associated with “Julian Assange” came about after one was able to examine the document alleged to be his official birth certificate. Not only does this document appear to have been fabricated, but the man alleged to be Assange’s father, John Shipton, isn’t listed as the child’s legal parent or as known in strictly legal parlance under Uniform Commercial Code (UCC) and Admiralty Law, the child’s informant. Despite an exhaustive search, alas, no known photo of “Julian Assange” with John Shipton appears to exist. Turns out, Shipton’s surname is identical to that of Mother Shipton, a legendary 17th century English witch, soothsayer, and prophetess. Shipton still retains ownership over Wikileaks domains, obtained through Deborah Natsios and John Young of Cryotome, a private foundation which operated under non-profit designation, 501(c)(3). Deborah Natsios is related to Nicholas Natsios, a former CIA station chief billeted in Greece. More strangely still, though a district registrar is listed, the document alleged to be Assange’s birth certificate doesn’t appear to have been officially signed by a presiding court magistrate.
Taking these anomalies into consideration, for all intents and purposes, the birth certificate alleged to be associated with “Julian Assange” is a fake. By virtue of his close association with the intelligence-connected principals surrounding Assange, John Shipton, alleged to have separated from Assange’s reported mother Christine before he was born, is undoubtedly a CIA operative, a Jesuit-trained spook. After divorcing her second husband Brett Assange, Christine Hawkins was remarried to a man named Lief Meynell (AKA Hamilton) who, according to Wikipedia, Assange once described as “a member of an Australian cult” called ‘The Family’. Headquartered in Melbourne, Australia where, perhaps not so coincidentally, the only known legal address for “Julian Assange” is listed as a PO box at Melbourne University, ‘The Family’ became notorious for acquiring infants and young children, obtained through what Wikipedia describes as “illegal adoptions arranged by lawyers, doctors, and social workers who could bypass normal protocols.”
Documented evidence exists demonstrating CIA is actively involved in not only international narcotics trafficking but also child trafficking.
Detailing how exactly ‘The Family’ conducted its illegal child trafficking business, Wikipedia also reveals that “the children’s identities were changed using false birth certificates or deed polls.”
Regarding Brett Assange, Wikipedia reports, “When Julian was a year old his mother married Brett Assange, an actor with whom she {Christine} ran a small theater company and whom Julian Assange regards as his father (choosing Assange as his surname).”
In other words, both Christine and the man “Julian” came to regard as his father were professional thespians or actors.
But in addition to the problems with Assange’s birth certificate and the fact his parents were actors, closer examination of the only known picture of Christine Hawkins with baby Julian reveals it to be a photoshopped modification. In fact, the infant child purported to be Julian’s baby brother observed in the first image posted in succession immediately below, appears to be the same small child perched atop Christine’s shoulders – alleged to be baby Julian – in the following image while wearing the identical red colored infant apparel. Not only that, but, while having noticed the odd blue splotches on the horseback riding child’s face, it appears that one of CIA’s desk-ridden goofs at Langley got more than a little careless with the photoshop brush. Also, taking into account the child’s infant head appears overly large in the first image, it seems to have been badly cut, cropped from another photo and hastily pasted in.
The following series of images features “Julian Assange” posed with the woman alleged to be his spouse, Stella Moris, who isn’t at all who she claims to be. Further investigation indicates that “Stella Moris” is a pseudonym for Sara Gonzalez Devant, employed by Jeanne Sauve Foundation. The Sauve foundation was founded by and named after Jeanne Sauve, the first woman to be named Governor General of Canada, a prestigious political position appointed by the sitting British monarch of the House of Saxe-Coburg-Gotha (AKA Windsor/Hanover/Rothschild/Rockefeller).
According to the foundation’s website at jeannesauve.org, Devant’s mentor is Steven M. Seideman, an International Affairs Fellow at Council on Foreign Relations and U.S. Department of Defense operative. As has been pointed out in previous articles, CFR is merely a front for the Vatican Jesuit’s Society of Jesus, a military organization which is not only in control of Vatican City, but also in control of the US military/industrial complex and CIA.
While examining the first image posted below, everyone will immediately notice Assange’s dangling right hand appears mangled, and perhaps even missing a finger. Notice too, the odd tapering, narrowing of his upper torso as it extends upward from his waist. Added to these anomalies, Assange’s neckline appears strangely compressed, out of proportion to his head, which appears, as was identified to be the case with one of the preceding images, to have been cropped, pasted on. In fact, if examined even closer, it appears both figures – Assange and his alleged spouse, Stella Moris – have been cut, cropped from separate images and painted and pasted together onto the background of yet another photo. In other words, the image observed immediately below is a photoshopped hoax utilizing the power of suggestion to promote the public perception that Assange and Stella Moris are a happily married couple.
There are problems with the next set of images as well.
While looking more closely at Assange’s neck, chin, and jawline in the first image in succession, those portions of the facial geometry appear to have been painted or raked with a photo shop brush and, once again, the head appears to have been cropped and pasted. As well, part of Assange’s forearm seems to oddly disappear. In the next image, the color gradience of the respective backgrounds are disparately inconsistent. On the right side where Assange is posed, the background is darker, while on the left, Stella Moris’s background is lighter. Also, Assange’s left shoulder appears disproportionate in dimensional comparison to that of his right. In the final analysis, to judge from the identification of such anomalies alone, one could definitively conclude that in both cases, “Julian Assange”, Stella Moris (AKA Sara Gonzalez Devant) have been cut from varying photographs and pasted together within the spatial dimensions of a single image.
COURAGE FOUNDATION
Investigation into the Courage Foundation, the international legal defense fund for ‘whistleblowers’/’journalists’ based in Germany, UK, and the US uncovered a virtual rogue’s gallery of names with connections to Hollywood film making, acting and to the British royal family as well as links to British intelligence. In addition to supporting the legal defense of “Julian Assange”, the foundation also acted in support of Bradley Manning, identified as an intelligence-controlled media-generated fabricated character scheme portrayed by Crown Prince Frederick of Denmark (AKA Pete Buttigieg).
SEE: Mayor Pete is a Royal Impostor
One of the Courage Foundation’s founders, Gavin MacFadyen, was a film maker and actor with ties to renowned Hollywood/television director Michael Mann who, in addition to having directed a number of notable Hollywood box office hits over the decades, is perhaps best known for having directed the crime drama television series Miami Vice during the 1980’s. In addition to having directed various documentaries, MacFadyen starred in Thief, a film production directed in 1981 by Mann.
More significantly, MacFadyen has connections to the City of London’s Crown Temple.
MacFadyen was director of the Center for Investigative Journalism at Goldsmiths, University of London, a constituent research university founded in 1891 by the Worshipful Company of Goldsmiths, a royally chartered guild for the goldsmith trade and livery company operating within the City of London’s Crown Temple (AKA one square mile). The company has operated since the twelfth century and received its royal charter in 1327. Today, the Worshipful Company of Goldsmiths ranks fifth in precedence among the City of London’s livery companies.
During the late 1960’s, MacFadyen founded a documentary film group to chronicle the political turmoil in the United States for the BBC (AKA British intelligence/MI7). Some of MacFadyen’s work included filming anti-Vietnam war protests, race riots, and the riots at the Democratic Convention in Chicago in 1968, all of which were theatrically staged events designed and controlled by CIA for televised mass public consumption to discredit the concept of protest against the State. During this era, while CIA was overseeing the manufactured socio-political counterculture movement in America with covert controlled-opposition intelligence assets such as Harvard’s Timothy Leary (AKA Hugh Hefner/Pat Boone/fake NASA astronaut and Florida senator Bill Nelson), proselytizing LSD guru and the hidden father of Hollywood actor Charlie Sheen (AKA Doctor Oz/Corey Feldman), simultaneously, the CIA/KGB were secretly cooperating to secure profitable control of the heroin trade/trafficking routes in Southeast Asia and deploying Daniel Ellsberg, covert intelligence asset and former trustee of Courage Foundation connected to both “Julian Assange”, “Bradley Manning”, to leak the bogus Pentagon Papers to the MSM to distract the American public from the Jesuit CIA’s geopolitical shenanigans, illegal narcotics trafficking.
Annie Machon – an alleged ‘whistleblower’ and former MI5 British intelligence officer – is also connected to the Courage Foundation and to David Shayler who, in turn, also formerly worked for MI5. Like Bradley Manning now known as ‘Chelsea,’ (AKA Crown Prince Frederick of Denmark), Shayler now claims to have switched genders and calls himself ‘Dolores Kane’. Given that CIA controls all socio-political messaging/propaganda aired by the MSM in the US, with British intelligence – MI5, MI6, MI7 (AKA BBC) – performing, executing the same operations in the UK, it is not surprising to discover promotion of the LGBTQ+ agenda as a narrative subtext involved with the ongoing “Julian Assange” psychological operation, an agenda aligned with the global depopulation targets outlined in the UN’s Agenda 2030/2050 and its seventeen ‘sustainability’ goals.
Before her recent death, Vivienne Westwood, a noted British fashion designer with connections to the British royal family, was also involved with the Courage Foundation as a former trustee. Westwood is credited with being largely responsible for bringing modern punk and new wave fashions into the mainstream and, for these efforts, she was awarded the title of Dame by the British royal family and inducted into the Most Excellent Order of the British Empire. Dame Westwood also had a long-standing business relationship with Malcolm McClaren, with who she once co-owned/operated a punk rock fashion boutique located at King’s Road in London dubbed ‘Sex’. As legend would have it, the boutique became the hub of the British punk rock scene in the late 1970’s and launched the brief but influential music industry career of the Sex Pistols, a group which McClaren managed. Not surprisingly, Dame Westwood was also responsible for the creation of ‘Pussy Riot’, an all-female ensemble of Marxist/feminist punk rock musicians/performance artists designed to target the youth demographic inhabiting Russia, much as the Sex Pistols had done in the UK decades before, selling half-baked ideas of fake rebellion, fraudulent revolution.
The Sex Pistols’ recording label, EMI, is controlled by British intelligence and dialed in with London’s Tavistock Institute of Human Relations, a think tank/psychological operations unit which not only created and oversaw the development of the cultural phenomenon known as the Beatles but exists as a grand intelligence operation formerly known as Wellington House, dubbed the ‘Lie Factory’, founded by and connected to both British MI5 and former British PM Winston Churchill (AKA Alistair Crowley).
From a conceptual standpoint, the artificially created British punk rock scene succeeded in not only creating a profitable fashion and music industry market that would later be repackaged as ‘new wave’ and exploited by masonic MTV, but succeeded in promoting nihilistic, solipsistic, and destructive behaviors as fashionable and socially acceptable to callow, impressionable generations then coming of age, both in the UK and in America. In essence, the punk rock scene which Dame Westwood – a former trustee of Assange’s Courage Foundation – helped to create as a covert asset of British intelligence was designed as a demoralizing psychological operation, molding entire generations of youth into passive, apathetic, mindless consumers of tasteless fashion trends, disposable popular music formulas, destructive behavioral patterns which, once turned into addictive habits, entrapped, transformed population groups into acutely malleable conformists dependent solely upon the guidance, authority offered by the prevailing governing State.
Now, with the emergence of ‘whistleblower’ “Julian Assange”, those same generations now reaching the autumn of their lives are being psychologically conditioned to accept the idea that social or political dissent is an intolerable exercise in futility and will only result in ostracization from society, criminal incarceration, and branding as an enemy of the State.
PROGRESSIVE INTERNATIONAL
Progressive International claims to consist of progressively minded political activists and organizations including the Marxist/feminist Code Pink and climate change political action group Sunrise Movement. While taking a look at the websites of the aforementioned organizations, one couldn’t help but notice that every one of their stated objectives mirrored those articulated by the seventeen sustainability goals of the UN’s Agenda 2030/2050. Beginning in 2020, delegates representing various factions of Progressive International hosted a series of meetings called Belmarsh Tribunals in support of “Julian Assange”. One of these meetings was convened on the 20th of January in 2023 in Washington D.C. The event was hosted by Democracy Now’s Amy Goodman (AKA Ann Margaret/Janis Joplin/Gloria Steinem) – SEE: MSM’s Climate Propaganda up in Flame – and attended by classic rock legend Roger Waters who performed Pink Floyd’s ‘Wish You Were Here’ in tribute to “Julian Assange”. Given that Roger Waters – SEE: Another Brick in the Wall for CNN – has proved to be a repeat perpetrator of Post-Modern Reality Simulation, his performance of that particular song at the end of the tribunal’s proceedings represented a malicious mockery of Assange’s painfully deceived supporters.
Turns out, both Waters and Assange are inextricably linked.
Both are media-generated fabricated character schemes portrayed by the identical host actor (live-action role player). As was detailed in the article at the link posted above, Roger Waters is a character modification of Hollywood actor Richard Gere who, in turn, also portrays CNN news anchor Anderson Cooper. Cooper – as most everyone frequenting this site is surely by now well aware – is documented on record as having admitted he worked for CIA.
Vanderbilt oligarch heir Anderson Cooper worked at CIA in college
Below: Roger Waters, Richard Gere
![OIP (10)[5786]](https://i0.wp.com/worldnewsspell.com/wp-content/uploads/2022/08/OIP-105786.jpg?resize=332%2C206&ssl=1)
Below: Roger Waters, Anderson Cooper
More comprehensively, the familiar media image known as “Julian Assange” was created using a specialized form of computer-generated digital image enhancement/modification – called artificial intelligence de-aging technology – which allows older actors to play younger characters. The strategic application of this technology allowed Hollywood actor Richard Gere (AKA Roger Waters/Anderson Cooper) to modify into “Assange”. Serendipitously, the standard utilization of this technology in Hollywood coincided with Assange’s emergence on the world’s stage.
SEE: https://www.cbc.ca/news/entertainment/digital-de-aging-1.5397657
De-aging is a 3D effect technology utilized to make an older actor look younger. In essence, applications of this technology are tantamount to digital makeup, allowing the older image of an actor to be made over into a more youthful appearance. Performed, applied either in real-time or during post-production by editing a digital image or applying computer-generated imagery (CGI) overlays or touch-ups to the necessary images, this technology facilitates what is essentially comparable to a computer facelift, allowing portions of the actor’s facial geometry – chin, cheekbones, ears and nose, for example – to be reduced, shaped, and drawn more cleanly, clearly.
COOPER=ASSANGE
“Julian Assange” is a computer-generated character modification of CNN news anchor Anderson Cooper (AKA Richard Gere/Roger Waters). While making ocular comparisons between the pair of images below, everyone can observe the similar if not identical facial geometric features – those encircled in red marker – between Anderson Cooper and Julian Assange. The epidermal landmarks appearing on the respective foreheads featured in the pair of images of CNN’s Anderson Cooper and Julian Assange posted below are identically aligned and structured. As can also be observed, the top portions of the respective lips are structurally identical, while another identically located, structured epidermal landmark or scar can be seen drawing just under the bottom portion. Both Richard Gere and Roger Waters have this same epidermal landmark drawing just under the bottom lip as well.
Ear biometric, facial recognition comparison analysis confirm that “Assange” and CNN’s Anderson Cooper (AKA Richard Gere/Roger Waters) are one and the same.
