Hollywood’s Made-for-Television ‘Terrorist’

Hollywood’s Made-for-Television ‘Terrorist’

In the hands of those who govern, a comprehensive understanding of the human mind, how it perceives, interprets experiences can become a most useful tool. In the hands of a tyrannical government with totalitarian designs, such knowledge, when used strategically, can be utilized as a weapon far more powerful, effective, and perhaps even more destructive than any gun, bomb, or missile. During the Roman imperial era, the ruling Caesars realized that, over the long term, a meticulously well-planned psychological warfare campaign was more effective and less costly in maintaining control over populations than having to rely upon the loyalties of occupying legions of armies.

In our modern era, this same sort of knowledge is still highly valued by those inhabiting the halls of governance.

When it comes to successfully executing psychological warfare upon population groups, those who govern today have distinct advantages over Roman emperors of old: exclusive access to the MSM (mainstream media) while social media platforms, acting as augmenting propaganda organs, are programmed to influence, manufacture public, political consensus.

Properly weaponized with a combination of verbal priming, neuro-linguistic programming, emotional, dramatic emphasis, and when exposure is broadened to maximum saturation levels while reinforced by repetition, the MSM’s prevailing ‘news’ narratives have the capability to not only capture and to hold the attentions of intended audiences, but to destabilize, immobilize, and to reshape, mold hearts and minds among the general public into any desired formulation.

Seized, galvanized by emotional hysteria, ridden with psychological demoralization, the public’s powers of rational discernment are compromised, disabled. Rendered psychologically, emotionally vulnerable, the public is left unequipped to comprehend that its thoughts, subsequently adopted behaviors have been sufficiently altered, transformed towards embracing the ulterior objectives of the MSM’s propagandists.

Lately, of course, the American public’s malleable attentions have been held captive, dominated by the ongoing ‘war’ in Gaza, Palestine, and with the accompanying ‘protests’ which have appeared to spring up on college campuses.

As was pointed out in a previously published article – Middle East’s War Simulation Spectacle – the ‘war’ alleged to be taking place in Gaza, Palestine is nothing more than a stage-managed, televised simulation, a psychological operation replete with actors and Hollywood-styled props, a grandly conceived smokescreen contrived to hide ulterior objectives which are, namely, the ongoing global implementation of the UN’s Agenda 2030/2050 and its seventeen ‘sustainability goals’ – goals which run counter to the specific economic interests of American citizens among the working and middle classes and to the interests of humanity in general. Added to more information which supports these findings, later, the true identity of a prime perpetrator in Gaza’s war charade shall be revealed.

Turns out, an alleged former leader of Mossad-created Palestinian ‘terror’ group Hamas – “Khaled Mashal” – is a renowned Hollywood actor in disguise.

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A Partridge & the Prince of Darkness

A Partridge & the Prince of Darkness

It is generally believed, by musicians seeking to become stars while wallowing in obscurity and popular music fans alike, that Hollywood music industry executives remain busy constantly scouring nightclubs from coast to coast looking for the ‘next big thing’.

But this widely held belief is a fallacy. Nothing could be further from the truth. The renowned stars with which popular music fans have become most familiar have proved to be sons and daughters of either industry legends, corporate entertainment executives, or the family offspring of those who own the record companies, oftentimes child prodigies who’ve been well trained at the finest performing arts schools to master their specialized trade. After being signed to a contract with a major corporate recording label and becoming designated as a priority project, such artists are instantly surrounded by what is tantamount to an efficient brain trust, consisting of premiere record producers, song writers and arrangers – termed ‘song doctors’ in the industry – top-notch sound engineers, wardrobe and makeup specialists, attorneys, managers, and booking agents. 

Since its inception, the Hollywood music industry promotes from within, and those promotions are often based on nepotism. As has been discovered to be the case with contracted assets performing in professional sports – SEE: NFL’s Touchdown Tom Not So Terrific – likewise, popular, profitable assets with successful resumes contracted for employment in the Jesuit and US military/industrial complex-controlled Hollywood music and entertainment industry are routinely recycled into new identities.

Once media marketed entertainment images prove popular with particular audience demographics, to exploit the profitability of new commercial markets, actors or assets working under contract are often cleverly outfitted with sparkling new images, as well as carefully crafted pseudonyms designed for commercial appeal to targeted markets.

In essence, once recycled into new identities and images, Hollywood entertainment industry assets become perpetrators of Post-Modern Reality Simulation designed with the ulterior purpose of promoting social engineering, and with the deliverance of behavioral programming and media messaging. The execution of such operations is directed from the top down by the Jesuit’s Society of Jesus in control of Vatican City in Rome, overseen by military psychological operations units in cooperation with US and British intelligence, while the emotional, behavioral reactions of targeted population demographics are meticulously monitored by organizations such as Tavistock Institute of Human Relations in London. Such psychological operations prove beneficial to the City of London’s Crown Temple and Swiss banking consortium and their hegemonic maintenance of population centers and the global status quo.

Ironically, while rock music has sold successive generations on the idea of liberating rebellion, they’ve been covertly programmed for enslaving conformity.

Turns out, a pair of intelligence-controlled Hollywood music entertainment assets, perpetrators of Post-Modern Reality Simulation, pose as this article’s featured subjects: “Ozzy Osbourne” and “Randy Roads”.

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More extensive investigation indicates and in fact confirms that both of these legendary rock stars were previously known by other famous monikers. One of them was formerly known as a member of perhaps the most famous pop group of the 1960’s, a star who also became known – under another name – as perhaps one of that decade’s most prominent, well-respected, and influential pop musicians and instrumentalists, while the other, before assuming the identity of heavy metal rock guitar god “Randy Roads”, was a 1970’s teen idol cast in the television sitcom “The Partridge Family.” Now, today, this former ‘Partridge’ stars as a podcast sidekick for one of the alternative media’s most influential and well-known figures.

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Homeland Insecurity Directed by Hollywood

Homeland Insecurity Directed by Hollywood

Behind the facade, the lie contained in every media image, a deeper, darker truth remains hidden. Many of the personalities presented by the MSM and even the “alternative” media to the general public, especially regarding those occupying high-profile government positions, are not at all who they appear or claim to be.

Alejandro Mayorkas, current director of Homeland Security, which is merely a public relations front for CIA and the Jesuit Society of Jesus’s international intelligence octopus, claims to be the offspring of Cuban immigrants who escaped oppressive tyranny and came to the US for a better life. Mayorkas’s official biography reflects an all-too-familiar template which, through deeper investigation, has been observed time and again. This particular biographical template – of the Horatio Alger variety – not only smacks of propaganda, reflecting the shopworn and tattered myth of the “American Dream”, but of one belonging to and carefully crafted for a media generated fabricated character scheme portrayed by a well-known Hollywood actor.

This particular Hollywood actor – Bezos Bunk Now Completely Exposed – is a serial perpetrator of Post-Modern Reality Simulation and has also been identified as the live-action role player in portrayal of, yet another high-profile MSM promoted figure, former Amazon chief “Jeff Bezos”, whose own official biography nearly mirrors that of the current but embattled Homeland Security director “Alejandro Mayorkas”. A telltale sign that the narrative of Bezos’s biography may have been merely tweaked or customized by Jesuit-controlled CIA intelligence handlers to fit certain storyline specifications designed for “Alejandro Mayorkas”.

“Mayorkas” is a Jesuit-trained intelligence asset, educated at Loyola Marymount University, a private research institution located in Playa Vista, California which was named after the legendary mercenary warrior reputed to have been the founder of the military-styled Jesuit order in control of Vatican City at Rome.

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MSM’s ‘Climate’ Propaganda up in Flame

MSM’s ‘Climate’ Propaganda up in Flame

The rumors of one’s demise have been greatly exaggerated.

In fact, one’s investigation into the recent Hawaiin “wildfires”, alleged to have caused widespread destruction in Lahaina, located in Maui County, took much longer than was expected.

As everyone shall discover, one’s investigative results exist in sharp contrast with the consensus conclusions offered to the public by both the MSM and “alternative” media.

Concerning the MSM, their feeble attempts in using the Hawaiin “wildfires” to promote the “climate change” agenda frankly reflects acute desperation. On the other hand, as if behaving on auto-cue, those counted among the “alternative” media immediately reached the consensus that those same disastrous “wildfires” alleged to have destroyed the township of Lahaina on the 8th of August were the result of some sort of well-coordinated directed energy weapon attack. This consensus seemed eerily familiar, when in the wake of September 11, 2001, “experts” began insisting the WTC towers and adjacent Building #7 were brought down with similar weapons. But as has been demonstrated on this site, the destruction of WTC and Building #7 were traditional controlled demolitions sold to the public as “terror” attacks. The “planes” which the MSM reported had been “hijacked” then struck the WTC towers were computer generated, added into the MSM news footage during post-production with video morphing/compositing/CGI augmentation techniques.

In this regard, it turns out, the recent “wildfire” event in Lahaina and September 11, 2001, have much in common.

Nevertheless, as usual, one couldn’t help but notice, those who dared utter an opinion in the wake of the “wildfires” which deviated even slightly with the predominating consensus regurgitated either by the MSM or “alternative” media were roundly denounced as heretics then summarily burned at the stake.

One expects the reaction to the following conclusions published in this article will prove comparatively hostile.

So be it.

Whichever premise one is more likely to lend predominate credence, it became clear that neither the MSM nor the “alternative” media bothered to investigate or identify the genuine perpetrators or to investigate their possible motives. Had they done so, they would have discovered that Hawaii, or more specifically, Hawaii County, has been an active member of I.C.L.E.I (International Council on Local Environmental Initiatives) since 2013, an NGO (Non-Government Organization) connected to the UN and it’s seventeen “sustainability” goals which, due to the alleged “threat” of “climate change”, involves the global establishment of “smart” cities or human resource habitats. Nor – to the best of one’s knowledge – has anyone among either the MSM or “alternative” media yet bothered to cite the role played by tech billionaire and Oracle CEO Larry Ellison, who, according to Wikipedia and other mainstream sources, is the principal owner of Hawaii’s island of Lanai, which is part of Maui County where the “wildfires” were alleged to have wreaked havoc and mass devastation.

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Oracle – a Jesuit/CIA controlled corporate entity – is involved in advancing the rapid development, deployment of cloud computing, the type of technology that is sure to play a major role in the establishment of the UN’s digital surveillance/communications “smart” grid, both globally and in Hawaii. As for Oracle co-founder/CEO “Larry Ellison”, deeper investigation demonstrated he is not who the MSM claims him to be.

Rather, “Larry Ellison” has proved to be another media generated fabricated character scheme, a front for the Jesuit controlled CIA intelligence apparatus/military/industrial complex, portrayed by a familiar Hollywood actor who not only played a prominent role in executing the OJ Simpson trial simulation, but, as well, has connections to a “dead” Australian rock star.

Continue reading “MSM’s ‘Climate’ Propaganda up in Flame”

Infamous Hollywood Liars Busted

Infamous Hollywood Liars Busted

The MSM wants to ensure that “official” narratives concerning certain high-profile news events cannot be questioned. They want to ensure that the general public is convinced that questioning, or even addressing these certain news narratives in any manner which deviates from the “official” consensus is socially unacceptable.

Perhaps even criminal.

Such extreme measures indicate that MSM news executives have reached an acute state of desperation over their dwindling influence with the American general public.

But since the MSM isn’t interested in the pursuit of journalism, one of their recent responses to this degenerative state of affairs was choosing to concoct another news event – a deliberately staged trial simulation – with the intention of promulgating malicious propaganda. The star of this show was CIA controlled opposition “alternative” media icon “Alex Jones”. Reportedly, Jones was found guilty of defamation charges and subsequently fined a substantial monetary sum for having questioned the “official” MSM narrative of the “shooting” alleged to have taken place at Sandy Hook Elementary back in 2012.

But one shouldn’t waste needless pity for “Alex Jones”.

While having been identified as a fabricated character scheme portrayed by a well-hidden European noble, “Jones” (AKA Prince Gustav of Sayn Wittgenstein Berleburg) was merely acting out his scripted role as part of a well-planned but transparently ill-conceived psychological operation. Which means “Alex Jones”, while working at the behest of his CIA/Jesuit intelligence masters, and even while appearing to be put under legal oath, knew he could never tell the public the truth about his fellow Jesuit controlled Hollywood intelligence operatives, about the experienced Hollywood actors/directors who were cast in major roles – “Gene Rosen”, “Doctor H. Wayne Carver II” – to help execute the mass casualty simulation event/psychological operation staged at Sandy Hook Elementary over one decade ago.

Below: Gene Rosen, Doctor H. Wayne Carver

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SEE: Bankman-Fried Trial Judge Royal Impostor

Nancy Pelosi Gets Nailed Once Again

While the Hollywood actor/director identified in portrayal of Sandy Hook’s “Gene Rosen” is comparatively less well known to the public, the identity of the host actor cast in portrayal of “Doctor H. Wayne Carver” is certainly better recognized. As everyone shall soon observe, the latter Hollywood actor/director also portrays climate change guru “Al Gore” and former CDC (Center for Disease Control) director “Doctor Robert Redfield”.

Regie

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Exposing “Doctor” Fetzer’s Grand Deception

Exposing “Doctor” Fetzer’s Grand Deception

The slaughtering of sacred cows is never popular. But so be it. For the last two decades, “Doctor James Fetzer” has been one of the most influential and premiere figures in the “alternative” media.

Shortly after the events of September 11, 2001, while appearing to be professionally well-credentialed as a published academic, Fetzer came to the public’s attention as an authoritative figure, unabashedly armed with perspectives and opinions which sharply contrasted to the MSM’s “official” narratives.

To this day, Fetzer’s iconic status in the “alternative media”, despite most recently being embroiled in the Sandy Hook controversy, has remained virtually untouched, his sterling reputation largely unsullied. But as many may have no doubt already surmised, that is about to quickly change. In the case of the esteemed “Doctor James Fetzer” – like “Alex Jones”, “Max Igan” – glittering appearances can prove to be most deceiving.

SEE: Mad Max the Duke of Doom

Behind Fetzer’s carefully crafted mask – a customized mask modified from yet another high-profile character, a popular U.S. senator, which was portrayed by Fetzer’s host actor – lurks a vastly experienced intelligence trained operator, Hollywood actor with connections to the U.S. military/industrial complex, and to both BNY Mellon bank and Carnegie Foundation headquartered in New York City. Indeed, Fetzer’s career as a serial perpetrator of Post-Modern Reality Simulation has spanned several decades.

Not only that, but “Gary King”, the side kick with whom Fetzer is often seen working during his podcasts, was a former Hollywood music industry teen idol and television star who faked his death.

In fact, “Gary King” is the hidden son of Fetzer’s Hollywood live-action role player, the long-time spouse of the Hollywood actress who portrays “Hillary Clinton”. Upon further investigation, this Hollywood actress was also known as “Barbara Olson”, the conservative talk show hostess who was alleged to have perished on the ill-fated flight of American Airlines 77 which reportedly “crashed” into the Pentagon on September 11, 2001.

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Merv Griffin’s Menagerie of Misdeeds

Merv Griffin’s Menagerie of Misdeeds

Over the decades, since the advent of the television medium, mainstream television talk show productions and those cast as their hosts have both played important roles in so far as the application, execution of mass societal behavioral modification, social engineering, the manufacture of social, political consensus, and population perception management.

Quite unexpectedly, while performing research for a recently published article, one happened upon a pair of audio/visual excerpts from The Merv Griffin Show, a popular prime time Hollywood celebrity-oriented talk fest broadcasted during the eras of the 1970’s and early 1980’s. On the surface, though Merv’s show seemed rather dull, filled with the usual mundane and rather trivial talk show fare, nevertheless, selections of banter between Griffin and some of his selected guests proved rather interesting, if not wholly revealing.

Merv Griffin during Broadcasting & Cable Hall of Fame – November 7, 1994 at Marriott Marquis Hotel in New York City, New York, United States. (Photo by Ron Galella, Ltd./Ron Galella Collection via Getty Images)

In the first video excerpt encountered, Griffin was interviewing the “late” Sharon Tate, alleged to have been murdered by “Charles Manson” (AKA Hollywood executive David Geffen). The second excerpt – and perhaps just as intriguing – featured Griffin interviewing Barry and Robin Gibb, members of the Bee Gees, a formerly popular 1970’s disco era pop music group.

Below from L to R: Robin Gibb, Barry Gibb

As everyone shall shortly observe, in the first video excerpt, while Griffin and Tate are walking down Carnaby Street in London, England, they are suddenly approached by Hollywood actor Hugh O’Brien. An encounter which, although made to appear spontaneous, was undoubtedly well-planned, tightly scripted. It also became apparent that, concerning the affectations of social sophistication and airy demeanor demonstrated by the show’s host, Griffin was a highly skilled thespian putting on a performance. In addition, one developed an intuition that “Merv Griffin” seemed rather familiar.

After exchanging introductory formalities with O’Brien – at approximately 2:53 in the video posted directly above – Griffin makes an eye-opening quip concerning the CIA. Later, during the interview segment of Griffin’s program, Tate reveals that not only is her father employed by Army intelligence and is stationed in Vietnam, but that she was also born in Dallas, Texas. Of course, Dallas, Texas served as the movie set for the staged “assassination” of U.S. president “John Fitzgerald Kennedy” (AKA Hollywood actor Dennis Hopper) filmed by “Abraham Zapruder” (AKA Walt Disney). Tate also mentions her new film – Vampire Killers – which was directed by Roman Polanski who Tate would later wed. It turns out that “Merv Griffin” has connections to both “Roman Polanski” and to Dallas, Texas, specifically Dealy Plaza.

SEE: JFK Hoax Executed by Wizards of Oz

In fact, not only did further, deeper investigation reveal that the “late” “Merv Griffin” was a fabricated character scheme, a manufactured mainstream television persona behind which lurked a most familiar live-action role player, but, in the case of the Bee Gees, both Robin and Barry Gibb, respectively, have connections to legendary popular music groups – both to the Beatles and to Led Zeppelin. Continue reading “Merv Griffin’s Menagerie of Misdeeds”

Dice Man Sold Down the River

Dice Man Sold Down the River

Throughout the course of their lives, people often exercise a primal psychological penchant in looking for gurus, saviors, and heroic figures, for role models to admire. Or – at the very least – demonstrated a tendency to put their trust in those appearing to be advocates for their particular vested interests. Through what appear to be the legendary and even romantic exploits of popular heroes, celebrities – especially those of the type actively promoted by both MSM and “alternative” media sources – many seem to have chosen to live vicariously. This end result underscores a primary objective of psychological warfare.

Below: Mark Dice

Over the decades, like any other commercial product, arrays of media driven personas or cults of personality, prepackaged in bright colors like TV dinners, have been made available for the public to consume. But what ultimate cost is borne by those content in choosing to become followers, mere spectators?

While naively believing these adopted and cherished heroes are intent on saving them from threats real or imagined, they have surrendered the power of their own free will and, in so doing, also surrendered the power to control their own destinies. While content in believing someone is fighting for their interests, they remain inert, pacified, targets for social and political manipulations.

But when such designated heroes, while cloaked in the mantle of authority, prove to be inauthentic or even villains in disguise, it is often far too late for loyal followers and cheering spectators, thrown into a morass of confusion, demoralization, in realizing they’ve also chosen helpless victimhood, witnesses to their own self-destruction.

Despite the recent wholesale purge of independent content creators from its platform for often unspecified and ambiguously described “violations” of “community standards”, “Mark Dice” still inexplicably reigns as an alternative media kingpin on You Tube and other popular audio-visual content platforms.

But is that state of affairs really so inexplicable?

As shall shortly be revealed in greater detail, there are very good reasons as to why “Mark Dice” has not only weathered the storm and survived, but even continued to profitably thrive. In depth investigation has uncovered Dice’s connection to not only The Walt Disney Company and to Hollywood’s CIA-controlled media/entertainment complex, but to a formerly celebrated Hollywood actor, one who’s supposed to have died during the era of the 1990’s.

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Saint Russert Toppled from MSM’s Pedestal

Saint Russert Toppled from MSM’s Pedestal

The memory of the “late” Tim Russert, formerly host of the MSM’s vaunted political showcase Meet the Press, has been unanimously anointed into sainthood by his surviving contemporary colleagues in the field of professional “journalism” (AKA propaganda distribution). Recently, one came upon a video excerpt – a slickly produced MSM tribute – which resembled a most sickening panegyric, what amounted to sycophantic encomium. After watching it, one would have thought the MSM was memorializing the death of a monarch or even a pope.

Below: Tim Russert

While the video depicts Russert as some sort of pillar of journalistic virtue beyond reproach, the MSM’s holy man delivering providential tablets down from Mount Siani’s summit, in depth investigation has uncovered he was quite the opposite – a prevaricating charlatan, a hammy actor garbed in priestly moral virtue. An operative under the thumb of Jesuit-controlled CIA which, in turn, for decades, has controlled the MSM’s “official” and prevailing narratives.

As shall be shortly detailed further, the first clue something was awry with Russert’s tribute video: it featured a cloyingly sentimental introduction from none other than former MSM anchorman “Brian Williams” (AKA Prince Stefano Casiraghi Grimaldi of Monaco).

As has been previously pointed out; “Brian Williams” wouldn’t recognize the truth if it struck him like a bolt of lightning. Among slews of transparent lies he’s told during the course of his notorious career, most notably, there is Williams’s false claim about a “helicopter attack” while reporting on the Iraq war.

See: https://www.vanityfair.com/news/2015/02/brian-williams-apology-helicopter

Regarding Williams’s true identity, the American public has yet to figure out they’ve been played for fools by a “dead” (Stefano Casiraghi was alleged to have perished in a boating accident off the coast of France) European royal who, on several occasions under various fabricated identities, has covertly but theatrically portrayed the role of presidential ringleader in an ideologically divisive political circus. Over the decades, several MSM sources have admitted, even confirmed that, almost without exception, U.S. presidents have descended from European royalty.

SEE: FDR: America’s Royal Hollywood Fraud

https://abcnews.go.com/international/story?id=82279&page=1

Below: Brian Williams, Prince Stefano Casiraghi Grimaldi, Donald Trump, Joe Biden

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As one will attempt to demonstrate, not only does the “late” “Tim Russert” have an intimate connection with the fabricated MSM character scheme known as “Phil Donahue”, but both were also fabricated characters modified from and portrayed by the identical host actor (live-action role player), a British thespian/Hollywood movie star knighted by Queen Elizabeth II (AKA Lucille Ball). Added to this, Russert’s “widowed” spouse, “Maureen Orth”, is a fabricated character scheme modified from Donahue’s spouse, Marlo Thomas (AKA Susan Sarandon), who also portrayed television actress “Barbara Feldon”, once cast as Agent 99 in the late 1960’s spy comedy spoof Get Smart.

Continue reading “Saint Russert Toppled from MSM’s Pedestal”