The NFL’s Super Bowl Recycling Machine

That time of year – for the NFL’s annual celebration of ritual sports entertainment, the Super Bowl – has once again swiftly arrived. But the NFL and the Super Bowl are about much more than the presentation of scripted entertainment. Both were also covertly designed as socio-political and behavioral conditioning tools while the dramatic excitement of the ‘game’, particularly during the Super Bowl’s half-time extravaganza, itself conceals the unfolding of grand masonic rituals.

But has anyone never considered the derivation of the word entertainment or considered the occult significance of the term “Super Bowl”?

As for the etymology of “entertainment”, the word derives from the juxtaposition of entre (French) which emanates from Latin inter both meaning ‘together, or among’ and Latin tenere, which means ‘to hold’.

Therefore, in a literal sense, entertain means to ‘hold or support together’.

With its dazzling array of dramatically scripted spectacles and its bevy of charismatic stars, the NFL’s quality-controlled product is designed to attract and to completely seize the public’s attentions, long enough to garner massive profits, both for itself and for its business partners in the television production industry and also, of course, for its gaming/booking associates in Las Vegas.

This is why so many of the NFL’s prime time games appear as spectacularly competitive, the final outcomes of which, oftentimes, aren’t decided until the waning seconds of the final quarter. In NFL parlance, this is termed as the maintenance of league “parity”.

More intriguingly still, have any of its rabid fanatical followers never once considered that the NFL – chiefly, for the purpose(s) of increasing profits derived from advertisement and merchandising revenue, and from skyrocketing television ratings – may, from time-to-time, recycle some of its star players (fabricated character schemes portrayed by reliable actors) into new identities? 

Below: Former New York Jets star quarterback ‘Broadway’ Joe Namath

A deeper investigation into the deceptive methods of operation utilized by the NFL has revealed, the league, throughout its entire history, has been no stranger to the conceptual phenomenon of Post-Modern Reality Simulation. Imagine, too, for a moment, if you will, the throngs of duped fans needlessly expending emotional and financial energy (gambling) on professional sporting spectacles which – much like the WWF (World Wrestling Federation) – are stage-managed and scripted for maximum entertainment value and, more paramount, to maximize profitable revenues.

Perhaps even more tragically, imagine the crestfallen reaction of those same millions of fanatics, those enticed and smitten by a particular player’s intriguing biographical backstory and his exploits both on and off the field of play, if they were to ever realize their favorite athlete was essentially a highly paid thespian contracted to act under the guise of both a pseudonym and the carefully sculpted image of a fabricated character scheme?

Turns out, in the particular case of the former NFL athlete observed in the first image posted above, not only was his image recycled and repackaged into that of yet another NFL star, Joe Montana, who also played in the Super Bowl, Broadway Joe Namath’s live-action role player – a well-known Hollywood actor – also went on to assume the identity of a once popular persona in the world of pop music entertainment.

OCCULT SYMBOLISM FOUND IN SUPERBOWL LVI HALF-TIME PROMOTIONAL TRAILER

Before revealing anything further concerning the investigation into our man of the hour, the former NFL star and fabricated character scheme known as “Broadway Joe Namath”, there are some interesting elements worthy of note regarding the newly released official trailer for the Superbowl LVI half-time show, sponsored by Pepsi-Cola, which is planned to feature some of the pop music industry’s biggest stars. After giving the trailer an initial viewing, it became apparent the content of the video also featured a plethora of occult imageries as well as masonic symbolism.

As observed in the video clip displayed immediately above, the opening frames feature the symbolism of the Grand Chessboard. Traditionally, the chessboard features an array of squares which, of course, are colored in black and white. The squares of the chessboard are patterned in an identical fashion to what is observed inside of a masonic lodge, symbolizing the concept of duality, or reflective mirrored inversion. According to the hermetic/alchemic teachings of occult luminaries such as Manly P. Hall and Madame Helena Blavatsky, black can be altered into white and good into evil.

A popular music star – Doctor Dre – also appears in the opening frames of the video. He appears to be posed as the master controller of the Grand Chessboard, perhaps a symbolic representation of the thirteen, ruling elite Jesuit families (Pax Romana) who, because of their inherited legal status, are held as legally sovereign over their corporate subjects, the proletariat (persons, corporations) whom, while born into debt slavery and held in bondage inside the global economic system by virtue of their commercial bond or birth certificate, have been socially conditioned to accept their bondage through the public school curriculum, based upon rote memorization, and psychologically conditioned to accept being used and taxed for the energy of their labor.

SEE: How Crown Temple Rules America

As the video progresses, however, rap star Eminem is shown trapped inside what appears to be a simulated reality.

The metaverse, perhaps?

Everyone will also surely notice the digital letters observed in this scene are colored in both blue and red which, when combined, become the color of purple. Traditionally, from the time of ancient imperial Rome, the wearing of the color purple has been symbolic of royalty.

Could it be, the upcoming Superbowl LVI half-time show will be thematically designed around a symbolic initiation of humanity into the Age of Aquarius, the age of a global simulated reality, the Internet of Things, the blockchain digital ID/surveillance system (Covid/Certificate of vaccination/digital Identification) which, per the UN’s Agenda 2030, is now being globally implemented?

SUPER BOWL = SUPERB OWL?

The term Super Bowl, when analyzed from an occult perspective, is both a masonic and Joycean play-on-words (Super Bowl/Superb Owl). The symbolism of the owl is not only prominently displayed at Bohemian Grove, the ritual playground of the rich and powerful located deep in the red woods of California, but the owl, in an occult sense, is also known as Minverva, the Roman goddess of wisdom.

But more intriguingly, would it also surprise everyone to learn that the very man who is known as the “Father of the Super Bowl”, former NFL commissioner Pete Rozelle, was trained by the Jesuits?

Pete Rozelle, one of the NFL’s most celebrated commissioners and, along with television producer Rune Arledge, the creator of what came to be known as Monday Night Football, is known, according to an article published at sffoghorn.com, as the “Father of the Super Bowl”.

About Rozelle’s background, the article also reveals the following: “{Rozelle} graduated from the university of San Francisco in 1950.” Wikipedia confirms, San Francisco university was “founded by the Jesuits in 1855 as St. Ignatius Academy.” The article at sffoghorn.com goes on to also inform, “In 1962, Rozelle travelled to Washington D.C., and asked Congress to exempt the NFL from the Sherman Anti-Trust Act. In this way, he facilitated the combination of the terribly fragmented NFL and the newly formed AFL into one, single business. Rozelle’s next move was to convince the various team owners, like {Lamar} Hunt who owned the Kansas City Chiefs and Tex Schramm who owned the Cowboys, to cooperate. He did this by showing them the massive bargaining power they could potentially levy on the television networks, with respect to their teams’ broadcasting rights. Rozelle realized very early on professional sports were going to be big business. Rozelle had essentially created a national football cartel.”

SEE: https://sffoghorn.com/pete-rozelle-from-usf-student-publicist-to-father-of-the-super-bowl-and-beyond/

In other words, with his high-level connections to the Vatican, to the Freemasons, and to the Jesuit’s Society of Jesus, Rozelle was able to successfully maneuver and formulate a business monopoly. But Rozelle was also soon to discover the NFL’s future and profitable dominance of the corporate television markets would not resemble a primrose path. Early on during his tenure as NFL commissioner, it was also Rozelle who discovered “Broadway Joe Namath”, the star of Super Bowl III, had been indicted by a federal grand jury for his sordid associations with known gamblers and bookies, many of whom, Rozelle also learned, were rumored to be regulars at Namath’s New York night spot, Bachelors Three.

Reportedly, to quickly effect damage control, the gist of Rozelle’s ultimatum to Namath – once known to have been employed as a bookie’s ‘runner’ – was “either quit the game or sell your club.”

As seen at approximately 5:50 in the following video clip, soon after getting the stern message from the commissioner, in what appeared to be a tearful press conference, Namath elected to “quit”.

Nevertheless, Namath’s “retirement” turned out to be a colossal hoax. Like the phoenix rising from the ashes, under another name and with another team, Namath returned to the NFL and, more than once, appeared in the Super Bowl. Indeed, it is no coincidence that, upon his return to the NFL, “Broadway Joe Namath” would suit up for the San Francisco 49ers, in close proximity to the Jesuit-founded San Francisco University, a school from which NFL commissioner Pete Rozelle graduated.

It is also noteworthy that, while still playing with the Super Bowl champion New York Jets, Namath wore the number of 12 on his jersey. From the perspective of masonic duality, when subjected to the occult law of mirrored reversal, the number of 12 becomes 21 which also equals 3 7’s or 777, Alistair Crowley’s joker intelligence code. When “Broadway Joe” returned to the NFL, modified into the fabricated character scheme known as “Joe Montana”, he wore the number of 16 (8+8) which equals 2 8’s or aces and eights, the mark of the Jesuits and the occult symbolism of the double infinity loop.

SEE: https://en.m.wikipedia.org/wiki/777_and_Other_Qabalistic_Writings_of_Aleister_Crowley

Below L to R: Joe Namath, Joe Montana

After Broadway Joe’s retirement, the consensus among sports writers was solidified as nearly unanimous: career ending knee injuries. But just as with those among the MSM, the substance of such news narratives, arrived at by consensus, are never dared thoroughly questioned or even rationally scrutinized. Like NFL contests, the news is also scripted. If the official MSM narrative concerning the retirement of “Broadway Joe Namath” had been put to scrutiny, not only would it have been discovered he returned to the NFL as “Joe Montana”, but despite career ending knee injuries, the live-action role player identified in portrayal of both NFL stars was cast as a professional dancer in the late 1970’s movie Saturday Night Fever and even portrayed the role of pop star “Barry Manilow”.

Below L to R: John Travolta, Joe Namath, Barry Manilow, Joe Montana

Extensive ear biometric, facial recognition, and image comparison analysis confirms that Hollywood actor John Travolta is the host actor (live-action role player) in portrayal of “Joe Namath”, “Joe Montana”, and pop star “Barry Manilow”.

As recently as August of 2020, it was publicized that “Joe Montana” had some career advice for everyone’s favorite modern-day NFL gladiator Tom Brady.

SEE: https://www.sportscasting.com/joe-montana-delivers-critical-career-advice-to-tom-brady/

As for Brady, he was once quoted in an interview that, as a child, he witnessed Montana’s 1981 NFC championship 6-yard touchdown toss (6/3+3/33/highest degree Scottish Rite Freemasonry) on down 3rd and 3 (33) to tight end Dwight Clark with just 58 (5+8=13/13 ruling elite Jesuit families) seconds left on the 4th quarter’s game clock.

In another article to be published very soon, there will be much more revealed regarding this connection between Tom Brady and “Joe Montana” (AKA John Travolta/Joe Namath/Barry Manilow).

Turns out, Touchdown Tom and old number 16 may be more closely related than previously thought.