Does everyone recognize the man observed in the following images?
Have you seen him somewhere else before and, even perhaps, while appearing in the public’s eye under other names?
While looking much closer and, while employing keen ocular senses, there’s a chance, he may begin to seem more familiar.
Though not everyone may recognize him, this man lives the life of a chameleon, an accomplished actor on the world’s stage.
He is also a reigning sovereign, a European monarch, who has been identified as yet another high-level perpetrator of the phenomenon of Post-Modern Reality Simulation.
Shortly, he will be exposed as the host actor (live-action role player) behind the masks of several fabricated character schemes, a pair of whom happen to appear regularly as major players on the world’s stage.
One of these fabricated character schemes – as evidenced by the article’s title – is a conspicuous figure in the realm of British high-politics.
Another character, portrayed by this European royal, is known as one of the world’s wealthiest billionaires, and best-known as the owner of a famous airline.
Still yet another fabricated character scheme, synonymous to this reigning European monarch, has also starred on American television as an MSM newscaster, on a program entitled Dateline NBC.
As shall soon be proved, “Boris Johnson”, known to the general public as the Prime Minister of the UK, is a fabricated character scheme portrayed by a European royal host actor (live-action role player), one who is also genealogically related to the immediate royal family of Queen Elizabeth II and, therefore, in line for the British throne. Continue reading “Behind the Curtain of Boris’s Big Top”→
Max Igan is well-known as a popular figure in the so-called alternative news community.
Like David Icke, and others of a similar ilk, Igan has appeared to research, as well as publish, reams of verifiable information concerning a variety of subjects relevant to the current state of geopolitical affairs.
Admittedly, Igan’s research on a wide-ranging number of topics – including the Covid-19 psychological operation – happens to be not only verifiable, but highly informative.
This fact, however, marks the establishment of a troubling conundrum.
Nevertheless, though Igan appears to be a legitimate alternative news researcher, pertinent questions – as to his legitimacy – remain.
For one, Igan – to the best of one’s knowledge – has never mentioned the Society of Jesus or the Jesuit order during any of his podcasts.
Considering the exposure of Alex Jones (AKA Gustav, seventh prince of Sayn-Wittgenstein-Berleburg) as a fabricated character scheme portrayed by a royal host actor (live-action role player), it seems entirely appropriate for everyone to wonder, or even to begin to speculate, as to the genuine and exact source of Igan’s in-depth information.
Turns out, like “Alex Jones”, “Max Igan” is a true insider (counter-intelligence/controlled opposition agent) with connections to Britain’s Defense Intelligence Agency.
As was discovered to be the case with “Alex Jones”, the information published by “Max Igan” derives straight from the source: the thirteen ruling elite Jesuit families, specifically, the royal House of Saxe-Coburg-Gotha (AKA Windsor/Rothschild/Rockefeller) and related intelligence sources.
Therefore, would everyone be surprised to learn, “Max Igan” has been discovered to be yet another fabricated character scheme, portrayed by a high-level European royal, one who is very close – in genealogical relation – to the sitting monarch of Britain, Queen Elizabeth II of the royal House of Saxe-Coburg-Gotha?
This the story of a European prince, one who is alleged to be “dead”.
Nevertheless, decades ago, during the early years of the 1960’s, this Danish prince was cast, perhaps ironically, in the annals of American history as a lowly but mafia-connected night club owner and an “assassin”.
Not more than one-half decade later, however, this Danish prince would go on to play the role of a US presidential candidate who was also “assassinated”.
Considering the concept of karma, one supposes, what goes around comes around.
Turns out, when describing the true nature of Danish Prince Henrik’s family – the royal House of Glucksberg (a royal house originating in Northern Germany) – the former description – ‘mafia-connected’ – is certainly more than appropriate.
Prince Henrik of Denmark (AKA “Jack Nicholson”/”Jack Ruby”/”Robert F. Kennedy”) is, in fact, connected to a mafia, the organized crime families we’ve come to know as the thirteen, ruling elite Jesuit families whom, since the ancient era of imperial Rome, have controlled the destiny of humanity and, as well, controlled – through the monopolization and weaponization of the MSM – what the public has been psychologically conditioned to perceive as recorded “history” and, therefore, “reality” (Post-Modern Reality Simulation).
Some time ago, while performing research into a famous Hollywood celebrity posing as a high-level American politician – one who played a key role in the execution of the Sandy Hook “massacre” psychological operation – I came upon the following video clip.
It is an excerpt from “All in the Family”, a popular television production of the 1970’s, featuring “Carrol O’Connor” and “Rob Reiner”.
Recently, this particular video excerpt became useful, for purposes of investigative reexamination.
Turns out, it yielded a stunning revelation.
Everyone will notice – in the still frame taken from the video excerpt, displayed immediately below – Reiner has positioned his hands in the formulation of the masonic pyramid, or the iron cross, the identical symbol utilized by the German National Socialists, a political philosophy which was created by the Jesuit order, whom, for centuries, have been in control of the Vatican and the international pseudo-religious cult – Scottish Rite/York Rite brotherhood/sisterhood of the Eastern Star – known as the Freemasons.
Of course, as has been proved by facial recognition, ear biometric, image comparison, and voice print analyses, “Rob Reiner” – who went on from “All in the Family” to become one of Hollywood’s most renowned and award-winning cinema directors – also starred as “Doctor Wayne Carver”, the Connecticut state medical examiner, in 2012.
Ear biometric, facial recognition, and image comparison analyses also confirm Hollywood director Rob Reiner as the host actor (live-action role player) behind the fabricated character schemes known to the public as former Connecticut chief medical examiner “Doctor Wayne Carver” and former US vice president “Al Gore”.
DOCTOR WAYNE CARVER
“Carrol O’Connor”, on the other hand, during one of the final interviews he gave before his death, left behind several clues concerning another of the fabricated character schemes his host actor – Leopold III of Belgium (AKA Bing Crosby/Adolf Hitler) – portrayed throughout the course of his long Hollywood career.
In addition to the other biographical similarities – between “Bing Crosby” and “Carrol O’Connor” – yet another clue exists in plain site: the surname of the famous television character from the era of the 1970’s – “Archie Bunker”. That fictional surname exists as a mockery to the general public and to the television viewing audience, whom remained unaware that a key clue was being divulged concerning the infamous wartime villain, “Adolf Hitler”, a fabricated character scheme once portrayed by Leopold III of Belgium.
What follows is a story about a man – an abdicated European royal and also one of Hollywood’s biggest stars during the era of the 20th century – who sold out the world to a terrifying future.
For several decades, while this man danced and sang on Hollywood’s silver screen, charming his way into America’s hearts and minds, those same admirers remained blissfully unaware of his hidden identity, the clues to which are subtly hidden in the biographical details of the various fabricated character schemes he famously portrayed.
One of the most blatant clues of this famous Hollywood entertainer’s hidden identity as a European royal stares us in the face from the frames of the following pair of images.
Leopold III of Belgium:
While everyone is performing their ocular comparisons between the previous sets of images and, perhaps, begins to wholly perceive the obvious similarities of facial geometry and the identical epidermal contours of the ears, consider also the lyrical content of a once popular song – ‘The Man Who Sold the World” – from the 1970’s, one which was both recorded and performed by one of Leopold III’s (AKA Bing Crosby) most famous relatives – David Bowie AKA Grand Duke (the thin white duke) Henri of Luxembourg.
The Man Who Sold the World:
We passed upon the stair
We spoke of was and when
He said I was his friend
Which came as a surprise
I spoke into his eyes
I thought you died alone
A long long time ago
Oh no, not me
We never lost control
You’re face to face
With the man who sold the world!
Though, upon first glance, those set of song lyrics may seem rather cryptic, nevertheless, if one knows what to look for, a key word contained within the song’s very first line – ‘stair’ – gives away the identity of yet another famous character scheme portrayed by one of Leopold’s royal relatives, Prince Louis of Bourbon-Parma (AKA Fred Astaire/Walt Disney/Al Jolson).
Both the royal host actors identified in portrayal of the Hollywood fabricated character schemes known as “Bing Crosby” and “Fred Astaire” (AKA Walt Disney/Al Jolson), it turns out, are genealogically related to the singer, David Bowie (AKA Grand Duke Henri of Luxembourg), of this particular song, ‘The Man Who Sold the World’.
Moreover, the line, “I thought you died alone”, when considered within an “official” biographical and historical context, serves as a particularly telling clue about one of the 20th century’s most infamous fabricated character schemes – Adolf Hitler – whom, as confirmed by facial recognition, ear biometric, and image comparison analysis, was portrayed by Bing Crosby (AKA Leopold III of Belgium).
Consider also, the implication of the reply given by the “Man Who Sold the World”: “Oh no, not me, WE NEVER LOST CONTROL!”
The performer of this song, David Bowie (AKA Grand Duke Henri of Luxembourg), a royal relation of both Leopold III (AKA Bing Crosby/Adolf Hitler) and Fred Astaire (AKA Prince Louis of Bourbon Parma/Walt Disney/Al Jolson) is allowing you, the listener, to become privy to a conversation which subtly reveals the hidden identities of two of his royal family relations.
David Bowie (AKA Grand Duke Henri) is also attempting to relate a historical truth which contradicts the “official” documented record regarding the alleged ill-fate of Adolf Hitler (AKA Leopold III/”Bing Crosby”).
In essence, the singer is relating that, though his royal family relation – Leopold III (AKA Bing Crosby/Adolf Hitler) – was historically rumored, at the close of WWII, to have died alone in a bunker after suicided by a poison cyanide pill, he, in fact, lived on to sing about a ‘White Christmas’, a traditional seasonal standard with which everyone is undoubtedly still familiar.
Not only that, the singer is imparting a trenchant message, addressed to both his enquirer and to the audience: Our royal family – numbered among the thirteen ruling elite Jesuit families and majority owners of the global military/industrial/media/entertainment complex – are still in complete control of the entire world and, in fact, own all of the world’s human and natural resources, a control which we shall never relinquish.
As everyone will soon observe, there are subtle but distinct synchronicities and parallels concerning the comparative details which are contained in the “official” biographical narratives of each fabricated character scheme – “Bing Crosby”, “Adolf Hitler” – relating to the European royal identified as their live-action role player, Leopold the III of Belgium.
But, when one knows what to comparatively look for, each of these narrative details, when held up to comparative and objective scrutiny, suddenly transform into surefire giveaway clues; signposts and billboards on the road to the truth.
One supposes – since the “inauguration” of the present American presidential administration – everyone has witnessed some of the recent performances of White House Press Secretary Jenn Psaki.
From the outset of her tenure as White House Press Secretary, Psaki has become infamous – as everyone can observe in the video excerpt displayed immediately below – for what has become her standard response to questions about the Biden administration’s policies: “I’ll have to circle back”.
Many, whom frequent this site, may have already surmised Psaki’s well-used response has occult and masonic significance and, as well, relates to the practice of sacred geometry.
You would be correct.
Whether intentional or not, Psaki’s “circle back” is a reference to the Ouroboros, or the snake eating it’s own tale, the cycle of death and rebirth.
Though recently, Psaki has received considerable criticism for her seeming unwillingness to comprehensively respond to direct questions posed by members of the gathered press, one had not, until only recently, viewed – as it were – Psaki in action.
When I finally did, one’s intuitive senses were immediately pricked with a sense of overwhelming familiarity.
Yes, I had, with certainty, seen her before, but long ago, long before she was known as “Jenn Psaki”.
The tone, timbre, and unique cadence of her voice, along with her curious penchant for certain distinct physical mannerisms (frequent, expressive, and often excessive hand fluttering/hair flipping), struck chords of distant memories, of an era of time during the 1980’s, when a group of young Hollywood actors, dubbed the “Brat Pack”, were seen quite frequently on the silver screen and, with great frequency, enjoyed lavish attention, both from the press and public alike.
Of course, the story of any historical revolution would not be complete without the appearance of violent mayhem and sacrificial death.
Everyone should take note to underscore that particular word: ‘appearance’.
However, as everyone whom frequents this site has learned – when it comes to considering the validity of any “news” distributed to the public by the MSM – things are never as they appear.
Although, one of these “revolutionaries”, a young woman, “Ashli Babbitt”, appeared to have been shot and killed while “storming” the capitol building with her revolutionary cohorts, she appears, upon initial investigation – to be a small-time Hollywood actress, activist, and political hack with an IMDB page and, as well, married to a man – Grant Babbitt – currently working in Hollywood’s cinema production industry.
But, as everyone shall soon discover, the story of “Ashli Babbitt” goes much deeper. “Ashli Babbitt” is a former Disney child-star and the hidden daughter of a very powerful Hollywood executive.
Upon further investigation, Babbitt turns out to have been a fabricated character scheme created under the guise of several aliases.
Subsequent investigation, into Grant Babbitt, led to a trail filled with a slew of Hollywood connections, to the doorstep of DreamWorks – one of the largest and most profitable movie studios in Hollywood – and to both David Geffen (AKA “Doctor” Anthony Fauci) and Steven Spielberg.
However, “Ashli Babbitt” wasn’t the only actor discovered to have participated in this well-scripted but badly executed MSM ruse.
Moreover, the man alleged to be the U.S. corporate government’s senate majority leader – “Mitch McConnell” – is also an actor who, by his own admission, has been cast in the role of a political masquerade for the past thirty-six years.
Everyone will readily recognize the man who stars as this fabricated character scheme’s host actor.
This is the story of a Hollywood actor whom, for a time, at least, ascended to the heights of fame and fortune.
But when one dares to look beneath such glittering Hollywood facades – as everyone whom frequents this site has learned – things are never quite what they appear to be.
Indeed, during the era of the 1980’s – as has been oftentimes said of high-profile Hollywood celebrities – Matthew Vincent Lattanzi seemed to have grasped the illusive American Dream.
Turns out, upon further and extensive investigation, Lattanzi has been a man of many faces, an actor whom, like those of his famous family members, has spent most of his life as a key participant in the phenomenon we’ve come to recognize as Post-Modern Reality Simulation.
Among other curious and fascinating details, Lattanzi is the hidden son of a former NFL superstar and Hollywood actor and, for a short time, according to “official biographers”, he was also married to one of the biggest stars of Hollywood’s music recording industry, a four-time Grammy award-winning singer and actress whom, also, interestingly enough, happened to be the daughter of a British MI5 officer.
However, as is so oftentimes the case, there is much more to the story of Matthew Vincent Lattanzi.
As everyone shall soon learn, Lattanzi went on to star in the O.J. Simpson trial simulation, the Jon Benet Ramsey psychological operation and, as well, he was also featured as the host actor behind the mask of the villainous but centrifugal figure in one of Australia’s most infamous mass shootings.
The fabricated character scheme Lattanzi portrayed as part of his role in the O.J. Simpson trial was alleged to have been murdered. But, miraculously and, perhaps, ironically, Lattanzi was resurrected from death to become the host actor of a villainous character whom was portrayed by the MSM as a “mass murderer”.
But now, it shall be revealed, Lattazni has gone on to star in yet another high-profile role, as a fabricated character scheme in the world of American politics.
Sometimes, the ‘powers that be’ make it all-too-easy.
If observed closely, with certainty, everyone shall notice that, the face of Food and Drug Administration Commissioner, “Doctor Steven Hahn”, appears very familiar.
Though Hahn is alleged to be a licensed “oncologist”, he, like his colleagues-in-crime Doctors Deborah Birx and Anthony Fauci, is nothing more than a thespian following an assigned script, an actor who has willfully agreed to play his role in the Jesuit’s grand theatrical charade.
Turns out that, yes, folks, Hahn’s face is very familiar, indeed.
Once upon a time, several decades ago, “Hahn” was better known, to an adoring, hypnotized, and celebrity-obsessed American public, by a famous name, a name which will seem even more familiar to those still susceptible to pangs of nostalgia for the MTV era of the late 20th century.
Nevertheless, the following conclusion, as to the genuine identity of Doctor Steven Hahn’s host actor, should come as no surprise to one’s loyal readers.
Time and again, in-depth investigations of this sort have uncovered celebrities — those working in the Hollywood entertainment industries and even those who’ve reached legendary status — cleverly hidden behind the masks of fabricated character identities.
Assuredly, the case of “Doctor Steven Hahn” proves to be without exception.