As Chairman of the Planetary Society, Neil DeGrasse Tyson has assumed the mantle of public science communicator which, over two decades ago, was left vacated by the death of the legendary Carl Sagan.
Perhaps, it is better to say, like his mentor, Sagan, Tyson is renowned for his ability to make the esoteric sciences appear palatable and even comprehensible to the American public.
Since the beginning of his career in the science community during the era of the 1990’s, Tyson has made several high-profile television appearances, most notably as the host of PBS’s Nova Science Now. Tyson has also been the author of several books and articles on the subject of astrophysics and, in 2001, was appointed by President George W. Bush (AKA Brian Williams/Joe Biden/Prince Stefano Casiraghi Grimaldi of Monaco) to serve on the Commission on the Future of the United States Aerospace industry and, in 2004, served on the President’s Commission on Implementation of United States Space Exploration Policy.
But when the “science” career of “Neil deGrasse Tyson” is examined much more closely, it becomes quite evident, the great majority of Tyson’s career has been devoted to either the hosting of slickly produced television programs or as an appointee to vaguely entitled government panels created as promotional vehicles for NASA, a taxpayer funded organization, which, in turn, falls under the rubric of the US corporate government’s Department of Defense.
Examination of Tyson’s “doctoral thesis” reveals a gumbo of inspirational pop-astronomy and theorized assertions created to appear authoritatively plausible.
In the case of iconic Hollywood actor Charlie Sheen (AKA Corey Feldman) there can be fewer examples of greater irony.
Some time ago, as everyone may be aware, the actor known as “Corey Feldman”, the fabricated character scheme portrayed by Charlie Sheen, went on record, threatening to expose the seedy underbelly of Hollywood’s hidden pederasts. “Corey Feldman” even went so far as attempts to solicit funds for a documentary expose which, he promised, during several high-profile interviews, upon its release to the public, would serve to shed devastatingly revelatory light on Hollywood’s covert cabal of pedophiles. Among these, “Feldman” claimed, existed some of Hollywood’s most prominent and influential figures, executives, and even film directors.
Alas, Feldman’s expose has yet to see the light of day.
Nor, is it ever likely to.
It seems probable, Feldman’s (AKA Sheen) “film project” was designed as a cruel deception, merely more distractive noise generated and promoted by the MSM.
This is a standard and time-worn tactic of psychological operations: placing a fabricated cult of personality at the forefront of a social movement – controlled opposition – to co-opt, dissuade, or even to mitigate the further development and organization of genuine grass-roots motivated movements which are perceived as potential or even genuine threats to the hegemonic status quo of the thirteen, ruling elite Jesuit families.
The other grand irony of this scenario: not only is “Corey Feldman” a fabricated character scheme, the father of his host actor (live-action role player), Charlie Sheen, was the chief editor and executive founder of – what was for decades – a popular men’s publication filled with soft-core pornography.
From L to R, Hugh Hefner, Charlie Sheen, Corey Feldman
As everyone is about to learn, Sheen’s (AKA “Corey Feldman”) secret father, in fact, was himself no stranger to the phenomenon of Post-Modern Reality Simulation.
As confirmed by ear biometric, facial recognition, and image comparison analyses, Sheen’s (AKA Corey Feldman) father was known as “Hugh Hefner”, America’s primary purveyor of commercially peddled soft-core smut.
“Hefner”, however, as confirmed by further and extensive ear biometric, facial recognition, and image comparison analyses, was also known, during the era of the 1950’s forward, as Pat Boone, a successful pop singer/”B” Hollywood movie actor, who, even more ironically, was reputed to cultivate the public image of a god fearing “Christian”.
From L to R, Pat Boone, Hugh Hefner, Charlie Sheen, Corey Feldman
But as everyone shall also learn, the king of soft core smut Hugh Hefner (AKA Pat Boone) has a fascinating genealogy which connects him to William Bradford, the former governor of Plymouth Colony, established in the 17th century.
Through an extensive study of William Bradford, it was discovered Hefner (AKA Pat Boone) has connections to King Edward VII of England (AKA Teddy Roosevelt/J.P. Morgan Senior), to Alistair Crowley (AKA Winston Churchill), to 1960’s counter-culture LSD guru Timothy Leary, and to the history of Crown Temple in the City of London.
But Hollywood, the entertainment capitol of America, has never been what it appears to be.
Hollywood is a grand tool utilized by the thirteen, ruling elite Jesuit families to implement psychological operations.
Its “celebrities” are also merely tools, experimental models used to dispense Pavlovian-styled behavioral modification upon their legions of blind worshipers among the American general public.
Most, if not all, of these “celebrities” aren’t real, and only exist as carefully-crafted personas and well-managed and meticulously designed images – such as the Hollywood filmmaker known as “Tyler Perry” – which are blindly consumed and even admired by the public.
Furthermore, as we’ve learned through the process of in-depth investigation, not only do most of those known as Hollywood’s “celebrities” exist only as fabricated character schemes acted out by live-action role players, many of Hollywood’s “stars” have been identified as royal descendants of the thirteen, ruling elite Jesuit families.
These families not only own and control Hollywood, but, as well, own and control the US corporation.
Most recently, Hollywood’s prestigious Academy saw fit to bestow “Tyler Perry” with a ‘Humanitarian’ award.
Everyone may now be aware, before the commencement of the 93rd (12/21/777/Alistair Crowley’s joker intelligence code) Academy Awards – Hollywood’s annual ceremony of narcissistic self-congratulation – hordes of homeless vagrants were forcibly removed from the premises of Union Station in Downtown Los Angeles.
Yet, one should expect, those among Los Angeles’s homeless are the very same Hollywood’s “celebrities” claim suffer from a lack of “representation” and “equitable” consideration.
One of those “celebrities”, attending this year’s Academy Awards, was “Tyler Perry”, who, after being called to the podium to accept The Jean Hersholt Humanitarian Award, delivered a rousing but platitudinous speech denouncing “hate”.
As for the plight of the homeless, those forcibly removed from the premises – one supposes, so the pristine red carpet wouldn’t be sullied – they went unmentioned by Perry during his speech.
Furthermore, not one of those among Perry’s fellow “celebrities” – those also remaining unaware of their insufferable penchant for regurgitating honeyed and politically correct buzzwords – seemed to be bothered taking any discernable notice of this glaring irony.
What follows is a story about a man – an abdicated European royal and also one of Hollywood’s biggest stars during the era of the 20th century – who sold out the world to a terrifying future.
For several decades, while this man danced and sang on Hollywood’s silver screen, charming his way into America’s hearts and minds, those same admirers remained blissfully unaware of his hidden identity, the clues to which are subtly hidden in the biographical details of the various fabricated character schemes he famously portrayed.
One of the most blatant clues of this famous Hollywood entertainer’s hidden identity as a European royal stares us in the face from the frames of the following pair of images.
Leopold III of Belgium:
While everyone is performing their ocular comparisons between the previous sets of images and, perhaps, begins to wholly perceive the obvious similarities of facial geometry and the identical epidermal contours of the ears, consider also the lyrical content of a once popular song – ‘The Man Who Sold the World” – from the 1970’s, one which was both recorded and performed by one of Leopold III’s (AKA Bing Crosby) most famous relatives – David Bowie AKA Grand Duke (the thin white duke) Henri of Luxembourg.
The Man Who Sold the World:
We passed upon the stair
We spoke of was and when
He said I was his friend
Which came as a surprise
I spoke into his eyes
I thought you died alone
A long long time ago
Oh no, not me
We never lost control
You’re face to face
With the man who sold the world!
Though, upon first glance, those set of song lyrics may seem rather cryptic, nevertheless, if one knows what to look for, a key word contained within the song’s very first line – ‘stair’ – gives away the identity of yet another famous character scheme portrayed by one of Leopold’s royal relatives, Prince Louis of Bourbon-Parma (AKA Fred Astaire/Walt Disney/Al Jolson).
Both the royal host actors identified in portrayal of the Hollywood fabricated character schemes known as “Bing Crosby” and “Fred Astaire” (AKA Walt Disney/Al Jolson), it turns out, are genealogically related to the singer, David Bowie (AKA Grand Duke Henri of Luxembourg), of this particular song, ‘The Man Who Sold the World’.
Moreover, the line, “I thought you died alone”, when considered within an “official” biographical and historical context, serves as a particularly telling clue about one of the 20th century’s most infamous fabricated character schemes – Adolf Hitler – whom, as confirmed by facial recognition, ear biometric, and image comparison analysis, was portrayed by Bing Crosby (AKA Leopold III of Belgium).
Consider also, the implication of the reply given by the “Man Who Sold the World”: “Oh no, not me, WE NEVER LOST CONTROL!”
The performer of this song, David Bowie (AKA Grand Duke Henri of Luxembourg), a royal relation of both Leopold III (AKA Bing Crosby/Adolf Hitler) and Fred Astaire (AKA Prince Louis of Bourbon Parma/Walt Disney/Al Jolson) is allowing you, the listener, to become privy to a conversation which subtly reveals the hidden identities of two of his royal family relations.
David Bowie (AKA Grand Duke Henri) is also attempting to relate a historical truth which contradicts the “official” documented record regarding the alleged ill-fate of Adolf Hitler (AKA Leopold III/”Bing Crosby”).
In essence, the singer is relating that, though his royal family relation – Leopold III (AKA Bing Crosby/Adolf Hitler) – was historically rumored, at the close of WWII, to have died alone in a bunker after suicided by a poison cyanide pill, he, in fact, lived on to sing about a ‘White Christmas’, a traditional seasonal standard with which everyone is undoubtedly still familiar.
Not only that, the singer is imparting a trenchant message, addressed to both his enquirer and to the audience: Our royal family – numbered among the thirteen ruling elite Jesuit families and majority owners of the global military/industrial/media/entertainment complex – are still in complete control of the entire world and, in fact, own all of the world’s human and natural resources, a control which we shall never relinquish.
As everyone will soon observe, there are subtle but distinct synchronicities and parallels concerning the comparative details which are contained in the “official” biographical narratives of each fabricated character scheme – “Bing Crosby”, “Adolf Hitler” – relating to the European royal identified as their live-action role player, Leopold the III of Belgium.
But, when one knows what to comparatively look for, each of these narrative details, when held up to comparative and objective scrutiny, suddenly transform into surefire giveaway clues; signposts and billboards on the road to the truth.
One supposes – since the “inauguration” of the present American presidential administration – everyone has witnessed some of the recent performances of White House Press Secretary Jenn Psaki.
From the outset of her tenure as White House Press Secretary, Psaki has become infamous – as everyone can observe in the video excerpt displayed immediately below – for what has become her standard response to questions about the Biden administration’s policies: “I’ll have to circle back”.
Many, whom frequent this site, may have already surmised Psaki’s well-used response has occult and masonic significance and, as well, relates to the practice of sacred geometry.
You would be correct.
Whether intentional or not, Psaki’s “circle back” is a reference to the Ouroboros, or the snake eating it’s own tale, the cycle of death and rebirth.
Though recently, Psaki has received considerable criticism for her seeming unwillingness to comprehensively respond to direct questions posed by members of the gathered press, one had not, until only recently, viewed – as it were – Psaki in action.
When I finally did, one’s intuitive senses were immediately pricked with a sense of overwhelming familiarity.
Yes, I had, with certainty, seen her before, but long ago, long before she was known as “Jenn Psaki”.
The tone, timbre, and unique cadence of her voice, along with her curious penchant for certain distinct physical mannerisms (frequent, expressive, and often excessive hand fluttering/hair flipping), struck chords of distant memories, of an era of time during the 1980’s, when a group of young Hollywood actors, dubbed the “Brat Pack”, were seen quite frequently on the silver screen and, with great frequency, enjoyed lavish attention, both from the press and public alike.
The power of unobstructed and unfettered observation and perception – both powerfully and properly directed – can be wondrous tools.
Immediately, upon witnessing the emergence of “Doug Emhoff” on the American political stage, one was stricken with an eerie familiarity, as if one had seen him somewhere before.
Sure enough, upon further examination, one’s gnawing intuition turned out to be confirmed.
For those unfamiliar, “Doug Emhoff”, according to Wikipedia, “is an American lawyer who is the current second gentleman of the United States. He is married to Vice President Kamala Harris. As the first-ever husband of a U.S. vice president, Emhoff is the first second gentleman in American history. He is also the first Jewish spouse of a vice president.”
Regarding the current U.S. Vice President Kamala Harris, as those whom frequent this site certainly recall, she has also been identified as a fabricated character scheme, portrayed by Hollywood actress Vera Farmiga.
Further and deeper investigation into “Doug Emhoff” has not failed to demonstrate that he, too, like “Kamala Harris”, is also a fabricated character scheme, and portrayed by an award-winning and renowned Hollywood actor with whom Farmiga co-starred in the 1998 film production entitled Return to Paradise, a film which, according to Wikipedia, was produced by – wait for it, folks – Propaganda Films.
Though Wikipedia claims Emhoff is Jewish, the man identified as his host actor is not.
Again, according to the official biographical entry available at Wikipedia, for the award-winning Hollywood celebrity identified as Emhoff’s host actor, he “was born in the Rio Piedras district of San Juan, Puerto Rico.”
This is typical of the usual method of covert operation on the part of the Society of Jesus or the Jesuit order – the military organization disguised as an ecclesiastical congregation of Catholic priests whom control Vatican City – when crafting a fabricated character scheme to help execute their well-crafted psychological operations.
Oftentimes, such biographical elements are woven into the fabricated characterization’s script, for the sole purpose of completely shielding the public persona from any semblance of scathing criticism.
Anyone that overtly dares to criticize Emhoff, in future, shall certainly be tarred and feathered with the label of “anti-Semitism”. Similarly, such shall surely prove to be the case with anyone whom dares to cast dreaded stones of criticism at Emhoff’s “wife”, “Kamala Harris”. They, too, shall also be subjected to public shaming, either from the well-paid mobs of state propagandists employed by the MSM or social media’s legions of keyboard wielding social justice activists, and labeled as a “racist” or “misogynist”.
As has been demonstrated, time-and-again, such ad hominem work just as effectively as when the terms of “conspiracy theorist” are similarly deployed on an American populace which has recently suffered from extreme psychological demoralization at the hands of the Jesuit’s Covid-19 (Certificate of Vaccine ID/ID 2020) psychological operation.
If there is still anyone whom still thinks the concept of an ID microchip embedded into human extremities via vaccine implement is “conspiracy theory” or may only be a recently developed idea, one should consider the content of the article published by the Sun (UK) back on August 1, 1989, the link to which is featured immediately below.
This is the story of a Hollywood actor whom, for a time, at least, ascended to the heights of fame and fortune.
But when one dares to look beneath such glittering Hollywood facades – as everyone whom frequents this site has learned – things are never quite what they appear to be.
Indeed, during the era of the 1980’s – as has been oftentimes said of high-profile Hollywood celebrities – Matthew Vincent Lattanzi seemed to have grasped the illusive American Dream.
Turns out, upon further and extensive investigation, Lattanzi has been a man of many faces, an actor whom, like those of his famous family members, has spent most of his life as a key participant in the phenomenon we’ve come to recognize as Post-Modern Reality Simulation.
Among other curious and fascinating details, Lattanzi is the hidden son of a former NFL superstar and Hollywood actor and, for a short time, according to “official biographers”, he was also married to one of the biggest stars of Hollywood’s music recording industry, a four-time Grammy award-winning singer and actress whom, also, interestingly enough, happened to be the daughter of a British MI5 officer.
However, as is so oftentimes the case, there is much more to the story of Matthew Vincent Lattanzi.
As everyone shall soon learn, Lattanzi went on to star in the O.J. Simpson trial simulation, the Jon Benet Ramsey psychological operation and, as well, he was also featured as the host actor behind the mask of the villainous but centrifugal figure in one of Australia’s most infamous mass shootings.
The fabricated character scheme Lattanzi portrayed as part of his role in the O.J. Simpson trial was alleged to have been murdered. But, miraculously and, perhaps, ironically, Lattanzi was resurrected from death to become the host actor of a villainous character whom was portrayed by the MSM as a “mass murderer”.
But now, it shall be revealed, Lattazni has gone on to star in yet another high-profile role, as a fabricated character scheme in the world of American politics.
Pope Francis, reputed to be the first Jesuit Cardinal to ascend to the Papal throne, is not who you think he is.
There exist two immediate reasons as to why this should be so.
For one, it turns out, “Francis” is a much younger man posed behind the mask of someone appearing much older.
For another, “Pope Francis” is a royal prince, and hails from one of Italy’s most ancient royal families, the genealogical roots of which emanate from before the era of imperial Rome.
As pontiff of the Vatican, in Rome, “Francis” presides over the Roman Empire – ruled from the trident of capitals: Vatican City, in Rome, the Crown Temple in the City of London, and the principality of Washington’s District of Columbia.
Rome’s is an empire which, contrary to the consensus of most academic historians, never died, it merely transitioned.
Like its current Pontiff, Pope Francis, the empire hides behind a carefully crafted veil.
Today, the Roman Empire, over which Pope Francis rules, is better known in its modern iteration as the United Nations, an international governing body which made its debut upon the world’s stage during the post-war era, in 1947.
The MSM claims the Director of WHO (World Health Organization) is a doctor.
Turns out, folks, he isn’t.
In fact, it shall be proved, behind the public image of Tedros Adhanom, lurks the familiar face – according to the host actor’s “official” biography – of a former television host, author, attorney and, lately, political commentator who has appeared on both the mainstream networks CNN and FOX.
Tedros’s well-known host actor – it has been confirmed – has also portrayed the renowned and infamous race bating pimp, Al Sharpton, among other fabricated character schemes.
It also turns out, Adhanom’s host actor has a connection to the JFK “assassination” and the Zapruder film.
In a recent post, “Abraham Zapruder”, historically credited as the producer of the infamous Zapruder film, was proved to have been a fabricated character scheme portrayed by Colonel Tom Parker (AKA Alistair Crowley/Winston Churchill).
Since 2017, Tedros Adhanom has been the Director General of the World Health Organization.
There is a reason his title incudes the moniker of “General”, as will be soon explained.
Wikipedia admits, “Tedros is first non-physician and first African in the role…”
Based upon that admission from Wikipedia, even before the details of this investigation can be fully divulged, it becomes clear that, not only is “Tedros Adhanom” a “non-physician”, he is also an actor portraying a “role”.
Additionally, as everyone shall also soon discover, both the “official” biography of “Tedros Adhanom” and WHO, the organization he is alleged to represent, have connections to the Jesuit order, and to the Vatican, in Rome. Continue reading “WHO’s the Head Witch Doctor?”→