Just when you think there could be limits to a politician’s deceitful treachery, one is reminded no such defining boundaries exist for Washington’s insufferable cretins.
It appears – before “Paul Pelosi” (AKA Roger Vadim) became embroiled in an MSM-manufactured “hammer attack” scenario – U.S. House Speaker “Nancy Pelosi” (AKA Jane Fonda/Dolly Parton/Princess Lee Bouvier Kennedy Radziwill) had been acting as a Jesuit-trained CIA psychological operations specialist for far longer than previously imagined.
Turns out, when it comes to considering the phenomenon of Post-Modern Reality Simulation, “Nancy Pelosi” (AKA Princess Lee Bouvier Kennedy Radziwill) – going back as far as the 1960’s “counter-culture” era while acting under the Hollywood pseudonym “Jane Fonda” – is a veteran perpetrator.
Further and extensive investigation has revealed that, even more recently, back in 2012, “Nancy Pelosi” was cast in not just one of the starring roles associated with the Sandy Hook Elementary “massacre”, a heavily promoted MSM-driven gun control psychological operation, but – believe it not – two.
Not only that, but one of Jane Fonda’s Hollywood colleagues played a role in that same psychological operation – as observed in the video excerpt posted immediately below – cast as “Sally Cox,” Sandy Hook Elementary’s “school nurse”.
While watching the video, everyone will notice, “Sally Cox” is being interviewed by George Stephanopoulos (AKA Hollywood actor Michael J. Fox/Bryan Adams).
Below from L to R: George Stephanopoulos, Michael J. Fox, Bryan Adams
Facial recognition and image comparison analysis indicates “Sally Cox” was an MSM-created fabricated character scheme portrayed by Hollywood actress Glenn Close. In the second set of images posted below, everyone will begin to notice the conspicuously identical geometrical structures of the eyes, jawlines, chins, lips, and noses. The architectural, structural geometry of the respective cheekbones are also identical.
Below from L to R: Glenn Close, Sally Cox
But as everyone shall soon observe, it was U.S. House Speaker “Nancy Pelosi” who, while cast in the same psychological operation at Sandy Hook Elementary in Newtown, Connecticut under a pseudonym with occult significance, was subsequently and uniformly depicted by the MSM as a “brave” heroine”.
The historical veracity attached to the “official” story of “Yuri Gagarin” – uniformly alleged by the MSM and published historical accounts to have been the first human in space – crumbles under greater scrutiny.
Reportedly, before the historic launch of NASA’s Apollo 11, Gagarin died under what can only be described as mysterious circumstances.
There was a very good reason, however, as to why the pioneering Russian cosmonaut’s “death” was kept shrouded in such mystery and intrigue by the MSM.
Turns out, upon further investigation – as confirmed via extensive ear biometric, facial recognition, and image comparison analyses – “Yuri Gagarin”, pronounced as tragically “dead” before Apollo’s maiden but mythical voyage, was resurrected in 1969 as one of NASA’s Apollo 11 “astronauts”, and became the first human alleged to have stepped on the surface of the moon.
Below L to R: Yuri Gagarin, Neil Armstrong
As to the genuine identity of the other pair of NASA’s Apollo 11 “astronauts” alleged to have been launched into space in 1969, further investigation confirms, “Buzz Aldrin” and “Michael Collins” were both fabricated character schemes portrayed by Hollywood actors.
The Hollywood actor identified in portrayal of the former – “Buzz Aldrin” – had previously worked with Stanley Kubrick, one of Hollywood’s most highly touted cinema directors.
While acting under different but renowned pseudonyms, the Hollywood actor identified in portrayal of arguably the least heralded of NASA’s Apollo 11 “astronauts” – “Michael Collins” – went on to star with Dennis Hopper (AKA JFK) in Easy Rider and to star with Burt Reynolds (AKA Marlon Brando/television doctor Phil McGraw/television actor Dabney Coleman/Vladimir Putin) in Deliverance.
As was pointed out in a previously published article, “Doctor Phil McGraw” is also the hidden father of popular internet personality/podcaster Del Bigtree (AKA Quentin Anderson Reynolds/John Wayne Bobbitt/Doctor Drew Pinsky/Kevin Spacey/Jeff Bezos).
As everyone shall soon learn, “Buzz Aldrin” and his NASA colleague “Michael Collins” never left earth in 1969. Their interplanetary communications, which the MSM alleges were sent from the Apollo space craft on the moon to NASA’s mission control, including the famous words spoken by “Neil Armstrong” in a solemn tone of overwrought melodrama – “One small step for man, one giant leap for mankind” – were prerecorded for what was essentially a prime-time television production, the equivalent of 21st century “reality” television.
Though still unknown to a majority of the American public, NASA operates under the umbrella of the US Department of Defense and is nothing more than a Hollywood-styled movie/television production studio disguised as an organization dedicated to astronomical study and scientific discovery.
Since the time of its inception and for its entire duration, Hollywood has covertly operated as a purveying agent of US corporate government propaganda, and has always worked in proximity with the US military/industrial complex and performed at the dictatorial behest of Jesuit controlled CIA.
Therefore, the genuine nature of NASA is synonymous with that of Hollywood, with both operating as propaganda arms and subsidiary divisions of the US Department of Defense.
Upon further examination and more complete investigation, the truth behind the Horatio Alger story of Ukraine “President” “Volodymyr Zelensky” goes much deeper.
“Volodymyr Zelensky” exists only as a Hollywood produced persona, brought to life by a young European prince better known to the American public as a Hollywood actor/rock music industry star.
Below: Volodymyr Zelensky
Turns out, not only is the fabricated character scheme known to the public as “Volodymyr Zelensky” portrayed by a British/Hollywood actor (Orlando Bloom), one who was also once modified into a “dead” rock star (Chester Bennington) but “Zelensky” is also connected to European royalty, specifically, a duke, a royal title subservient only to that of a sitting monarch or king.
Below from L to R: Orlando Bloom, Chester Bennington, Volodymyr Zelensky
As if that weren’t incredible or inconceivable enough, Zelensky’s spouse – “Olena Zelensky” – is also a fabricated character scheme portrayed by a European princess better known to the American public by another name, that of a popular Hollywood music industry star.
As previously detailed, a Hollywood actress operating under a slew of pseudonyms and connected by Hollywood production to Zelensky’s live-action role player – Orlando Bloom (AKA Chester Bennington) – has also starred as “Kira Rudyk” (AKA Kierra Knightley/Natalie Portman/Alexandra Kushynova), a fabricated character scheme cast in the role of a Ukrainian parliamentarian while helping her Jesuit intelligence masters to execute the Ukraine “war” psychological operation/exercise simulation/Hollywood production.
As most who frequent this site may readily recall, the Hollywood actress known as “Natalie Portman”, who is no stranger to the sinister concept of Post-Modern Reality Simulation, previously starred as “Kiri Jewel” in the Branch Davidian Cult/FBI/ATF psychological operation which took place back in 1993.
That MSM-generated event also starred faux cult leader “David Koresh” (AKA David Bowie/Howard Stern/William Clinton/Perry King/Richard Carpenter/Jack Wagoner/Henri, Grand Duke Henri of Luxembourg).
In addition, research indicates, this European prince’s royal ancestry has genealogical connections to the royal House of Saxe-Coburg-Gotha (AKA Windsor/Hanover/Rockefeller/Rothschild), the royal house of the late British Queen Elizabeth II (AKA Hollywood television legend/comedienne Lucille Ball – Lucy=Lucifer/Ball=Baal/Moloch/JFK “assassination” “eyewitness” Jean Hill).
Below: Queen Elizabeth II, JFK “assassination” “eyewitness” Jean Hill, Lucille Ball
The hit Beatles song “Lucy in the Sky with Diamonds”, sung by “John Lennon” (AKA Buddy Holly/the “late” Mike Nesmith/Robert Plant/Rod Stewart/Steve Perry/Peter Sellers), the hidden sibling of “Jack Nicholson” (AKA Neil Young/Sir David Attenborough/Jack Ruby/Robert F. Kennedy/Prince Henrik of Denmark) and Gordon Sumner/”Sting” (AKA James Taylor) was coded (diamonds=33, highest degree of Scottish Rite Freemasonry/Jesuit red lodge/Lucy/Lucifer) as a high tribute to the masonic/Jesuit order, the military styled global cult disguised with ecclesiastical garb in firm control of the international intelligence octopus – CIA/FBI/NSA/MI5/MI6/MI7 (AKA BBC)/KGB/Mossad/Stasi/Falon Gong – and Hollywood, as well as Hollywood’s popular music industry and the military/industrial complex of the United States (AKA Washington DC).
In fact, “Neil Young” (AKA Jack Nicholson/Prince Henrik of Denmark), while performing under the music industry pseudonym of “Rick Neilsen”, still actively plays in a band – appropriately monikered Cheap Trick – with “Robin Zander” (AKA John Lennon).
But details of that scenario will be further expounded upon in a future article.
As shall be much further detailed in another upcoming article, entitled Anatomy of a Hollywood Death Hoax II, the JFK “assassination”, in which the late Queen Elizabeth II (AKA Lucille Ball/Jean Hill) participated as a “witness” from what the MSM termed the “grassy knoll”, was not only a publicly performed masonic/Hollywood styled simulation/psychological operation – as depicted in the thoroughly post-production manipulated “Zapruder film” – but was overseen, stage managed, and executed by principals connected to Serco (AKA RCA), a British based multi-national behemoth corporation in control of the US patent office and connected to Prince George, Duke of Kent (AKA Winston Churchill/Alistair Crowley/Hollywood actor/comedian Bob Hope/Jack Benny) of the House of Saxe-Coburg-Gotha.
Final analysis indicates, the JFK “assassination” simulation/masonic ritual was meant as a stern message sent by the Crown Temple/Swiss Templar/Vatican City bankers to all high-level principals conspiring to bring forth the global agenda(s) of the thirteen Jesuit families, a vast conspiratorial agenda which, decades later, would come to be known as Agenda 2030/2050, a none-too-subtle fatal warning intended to fearfully threaten or signal what could or would happen if sworn oaths in loyalty to the global masonic/Jesuit brotherhood were ever breached or broken.
That time of year – for the NFL’s annual celebration of ritual sports entertainment, the Super Bowl – has once again swiftly arrived. But the NFL and the Super Bowl are about much more than the presentation of scripted entertainment. Both were also covertly designed as socio-political and behavioral conditioning tools while the dramatic excitement of the ‘game’, particularly during the Super Bowl’s half-time extravaganza, itself conceals the unfolding of grand masonic rituals.
But has anyone never considered the derivation of the word entertainment or considered the occult significance of the term “Super Bowl”?
As for the etymology of “entertainment”, the word derives from the juxtaposition of entre (French) which emanates from Latin inter both meaning ‘together, or among’ and Latin tenere, which means ‘to hold’.
Therefore, in a literal sense, entertain means to ‘hold or support together’.
With its dazzling array of dramatically scripted spectacles and its bevy of charismatic stars, the NFL’s quality-controlled product is designed to attract and to completely seize the public’s attentions, long enough to garner massive profits, both for itself and for its business partners in the television production industry and also, of course, for its gaming/booking associates in Las Vegas.
This is why so many of the NFL’s prime time games appear as spectacularly competitive, the final outcomes of which, oftentimes, aren’t decided until the waning seconds of the final quarter. In NFL parlance, this is termed as the maintenance of league “parity”.
More intriguingly still, have any of its rabid fanatical followers never once considered that the NFL – chiefly, for the purpose(s) of increasing profits derived from advertisement and merchandising revenue, and from skyrocketing television ratings – may, from time-to-time, recycle some of its star players (fabricated character schemes portrayed by reliable actors) into new identities? 
Below: Former New York Jets star quarterback ‘Broadway’ Joe Namath
A deeper investigation into the deceptive methods of operation utilized by the NFL has revealed, the league, throughout its entire history, has been no stranger to the conceptual phenomenon of Post-Modern Reality Simulation. Imagine, too, for a moment, if you will, the throngs of duped fans needlessly expending emotional and financial energy (gambling) on professional sporting spectacles which – much like the WWF (World Wrestling Federation) – are stage-managed and scripted for maximum entertainment value and, more paramount, to maximize profitable revenues.
Perhaps even more tragically, imagine the crestfallen reaction of those same millions of fanatics, those enticed and smitten by a particular player’s intriguing biographical backstory and his exploits both on and off the field of play, if they were to ever realize their favorite athlete was essentially a highly paid thespian contracted to act under the guise of both a pseudonym and the carefully sculpted image of a fabricated character scheme?
Joe Montana 1984 San Francisco 49er Quaterback
Turns out, in the particular case of the former NFL athlete observed in the first image posted above, not only was his image recycled and repackaged into that of yet another NFL star, Joe Montana, who also played in the Super Bowl, Broadway Joe Namath’s live-action role player – a well-known Hollywood actor – also went on to assume the identity of a once popular persona in the world of pop music entertainment.
Those belonging to the monopoly criminal cartel of the thirteen ruling elite Jesuit families just can’t help but leave glaring clues of their malfeasances at the scene of the crime.
One often wonders, could this be due to sheer arrogance, an overwhelming sense of infallibility, perhaps even inscrutability?
Or do they grossly underestimate the perceptive abilities of the general public?
Either way, on this occasion, the perpetrator has been well caught.
Though the true identity of former New South Wales Premiere “Gladys Berejiklian” was most likely thought to be well-hidden, under further scrutiny, a glaring similarity – in the form of a conspicuous epidermal landmark – between the fabricated character scheme and the live-action role player was discovered. Regarding the pair of images posted immediately below, everyone will notice they have both been subjected to degrees of photo shop, particularly in the case of the image to everyone’s left which features the former Premiere of New South Wales, “Gladys Berejiklian”.
The former Premiere of New South Wales – “Gladys Berejiklian” – recently resigned her post due to charges of alleged corruption.
Be that as it may, the former Premiere’s live-action role player is now most likely comfortably ensconced in her royal castle, remaining comfortably insulated from further scrutiny. Alas, under prevailing Admiralty Law, a fabricated character scheme acting under the cover of a pseudonym – someone who doesn’t legally exist as a corporation or person – cannot be held legally accountable for any alleged criminalities.
But there is one more thing of which everyone can be certain.
Though, in future, the fabricated character scheme known to the public as “Gladys Berejiklian” may indeed be brought forth to dutifully play her role in a formally executed legal hearing – merely some well-scripted piece of staged masonic theater – the live-action role player identified in portrayal of the former Premiere of New South Wales – a British royal and daughter of Queen Elizabeth II and the late Prince Phillip Mountbatten – has remained inconspicuous from the public’s view.
Yet another novel attraction has been brought into the carnival known as American politics.
Rest assured, though the American public has been repeatedly told of her glittering biographical backstory, “Kamala Harris” – recently named as the official running mate of democratic presidential nominee “Joe Biden” – is a phantom made to appear as material living color, a popular image created for the grand theatrical stage which we have come to recognize as the phenomenon of Post-Modern Reality Simulation.
Yes, folks, “Kamala” is a fabricated character scheme currently portrayed by a Hollywood actress, one who has co-starred in cinematic productions with the likes of Liam Neeson, Leonardo di Caprio, and the Jesuit trained (Fordham University) Denzel Washington.
Furthermore, there exists circumstantial evidence, her political character’s pseudonym was drawn from, or, perhaps, was inspired by the name of a fictional movie character portrayed by a child actor who, in 2019, co-starred with Kamala Harris’s host actor.
Though the “official” biographies of “Kamala Harris” tell us her racial profile derives from Indian and African-American emanations, these details have merely been scripted and tailormade for a fabricated character scheme.
In fact, as shall be proved – like Barack Obama (AKA Jerry Seinfeld) – the biographical racial profile attributed to the fabricated characterization(s) of “Kamala Harris” is fraudulent, a cynical manipulation which was designed for the purpose of political image making.
![OIP (30)[6267]](https://i0.wp.com/worldnewsspell.com/wp-content/uploads/2022/11/OIP-306267.jpg?resize=240%2C360&ssl=1)
![OIP (31)[6268]](https://i0.wp.com/worldnewsspell.com/wp-content/uploads/2022/11/OIP-316268.jpg?resize=332%2C198&ssl=1)
![OIP (32)[6265]](https://i0.wp.com/worldnewsspell.com/wp-content/uploads/2022/11/OIP-326265.jpg?resize=332%2C498&ssl=1)
![OIP (27)[6251]](https://i0.wp.com/worldnewsspell.com/wp-content/uploads/2022/11/OIP-276251.jpg?resize=332%2C248&ssl=1)
![OIP (20)[6273]](https://i0.wp.com/worldnewsspell.com/wp-content/uploads/2022/11/OIP-206273.jpg?resize=332%2C456&ssl=1)
![download (2)[6250]](https://i0.wp.com/worldnewsspell.com/wp-content/uploads/2022/11/download-26250.jpg?resize=332%2C266&ssl=1)
![OIP (29)[6243]](https://i0.wp.com/worldnewsspell.com/wp-content/uploads/2022/11/OIP-296243.jpg?resize=332%2C498&ssl=1)
![OIP (23)[6246]](https://i0.wp.com/worldnewsspell.com/wp-content/uploads/2022/11/OIP-236246.jpg?resize=332%2C352&ssl=1)
![download (6)[5888]](https://i0.wp.com/worldnewsspell.com/wp-content/uploads/2022/09/download-65888.jpg?resize=166%2C133&ssl=1)
![images[5096]](https://i0.wp.com/worldnewsspell.com/wp-content/uploads/2022/03/images5096.jpg?resize=225%2C225&ssl=1)
![download[5293]](https://i0.wp.com/worldnewsspell.com/wp-content/uploads/2022/04/download5293.jpg?resize=225%2C225&ssl=1)
![71364_v9_bb[5295]](https://i0.wp.com/worldnewsspell.com/wp-content/uploads/2022/04/71364_v9_bb5295.jpg?resize=218%2C280&ssl=1)
![download[5343]](https://i0.wp.com/worldnewsspell.com/wp-content/uploads/2022/04/download5343.jpg?resize=183%2C275&ssl=1)
![images[5344]](https://i0.wp.com/worldnewsspell.com/wp-content/uploads/2022/04/images5344.jpg?resize=259%2C194&ssl=1)
![images (12)[5897]](https://i0.wp.com/worldnewsspell.com/wp-content/uploads/2022/09/images-125897.jpg?resize=205%2C246&ssl=1)
