Does everyone recognize the man observed in the following images?
Have you seen him somewhere else before and, even perhaps, while appearing in the public’s eye under other names?
While looking much closer and, while employing keen ocular senses, there’s a chance, he may begin to seem more familiar.
Though not everyone may recognize him, this man lives the life of a chameleon, an accomplished actor on the world’s stage.
He is also a reigning sovereign, a European monarch, who has been identified as yet another high-level perpetrator of the phenomenon of Post-Modern Reality Simulation.
Shortly, he will be exposed as the host actor (live-action role player) behind the masks of several fabricated character schemes, a pair of whom happen to appear regularly as major players on the world’s stage.
One of these fabricated character schemes – as evidenced by the article’s title – is a conspicuous figure in the realm of British high-politics.
Another character, portrayed by this European royal, is known as one of the world’s wealthiest billionaires, and best-known as the owner of a famous airline.
Still yet another fabricated character scheme, synonymous to this reigning European monarch, has also starred on American television as an MSM newscaster, on a program entitled Dateline NBC.
As shall soon be proved, “Boris Johnson”, known to the general public as the Prime Minister of the UK, is a fabricated character scheme portrayed by a European royal host actor (live-action role player), one who is also genealogically related to the immediate royal family of Queen Elizabeth II and, therefore, in line for the British throne. Continue reading “Behind the Curtain of Boris’s Big Top”→
Organized religion – it has often been said – is the opiate of the masses.
Here, in America, the predominant religion of the masses has become professional sports entertainment or, as it was known during the era of imperial Rome, “Bread and Circuses.”
As is well-known, every religious cult has an underlying governing philosophy, dogma, or doctrine.
Such centralizing doctrines are administered to the congregation of cult members by pastors or high-priests. Or, in the case of the church of sports entertainment, by television analysts and commentators, most of whom were formerly professional athletes. “Howard Cosell” – the obstreperous and opinionated sports television commentator of decades past – once derided this specialized class of sports “journalists” as the “Jockocracy”.
As most of this site’s regular visitors may recall, “Howard Cosell”, the former host of ABC’s Monday Night Football, was identified as a fabricated character scheme portrayed by Hollywood actor Rod Steiger.
But no religious doctrine would be completely solidified without a unifying or centrifugal charismatic figure.
In the religion of Christian fundamentalism, there is the figure of Jesus Christ.
In the universalist religion of the Catholic church – controlled by the Jesuit order or Society of Jesus – there are venerated figures elevated to sainthood such as Mother Mary, the exoteric version of the esoteric or occult figure known as Isis or Sophia.
The religious cult known as sports entertainment has its own “saints” or charismatic figures – star athletes – who are fawned over and virtually worshipped by those known as “fans”.
These cult worshippers known as sports “fans” are a relatively modern-day sociological phenomenon.
This commonly expressed vernacular – ‘fan’ – exists as an abbreviated form of the term fanatic or fanaticism.
According to Webster’s dictionary, a ‘fanatic’ is defined as follows, 1.) disapproving: a person exhibiting excessive enthusiasm and intense uncritical devotion toward some controversial matter (as in religion or politics), “a religious fanatic (=extremist), the fanatics are convinced they are serving a righteous cause and that all means are justified…”
How many of your friends, family members, or co-workers – whether relating to politics, religion, or sports – would the above definition – as so expressed – appropriately apply?
Turns out, it is just this sort of uncritically devoted fanaticism which has blinded America’s legions of sports fans to its fabricated and utterly scripted theatricality.
Remarkably, this overt fanaticism has also blinded a majority of those congregated among America’s cult of sports entertainment worshippers from noticing an alleged “dead” man is now playing in the NFL.
Also, fans of the cult of sports entertainment have yet to realize one of the NBA’s major stars – Lebron James – was formerly known by another name which, not so long ago, became superlatively renowned in the world of professional sports.
Those who own and collectively control the profitable business of sports entertainment (the Society of Jesus or the Jesuit order) have informed its fanatical legions – in the form of a legal disclaimer printed on ticket stubs and in the form of an official judgement issued by a US Circuit Court of Appeals Judge – of the true nature of professional sports and, specifically, that of the NFL.
In the case of the NFL, the league is only legally required to present their “fans” with a license (i.e. ticket) to observe an entertainment spectacle, but it is not legally required to officially sanction or provide its ‘fans’ with a legitimate sporting contest.
Apparently, in view of this fact, the NFL reserves the right to draft or contract “athletes” (actors) who, allegedly, have been reported as officially “dead”, and to also recycle athletes under the guise of pseudonyms to satisfy profitable motives.
Does the NFL athlete observed in the image above appear eerily familiar to everyone?
Perhaps, everyone has seen this particular athlete don another professional league’s uniform, one which might be more familiar?
The “news” is the most highly developed form of fiction.
Television is a mirrored funhouse filled with illusions.
Unfortunately, the fictions told by the MSM have real world consequences.
There is, after all, a reason why the news, information, and petty entertainments – “bread and circuses” – distributed to the public, through the electronic medium of television, are termed as “programming”.
For decades, the television persona known as “Larry King” was a news and information and entertainment staple for millions among American television audiences.
Now, however, according to the MSM, he has shuffled off this mortal coil.
Or has he, indeed?
The first clue something is amiss with the story of the “death ” of “Larry King”, was his connection to CNN, the network established by Ted Turner, the very network that also brought the Sandy Hook psychological operation into the living rooms of the American public.
Believe it or not, further investigation has determined, the man known as “Larry King” was a fabricated character scheme.
In that sense, the only thing that could be said to have died was King’s familiar public image.
On the other hand, his host actor, the man who, for decades, portrayed the public persona of “Larry King”, remains alive.
Turns out, “King’s television persona was portrayed by an award-winning and celebrated Hollywood character actor, one who once starred with Al Pacino in the classic cinematic production known as “The Godfather”.
Many whom frequent this site, may also recall that Pacino, as well, has also been identified as a fabricated character scheme portrayed by a famous and high-profile European royal.
The careers of Hollywood’s actors never die, they are merely repackaged.
The mainstream news is not designed to inform or to report facts concerning the “news of the world”, but to dispense propaganda which, in turn, has been well-formulated to psychologically influence, to shape, and to consolidate a collective consensus, concerning how the public should feel about what they’ve been told has happened.
The alleged Nashville “bombing” was a psychological operation, a staged simulation, and facilitated by a badly scripted television production.
Several Hollywood actors portrayed key roles, including a pair of actors whom also portrayed the roles of iconic television characters during the eras of the 1980’s and 1990’s.
According to MSM sources, one of these participating actors – the father of a formerly popular performer from Hollywood’s music recording industry – is alleged to have recently died at the age of 69.
But this turns out not to be true.
He is now posing as the mayor of Nashville.
The other actor – cast in the role of the Nashville bombing villain – was once noteworthy for having portrayed the centrifugal role in a formerly popular and highly-rated television series, entitled 7th Heaven.
One of this actor’s former television co-stars also portrayed the role of “Carissa Kelly”, an alleged bombing victim whom claims to have escaped her apartment building, and mere minutes before the bomb’s calamitous mayhem struck.
As well, the date of the alleged “bombing” in Nashville has numerological significance: 12/25, 12+25=37/3 7’s/777, Alistair Crowley’s intelligence joker code.
While those whom frequent this site know of the many deceptions the MSM has dished out to the public, there are still those unaware of Post-Modern Reality Simulation; the grand illusion which has formulated and molded mass perceptions and even entire belief systems, whether social, political, or religious.
Once again, yet another famous Hollywood actor – under the guise of US Attorney General William Pelham Barr – has been found lurking behind the fabricated mask of a very public face.
Recently, this award-winning Hollywood actor also portrayed a similar high profile character. However, as with so many other character fabrications examined in the past, the supreme court justice this Hollywood actor portrayed is supposed to be dead.
Under the glare of close examination, deceptions can never yield victory over the unvarnished truth.
Such is the case with “Doctor Colleen Kelly Victory”, discovered to be yet another fabricated character scheme.
Unlike Doctors Fauci and Birx, “Doctor Kelly Victory” has been posed as an advocate of the people’s interests, critical of the medical/pharmaceutical complex’s response to the “Covid-19 pandemic”.
Victory’s public stance, however, is a conspicuous example of the deceptive dialectical process in action.
While her “colleagues” – Fauci and Birx – take the left hand path, “Doctor Kelly Victory” appears to walk along the right.
Between these polar extremes, of course, the public finds itself squeezed in a dialectical pincer.
This scenario represents a dramatic illustration of the Jesuit order’s sinister methods of operation, while carrying out their ongoing campaigns of psychological warfare against the American general public.
Those whom regularly visit this site know, Doctors Fauci and Birx have both been positively identified as fabricated character schemes, portrayed by hidden members of the royal von Furstenberg family.
Fauci’s host actor was identified as Hollywood mogul David Geffen, the son of former Coca-Cola executive Barry Diller AKA Prince Eduard Egon von Furstenberg/former US president Dwight Eisenhower.
News stories designed with hyper-emotionally driven narratives produce the highest ratings and the greatest profits for corporate advertisers and shareholders alike.
Emotionally manipulative MSM stories, such as the one we are about to examine, keep those numbered among the general public clicking the You Tube and social media news feed buttons on their home computers and cell phones and, as well, keep them glued to their HD television screens.
Yes folks, long ago, those who own the MSM – the thirteen Jesuit families – learned that the deliberate manufacture of emotional furor among the general public equals ballooning profits and soaring stock margins.
But, symbolically, financial profit represents a weapon, while politics – the maintenance of power through deception – represents the will to pull the trigger.
Everyone, by now, at least, is more than well-familiar with the detailed narrative of the recent news story we are about to examine.
Less well-known, however, are the true identities of the perpetrators and those that serve them – such as Victoria, Australia’s current Premiere, Daniel Andrews.
This particular investigation shall be more preoccupied with the identities of the perpetrators than those of the participating actor(s), particularly, the story’s heavily promoted protagonist, “Zoe-Lee Buhler”.
The protagonist’s surname, it should be noted, offered a paramount clue as to the genuine identity behind the media mask of Premiere Daniel Andrews, a key perpetrator.
Andrews, of course, has recently come under fire.
Lately, Andrews has been beleaguered with accusations of political overreach and, even, gross incompetence.
The latter charge represents a deliberate misdirection. After all, Daniel Andrews, like all such “elected” officials, is a puppet controlled by puppet masters, ensconced at the Vatican, in Rome.
Andrews’s masters, as shall soon be demonstrated, are those connected to the highest levels of the Jesuit order and to the Jesuit’s Council of Thirteen, which consists of prime emissaries – usually, the sitting crowned monarch – from each of the royal thirteen Jesuit families.
As everyone has learned, the Jesuits – executional masters of psychological operations and the long-term planning of grand geopolitical schemes – have never been in the habit of allowing for compromising blunders.
Everyone may be stunned to discover, Andrews – like US president “Donald J. Trump” (AKA Brian Williams/Prince Stefano Casiraghi Grimaldi of Monaco) is a fabricated character scheme and, on this occasion, one discovered to be portrayed by a once famous Hollywood actor.