What follows is a story about a man – an abdicated European royal and also one of Hollywood’s biggest stars during the era of the 20th century – who sold out the world to a terrifying future.
For several decades, while this man danced and sang on Hollywood’s silver screen, charming his way into America’s hearts and minds, those same admirers remained blissfully unaware of his hidden identity, the clues to which are subtly hidden in the biographical details of the various fabricated character schemes he famously portrayed.
One of the most blatant clues of this famous Hollywood entertainer’s hidden identity as a European royal stares us in the face from the frames of the following pair of images.
Leopold III of Belgium:
Bing Crosby:
While everyone is performing their ocular comparisons between the previous sets of images and, perhaps, begins to wholly perceive the obvious similarities of facial geometry and the identical epidermal contours of the ears, consider also the lyrical content of a once popular song – ‘The Man Who Sold the World” – from the 1970’s, one which was both recorded and performed by one of Leopold III’s (AKA Bing Crosby) most famous relatives – David Bowie AKA Grand Duke (the thin white duke) Henri of Luxembourg.
The Man Who Sold the World:
We passed upon the stair
We spoke of was and when
He said I was his friend
Which came as a surprise
I spoke into his eyes
I thought you died alone
A long long time ago
Oh no, not me
We never lost control
You’re face to face
With the man who sold the world!
Though, upon first glance, those set of song lyrics may seem rather cryptic, nevertheless, if one knows what to look for, a key word contained within the song’s very first line – ‘stair’ – gives away the identity of yet another famous character scheme portrayed by one of Leopold’s royal relatives, Prince Louis of Bourbon-Parma (AKA Fred Astaire/Walt Disney/Al Jolson).
Both the royal host actors identified in portrayal of the Hollywood fabricated character schemes known as “Bing Crosby” and “Fred Astaire” (AKA Walt Disney/Al Jolson), it turns out, are genealogically related to the singer, David Bowie (AKA Grand Duke Henri of Luxembourg), of this particular song, ‘The Man Who Sold the World’.
SEE: Doc Kildare Promotes Kill Shot Propaganda
SEE also: US government goes wacko in Waco
Prince Louis of Bourbon Parma:
Walt Disney
Fred Astaire:
Walt Disney
Al Jolson:
Moreover, the line, “I thought you died alone”, when considered within an “official” biographical and historical context, serves as a particularly telling clue about one of the 20th century’s most infamous fabricated character schemes – Adolf Hitler – whom, as confirmed by facial recognition, ear biometric, and image comparison analysis, was portrayed by Bing Crosby (AKA Leopold III of Belgium).
Consider also, the implication of the reply given by the “Man Who Sold the World”: “Oh no, not me, WE NEVER LOST CONTROL!”
The performer of this song, David Bowie (AKA Grand Duke Henri of Luxembourg), a royal relation of both Leopold III (AKA Bing Crosby/Adolf Hitler) and Fred Astaire (AKA Prince Louis of Bourbon Parma/Walt Disney/Al Jolson) is allowing you, the listener, to become privy to a conversation which subtly reveals the hidden identities of two of his royal family relations.
David Bowie (AKA Grand Duke Henri) is also attempting to relate a historical truth which contradicts the “official” documented record regarding the alleged ill-fate of Adolf Hitler (AKA Leopold III/”Bing Crosby”).
In essence, the singer is relating that, though his royal family relation – Leopold III (AKA Bing Crosby/Adolf Hitler) – was historically rumored, at the close of WWII, to have died alone in a bunker after suicided by a poison cyanide pill, he, in fact, lived on to sing about a ‘White Christmas’, a traditional seasonal standard with which everyone is undoubtedly still familiar.
Not only that, the singer is imparting a trenchant message, addressed to both his enquirer and to the audience: Our royal family – numbered among the thirteen ruling elite Jesuit families and majority owners of the global military/industrial/media/entertainment complex – are still in complete control of the entire world and, in fact, own all of the world’s human and natural resources, a control which we shall never relinquish.
As everyone will soon observe, there are subtle but distinct synchronicities and parallels concerning the comparative details which are contained in the “official” biographical narratives of each fabricated character scheme – “Bing Crosby”, “Adolf Hitler” – relating to the European royal identified as their live-action role player, Leopold the III of Belgium.
But, when one knows what to comparatively look for, each of these narrative details, when held up to comparative and objective scrutiny, suddenly transform into surefire giveaway clues; signposts and billboards on the road to the truth.
ROYAL GENEALOGY & THE HOUSE OF ORANGE
First, briefly, before delving into the biographical synchronicities between Leopold III and the pair of fabricated character schemes he portrayed – Bing Crosby, Adolf Hitler – some foundational historical perspective must be established to promote greater comprehension.
It should be noted that, genealogically speaking, the Belgian royal family, the House of Bourbon-Parma, and the royal family of Luxembourg – to which, respectively, Leopold III, Prince Louis of Bourbon-Parma, and Grand Duke Henri belong – are related by both marriage and, in many cases, by mutual ancestry.
The article, published at the following link immediately below, confirms the genealogical relationship between the Belgian royal family and that of Luxembourg.
All three royal houses are, it should also be noted, related to the House of Saxe-Coburg-Gotha (AKA Windsor/Rothschild/Rockefeller) and to the Stuart royal dynasty (AKA Pallavicini), a family which, still, to-this-day, is said to be in control of Hollywood.
These royal family interrelations – particularly as they relate to the “official” narratives of Leopold III (AKA “Bing Crosby”/Adolf Hitler) – have profound historical implications.
The royal families of Belgium, Luxembourg, and the Netherlands are also genealogically related to the House of Orange, the royal family which, during the “Glorious Revolution” of the 17th century, established the Bank of England, an institution which, today, also works hand-in-glove with the Crown Temple in the City of London, the Swiss National Bank, and the Federal Reserve.
SEE: http://www.britishroyalfamilytree.com/house-of-orange/
ADELE ASTAIRE & CIA
In laying the historical foundation for the story of Leopold III, the royal host actor identified in portrayal of both “Bing Crosby” and “Adolf Hitler”, there is an additional point to be made regarding the Hollywood fabricated character scheme known as “Fred Astaire”, particularly regarding the identity of his sister, Adele. Though Adele was an accomplished Vaudeville performer, her accomplishments during the nascent era of Hollywood entertainment have been strangely omitted.
But, as everyone is about to discern, there may be a good reason why Adele has been largely stricken from the history books.
According to her official biographical entry at Wikipedia, Adele Astaire was married twice. First, to a Cavendish, an English noble gentlemen of aristocratic breeding. Then, according to Wikipedia, Adele was married to a man named Kingman Douglas who, also according to Wikipedia, was employed by the CIA, an organization controlled by the Jesuit order.
SEE: https://hermoments.com/s/rare-fred-astaire?as+799&asv=1&bdk=0
According to Wikipedia, “In 1932, after a 27-year marriage partnership with her brother, Astaire retired from the stage to marry Lord Charles Arthur Francis Cavendish, the second son of Victor Cavendish, 9th Duke of Devonshire.”
Astaire, however, remarried in 1947: “In April 1947,” Wikipedia informs, “Adele remarried, this time to her old American acquaintance from the war, Kingman Douglas. Douglas, who had previously been married and divorced, now worked as an investment banker. He later briefly served as Assistant Director of the Central Intelligence Agency (CIA).”
Added to this pertinent and revealing information, facial recognition and image comparison analysis reveal similarities between Adele Astaire and another famous and legendary American entertainer, Judy Garland.
Adele Astaire:
Judy Garland:
Garland, of course, has been identified as the host actor behind the fabricated character schemes known to American history as former presidential First Lady Jaclyn Kennedy Onassis and Hollywood beauty queen Marilyn Monroe.
SEE: Over the Rainbow & Back in Black
Garland (AKA Kennedy/Onassis/Monroe) has also been identified as the former Hollywood child star Shirley Temple Black, the mother of Charles Alden Black, a man whom also portrayed several famous fabricated character schemes – Steven Tyler, Freddie Mercury, John Taylor of Duran Duran, Chris Cornell – in the music/entertainment industry.
Charles Alden Black has also been identified as the host actor behind the mask of former British Prime Minister Tony Blair.
SEE: Tony Blair The Minister of Prime Lies?
SEE also: Has Freddie Mercury Kept Himself Alive?
The “official” biographical entry at Wikipedia regarding Walt Disney – the fabricated character scheme portrayed by Adele’s brother, Fred – includes this curious anecdote: “He lived near the Atchison, Topeka and Sante Fe Railway line and became enamored with trains.”
‘On the Atchison, Topeka, and The Sante Fe’ happens to be the title of a hit song which was once recorded by Judy Garland.
SEE: https://www.lyrics.com/lyric/54610/Judy+Garland/On+the+Atchison%2CTopeka+and+the+Santa+Fe
But there exists yet another telling anecdotal gem included in Fred Astaire’s biographical entry at Wikipedia, which reveals the origin of the alleged Astaire family surname: “Fred and Adele’s mother suggested they change their name to “Astaire”, as they felt “Austerlitz” was reminiscent of the Battle of Austerlitz.”
According to Wikipedia, “The Battle of Austerlitz, also known as the Battle of the Three Emperors, was one of the most important and decisive engagements of the Napoleonic Wars. In what is widely regarded as the greatest victory achieved by Napoleon, the Grand Army of France defeated a larger Russian and Austrian army led by Emperor Alexander 1 and Holy Roman Emperor Francis II. The battle occurred near the town of Austerlitz in the Austrian Empire (modern-day Czech Republic).”
While contemplating the implications of the previous Wikipedia entry, if one employs their keen perceptions and intuition, long enough to, as it were, read between the lines, everyone will begin to surmise the genuine royal emanations of the host actor (live-action role player) behind the mask of the fabricated character scheme known as “Fred Astaire” and that, throughout his storied entertainment career, he was a key perpetrator of the Post-Modern Reality Simulation phenomenon.
JESUITS & THE CONCEPT of THEATER AS PSYCHOLOGICAL WARFARE
According to the archivists of Bing Crosby’s legendary legacy as the premiere entertainer of the twentieth century, he attended classes at Gonzanga University, a Jesuit-founded institution. While there on campus, it is unanimously claimed Crosby developed a yearning to enter into show business, rather than becoming an attorney.
As we’ve learned, Hollywood and the entertainment/music/media industry complex have served as an effective propaganda tool to promote political and social agendas and, as those numbered among the ranks of the Jesuit order have always understood, the concept of theater (entertainment/bread and circuses) is merely an elaborate cloak for the covert implementation of psychological warfare.
Beginning at approximately 3:39 into the following video – entitled “Living Famously”, the life and career of Bing Crosby – everyone shall hear a Jesuit priest detail the importance of the concept of theater to those among the Jesuit order.
At approximately 3:49 in the previous video, everyone will also hear the Jesuit priest admit they trained “Bing” to become an entertainer. While at Gonzanga, the Jesuit’s also trained “Bing” in elocution, rhetoric, and in public oration.
Everyone should consider, most of all, that latter point.
“Adolf Hitler”, the infamous fabricated character scheme “Bing Crosby” (AKA Leopold III of Belgium) would later assume, was known as a fiery and engaging orator.
Beginning at approximately 5:16 in the previous video excerpt, “Bing” relates to UK talk show host Michael Parkinson how he gave up “the law” because he was making more money “playing the drums.”
Though “Al Jolson” (AKA Fred Astaire/Walt Disney) is mentioned in the video as an early influence on “Bing”, the video’s narrator and the archivists of Bing’s legacy – one of whom bears a strong resemblance to actor Anthony Hopkins – fail to mention that “Fred Astaire” was also an accomplished drummer.
The Jesuits, and possibly with the help of his royal relative, Prince Louis of Bourbon-Parma (AKA Fred Astaire/Al Jolson), not only prepared Leopold III AKA “Bing Crosby” to become a popular entertainer, they also thoroughly prepared him to fully take on the characterization of the dramatic wartime villain – “Adolf Hitler”.
When examined more closely, the biographical timeline of Leopold III of Belgium – with, of course, some chronological misdirection thrown in – almost perfectly mirrors that of “Bing Crosby”.
Right around the same period of time Bing Crosby attended Gonzanga’s high school and University – post-WWI and early 1920’s, we discover that Leopold III – in 1915 – was attending undergraduate classes at the exclusive Eton College in Britain.
Subsequent to his time at Eton and just as the ‘roaring’ twenties began, we discover, from the biographical details of an article published at madmonarchist.blogspot, Leopold III continued on with his education on the west coast of America, in California: “After the {first world} war was won and the fighting ended the young Duke of Brabant continued his education at St. Anthony Seminary in Santa Barbara.”
SEE: http://madmonarchist.blogspot.com/2012/03/monarch-profile-king-leopold-iii-of.html?m=1
As everyone has likely surmised, the biographical details of the host actor (Leopold III) and the fabricated character scheme (Bing Crosby AKA Adolf Hitler) converge in the state of California, coinciding with the period of time “Bing” was said to be on campus, first, at Gonzaga high school and, soon thereafter, on the campus of the nearby Gonzaga University.
These sorts of biographical convergences are not coincidental, for they place “Bing Crosby” and his royal host actor – Leopold III of Belgium – in suspicious geographical proximity on the west coast of America, and during the identical time period.
ROYAL CAR CRASH
After leaving Gonzaga – 3 years, according to Wikipedia (EE=33, highest degree of Scottish Rite freemasonry) – without a degree, we are told “Bing” went to Los Angeles to begin his career in show business. Though over the decades “Bing” cultivated a wholesome image, there now exist several documented accounts which sharply contradict the carefully cultivated family-oriented, all-American public image of the entertainment legend.
In fact – as several accounts, heard in the previous video excerpt, verifiably testified – Crosby was oftentimes possessed of a libertine temperament, demonstrating penchants for the consumption of alcohol and even the smoking of marijuana.
“Crosby wasn’t hard to work with,” claims one account from the previous video, “but, sometimes, he was hard to find!”
Sometimes, as yet another account from the previous video put it, Crosby was found “passed out under tables”, incidents which resulted from all-night exertions of carousing and boozing with the likes of legendary musician Louis Armstrong.
Undoubtedly, the Jesuits used Crosby’s libertine tendencies against him, perhaps, even for the purposes of blackmail.
After all, to the cleverly manipulative men at the highest ranks of the Vatican’s Jesuit order, men possessing such overt weaknesses are often found to be the most covertly useful.
According to an article published by the Los Angeles Times, “Decades before Paris Hilton and voracious media hordes anxiously awaited her release from County jail,” the Los Angeles Times article informs, “aspiring crooner Bing Crosby was quietly jailed with nary a mention in the newspapers. And after he became a star, his arrest and court records just as quietly vanished. Crosby, then 27, crashed his car in front of the Hollywood Roosevelt Hotel in November 1929 after a night of drinking. This was during Prohibition, when liquor was illegal.”
SEE: https://www.latimes.com/archives/la-xpm-2007-jun-24-me-then24-story.html
According to “official” biographies, Crosby was born in 1903 which, in 1929, would have made him 26 years-of-age.
26=2 6’s/12/21(law of occult mirrored reversal)=3 7’s/777/Alistair Crowley’s joker intelligence code.
But this is merely one example of the biographical misdirection which, time-and-again, is utilized by MSM sources.
In this case, it would appear, the purposeful misdirection – after-the-fact – with both the timing and subsequent coverup of Crosby’s drunken car crash – through creating chronological confusion – was clearly deployed to hide the identity of the royal host actor – Leopold III of Belgium – in portrayal of Bing Crosby, the fabricated character scheme.
This is also a blatant mockery of the general public’s ability to focus their mental intention and concentration long enough to penetrate through such absurd biographical inconsistencies and contradictions.
According to Wikipedia, Leopold III was born on 3 November 1901.
According to the online date calculator, on the very day listed for Crosby’s drunk driving infraction – November 16, 1929 – His Royal Highness, Leopold III would have been 28 years-of-age plus 13 days. When summed together, 28 and 13 equal 41, a number which, when subjected to the occult law of mirrored reversal, equals 14 or 2 7’s/77.
Add to 77 the sum of Leopold’s birth date (3+11+20=34/3+4=7), and we, again, arrive at 777, or Alistair Crowley’s joker intelligence code.
In the following video clip from 1966, everyone will notice – right from the outset – both the interviewer and “Bing Crosby” seem overly obsessed with the number of 7 and with Alistair Crowley’s 777 code.
https://youtu.be/7a2MZQnTdps
This represents but one example of the MSM’s deceptive method of operation – blown cover as cover, as it were – in revealing such glaring and conspicuous clues.
Turns out, according to an article published at royalmusingsblogspot.com, Leopold III – on August 29, 1935 – survived a fatal car accident which killed his royal consort, Queen Astrid of Sweden.
SEE: http://royalmusingsblogspotcom.blogspot.com/2008/08/queen-astrid-killed-in-car-crash.html?m=1
SAME TIME SAME PLACE BUT DIFFERENT STORIES
If examined with a keen eye, we begin to see the biographical chronologies of both Leopold III and his Hollywood fabricated character scheme “Bing Crosby”, during the era of the WWII, begin to converge even more closely.
According to the article at madmonarchist..blogspot.com, cited earlier, during the time of the Nazi invasion of Europe’s low countries at the outset of WWII, there existed a growing consensus among the Belgium peoples that their reigning king, Leopold III, may have been a Nazi collaborator. As most everyone, at this juncture, has likely surmised, Leopold III was much more than a collaborator. The article goes on to explain that both the king and his family were taken prisoners of war, “kept under close watch by the Nazi authorities while the fate of Belgium remained in limbo.”
Not so coincidentally, during the identical span of time, “Bing Crosby” is discovered to have, once again, been in geographical proximity with his host actor, Leopold III. According to Wikipedia, “During the Second World War, Crosby made live appearances before American troops who had been fighting in the European Theater.”
Surely, everyone noted Wikipedia’s suspicious utilization of that telltale description – “Theater”.
Regarding Crosby’s entertainment of the American troops, Wikipedia goes on to most suspiciously report, “He {Crosby} learned how to pronounce German from written scripts and read propaganda broadcasts intended for German forces. The nickname “Der Bingle” was common among Crosby’s German listeners and came to be used by his English-speaking fans.”
HOW HITLER TWICE SAVED THE KING?
While Leopold III was alleged to have been held in captivity by “Nazi authorities”, Wikipedia has this to report regarding Leopold’s capitulation to the Nazis: “After Leopold’s surrender, the British press denounced him as “Traitor King” and “King Rat”.
Apparently, in a show of righteous indignation, Leopold III was also denounced by the British Prime Minister, Winston Churchill (AKA Alistair Crowley).
SEE: Your spell is broken, Mister Crowley
Apparently, however, also according to Wikipedia, Adolf Hitler aided the disgraced monarch in saving face.
“The Germans held him {Leopold} at first under house arrest at the Royal Castle of Laeken. Having since June 1940 desired a meeting with Adolf Hitler in respect of the situation of Belgian prisoners of war, Leopold III finally met with him on 19 November 1940. Leopold wanted to persuade Hitler to release Belgian POW’s, and issue a public statement about Belgium’s future independence. Hitler refused to speak about the independence of Belgium or issue a statement about it. In refusing to publish a statement, Hitler preserved the King from being seen as cooperating with Germany, and thus engaged in treasonous acts, which would likely have obliged him to abdicate upon the liberation of Belgium. The {German} Chancellor saved the king two times.”
Rather a magnanimous gesture from a 20th century historical figure whom has been unanimously judged an abhorrent monster, huh, folks?
However, when one realizes – as has been empirically confirmed by facial recognition, ear biometric, and image comparison analyses – Leopold III was the royal host actor in portrayal of the fabricated character scheme known to history as “Adolf Hitler”, the conclusions as to why, “The {German} Chancellor saved the king two times,” should be well obvious to everyone.
BING & LEO ON THE LINKS
It has been well-documented that one of Bing Crosby’s favorite pastimes was playing rounds of golf.
The following image proves the enjoyment of the game of golf is something Leopold III and “Bing” certainly had in common.
But there is also another trait both Leopold III and “Bing Crosby” had in common: an identically receding hairline.
Referring to the video excerpt displayed earlier, if fast-forwarded to the 19:05 mark, everyone will hear the Crosby archivist divulge that Crosby often wore a toupee’, or hairpiece. This hairpiece modification is one of the key elements Leopold III (AKA Bing Crosby) used to create the fabricated character scheme known to history as “Adolf Hitler”.
AMPEX
At the close of WWII, after entertaining the allied troops overseas, “Bing Crosby” brought back a technological innovation – the AMPEX recorder – which revolutionized both the radio and television industries.
According to Wikipedia, “Ampex’s first great success was a line of reel-to-reel tape recorders developed from the German wartime Magnetophon system at the behest of Bing Crosby. Ampex quickly became a leader in audio tape technology developing many of the analog recording formats for both music and movies that remained in use into the 1990’s.”
After its wide implementation during the era of the 1950’s, AMPEX made such technical innovations as multi-track recording, slow-motion, and instant playback television as well as a host of other advances possible.
Undoubtedly, when considered in retrospect, such technical innovations facilitated the weaponization of the media/entertainment complex for the purposes of psychological warfare, making it possible to simulate the assassination of a US president in 1963 and, still later in that decade, beginning in 1969, for Disney (with Prince Louis of Bourbon-Parma AKA Fred Astaire/Walt Disney as their spokesperson) to help NASA simulate the Apollo moon landings.
Historically, these represented paradigm-changing events, which also facilitated the greater criminal perpetration of Post-Modern Reality Simulation, a sinister phenomenon which, as we’ve learned, has served to significantly blunt if not utterly destroy the perceptual faculties of the general public.
This stands as an acutely troubling neurosis which, over the passage of decades since, has rendered the public completely reliant on the authority of the MSM and officials of the US corporate government to spoon feed them what defines “reality” and “truth”.
Take that into consideration, folks, the next time you happen to hear “Bing” crooning ‘White Christmas’ while blissfully sipping your eggnog.