‘Dead’ Man Blooms into Ukraine Hero

‘Dead’ Man Blooms into Ukraine Hero

From one crisis to the next, the public is led like feeble lambs to willing slaughter.

Nevertheless, when it comes to considering the “war” in Ukraine, will a majority of the general public, many of whom are still suffering from psychological trauma due to a deliberately manufactured “pandemic” and the deleterious physical effects derived from “mandated” but genocidal “vaccines” (AKA genetic therapy), never conceive of the idea they’ve been utterly and completely deceived on multiple levels by the sinister machinations of the MSM’s psychological operations?

Though one remains eternally optimistic, admittedly, the eventuality of such a collective epiphany coming to fruition doesn’t seem likely to ever occur.

But just what do these multiple levels of deception consist of?

For one: reams of recycled MSM news footage borrowed from other past news events, and still other footage appearing to have been deliberately manufactured via a clever post-production technique – Generative Adversarial Network – which shall be further elaborated upon and explained further.

Secondly: the perpetual and insufferable tin-eared propagandizing issued by both the MSM’s and the US corporate government’s legions of soulless but well-paid mouthpieces.

To be certain, at least to anyone willing to apply even the smallest degree of scrutiny, the MSM’s cloying emotionalism coupled in tandem with galleries of transparent lies and memory searing buzzwords – the use of the term(s) “front lines”, for example – sound very familiar, almost as if the psychologically manipulative propaganda which was utilized to sell the Covid-19 “pandemic” for the last two years had suddenly been rebranded with a new color scheme of yellow and blue.

Of course, as those who’ve been frequenting this site from its inception were already keenly aware, the deployment of psychologically emotive color schemes and the strategic placement of NLP (Neural Linguistic Programming) are both time tested tools which have been repeatedly used to augment the effectiveness of the MSM’s propaganda messaging.

Thirdly: the man now well-known to the American public as “Volodymyr Zelensky”, Ukraine’s “freely elected” president, has been identified as yet another fabricated character scheme, one who exists as a well-handled Jesuit-trained intelligence asset, one not only portrayed by a Hollywood actor, but one who appears to have been deliberately placed on the world’s stage to play out his carefully scripted role, a manufactured myth made to order and transformed into flesh and blood, a political upstart and underdog protagonist whose conception was intended to be marketed and trumpeted by the MSM as a wartime heroic “savior”.

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But before this well-known Hollywood actor visited Ukraine in 2016, was named as an official functionary of the UN and was subsequently modified into “Volodymyr Zelensky”, he played the role of a rock star in the Hollywood music industry, one who, according to both the MSM and Wikipedia, was alleged to have “died” in 2017.

Added to these investigative discoveries and more, a distaff member of the Ukraine parliament – “Kira Rudyk” – has also been identified as a fabricated character scheme portrayed by a Hollywood actress, one who, in 2006, co-starred in a film with the host actor (live-action role player) identified in the role of “Volodymyr Zelensky”, a Hollywood production which was but one cinematic episode of what later turned into a popular, award-winning and high-grossing Hollywood film franchise. 

Continue reading “‘Dead’ Man Blooms into Ukraine Hero”

Princess AOC’s Social Justice Squad

Princess AOC’s Social Justice Squad

Sometimes – after deeper investigation – the truth stares back at you in plain sight.

This only proves what can happen when close enough attention isn’t paid to every pertinent and important detail.

In which case, the truth can become most elusive and it will escape you.

Such was found to be the case with the fabricated character scheme known as Congresswoman “Alexandria Ocasio-Cortez”.

Although, previously, her host actor (live-action role player) was misidentified, on this occasion, the right suspect has been well caught.

“Alexandria Ocasio-Cortez” is a fabricated character scheme portrayed by a British royal.

Indeed, this helps to explain her meteoric rise from utter obscurity to political prominence in the US House of Representatives.

After all, the royal family AOC’s host actor has married into – the royal house of Saxe-Coburg-Gotha (AKA Windsor/Rothschild/Rockefeller) – is a majority proprietor of the MSM.

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While keenly honing ocular senses upon the images posted above, everyone will begin to notice a birthmark conspicuously and identically positioned just below the jawline.

Not only do “Alexandria Ocasio-Cortez’ and her host actor (live-action role player) Meghan, Duchess of Sussex have this identically positioned epidermal landmark in common, but extensive ear biometric, facial recognition, and image comparison analyses confirm Meghan, the Duchess of Sussex has been modified into the charismatic American political persona known as “Alexandria Ocasio-Cortez”.

Of course, “Alexandria Ocasio-Cortez” (AKA Princess Meghan, Duchess of Sussex) is well-known as an ideological proponent of “Social Justice”.

Though both the royal duchess and her fabricated character scheme continue to be vigorous promoters and staunch proponents of this popularized socio-political philosophy – to many among the American public – the doctrine’s emanations are less well-known.

However, research has revealed, the doctrines of ‘Social Justice” and Marxism are closely related, if not synonymous, and both originate from a single source: the Jesuit order at the Vatican in Rome.

In fact, Social Democrats – the lobbying/marketing organization responsible for positioning “Alexandra Ocasio-Cortez” (AKA Meghan, Duchess of Sussex) into the US House of Representatives and promoting her through the MSM into the forefront of the American public’s consciousness – is filled with avowed Marxists.

As shall soon be further explained, both the philosophies of “Social Justice” and Marxism were derived from the fertile minds of 19th century Jesuit scholars, one of whom – Luigi Taparelli D’ Azeglio – was also a contemporary of Karl Marx and Josef Engels.

Continue reading “Princess AOC’s Social Justice Squad”

Thanks for the Memories, Your Highness

Thanks for the Memories, Your Highness

Sometimes the winding road of in-depth investigation can lead down the deepest and darkest of rabbit holes.

Some time ago, a regular visitor to this site enquired in the comments section concerning the American entertainer known as “Bob Hope”.

While the results of one’s ensuing investigation were not wholly unsurprising, they were unexpected.

Not only did “Bob Hope” – like that of his famous Hollywood sidekick “Bing Crosby” – turn out to be yet another fabricated character scheme, the man behind his famous public persona was a high-ranking member of the British royal family and – lo and behold – he was also a high-ranking freemason.

Before modifying into “Bob Hope” and several other famous fabricated character schemes, this British prince, forgotten to history, faked his death in a plane crash which, according to one published source, occurred under “mysterious” circumstances.   

Indeed, on this occasion, we’re led straight on a path towards yet another dead European royal – dubbed in the annals of the history of the royal House of Saxe-Coburg-Gotha (AKA Windsor/Rothschild/Rockefeller) as the “Forgotten Prince” – who began his life as a vaudeville entertainer and, over the decades, beginning in the mid 20th century, modified into a pair of Hollywood’s and America’s most beloved and well-celebrated popular entertainment icons.

Below: Prince George, Duke of Kent, the “forgotten prince” 

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From the era of WWII, this British prince is also recorded in the history books as one of Great Britain’s most seminal and popular Prime Ministers.

Turns out too, this “forgotten prince” was also known as the “Great Beast”, an influential occultist, Jesuit-trained perpetrator of Post-Modern Reality Simulation, and a member of the freemasonic Order of the Golden Dawn. 

But still more intriguing, this “forgotten prince” – Prince George, Duke of Kent – is genealogically related, via the extensive royal family tree of the House of Saxe-Coburg-Gotha, to King Leopold III of Belgium (AKA Adolf Hitler/iconic Hollywood entertainer “Bing Crosby”/Carol O’Connor/Alger Hiss), to Prince Michael, Duke of Kent (AKA the “late” comedian George Carlin/Max Igan/Hollywood actor James Caan/Joe Cocker/Jean Paul DeJoria), to Prince Edward, Duke of Kent (AKA Lord Jacob Rothschild) and to US House of Representatives Speaker Nancy Pelosi (AKA Princess Caroline Bouvier Radziwill/Hollywood actress Jane Fonda/popular music entertainer Dolly Parton).     

SEE: The Man Who Sold the World 

SEE: More Secrets Unearthed from History’s ‘Bunker&#8217

SEE: Begging the ‘Parton’ of a Princess

SEE also: Carlin’s Big Club of Rome

In the following video clip, when fast-forwarded to approximately the 11:47 mark, everyone will hear the aforementioned late comedian/actor/popular entertainer – the fabricated Hollywood character scheme known as “Bob Hope” – mention that, though he was “born in England,” he came to America at the “age of four” because he knew “there was very little chance of becoming king.”

This statement by “Bob Hope”, though spoken in a comedic context, also has occult significance.

The number four is a reference to the Gnostic Creed or Ecclesia Gnostica Catholica, an ecclesiastical arm of the Ordi Templi Orientis (OTO) which, according to Wikipedia, “is an international fraternal organization devoted to promulgating the Law of Thelema.” Thelema, Wikipedia goes on to explain, “is a philosophical, mystical and religious system elaborated by Alistair Crowley, and based on the Book of The Law.”

Turns out, “Bob Hope” (AKA Alistair Crowley/Winston Churchill/Jack Benny/Prince George, Duke of Kent) is referencing the first four clauses or the Explication of the (Gnostic) Creed. Wikipedia further explains, “The first 4 clauses are attributed to the four letters of the Tetragrammaton YHVH: the father (Chaos), the Mother (Babylon), the Union of Father and Mother in the Son (Baphomet), and the Daughter, the Bride of the Son (the Church).”  

Continue reading “Thanks for the Memories, Your Highness”

More Secrets Unearthed from History’s ‘Bunker’

More Secrets Unearthed from History’s ‘Bunker’

Some time ago, while performing research into a famous Hollywood celebrity posing as a high-level American politician – one who played a key role in the execution of the Sandy Hook “massacre” psychological operation – I came upon the following video clip.

It is an excerpt from “All in the Family”, a popular television production of the 1970’s, featuring “Carrol O’Connor” and “Rob Reiner”.

Recently, this particular video excerpt became useful, for purposes of investigative reexamination.

Turns out, it yielded a stunning revelation.

Everyone will notice – in the still frame taken from the video excerpt, displayed immediately below – Reiner has positioned his hands in the formulation of the masonic pyramid, or the iron cross, the identical symbol utilized by the German National Socialists, a political philosophy which was created by the Jesuit order, whom, for centuries, have been in control of the Vatican and the international pseudo-religious cult –  Scottish Rite/York Rite brotherhood/sisterhood of the Eastern Star –  known as the Freemasons.

SEE: http://themillenniumreport.com/2016/08/adolf-hitler-and-the-Jesuit-order/ 

All in the Family (1975)

Of course, as has been proved by facial recognition, ear biometric, image comparison, and voice print analyses, “Rob Reiner” – who went on from “All in the Family” to become one of Hollywood’s most renowned and award-winning cinema directors – also starred as “Doctor Wayne Carver”, the Connecticut state medical examiner, in 2012.

Ear biometric, facial recognition, and image comparison analyses also confirm Hollywood director Rob Reiner as the host actor (live-action role player) behind the fabricated character schemes known to the public as former Connecticut chief medical examiner “Doctor Wayne Carver” and former US vice president “Al Gore”.

ROB REINER

AL GORE

DOCTOR WAYNE CARVER

 

“Carrol O’Connor”, on the other hand, during one of the final interviews he gave before his death, left behind several clues concerning another of the fabricated character schemes his host actor – Leopold III of Belgium (AKA Bing Crosby/Adolf Hitler) – portrayed throughout the course of his long Hollywood career. 

SEE: The Man Who Sold the World

In addition to the other biographical similarities – between “Bing Crosby” and “Carrol O’Connor” – yet another clue exists in plain site: the surname of the famous television character from the era of the 1970’s – “Archie Bunker”. That fictional surname exists as a mockery to the general public and to the television viewing audience, whom remained unaware that a key clue was being divulged concerning the infamous wartime villain, “Adolf Hitler”, a fabricated character scheme once portrayed by Leopold III of Belgium.

In particular, this fictional surname refers to the “official” historical record, which informs “Adolf Hitler”, the defeated and disgraced leader of the German National Socialists, was suicided while alone in a deep underground “bunker” at the close of WWII.  Continue reading “More Secrets Unearthed from History’s ‘Bunker’”

The Man Who Sold the World

The Man Who Sold the World

What follows is a story about a man – an abdicated European royal and also one of Hollywood’s biggest stars during the era of the 20th century – who sold out the world to a terrifying future.

For several decades, while this man danced and sang on Hollywood’s silver screen, charming his way into America’s hearts and minds, those same admirers remained blissfully unaware of his hidden identity, the clues to which are subtly hidden in the biographical details of the various fabricated character schemes he famously portrayed.

One of the most blatant clues of this famous Hollywood entertainer’s hidden identity as a European royal stares us in the face from the frames of the following pair of images.

Leopold III of Belgium:

Bing Crosby:

While everyone is performing their ocular comparisons between the previous sets of images and, perhaps, begins to wholly perceive the obvious similarities of facial geometry and the identical epidermal contours of the ears, consider also the lyrical content of a once popular song – ‘The Man Who Sold the World” – from the 1970’s, one which was both recorded and performed by one of Leopold III’s (AKA Bing Crosby) most famous relatives – David Bowie AKA Grand Duke (the thin white duke) Henri of Luxembourg.

The Man Who Sold the World:

We passed upon the stair

We spoke of was and when

He said I was his friend

Which came as a surprise

I spoke into his eyes

I thought you died alone

A long long time ago

Oh no, not me

We never lost control

You’re face to face

With the man who sold the world!

Though, upon first glance, those set of song lyrics may seem rather cryptic, nevertheless, if one knows what to look for, a key word contained within the song’s very first line – ‘stair’ – gives away the identity of yet another famous character scheme portrayed by one of Leopold’s royal relatives, Prince Louis of Bourbon-Parma (AKA Fred Astaire/Walt Disney/Al Jolson).

Both the royal host actors identified in portrayal of the Hollywood fabricated character schemes known as “Bing Crosby” and “Fred Astaire” (AKA Walt Disney/Al Jolson), it turns out, are genealogically related to the singer, David Bowie (AKA Grand Duke Henri of Luxembourg), of this particular song, ‘The Man Who Sold the World’.

SEE: Doc Kildare Promotes Kill Shot Propaganda

SEE also: US government goes wacko in Waco

Prince Louis of Bourbon Parma:

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Walt Disney

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Fred Astaire:

Walt Disney 

Al Jolson:

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Moreover, the line, “I thought you died alone”, when considered within an “official” biographical and historical context, serves as a particularly telling clue about one of the 20th century’s most infamous fabricated character schemes – Adolf Hitler – whom, as confirmed by facial recognition, ear biometric, and image comparison analysis, was portrayed by Bing Crosby (AKA Leopold III of Belgium).

Consider also, the implication of the reply given by the “Man Who Sold the World”: “Oh no, not me, WE NEVER LOST CONTROL!”

The performer of this song, David Bowie (AKA Grand Duke Henri of Luxembourg), a royal relation of both Leopold III (AKA Bing Crosby/Adolf Hitler) and Fred Astaire (AKA Prince Louis of Bourbon Parma/Walt Disney/Al Jolson) is allowing you, the listener, to become privy to a conversation which subtly reveals the hidden identities of two of his royal family relations.

David Bowie (AKA Grand Duke Henri) is also attempting to relate a historical truth which contradicts the “official” documented record regarding the alleged ill-fate of Adolf Hitler (AKA Leopold III/”Bing Crosby”).

In essence, the singer is relating that, though his royal family relation – Leopold III (AKA Bing Crosby/Adolf Hitler) – was historically rumored, at the close of WWII, to have died alone in a bunker after suicided by a poison cyanide pill, he, in fact, lived on to sing about a ‘White Christmas’, a traditional seasonal standard with which everyone is undoubtedly still familiar.

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Not only that, the singer is imparting a trenchant message, addressed to both his enquirer and to the audience: Our royal family – numbered among the thirteen ruling elite Jesuit families and majority owners of the global military/industrial/media/entertainment complex – are still in complete control of the entire world and, in fact, own all of the world’s human and natural resources, a control which we shall never relinquish.

As everyone will soon observe, there are subtle but distinct synchronicities and parallels concerning the comparative details which are contained in the “official” biographical narratives of each fabricated character scheme – “Bing Crosby”, “Adolf Hitler” – relating to the European royal identified as their live-action role player, Leopold the III of Belgium.

But, when one knows what to comparatively look for, each of these narrative details, when held up to comparative and objective scrutiny, suddenly transform into surefire giveaway clues; signposts and billboards on the road to the truth.

Continue reading “The Man Who Sold the World”

Greta Thunberg’s Teenaged Propaganda Rampage Part III

Greta Thunberg’s Teenaged Propaganda Rampage Part III

The heavily promoted ‘climate change’ agenda represents a grand veil, hiding a well oiled conspiratorial mechanism working to bring forth global economic, political, and social transition, a plan which, through the course of the coming decade(s), shall see its final culmination here in the West.

Ultimately, however, the sobering veracity of this analysis will be denied and even scorned by the majority, those who have chosen to embrace the emotively-driven ideological rhetoric of the climate change narrative.

The Climate Change agenda – though it may seem like a recent development – is nothing new.

This is an agenda which has been long in the making.

Its origins emanate from decades ago, from the covert meetings of the Club of Rome in the 1950’s and 60’s, to the formation of the Environmental Protection Agency during the political tenure of the Nixon administration in the early 1970’s here in the US, and to the international Climate Accords consolidated in the early 1990’s.

In retrospect, amid many of history’s significant social and political movements (Bolshevik revolution, German National Socialism’s Beer Hall Putsch, America’s 1st wave of feminism, Counter-Culture, and Civil Rights movements), there has always emerged a centrifugal and sometimes charismatic figure, a cult of personality which arrived fully formed to take their place upon the world stage. Such historical figures often appear to possess an inherent sense of moral superiority and, even in some cases, divinely inspired powers of persuasion and galvanizing leadership.

The latest “Christ-like” figure which has been placed before the general public to help promote the “climate change” agenda, “Greta Thunberg”, is but one of many such figures which have appeared throughout history.

But like all such heavily promoted personality archetypes, she is an actor, engineered to perpetuate the phenomenon of Post-Modern Reality Simulation.

Thunberg has also been identified as the successor to the throne of a prominent European royal family while playing her scripted role under a pseudonym.

As it turns out, “Greta Thunberg” is not the only pseudonym employed by the Belgian Princess, Elisabeth, Duchess of Brabant. But on this occasion, the genuine source of the character’s pseudonym – “Greta Thunberg – will be revealed.

The name’s origins emanate from a 20th century Nobel Prize winning scientist, the first ever, in fact, to theorize a connection between human CO2 emissions and what came to be known –  in the context of the modern climate change movement –  as the “Greenhouse effect”.

Stay tuned, folks.       Continue reading “Greta Thunberg’s Teenaged Propaganda Rampage Part III”

The mysterious man of many famous faces (Part 1)

The mysterious man of many famous faces (Part 1)

This installment concerns a mysterious man of many famous faces.

Many of you would know him, but not by his actual birth name.

Even now, some of you would regard the high level public character he now portrays as a figure of scalding hatred.

Though over the decades this actor has played several award wining roles on both stage and screen, his millions of adoring fans may be shocked to learn his best roles have been mythologized for posterity in American history books.

However, if you shall allow one a short digression, it has become more than clear, that after a little more than one year writing on this blog, one feels the time may have come to clear the proverbial air.

Folks, there exists no so-called ‘truth community on the internet’.

That particular nomenclature was created by the same group of intelligence clowns concocted the pejoratively utilized ‘conspiracy theory’. Both terms represent a short cut to thinking, and are typical of those all too willing to think vicariously, if they are capable of thinking at all.

Yes folks, there exists no truth community, and there appears, with perhaps minor exceptions, to be only government sponsored propaganda agents and lowly trolls posing as grass roots investigators. Despite opinions to the contrary, yours truly is surely not, nor ever has been numbered among the former.

Nevertheless, one proceeds onward with the matter at hand.

Hollywood is the land of illusion. Though it is often a crucible of salacious and titillating scandal, it is also the creator of mankind’s greatest dreams and also some of its most garish nightmares. As the centrifugal force behind some of America’s most memorable heroes and villains, Hollywood also represents the wholesale producer of America’s prime export to the rest of the world – the greatest and grandest of entertainment.

But beneath this clever facade, Hollywood truly represents a prime purveyor of social and political propaganda on behalf of the thirteen elite ruling families.

Many of the technological tools utilized to create such grand illusions have transcended the boundaries of Hollywood and become an integral element of the public’s everyday life, acutely compromising the masses ability to discern between that of fantasy and reality.

But, this is the prevailing post-modern paradigm that allowed one man, over the span of his acting career, to play the roles of Superman, a gold medal winning Olympic champion, and most recently, a fake transgender character. Though one may have already intuited who is being referenced, what one may not know, is the true identity of the host actor playing the roles.

Many more are even less aware of the identity of the host actor’s father kept hidden from the American public. Stay tuned folks.  Continue reading “The mysterious man of many famous faces (Part 1)”

Actors in history’s grand stage play (Part XVI)

Actors in history’s grand stage play (Part XVI)

This installment is my Christmas present to all those loyal readers who have repeatedly returned to discover yet another world shaking revelation at Newsspellcom.org.

And please, believe it folks, one may want to take a deep breath before removing the bow and unwrapping this gift. For, what one shall discover lying beneath the colorful wrapping may change your entire perception of reality – perhaps forever!

The more youthful among one’s loyal readers may certainly not recall, but the Ed Sullivan Show represented the most iconic television production in the entire history of the medium. For millions of Americans during the era of the 1950’s and 60’s, Sullivan’s variety hour was perceived to embody the essence of American family entertainment. Even Sullivan’s benign image was such that his show could endure the searing controversy of having featured the risque and hip swiveling Elvis Presley and the mop top Beatles with their loud guitars, and transform what was initially perceived to be dissonant and shocking into a slice of warm apple pie Americana.

But behind the mask of Sullivan’s televised image lurked dark secrets, which until now, many have not bothered to unlock.

As loyal readers know, Newsspellcom.org is always on the search for buried treasure. And the secret treasures buried underneath the carefully conceived all-American image of Ed Sullivan are filled with troves of shining gold. In doing research for this particular installment, one began to truly piece together a more complete picture of the intricate web of deception and nepotism in the American entertainment industry.

Believe it folks, the true identity of Ed Sullivan’s host actor not only opened a clear vista to his close family relationship to other prominent entertainers, but not surprisingly a vital link to the royal bloodlines of the thirteen ruling elite Jesuit families. Continue reading “Actors in history’s grand stage play (Part XVI)”