Another Fake ‘Phil’ Talk Show Host

Another Fake ‘Phil’ Talk Show Host

Though many who frequent this site may have read about the results of the investigation into “Doctor Phil McGraw” who was identified as a fabricated character scheme, he wasn’t the only talk show host named ‘Phil’ with a hidden identity.

SEE: Del’s Big Tree Bears Rotten Fruit

Before the vivid persona of Oprah Winfrey became the predominant figure on the daytime television talk show circuit, there was another with whom Oprah credits the possibility for her meteoric success – “Phil Donahue”.

From the beginning of his television career, the popular television persona who became known to the American public as “Phil Donahue” carved out a rather sizable and dominant niche on what was up until then, during the era of the 1980’s, an almost barren daytime television landscape populated by mindless game shows and melodramatic soap operas.

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Even after his emergence on the American television airwaves, the format of Donahue’s talk show contrasted sharply with that of his would-be competitors. Instead of founding a platform for inane discussions concerning crass popular culture or a shallow promotional showcase for Hollywood celebrities, “Phil Donahue” showed a penchant for tackling issues which appeared to be of social or political import. Issues which sometimes were considered controversial or even taboo by targeted audiences and network executives alike.

As shown in the video clip at the link posted below, in 1985, decades before the Covid-19 “pandemic”, “Phil Donahue” invited Doctor Robert S. Mendelsohn – who at the time was considered to be a most controversial figure among his colleagues in the medical profession – onto his show to discuss the clear and present dangers to the public’s health posed by vaccinations.

https://archive.org/details/phil-donahue-1985

Though today, mainstream talk show hosts wouldn’t dare allow such contrarian views to be aired, at least in this regard, “Phil Donahue” proved to be well ahead of his time and his would-be competitors. But did this penchant for exploring controversial topics emanate from a deeply held conviction? Or was “Phil Donahue” merely playing out the role he was scripted to portray?

Upon further investigation, the latter turned out to be the case.

“Phil Donahue” was a fabricated character scheme. A carefully tailored image designed to titillate and entertain a particular targeted audience of daytime television consumers. After all, as any television executive knows, controversy is a marketable commodity, profitable to not only the network’s bottom line, but to the network’s advertisers. But there is much more to the story of “Phil Donahue” which won’t be found in “official biographies”.

Before becoming daytime television’s premiere talk show host, “Phil Donahue” played the role of a villain in one of American history’s most tragic narratives – the “assassination” of an American president. Not only that, but the Hollywood actor knighted by the British royal family who has been identified as his host actor (live-action role player) has been known by a slew of famous pseudonyms.

Continue reading “Another Fake ‘Phil’ Talk Show Host”

JFK Hoax Executed by Wizards of Oz

JFK Hoax Executed by Wizards of Oz

Upon first impression, the attempt to draw connections between the JFK “assassination” and the classic Hollywood movie Wizard of Oz may appear to be a dubious hypothetical proposition.

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Unlikely as the premise might seem, deeper investigation demonstrates this hypothesis has empirical merit.

Turns out, not only was there a family connection between Allen Dulles – who served as CIA director during the brief tenure of the Kennedy presidential administration – and “Lee Harvey Oswald”, JFK’s “assassin”, but Allen Dulles has direct connections to Bing Crosby, to Adolf Hitler, and to Jack Haley, who starred in the classic Hollywood cinema production of Wizard of Oz.

Below from L to R: Allen Dulles, Bing Crosby, Jack Haley

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Below: John Foster Dulles, Walt Disney, Ray Bolger

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Ray Bolger, cast as the Scarecrow in Wizard of Oz, has direct connections to Walt Disney (AKA Henry Fonda/Jimmy Stewart/Al Jolson/Franklin Delano Roosevelt/Harry S. Truman/Glen Miller/Walter Sommerlath/Prince Tassilo von Furstenberg), and to CBS newsman Walter Cronkite, who was the first to go on the air immediately following JFK’s “assassination” in Dallas’s Dealy Plaza.

SEE: FDR: America’s Royal Hollywood Fraud

Furthermore, actor Jack Haley – cast as the Wizard of Oz’s Tin Woodsman – harbors a host of connections: to Adolf Hitler, Hollywood actor/singer Bing Crosby, and to Serco, the British multi-national corporation formerly known as RCA which now controls the US National Visa Center, the US Defense Ammunition Center, the US patent and trademark office, and FEMA region 9 on the West coast of the United States.

But as everyone shall soon observe, the Wizard of Oz’s Tin Woodsman (Jack Haley), Scarecrow (Ray Bolger), Allen Dulles and John Foster Dulles are descended from European royalty.

But the connections between one of Hollywood’s most celebrated cinematic works – Wizard of Oz – and the JFK “assassination” don’t stop there.

Judy Garland (AKA Shirley Temple Black/Jaclyn Bouvier Kennedy Onassis/Marilyn Monroe/Madeleine Albright/Helen Thomas), who starred as the character known as Dorothy Gale in Wizard of Oz, has more than one connection to not only the JFK “assassination” hoax but to the more recent Sandy Hook school “massacre” hoax.

SEE: Nancy Pelosi Gets Nailed Once Again

Madeleine Albright’s Monkey Pox Business

Over the Rainbow & Back in Black

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Added to this, the occult philosophies espoused by “Alistair Crowley”, infamously renowned as the twentieth century’s most influential occultist, are also inextricably linked to the intriguing investigative mysteries surrounding one of American history’s greatest hoaxes.

Continue reading “JFK Hoax Executed by Wizards of Oz”

Princess AOC’s Social Justice Squad

Princess AOC’s Social Justice Squad

Sometimes – after deeper investigation – the truth stares back at you in plain sight.

This only proves what can happen when close enough attention isn’t paid to every pertinent and important detail.

In which case, the truth can become most elusive and it will escape you.

Such was found to be the case with the fabricated character scheme known as Congresswoman “Alexandria Ocasio-Cortez”.

Although, previously, her host actor (live-action role player) was misidentified, on this occasion, the right suspect has been well caught.

“Alexandria Ocasio-Cortez” is a fabricated character scheme portrayed by a British royal.

Indeed, this helps to explain her meteoric rise from utter obscurity to political prominence in the US House of Representatives.

After all, the royal family AOC’s host actor has married into – the royal house of Saxe-Coburg-Gotha (AKA Windsor/Rothschild/Rockefeller) – is a majority proprietor of the MSM.

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While keenly honing ocular senses upon the images posted above, everyone will begin to notice a birthmark conspicuously and identically positioned just below the jawline.

Not only do “Alexandria Ocasio-Cortez’ and her host actor (live-action role player) Meghan, Duchess of Sussex have this identically positioned epidermal landmark in common, but extensive ear biometric, facial recognition, and image comparison analyses confirm Meghan, the Duchess of Sussex has been modified into the charismatic American political persona known as “Alexandria Ocasio-Cortez”.

Of course, “Alexandria Ocasio-Cortez” (AKA Princess Meghan, Duchess of Sussex) is well-known as an ideological proponent of “Social Justice”.

Though both the royal duchess and her fabricated character scheme continue to be vigorous promoters and staunch proponents of this popularized socio-political philosophy – to many among the American public – the doctrine’s emanations are less well-known.

However, research has revealed, the doctrines of ‘Social Justice” and Marxism are closely related, if not synonymous, and both originate from a single source: the Jesuit order at the Vatican in Rome.

In fact, Social Democrats – the lobbying/marketing organization responsible for positioning “Alexandra Ocasio-Cortez” (AKA Meghan, Duchess of Sussex) into the US House of Representatives and promoting her through the MSM into the forefront of the American public’s consciousness – is filled with avowed Marxists.

As shall soon be further explained, both the philosophies of “Social Justice” and Marxism were derived from the fertile minds of 19th century Jesuit scholars, one of whom – Luigi Taparelli D’ Azeglio – was also a contemporary of Karl Marx and Josef Engels.

Continue reading “Princess AOC’s Social Justice Squad”

Thanks for the Memories, Your Highness

Thanks for the Memories, Your Highness

Sometimes the winding road of in-depth investigation can lead down the deepest and darkest of rabbit holes.

Some time ago, a regular visitor to this site enquired in the comments section concerning the American entertainer known as “Bob Hope”.

While the results of one’s ensuing investigation were not wholly unsurprising, they were unexpected.

Not only did “Bob Hope” – like that of his famous Hollywood sidekick “Bing Crosby” – turn out to be yet another fabricated character scheme, the man behind his famous public persona was a high-ranking member of the British royal family and – lo and behold – he was also a high-ranking freemason.

Before modifying into “Bob Hope” and several other famous fabricated character schemes, this British prince, forgotten to history, faked his death in a plane crash which, according to one published source, occurred under “mysterious” circumstances.   

Indeed, on this occasion, we’re led straight on a path towards yet another dead European royal – dubbed in the annals of the history of the royal House of Saxe-Coburg-Gotha (AKA Windsor/Rothschild/Rockefeller) as the “Forgotten Prince” – who began his life as a vaudeville entertainer and, over the decades, beginning in the mid 20th century, modified into a pair of Hollywood’s and America’s most beloved and well-celebrated popular entertainment icons.

Below: Prince George, Duke of Kent, the “forgotten prince” 

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From the era of WWII, this British prince is also recorded in the history books as one of Great Britain’s most seminal and popular Prime Ministers.

Turns out too, this “forgotten prince” was also known as the “Great Beast”, an influential occultist, Jesuit-trained perpetrator of Post-Modern Reality Simulation, and a member of the freemasonic Order of the Golden Dawn. 

But still more intriguing, this “forgotten prince” – Prince George, Duke of Kent – is genealogically related, via the extensive royal family tree of the House of Saxe-Coburg-Gotha, to King Leopold III of Belgium (AKA Adolf Hitler/iconic Hollywood entertainer “Bing Crosby”/Carol O’Connor/Alger Hiss), to Prince Michael, Duke of Kent (AKA the “late” comedian George Carlin/Max Igan/Hollywood actor James Caan/Joe Cocker/Jean Paul DeJoria), to Prince Edward, Duke of Kent (AKA Lord Jacob Rothschild) and to US House of Representatives Speaker Nancy Pelosi (AKA Princess Caroline Bouvier Radziwill/Hollywood actress Jane Fonda/popular music entertainer Dolly Parton).     

SEE: The Man Who Sold the World 

SEE: More Secrets Unearthed from History’s ‘Bunker&#8217

SEE: Begging the ‘Parton’ of a Princess

SEE also: Carlin’s Big Club of Rome

In the following video clip, when fast-forwarded to approximately the 11:47 mark, everyone will hear the aforementioned late comedian/actor/popular entertainer – the fabricated Hollywood character scheme known as “Bob Hope” – mention that, though he was “born in England,” he came to America at the “age of four” because he knew “there was very little chance of becoming king.”

This statement by “Bob Hope”, though spoken in a comedic context, also has occult significance.

The number four is a reference to the Gnostic Creed or Ecclesia Gnostica Catholica, an ecclesiastical arm of the Ordi Templi Orientis (OTO) which, according to Wikipedia, “is an international fraternal organization devoted to promulgating the Law of Thelema.” Thelema, Wikipedia goes on to explain, “is a philosophical, mystical and religious system elaborated by Alistair Crowley, and based on the Book of The Law.”

Turns out, “Bob Hope” (AKA Alistair Crowley/Winston Churchill/Jack Benny/Prince George, Duke of Kent) is referencing the first four clauses or the Explication of the (Gnostic) Creed. Wikipedia further explains, “The first 4 clauses are attributed to the four letters of the Tetragrammaton YHVH: the father (Chaos), the Mother (Babylon), the Union of Father and Mother in the Son (Baphomet), and the Daughter, the Bride of the Son (the Church).”  

Continue reading “Thanks for the Memories, Your Highness”

More Secrets Unearthed from History’s ‘Bunker’

More Secrets Unearthed from History’s ‘Bunker’

Some time ago, while performing research into a famous Hollywood celebrity posing as a high-level American politician – one who played a key role in the execution of the Sandy Hook “massacre” psychological operation – I came upon the following video clip.

It is an excerpt from “All in the Family”, a popular television production of the 1970’s, featuring “Carrol O’Connor” and “Rob Reiner”.

Recently, this particular video excerpt became useful, for purposes of investigative reexamination.

Turns out, it yielded a stunning revelation.

Everyone will notice – in the still frame taken from the video excerpt, displayed immediately below – Reiner has positioned his hands in the formulation of the masonic pyramid, or the iron cross, the identical symbol utilized by the German National Socialists, a political philosophy which was created by the Jesuit order, whom, for centuries, have been in control of the Vatican and the international pseudo-religious cult –  Scottish Rite/York Rite brotherhood/sisterhood of the Eastern Star –  known as the Freemasons.

SEE: http://themillenniumreport.com/2016/08/adolf-hitler-and-the-Jesuit-order/ 

All in the Family (1975)

Of course, as has been proved by facial recognition, ear biometric, image comparison, and voice print analyses, “Rob Reiner” – who went on from “All in the Family” to become one of Hollywood’s most renowned and award-winning cinema directors – also starred as “Doctor Wayne Carver”, the Connecticut state medical examiner, in 2012.

Ear biometric, facial recognition, and image comparison analyses also confirm Hollywood director Rob Reiner as the host actor (live-action role player) behind the fabricated character schemes known to the public as former Connecticut chief medical examiner “Doctor Wayne Carver” and former US vice president “Al Gore”.

ROB REINER

AL GORE

DOCTOR WAYNE CARVER

 

“Carrol O’Connor”, on the other hand, during one of the final interviews he gave before his death, left behind several clues concerning another of the fabricated character schemes his host actor – Leopold III of Belgium (AKA Bing Crosby/Adolf Hitler) – portrayed throughout the course of his long Hollywood career. 

SEE: The Man Who Sold the World

In addition to the other biographical similarities – between “Bing Crosby” and “Carrol O’Connor” – yet another clue exists in plain site: the surname of the famous television character from the era of the 1970’s – “Archie Bunker”. That fictional surname exists as a mockery to the general public and to the television viewing audience, whom remained unaware that a key clue was being divulged concerning the infamous wartime villain, “Adolf Hitler”, a fabricated character scheme once portrayed by Leopold III of Belgium.

In particular, this fictional surname refers to the “official” historical record, which informs “Adolf Hitler”, the defeated and disgraced leader of the German National Socialists, was suicided while alone in a deep underground “bunker” at the close of WWII.  Continue reading “More Secrets Unearthed from History’s ‘Bunker’”

The Man Who Sold the World

The Man Who Sold the World

What follows is a story about a man – an abdicated European royal and also one of Hollywood’s biggest stars during the era of the 20th century – who sold out the world to a terrifying future.

For several decades, while this man danced and sang on Hollywood’s silver screen, charming his way into America’s hearts and minds, those same admirers remained blissfully unaware of his hidden identity, the clues to which are subtly hidden in the biographical details of the various fabricated character schemes he famously portrayed.

One of the most blatant clues of this famous Hollywood entertainer’s hidden identity as a European royal stares us in the face from the frames of the following pair of images.

Leopold III of Belgium:

Bing Crosby:

While everyone is performing their ocular comparisons between the previous sets of images and, perhaps, begins to wholly perceive the obvious similarities of facial geometry and the identical epidermal contours of the ears, consider also the lyrical content of a once popular song – ‘The Man Who Sold the World” – from the 1970’s, one which was both recorded and performed by one of Leopold III’s (AKA Bing Crosby) most famous relatives – David Bowie AKA Grand Duke (the thin white duke) Henri of Luxembourg.

The Man Who Sold the World:

We passed upon the stair

We spoke of was and when

He said I was his friend

Which came as a surprise

I spoke into his eyes

I thought you died alone

A long long time ago

Oh no, not me

We never lost control

You’re face to face

With the man who sold the world!

Though, upon first glance, those set of song lyrics may seem rather cryptic, nevertheless, if one knows what to look for, a key word contained within the song’s very first line – ‘stair’ – gives away the identity of yet another famous character scheme portrayed by one of Leopold’s royal relatives, Prince Louis of Bourbon-Parma (AKA Fred Astaire/Walt Disney/Al Jolson).

Both the royal host actors identified in portrayal of the Hollywood fabricated character schemes known as “Bing Crosby” and “Fred Astaire” (AKA Walt Disney/Al Jolson), it turns out, are genealogically related to the singer, David Bowie (AKA Grand Duke Henri of Luxembourg), of this particular song, ‘The Man Who Sold the World’.

SEE: Doc Kildare Promotes Kill Shot Propaganda

SEE also: US government goes wacko in Waco

Prince Louis of Bourbon Parma:

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Walt Disney

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Fred Astaire:

Walt Disney 

Al Jolson:

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Moreover, the line, “I thought you died alone”, when considered within an “official” biographical and historical context, serves as a particularly telling clue about one of the 20th century’s most infamous fabricated character schemes – Adolf Hitler – whom, as confirmed by facial recognition, ear biometric, and image comparison analysis, was portrayed by Bing Crosby (AKA Leopold III of Belgium).

Consider also, the implication of the reply given by the “Man Who Sold the World”: “Oh no, not me, WE NEVER LOST CONTROL!”

The performer of this song, David Bowie (AKA Grand Duke Henri of Luxembourg), a royal relation of both Leopold III (AKA Bing Crosby/Adolf Hitler) and Fred Astaire (AKA Prince Louis of Bourbon Parma/Walt Disney/Al Jolson) is allowing you, the listener, to become privy to a conversation which subtly reveals the hidden identities of two of his royal family relations.

David Bowie (AKA Grand Duke Henri) is also attempting to relate a historical truth which contradicts the “official” documented record regarding the alleged ill-fate of Adolf Hitler (AKA Leopold III/”Bing Crosby”).

In essence, the singer is relating that, though his royal family relation – Leopold III (AKA Bing Crosby/Adolf Hitler) – was historically rumored, at the close of WWII, to have died alone in a bunker after suicided by a poison cyanide pill, he, in fact, lived on to sing about a ‘White Christmas’, a traditional seasonal standard with which everyone is undoubtedly still familiar.

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Not only that, the singer is imparting a trenchant message, addressed to both his enquirer and to the audience: Our royal family – numbered among the thirteen ruling elite Jesuit families and majority owners of the global military/industrial/media/entertainment complex – are still in complete control of the entire world and, in fact, own all of the world’s human and natural resources, a control which we shall never relinquish.

As everyone will soon observe, there are subtle but distinct synchronicities and parallels concerning the comparative details which are contained in the “official” biographical narratives of each fabricated character scheme – “Bing Crosby”, “Adolf Hitler” – relating to the European royal identified as their live-action role player, Leopold the III of Belgium.

But, when one knows what to comparatively look for, each of these narrative details, when held up to comparative and objective scrutiny, suddenly transform into surefire giveaway clues; signposts and billboards on the road to the truth.

Continue reading “The Man Who Sold the World”