Dead Man Playing in the NFL?

Dead Man Playing in the NFL?

Organized religion – it has often been said – is the opiate of the masses.

Here, in America, the predominant religion of the masses has become professional sports entertainment or, as it was known during the era of imperial Rome, “Bread and Circuses.”

As is well-known, every religious cult has an underlying governing philosophy, dogma, or doctrine.

Such centralizing doctrines are administered to the congregation of cult members by pastors or high-priests. Or, in the case of the church of sports entertainment, by television analysts and commentators, most of whom were formerly professional athletes. “Howard Cosell” – the obstreperous and opinionated sports television commentator of decades past – once derided this specialized class of sports “journalists” as the “Jockocracy”.

As most of this site’s regular visitors may recall, “Howard Cosell”, the former host of ABC’s Monday Night Football, was identified as a fabricated character scheme portrayed by Hollywood actor Rod Steiger.

SEE: Comrade Gorbachev was once a Hollywood ‘contender’? PART III

But no religious doctrine would be completely solidified without a unifying or centrifugal charismatic figure.

In the religion of Christian fundamentalism, there is the figure of Jesus Christ.

In the universalist religion of the Catholic church – controlled by the Jesuit order or Society of Jesus – there are venerated figures elevated to sainthood such as Mother Mary, the exoteric version of the esoteric or occult figure known as Isis or Sophia.

The religious cult known as sports entertainment has its own “saints” or charismatic figures – star athletes – who are fawned over and virtually worshipped by those known as “fans”.   

These cult worshippers known as sports “fans” are a relatively modern-day sociological phenomenon.

This commonly expressed vernacular – ‘fan’ – exists as an abbreviated form of the term fanatic or fanaticism.

According to Webster’s dictionary, a ‘fanatic’ is defined as follows, 1.) disapproving: a person exhibiting excessive enthusiasm and intense uncritical devotion toward some controversial matter (as in religion or politics), “a religious fanatic (=extremist), the fanatics are convinced they are serving a righteous cause and that all means are justified…”

How many of your friends, family members, or co-workers – whether relating to politics, religion, or sports – would the above definition – as so expressed – appropriately apply?

Turns out, it is just this sort of uncritically devoted fanaticism which has blinded America’s legions of sports fans to its fabricated and utterly scripted theatricality.

Remarkably, this overt fanaticism has also blinded a majority of those congregated among America’s cult of sports entertainment worshippers from noticing an alleged “dead” man is now playing in the NFL.

Also, fans of the cult of sports entertainment have yet to realize one of the NBA’s major stars – Lebron James – was formerly known by another name which, not so long ago, became superlatively renowned in the world of professional sports.

Those who own and collectively control the profitable business of sports entertainment (the Society of Jesus or the Jesuit order) have informed its fanatical legions – in the form of a legal disclaimer printed on ticket stubs and in the form of an official judgement issued by a US Circuit Court of Appeals Judge – of the true nature of professional sports and, specifically, that of the NFL.

In the case of the NFL, the league is only legally required to present their “fans” with a license (i.e. ticket) to observe an entertainment spectacle, but it is not legally required to officially sanction or provide its ‘fans’ with a legitimate sporting contest.

SEE: https://vaticanassassins.org/2012/01/23/the-popes-playoffs-jesuit-connected-owners-of-five-professional-football-teams/

Apparently, in view of this fact, the NFL reserves the right to draft or contract “athletes” (actors) who, allegedly, have been reported as officially “dead”, and to also recycle athletes under the guise of pseudonyms to satisfy profitable motives.

Myles Garret

Does the NFL athlete observed in the image above appear eerily familiar to everyone?

Perhaps, everyone has seen this particular athlete don another professional league’s uniform, one which might be more familiar?

Indeed, he should appear familiar.

As shall be shortly revealed, “Myles Garret” – a 2017 draftee of the NFL’s Cleveland Browns franchise – is not who he claims to be. Continue reading “Dead Man Playing in the NFL?”

Bernie Made Off But Still Alive

Bernie Made Off But Still Alive

What follows are not only the results of an investigation into the MSM’s concocted narrative concerning “Bernie Madoff”, it is also the story of one of Hollywood’s richest, most powerful, and influential entertainment executives, and of the many faces and celebrity personas he has adopted throughout his life.

In fact, David Geffen – the son of former Coca-Cola executive Barry Diller (AKA former US president Dwight ‘Ike’ Eisenhower/Prince Eduard Egon von Furstenberg), and grandson of Prince Tassilo Egon von Furstenberg (AKA former US president Harry Truman/Hollywood actor Jimmy Stewart/musician and band leader Glenn Miller) – is a man who, over the long decades, has portrayed some of the MSM’s most high-profile fabricated character schemes.

Barry Diller

Dwight D. Eisenhower

Prince Eduard Egon von Furstenberg

Prince Tassilo Egon von Furstenberg

Harry S. Truman

Jimmy Stewart

Glenn Miller

Maj. Glenn Miller standing with hand in pocket. (U.S. Air Force photo)

Suffice to say, while especially considering the chameleon-like track record of his royal ancestors, is it, therefore, any surprise to discover Mister David Geffen has also been identified as a major perpetrator of the phenomenon of Post-Modern Reality Simulation?

Nevertheless, as everyone is about to learn, in addition to the nearly numberless fabricated character schemes – some famous and, still others, infamous – David Geffen has been discovered as the man behind the mask of “Bernie Madoff”, the alleged mastermind of what – for decades, since 1960 – the MSM claims existed as an abominably vast and grossly criminal Wall Street “Ponzi”-styled financial speculation scheme.

But while the MSM dishes out its tabloid brand of soap opera “journalism”, seeking to dramatize every tawdry facet of “Bernie Madoff” and his infamous “Ponzi” scheme operation, they will never dare to report that “Madoff” himself was nothing more than a fabricated character scheme designed with an entirely ulterior motive in mind.

It could be further argued, the timing of the MSM’s decision to “off” the fabricated character scheme known as “Bernie Madoff” was an attempt to distract the American public from the ongoing Covid-19 psychological operation which, by now, exists as an obvious geo-political cloak for 1.) The covert execution of mass genocide and global population reduction of human resources in lieu of the implementation of AI, robotics, and 5G coordinated digital systems, 2.) The even greater covert efforts to implement the UN’s Agenda 2030 and “climate change” agenda, and, 3.) The global implementation of an experimental blockchain crypto-currency system which has also been designed as a track and trace system using body activity.

SEE: https://medium.com/@ThePixelDoc/most-everything-in-the-coming-years-will-be-managed-by-blockchain-technology-including-physical-1fb71033a083

Shortly, it will, as well, become clear that, from his incipient emergence on the world’s stage, Madoff’s infamous legend was designed and created to distract the general public’s short lived attentions away from the genuine criminals whom routinely devise schemes to rob and economically exploit the American public: the hidden owners of the genuine “Ponzi” scheme known as the US corporation, the thirteen, ruling elite Jesuit families.

Continue reading “Bernie Made Off But Still Alive”

The Joker Still Laughs at You

The Joker Still Laughs at You

This the story of a European prince, one who is alleged to be “dead”.

Nevertheless, decades ago, during the early years of the 1960’s, this Danish prince was cast, perhaps ironically, in the annals of American history as a lowly but mafia-connected night club owner and an “assassin”.

Not more than one-half decade later, however, this Danish prince would go on to play the role of a US presidential candidate who was also “assassinated”.

Considering the concept of karma, one supposes, what goes around comes around.

Turns out, when describing the true nature of Danish Prince Henrik’s family – the royal House of Glucksberg (a royal house originating in Northern Germany) – the former description – ‘mafia-connected’ – is certainly more than appropriate.

Prince Henrik of Denmark (AKA “Jack Nicholson”/”Jack Ruby”/”Robert F. Kennedy”) is, in fact, connected to a mafia, the organized crime families we’ve come to know as the thirteen, ruling elite Jesuit families whom, since the ancient era of imperial Rome, have controlled the destiny of humanity and, as well, controlled – through the monopolization and weaponization of the MSM – what the public has been psychologically conditioned to perceive as recorded “history” and, therefore, “reality” (Post-Modern Reality Simulation).

Continue reading “The Joker Still Laughs at You”

The Man Who Sold the World

The Man Who Sold the World

What follows is a story about a man – an abdicated European royal and also one of Hollywood’s biggest stars during the era of the 20th century – who sold out the world to a terrifying future.

For several decades, while this man danced and sang on Hollywood’s silver screen, charming his way into America’s hearts and minds, those same admirers remained blissfully unaware of his hidden identity, the clues to which are subtly hidden in the biographical details of the various fabricated character schemes he famously portrayed.

One of the most blatant clues of this famous Hollywood entertainer’s hidden identity as a European royal stares us in the face from the frames of the following pair of images.

Leopold III of Belgium:

Bing Crosby:

While everyone is performing their ocular comparisons between the previous sets of images and, perhaps, begins to wholly perceive the obvious similarities of facial geometry and the identical epidermal contours of the ears, consider also the lyrical content of a once popular song – ‘The Man Who Sold the World” – from the 1970’s, one which was both recorded and performed by one of Leopold III’s (AKA Bing Crosby) most famous relatives – David Bowie AKA Grand Duke (the thin white duke) Henri of Luxembourg.

The Man Who Sold the World:

We passed upon the stair

We spoke of was and when

He said I was his friend

Which came as a surprise

I spoke into his eyes

I thought you died alone

A long long time ago

Oh no, not me

We never lost control

You’re face to face

With the man who sold the world!

Though, upon first glance, those set of song lyrics may seem rather cryptic, nevertheless, if one knows what to look for, a key word contained within the song’s very first line – ‘stair’ – gives away the identity of yet another famous character scheme portrayed by one of Leopold’s royal relatives, Prince Louis of Bourbon-Parma (AKA Fred Astaire/Walt Disney/Al Jolson).

Both the royal host actors identified in portrayal of the Hollywood fabricated character schemes known as “Bing Crosby” and “Fred Astaire” (AKA Walt Disney/Al Jolson), it turns out, are genealogically related to the singer, David Bowie (AKA Grand Duke Henri of Luxembourg), of this particular song, ‘The Man Who Sold the World’.

SEE: Doc Kildare Promotes Kill Shot Propaganda

SEE also: US government goes wacko in Waco

Prince Louis of Bourbon Parma:

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Walt Disney

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Fred Astaire:

Walt Disney 

Al Jolson:

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Moreover, the line, “I thought you died alone”, when considered within an “official” biographical and historical context, serves as a particularly telling clue about one of the 20th century’s most infamous fabricated character schemes – Adolf Hitler – whom, as confirmed by facial recognition, ear biometric, and image comparison analysis, was portrayed by Bing Crosby (AKA Leopold III of Belgium).

Consider also, the implication of the reply given by the “Man Who Sold the World”: “Oh no, not me, WE NEVER LOST CONTROL!”

The performer of this song, David Bowie (AKA Grand Duke Henri of Luxembourg), a royal relation of both Leopold III (AKA Bing Crosby/Adolf Hitler) and Fred Astaire (AKA Prince Louis of Bourbon Parma/Walt Disney/Al Jolson) is allowing you, the listener, to become privy to a conversation which subtly reveals the hidden identities of two of his royal family relations.

David Bowie (AKA Grand Duke Henri) is also attempting to relate a historical truth which contradicts the “official” documented record regarding the alleged ill-fate of Adolf Hitler (AKA Leopold III/”Bing Crosby”).

In essence, the singer is relating that, though his royal family relation – Leopold III (AKA Bing Crosby/Adolf Hitler) – was historically rumored, at the close of WWII, to have died alone in a bunker after suicided by a poison cyanide pill, he, in fact, lived on to sing about a ‘White Christmas’, a traditional seasonal standard with which everyone is undoubtedly still familiar.

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Not only that, the singer is imparting a trenchant message, addressed to both his enquirer and to the audience: Our royal family – numbered among the thirteen ruling elite Jesuit families and majority owners of the global military/industrial/media/entertainment complex – are still in complete control of the entire world and, in fact, own all of the world’s human and natural resources, a control which we shall never relinquish.

As everyone will soon observe, there are subtle but distinct synchronicities and parallels concerning the comparative details which are contained in the “official” biographical narratives of each fabricated character scheme – “Bing Crosby”, “Adolf Hitler” – relating to the European royal identified as their live-action role player, Leopold the III of Belgium.

But, when one knows what to comparatively look for, each of these narrative details, when held up to comparative and objective scrutiny, suddenly transform into surefire giveaway clues; signposts and billboards on the road to the truth.

Continue reading “The Man Who Sold the World”

Death & Resurrection of Tupac Shakur

Death & Resurrection of Tupac Shakur

On the night of September 7, 1996, the MSM reported that Tupac Amaru Shakur – born, according to Wikipedia, Lesane Parish Crooks – was shot and killed by an unknown assailant after attending a boxing match in Las Vegas.

However, as has been proved time and again, when it comes to pop stars, sometimes they die, resurrect, and live to tell their own story.

Turns out, such was the case with the “late” gangster rapper and Hollywood actor Tupac Shakur.

The artificially created tastes of low brow popular culture have conditioned entire generations to believe the terms “gangster” and “rapper” are synonymous.

But, as everyone shall soon witness in an upcoming video excerpt, the comedian identified as the host actor who once portrayed the “late” but legendary “gangster rapper” “Tupac Shakur” thinks otherwise.

In fact, as everyone shall hear the comedian, identified as Tupac Amaru Shakur’s host actor, put it, he believes the term “gangster rapper” exists as an “oxymoron.’

He would, after all, know very well.

The comedian’s performance exists as prima facie evidence of the duplicity of those helping to perpetrate the phenomenon of Post-Modern Reality Simulation. On the one hand, while Tupac Amaru Shakur’s host actor denounces the “pimping” of gangster rap by his Jesuit masters upon the African-American youth of America, years earlier, he allowed himself, while posing as a “gangster” rapper, to be utilized as an agent of social chaos.

Continue reading “Death & Resurrection of Tupac Shakur”

‘Circling Back’ to the Brat Pack

‘Circling Back’ to the Brat Pack

One supposes – since the “inauguration” of the present American presidential administration – everyone has witnessed some of the recent performances of White House Press Secretary Jenn Psaki.

From the outset of her tenure as White House Press Secretary, Psaki has become infamous – as everyone can observe in the video excerpt displayed immediately below –  for what has become her standard response to questions about the Biden administration’s policies: “I’ll have to circle back”.

Many, whom frequent this site, may have already surmised Psaki’s well-used response has occult and masonic significance and, as well, relates to the practice of sacred geometry.

You would be correct.

Whether intentional or not, Psaki’s “circle back” is a reference to the Ouroboros, or the snake eating it’s own tale, the cycle of death and rebirth.

Ouroboros:

https://images.app.goo.gl/jF8L6py73ghPjeGw6

Though recently, Psaki has received considerable criticism for her seeming unwillingness to comprehensively respond to direct questions posed by members of the gathered press, one had not, until only recently, viewed – as it were – Psaki in action.

When I finally did, one’s intuitive senses were immediately pricked with a sense of overwhelming familiarity.

Yes, I had, with certainty, seen her before, but long ago, long before she was known as “Jenn Psaki”.

The tone, timbre, and unique cadence of her voice, along with her curious penchant for certain distinct physical mannerisms (frequent, expressive, and often excessive hand fluttering/hair flipping), struck chords of distant memories, of an era of time during the 1980’s, when a group of young Hollywood actors, dubbed the “Brat Pack”, were seen quite frequently on the silver screen and, with great frequency, enjoyed lavish attention, both from the press and public alike.

In fact, the actress identified as Psaki’s host actor starred in one of the most popular and memorable ‘teen’ movies of the entire 1980’s era: The Breakfast Club. Continue reading “‘Circling Back’ to the Brat Pack”

Pillow Man Pilloried by Truth

Pillow Man Pilloried by Truth

As a wise man once said: familiarity can often breed contempt.

Or, in this case, it can also lead to the uncovering of gross and deliberate deception. 

The lust for fame, public recognition and renown often has a way of turning against the material advantages held by those who also utilize deception while seeking such fortunes.

Oftentimes, too, such covetous specimens are willingly utilized as weapons of psychological warfare, against the interests of the general public.

“Michael James Lindell” – one who has been identified as yet another fabricated character scheme – exists as one such sinister specimen.

In the case of Lindell, he has been created as a strawman character – a “conspiracy theorist” –  one who can be easily set up, entrapped, disparaged, and then dismantled.

The host actor identified in portrayal of “Mike Lindell” has played this sort of role before.

But, before then, he was also known as a popular entertainer, in the professional wrestling industry. Continue reading “Pillow Man Pilloried by Truth”

The American Revolution ‘Reality’ Show

The American Revolution ‘Reality’ Show

The recent revolutionary rampage at the U.S. capitol building was a scripted reality television show.

The date, officially recorded for the event, is telling enough: January 6, 2021/7+5=12/21 (mirrored reflection)/777, Alistair Crowley’s intelligence joker code.

SEE: https://en.m.wikipedia.org/wiki/777_and_Other_Qabalistic_Writings_of_Aleister_Crowley

Of course, the story of any historical revolution would not be complete without the appearance of violent mayhem and sacrificial death.

Everyone should take note to underscore that particular word: ‘appearance’.

However, as everyone whom frequents this site has learned – when it comes to considering the validity of any “news” distributed to the public by the MSM – things are never as they appear. 

Although, one of these “revolutionaries”, a young woman, “Ashli Babbitt”, appeared to have been shot and killed while “storming” the capitol building with her revolutionary cohorts, she appears, upon initial investigation – to be a small-time Hollywood actress, activist, and political hack with an IMDB page and, as well, married to a man – Grant Babbitt – currently working in Hollywood’s cinema production industry.

But, as everyone shall soon discover, the story of “Ashli Babbitt” goes much deeper. “Ashli Babbitt” is a former Disney child-star and the hidden daughter of a very powerful Hollywood executive.   

Upon further investigation, Babbitt turns out to have been a fabricated character scheme created under the guise of several aliases.

Subsequent investigation, into Grant Babbitt, led to a trail filled with a slew of Hollywood connections, to the doorstep of DreamWorks – one of the largest and most profitable movie studios in Hollywood – and to both David Geffen (AKA “Doctor” Anthony Fauci) and Steven Spielberg.

However, “Ashli Babbitt” wasn’t the only actor discovered to have participated in this well-scripted but badly executed MSM ruse.

Moreover, the man alleged to be the U.S. corporate government’s senate majority leader – “Mitch McConnell” – is also an actor who, by his own admission, has been cast in the role of a political masquerade for the past thirty-six years.

Everyone will readily recognize the man who stars as this fabricated character scheme’s host actor.

Certainly, at one time or another, over the last several decades, everyone has observed this man performing on America’s television screens, cast as a high-profile MSM news anchor. Continue reading “The American Revolution ‘Reality’ Show”

A Message from ‘Aliens’ in UFO’s!

A Message from ‘Aliens’ in UFO’s!

The thirteen ruling elite Jesuit families – in addition to the merciless execution of their Covid-19 psychological operation – have now decided to further gaslight the general public with news of an impending visit from “Unidentified Flying Objects”.

“The Unidentified Flying Objects have asked not to publish that they are here, humanity is not ready yet,” claims former Israeli space security chief Haim Eshed.

Perhaps, the alleged occupants of “The Unidentified Flying Objects” have yet to realize that, indeed, when it comes to the business of show business, any publicity is good publicity.

Upon reading that quote – taken from an article recently published in the Jerusalem Post – one wonders just how ‘Haim’ would know that?

Turns out, upon further investigation, ‘Haim Eshed’ (die ashamed unscrambled) is a media-fabricated character scheme, portrayed by a British royal and a member of the royal House of Saxe-Coburg-Gotha.

Not only that, but, according to Wikipedia, Eshed’s host actor “is the longest-serving Grand Master of UGLE (United Grand Lodge of England), the governing body of Freemasonry in England and Wales.”

Continue reading “A Message from ‘Aliens’ in UFO’s!”