As Chairman of the Planetary Society, Neil DeGrasse Tyson has assumed the mantle of public science communicator which, over two decades ago, was left vacated by the death of the legendary Carl Sagan.
Perhaps, it is better to say, like his mentor, Sagan, Tyson is renowned for his ability to make the esoteric sciences appear palatable and even comprehensible to the American public.
Since the beginning of his career in the science community during the era of the 1990’s, Tyson has made several high-profile television appearances, most notably as the host of PBS’s Nova Science Now. Tyson has also been the author of several books and articles on the subject of astrophysics and, in 2001, was appointed by President George W. Bush (AKA Brian Williams/Joe Biden/Prince Stefano Casiraghi Grimaldi of Monaco) to serve on the Commission on the Future of the United States Aerospace industry and, in 2004, served on the President’s Commission on Implementation of United States Space Exploration Policy.
But when the “science” career of “Neil deGrasse Tyson” is examined much more closely, it becomes quite evident, the great majority of Tyson’s career has been devoted to either the hosting of slickly produced television programs or as an appointee to vaguely entitled government panels created as promotional vehicles for NASA, a taxpayer funded organization, which, in turn, falls under the rubric of the US corporate government’s Department of Defense.
Examination of Tyson’s “doctoral thesis” reveals a gumbo of inspirational pop-astronomy and theorized assertions created to appear authoritatively plausible.
What follows is a story about a man – an abdicated European royal and also one of Hollywood’s biggest stars during the era of the 20th century – who sold out the world to a terrifying future.
For several decades, while this man danced and sang on Hollywood’s silver screen, charming his way into America’s hearts and minds, those same admirers remained blissfully unaware of his hidden identity, the clues to which are subtly hidden in the biographical details of the various fabricated character schemes he famously portrayed.
One of the most blatant clues of this famous Hollywood entertainer’s hidden identity as a European royal stares us in the face from the frames of the following pair of images.
Leopold III of Belgium:
While everyone is performing their ocular comparisons between the previous sets of images and, perhaps, begins to wholly perceive the obvious similarities of facial geometry and the identical epidermal contours of the ears, consider also the lyrical content of a once popular song – ‘The Man Who Sold the World” – from the 1970’s, one which was both recorded and performed by one of Leopold III’s (AKA Bing Crosby) most famous relatives – David Bowie AKA Grand Duke (the thin white duke) Henri of Luxembourg.
The Man Who Sold the World:
We passed upon the stair
We spoke of was and when
He said I was his friend
Which came as a surprise
I spoke into his eyes
I thought you died alone
A long long time ago
Oh no, not me
We never lost control
You’re face to face
With the man who sold the world!
Though, upon first glance, those set of song lyrics may seem rather cryptic, nevertheless, if one knows what to look for, a key word contained within the song’s very first line – ‘stair’ – gives away the identity of yet another famous character scheme portrayed by one of Leopold’s royal relatives, Prince Louis of Bourbon-Parma (AKA Fred Astaire/Walt Disney/Al Jolson).
Both the royal host actors identified in portrayal of the Hollywood fabricated character schemes known as “Bing Crosby” and “Fred Astaire” (AKA Walt Disney/Al Jolson), it turns out, are genealogically related to the singer, David Bowie (AKA Grand Duke Henri of Luxembourg), of this particular song, ‘The Man Who Sold the World’.
Moreover, the line, “I thought you died alone”, when considered within an “official” biographical and historical context, serves as a particularly telling clue about one of the 20th century’s most infamous fabricated character schemes – Adolf Hitler – whom, as confirmed by facial recognition, ear biometric, and image comparison analysis, was portrayed by Bing Crosby (AKA Leopold III of Belgium).
Consider also, the implication of the reply given by the “Man Who Sold the World”: “Oh no, not me, WE NEVER LOST CONTROL!”
The performer of this song, David Bowie (AKA Grand Duke Henri of Luxembourg), a royal relation of both Leopold III (AKA Bing Crosby/Adolf Hitler) and Fred Astaire (AKA Prince Louis of Bourbon Parma/Walt Disney/Al Jolson) is allowing you, the listener, to become privy to a conversation which subtly reveals the hidden identities of two of his royal family relations.
David Bowie (AKA Grand Duke Henri) is also attempting to relate a historical truth which contradicts the “official” documented record regarding the alleged ill-fate of Adolf Hitler (AKA Leopold III/”Bing Crosby”).
In essence, the singer is relating that, though his royal family relation – Leopold III (AKA Bing Crosby/Adolf Hitler) – was historically rumored, at the close of WWII, to have died alone in a bunker after suicided by a poison cyanide pill, he, in fact, lived on to sing about a ‘White Christmas’, a traditional seasonal standard with which everyone is undoubtedly still familiar.
Not only that, the singer is imparting a trenchant message, addressed to both his enquirer and to the audience: Our royal family – numbered among the thirteen ruling elite Jesuit families and majority owners of the global military/industrial/media/entertainment complex – are still in complete control of the entire world and, in fact, own all of the world’s human and natural resources, a control which we shall never relinquish.
As everyone will soon observe, there are subtle but distinct synchronicities and parallels concerning the comparative details which are contained in the “official” biographical narratives of each fabricated character scheme – “Bing Crosby”, “Adolf Hitler” – relating to the European royal identified as their live-action role player, Leopold the III of Belgium.
But, when one knows what to comparatively look for, each of these narrative details, when held up to comparative and objective scrutiny, suddenly transform into surefire giveaway clues; signposts and billboards on the road to the truth.
The thirteen ruling elite Jesuit families – in addition to the merciless execution of their Covid-19 psychological operation – have now decided to further gaslight the general public with news of an impending visit from “Unidentified Flying Objects”.
“The Unidentified Flying Objects have asked not to publish that they are here, humanity is not ready yet,” claims former Israeli space security chief Haim Eshed.
Perhaps, the alleged occupants of “The Unidentified Flying Objects” have yet to realize that, indeed, when it comes to the business of show business, any publicity is good publicity.
Upon reading that quote – taken from an article recently published in the Jerusalem Post – one wonders just how ‘Haim’ would know that?
Turns out, upon further investigation, ‘Haim Eshed’ (die ashamed unscrambled) is a media-fabricated character scheme, portrayed by a British royal and a member of the royal House of Saxe-Coburg-Gotha.
Not only that, but, according to Wikipedia, Eshed’s host actor “is the longest-serving Grand Master of UGLE (United Grand Lodge of England), the governing body of Freemasonry in England and Wales.”
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There can be no doubt, weather is modified, and climate can be altered.
The prevalence of geoengineering is becoming more apparent. Worse yet, the media sorcerers are faking weather satellite images of hurricanes to engineer storm crisis psychological operations. Though that information is not exactly top secret to those who frequent Newsspellcom.org, there may be another reason why the ruling elites are hyping their ‘climate change’ agenda.
Indeed, one has always wondered, is there an ulterior agenda behind all of this? And, is there a connection between the chemical trail spraying and the heralded technological colossus known as CERN, or the Hadron particle accelerator?
In this installment, one shall explore the phenomenon of geoengineering from a different perspective, with the reasoning that perhaps there is an ulterior reason the ruling elites and their puppet scientists are belching chemicals such as strontium, barium, and aluminum into our skies, other than to manipulate the world’s climate. Maybe, there is a connection to CERN, which may not have been built for the purpose the public is being told.
Then again, knowing the true nature of the mainstream media, perhaps that isn’t such a surprise.
The following information one may find surprising, perhaps even outlandish.
September 11, 2001 still looms large in the American memory.
The mainstream media sorcerers shall continue to do everything possible to make certain that memory is not only reinforced, but that the official government and mainstream conspiracy theory of what happened on that fateful day remain permanently seared into America’s collective consciousness. Many may be wondering, how it is the subject of black magic relates to what is still perceived by a majority of the American public to have been a terrorist attack.
If one can, one must learn to reject the social conditioning of Hollywood’s Harry Potter styled populist mysticism.
In truth, black magic is the psychological manipulation and social and political management of collective human energies. On 9/11, the American public was spellbound through media repetition and the grand power of suggestion.
By all indications, the spell has still not yet worn off.
That is why, still to this day, millions cannot entertain the notion what was demonstrated via the mainstream media sorcerers on September 11, 2001, represented not a ‘terror’ attack but in truth the combined controlled demolitions of New York’s Twin Towers and Building number seven.
This is perhaps one of the most important installments one will encounter on NEWSSPELLCOM.org.
Many shall find the following information discomforting, controversial, and disturbing to say the very least. Nevertheless, one feels an urgency with regard to the delivery of the information regardless of disturbing implications. NASA, while pretending to explore outer space with both manned missions and automated deep space probes, has been secretly engaged with an ulterior agenda, an agenda bent on the mass deception of humanity in the name of a well-coordinated politically and socially motivated program with global implications. In addition, everything one has been taught and conditioned to believe through public school and the University educational system about the fundamental nature of the universe, from which most derive their general perception of the world, may be patently and completely false. Continue reading “NASA SCAM IS TAXPAYER BLACK HOLE (part VII)”→
Former NASA astronaut Don Petit publicly admitted, while lecturing during a seminar held at Johnson/Kennedy space center, that rocket technology as presently constituted, cannot safely launch payloads into earth orbit, not without significant risk.
Petit is also on record as stating the rocket technology NASA allegedly utilized to transport astronauts to and from the moon has been ‘destroyed’, and would take too much of a considerable and perhaps insurmountable effort to ‘build back up again’.
In the last installment concerning the subject of NASA, we left off examining the occult origins of this hallowed ‘space agency’. It is continually amazing, how many news pundits, and the general pubic included, never seem to question any ‘scientific’ findings coming from the spokespersons hired to seed and spread what amounts to political and quasi-religious propaganda. For example, the latest announcement from NASA ‘scientists’ claiming to have discovered far away planets, of which they admit only ‘cosmic shadows’ can be seen, where there may exist traces of the building blocks of ‘intelligent life’, seems to have been generally accepted without question.
And yet, the pictures of such ‘discoveries’ resemble nothing more than what appears to be badly photo shopped and artistically rendered representations.
How does this square with the idea NASA freely admits the Hubble Space telescope was launched into improper and insufficient orbit to begin with, that in fact, with ongoing technical difficulties, NASA officials have repeatedly admitted the multi-billion dollar equipment does not, or has never, amidst an environment filled with space debris, destructive meteorites, lethal sun cycles, worked properly?
Is all this merely a product of grandest imagination, does this represent some sort of occult alchemy, or black magic spell involved here?
Could it be, NASA has, all this time, merely been launching rockets that go on to fly on a trajectory out of camera view in a faraway arc, crashing into the ocean, the wreckage later to be recovered by Navy salvage teams sworn to top secrecy?
Could it be, that it is only through the magic of colorful, but concocted television images, accompanied by assiduously placed propaganda from the mouths of those perceived to be scientific authority figures, the public, for several generations now, has been psychologically seduced into believing the grand ideas of moon missions and interstellar space travel?
Now, I know, the initial reactions of those reading this may amount to a spate of scoffing: “Come off it pal! Now, you’re just going too far with your conspiracy theories!”
But, please reconsider. Is this really beyond the realm of mere speculation?
Just consider, could these announcements made by ‘scientists’, in fact amount to nothing more than political and social propaganda, representing the programming of the masses through the performances of what amount to nothing more than high degree masonic rituals?
The following story, delving into NASA’s dubious inception, may just serve to change your mind as to the accuracy and credibility of NASA’s so-called scientific announcements and space missions.
JACK PARSONS, ALISTAIR CROWLEY, L. RON HUBBARD, ARTHUR C. CLARKE
Many are familiar with Alistair Crowley’s reputation as a leading occultist, but many more may not be familiar with his intimate relationship with some of the leading founders of NASA, including rocket scientists Werner Von Braun and Jack Parsons. In truth, Crowley was an agent of MI6, Her Majesty’s Secret Service.
Though one will never encounter this information in American public school history books, Crowley was hired by the agency, before the first world war, to concoct media propaganda later seeded into American newspapers owned by William Randolph Hearst, in order to persuade the American public to forego it’s geopolitical isolationist policies and support US involvement in European entanglements.
In other words, Crowley began his intelligence career as a war propagandist.
Conspiracy theorists center on Crowley’s reputation as the ‘Great Beast’, or the wickedest man alive during the twentieth century. In truth, given that international bankers and industrialists fund and control all Western intelligence agencies, and the composition of all historical materials, all this fantastical occult mumbo-jumbo surrounding the story of Alistair Crowley, merely exists as a cover story for the masses, historically and easily seduced by romantic notions and sheer emotionalism, to consume like so much tasty ice cream.
Before the beginning of his career as an MI6 counter-intelligence agent, Crowley’s family had powerful connections with such notable figures in British pre-war history as Lord Salisbury and Robert Cecil, whose own family had been head of British intelligence for over four-hundred years.
Fast forward to the 1940’s, and one will observe the Rothschild and Rockefeller international bankers and their major industrialist cohorts exhorting the need for an American intelligence agency, styled upon the premise of its British predecessor.
Thus, was born CIA.
It was then, Crowley became involved with a young rocket scientist named Jack Parsons. Through documents procured through FOIA (Freedom of Information), it is readily observable, the germ of the idea for an American ‘space program’ and the establishment of NASA, and its accompanying agency JPL (Jet propulsion labs), had been seeded long before its inception, and long before presidential puppet JFK made his historic ‘moon’ speech in the early 1960’s.
In order to induce a sense of awe and wonder at the possibility of interstellar space travel in the minds of not only the American public, but the world at large, the services of science fiction writers like Arthur C. Clarke and L. Ron Hubbard, himself a trained agent of ONI, or American naval intelligence, were robustly recruited, to amplify the respective counter-intelligence and rocketry expertise of Crowley and Parsons. It is no happenstance, the alien crash psychological operation known as Roswell, and the inception of the American intelligence agency known as CIA coincided in 1947.
Think about it folks, what better way to seduce the slumbering propensities of pubic imagination into considering the fantastical idea of interstellar space travel, than to stage an alien crash landing in Rosewell, New Mexico?
It is also no coincidence, subsequent to this operation, that all of the aforementioned individuals greatly benefited from their involvement in the Roswell operation. Hubbard went on to found the infamous and financially successful front for international freemasonry known as the Church of Scientology; while Clarke, previously working in literary obscurity, was granted prestigious awards and best seller status for his science fiction novels. Parsons efforts would echo into posterity with the establishment of the multi-billion dollar industry that now bears the initials of his name-JPL.
In summary, NASA is nothing more than a public relations agency staging psychological operations to shape public perceptions regarding the reality of the universe and mankind’s place in it, perceptions convenient to the ongoing hegemony of NASA’s banking and industrial masters.
NASA CAN’T MAKE IT, SO THEY FAKE IT
The Neutral Buoyancy Laboratory is an astronaut training facility operated by NASA and located at Sonny Carter Training Facility, in Houston, Texas. The NBL consists of a large indoor pool of water, in which astronauts may perform simulated EVA tasks in preparation for upcoming missions. Turns out, those missions never leave the ground, folks! Trainees wear suits designed to simulate the microgravity experienced during spaceflight. Per NASA’s own statistics, the NBL contains over 62 gallons of water, into which is submerged full-scale mock-ups of international space station modules and payloads, as well as visiting vehicles such as the Japan Aerospace Exploration Agency HTV, and European Space Agency ATV, the Space X dragon, and the Orbital Sciences Corporation Cygnus.
There was a mock-up of the Shuttle, but due to that programs recent demise, it has since been removed.
Now, I ask you, folks, would it not be cheaper, efficient, and more profitable, for NASA to photograph and film fake space walks and missions, rather than taking significant risk attempting the real thing?
Would it not be possible, a relatively simple matter, to film against a green screen or blacked out pool wall? Given consideration of all the facts, one could conceivably conclude, it is not only entirely possible, but probable.
STAY TUNED FOR PART V of ALL IN THE GAME: NFL FIXED or LEGIT?