The Joker Still Laughs at You

The Joker Still Laughs at You

This the story of a European prince, one who is alleged to be “dead”.

Nevertheless, decades ago, during the early years of the 1960’s, this Danish prince was cast, perhaps ironically, in the annals of American history as a lowly but mafia-connected night club owner and an “assassin”.

Not more than one-half decade later, however, this Danish prince would go on to play the role of a US presidential candidate who was also “assassinated”.

Considering the concept of karma, one supposes, what goes around comes around.

Turns out, when describing the true nature of Danish Prince Henrik’s family – the royal House of Glucksberg (a royal house originating in Northern Germany) – the former description – ‘mafia-connected’ – is certainly more than appropriate.

Prince Henrik of Denmark (AKA “Jack Nicholson”/”Jack Ruby”/”Robert F. Kennedy”) is, in fact, connected to a mafia, the organized crime families we’ve come to know as the thirteen, ruling elite Jesuit families whom, since the ancient era of imperial Rome, have controlled the destiny of humanity and, as well, controlled – through the monopolization and weaponization of the MSM – what the public has been psychologically conditioned to perceive as recorded “history” and, therefore, “reality” (Post-Modern Reality Simulation).

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The Man Who Sold the World

The Man Who Sold the World

What follows is a story about a man – an abdicated European royal and also one of Hollywood’s biggest stars during the era of the 20th century – who sold out the world to a terrifying future.

For several decades, while this man danced and sang on Hollywood’s silver screen, charming his way into America’s hearts and minds, those same admirers remained blissfully unaware of his hidden identity, the clues to which are subtly hidden in the biographical details of the various fabricated character schemes he famously portrayed.

One of the most blatant clues of this famous Hollywood entertainer’s hidden identity as a European royal stares us in the face from the frames of the following pair of images.

Leopold III of Belgium:

Bing Crosby:

While everyone is performing their ocular comparisons between the previous sets of images and, perhaps, begins to wholly perceive the obvious similarities of facial geometry and the identical epidermal contours of the ears, consider also the lyrical content of a once popular song – ‘The Man Who Sold the World” – from the 1970’s, one which was both recorded and performed by one of Leopold III’s (AKA Bing Crosby) most famous relatives – David Bowie AKA Grand Duke (the thin white duke) Henri of Luxembourg.

The Man Who Sold the World:

We passed upon the stair

We spoke of was and when

He said I was his friend

Which came as a surprise

I spoke into his eyes

I thought you died alone

A long long time ago

Oh no, not me

We never lost control

You’re face to face

With the man who sold the world!

Though, upon first glance, those set of song lyrics may seem rather cryptic, nevertheless, if one knows what to look for, a key word contained within the song’s very first line – ‘stair’ – gives away the identity of yet another famous character scheme portrayed by one of Leopold’s royal relatives, Prince Louis of Bourbon-Parma (AKA Fred Astaire/Walt Disney/Al Jolson).

Both the royal host actors identified in portrayal of the Hollywood fabricated character schemes known as “Bing Crosby” and “Fred Astaire” (AKA Walt Disney/Al Jolson), it turns out, are genealogically related to the singer, David Bowie (AKA Grand Duke Henri of Luxembourg), of this particular song, ‘The Man Who Sold the World’.

SEE: Doc Kildare Promotes Kill Shot Propaganda

SEE also: US government goes wacko in Waco

Prince Louis of Bourbon Parma:

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Walt Disney

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Fred Astaire:

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Al Jolson:

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Moreover, the line, “I thought you died alone”, when considered within an “official” biographical and historical context, serves as a particularly telling clue about one of the 20th century’s most infamous fabricated character schemes – Adolf Hitler – whom, as confirmed by facial recognition, ear biometric, and image comparison analysis, was portrayed by Bing Crosby (AKA Leopold III of Belgium).

Consider also, the implication of the reply given by the “Man Who Sold the World”: “Oh no, not me, WE NEVER LOST CONTROL!”

The performer of this song, David Bowie (AKA Grand Duke Henri of Luxembourg), a royal relation of both Leopold III (AKA Bing Crosby/Adolf Hitler) and Fred Astaire (AKA Prince Louis of Bourbon Parma/Walt Disney/Al Jolson) is allowing you, the listener, to become privy to a conversation which subtly reveals the hidden identities of two of his royal family relations.

David Bowie (AKA Grand Duke Henri) is also attempting to relate a historical truth which contradicts the “official” documented record regarding the alleged ill-fate of Adolf Hitler (AKA Leopold III/”Bing Crosby”).

In essence, the singer is relating that, though his royal family relation – Leopold III (AKA Bing Crosby/Adolf Hitler) – was historically rumored, at the close of WWII, to have died alone in a bunker after suicided by a poison cyanide pill, he, in fact, lived on to sing about a ‘White Christmas’, a traditional seasonal standard with which everyone is undoubtedly still familiar.

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Not only that, the singer is imparting a trenchant message, addressed to both his enquirer and to the audience: Our royal family – numbered among the thirteen ruling elite Jesuit families and majority owners of the global military/industrial/media/entertainment complex – are still in complete control of the entire world and, in fact, own all of the world’s human and natural resources, a control which we shall never relinquish.

As everyone will soon observe, there are subtle but distinct synchronicities and parallels concerning the comparative details which are contained in the “official” biographical narratives of each fabricated character scheme – “Bing Crosby”, “Adolf Hitler” – relating to the European royal identified as their live-action role player, Leopold the III of Belgium.

But, when one knows what to comparatively look for, each of these narrative details, when held up to comparative and objective scrutiny, suddenly transform into surefire giveaway clues; signposts and billboards on the road to the truth.

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Over the Rainbow & Back in Black

Over the Rainbow & Back in Black

You perceptions about “reality”, your particular life’s role and, to an even greater extent, your behavioral and psychological responses have, throughout your lifespan, been incrementally programmed due to constant exposure to the mass behavioral modification mechanism known as the MSM (mainstream media).

This has been done to you (person, corporation, debt slave) for the sole benefit of your owners, the thirteen ruling elite Jesuit families, to both bolster their unchallenged monopoly over the means of global economic production and to reinforce their overwhelming political hegemony.

Since its inception and its nearly ubiquitous proliferation in the post-modern age, the electronic media (television, radio, and the internet/social media) has been used as an effective weapon of psychological warfare and – by those belonging to the highest ranks of the Jesuit order, in Rome – wielded quite expertly.

With the help of many of Hollywood’s biggest stars – many of whom, as everyone has discovered, are the descendants of the thirteen ruling elite Jesuit families – the concept of history has also been weaponized to effectively influence, shape, and mold both the social behaviors and political perceptions of the general public.

As most whom frequent this site have incrementally learned, many of those belonging to the thirteen, ruling elite Jesuit families, have hid behind the veil of Hollywood celebrity while starring in popular film productions which –  unbeknownst to the public – were secretly produced as pieces of social, political, and, on some occasions, historical propaganda.

After some time in the limelight, and after their stars had dimmed on the silver screen – as it were – some of those counted among Hollywood’s glitterati were transformed into important and even influential historical figures, carefully crafted roles which were meticulously designed to echo into posterity.

Shirley Temple Black – once one of Hollywood’s brightest stars – exists as one such prime example.

Choosing to follow in his mother’s footsteps, Shirley’s son, Charles, represents yet another such example.

Charles Alden Black, it has been proved, not only portrayed the roles of many famous personalities in the music industry – Steven Tyler, Freddie Mercury, Sid Vicious, John Taylor of Duran Duran, and the “late” Chris Cornell – but, like his mother, he also proceeded to take his place on the world’s stage, and became “Tony Blair”, Prime Minister of Britain.

SEE: Tony Blair The Minister of Prime Lies?

Decades ago, during a time in America’s history which, in retrospect, seems long faded into mist, Shirley Temple Black was known as Hollywood’s most luminous child star.

From that time forward, she became a valuable asset of the military/industrial/entertainment complex, and went on to portray roles which would became renowned and even iconic in the annals of American history and American popular culture.

As any police investigator is likely to inform, during the course of an investigation – especially, one which takes place over an elongated term –  the list of suspects can alter as more information becomes available.

On this occasion, the compilation of greater and more voluminous information has led to an astonishing series of discoveries, concerning a famous member of a family known to history as the Kennedys.

Additionally – wait for it, folks – a Jesuit cardinal has been discovered among the genealogy of the Bouvier AKA Black family.
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