Thanks for the Memories, Your Highness

Thanks for the Memories, Your Highness

Sometimes the winding road of in-depth investigation can lead down the deepest and darkest of rabbit holes.

Some time ago, a regular visitor to this site enquired in the comments section concerning the American entertainer known as “Bob Hope”.

While the results of one’s ensuing investigation were not wholly unsurprising, they were unexpected.

Not only did “Bob Hope” – like that of his famous Hollywood sidekick “Bing Crosby” – turn out to be yet another fabricated character scheme, the man behind his famous public persona was a high-ranking member of the British royal family and – lo and behold – he was also a high-ranking freemason.

Before modifying into “Bob Hope” and several other famous fabricated character schemes, this British prince, forgotten to history, faked his death in a plane crash which, according to one published source, occurred under “mysterious” circumstances.   

Indeed, on this occasion, we’re led straight on a path towards yet another dead European royal – dubbed in the annals of the history of the royal House of Saxe-Coburg-Gotha (AKA Windsor/Rothschild/Rockefeller) as the “Forgotten Prince” – who began his life as a vaudeville entertainer and, over the decades, beginning in the mid 20th century, modified into a pair of Hollywood’s and America’s most beloved and well-celebrated popular entertainment icons.

Below: Prince George, Duke of Kent, the “forgotten prince” 

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From the era of WWII, this British prince is also recorded in the history books as one of Great Britain’s most seminal and popular Prime Ministers.

Turns out too, this “forgotten prince” was also known as the “Great Beast”, an influential occultist, Jesuit-trained perpetrator of Post-Modern Reality Simulation, and a member of the freemasonic Order of the Golden Dawn. 

But still more intriguing, this “forgotten prince” – Prince George, Duke of Kent – is genealogically related, via the extensive royal family tree of the House of Saxe-Coburg-Gotha, to King Leopold III of Belgium (AKA Adolf Hitler/iconic Hollywood entertainer “Bing Crosby”/Carol O’Connor/Alger Hiss), to Prince Michael, Duke of Kent (AKA the “late” comedian George Carlin/Max Igan/Hollywood actor James Caan/Joe Cocker/Jean Paul DeJoria), to Prince Edward, Duke of Kent (AKA Lord Jacob Rothschild) and to US House of Representatives Speaker Nancy Pelosi (AKA Princess Caroline Bouvier Radziwill/Hollywood actress Jane Fonda/popular music entertainer Dolly Parton).     

SEE: The Man Who Sold the World 

SEE: More Secrets Unearthed from History’s ‘Bunker&#8217

SEE: Begging the ‘Parton’ of a Princess

SEE also: Carlin’s Big Club of Rome

In the following video clip, when fast-forwarded to approximately the 11:47 mark, everyone will hear the aforementioned late comedian/actor/popular entertainer – the fabricated Hollywood character scheme known as “Bob Hope” – mention that, though he was “born in England,” he came to America at the “age of four” because he knew “there was very little chance of becoming king.”

This statement by “Bob Hope”, though spoken in a comedic context, also has occult significance.

The number four is a reference to the Gnostic Creed or Ecclesia Gnostica Catholica, an ecclesiastical arm of the Ordi Templi Orientis (OTO) which, according to Wikipedia, “is an international fraternal organization devoted to promulgating the Law of Thelema.” Thelema, Wikipedia goes on to explain, “is a philosophical, mystical and religious system elaborated by Alistair Crowley, and based on the Book of The Law.”

Turns out, “Bob Hope” (AKA Alistair Crowley/Winston Churchill/Jack Benny/Prince George, Duke of Kent) is referencing the first four clauses or the Explication of the (Gnostic) Creed. Wikipedia further explains, “The first 4 clauses are attributed to the four letters of the Tetragrammaton YHVH: the father (Chaos), the Mother (Babylon), the Union of Father and Mother in the Son (Baphomet), and the Daughter, the Bride of the Son (the Church).”  

Continue reading “Thanks for the Memories, Your Highness”

The Man Who Sold the World

The Man Who Sold the World

What follows is a story about a man – an abdicated European royal and also one of Hollywood’s biggest stars during the era of the 20th century – who sold out the world to a terrifying future.

For several decades, while this man danced and sang on Hollywood’s silver screen, charming his way into America’s hearts and minds, those same admirers remained blissfully unaware of his hidden identity, the clues to which are subtly hidden in the biographical details of the various fabricated character schemes he famously portrayed.

One of the most blatant clues of this famous Hollywood entertainer’s hidden identity as a European royal stares us in the face from the frames of the following pair of images.

Leopold III of Belgium:

Bing Crosby:

While everyone is performing their ocular comparisons between the previous sets of images and, perhaps, begins to wholly perceive the obvious similarities of facial geometry and the identical epidermal contours of the ears, consider also the lyrical content of a once popular song – ‘The Man Who Sold the World” – from the 1970’s, one which was both recorded and performed by one of Leopold III’s (AKA Bing Crosby) most famous relatives – David Bowie AKA Grand Duke (the thin white duke) Henri of Luxembourg.

The Man Who Sold the World:

We passed upon the stair

We spoke of was and when

He said I was his friend

Which came as a surprise

I spoke into his eyes

I thought you died alone

A long long time ago

Oh no, not me

We never lost control

You’re face to face

With the man who sold the world!

Though, upon first glance, those set of song lyrics may seem rather cryptic, nevertheless, if one knows what to look for, a key word contained within the song’s very first line – ‘stair’ – gives away the identity of yet another famous character scheme portrayed by one of Leopold’s royal relatives, Prince Louis of Bourbon-Parma (AKA Fred Astaire/Walt Disney/Al Jolson).

Both the royal host actors identified in portrayal of the Hollywood fabricated character schemes known as “Bing Crosby” and “Fred Astaire” (AKA Walt Disney/Al Jolson), it turns out, are genealogically related to the singer, David Bowie (AKA Grand Duke Henri of Luxembourg), of this particular song, ‘The Man Who Sold the World’.

SEE: Doc Kildare Promotes Kill Shot Propaganda

SEE also: US government goes wacko in Waco

Prince Louis of Bourbon Parma:

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Walt Disney

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Fred Astaire:

Walt Disney 

Al Jolson:

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Moreover, the line, “I thought you died alone”, when considered within an “official” biographical and historical context, serves as a particularly telling clue about one of the 20th century’s most infamous fabricated character schemes – Adolf Hitler – whom, as confirmed by facial recognition, ear biometric, and image comparison analysis, was portrayed by Bing Crosby (AKA Leopold III of Belgium).

Consider also, the implication of the reply given by the “Man Who Sold the World”: “Oh no, not me, WE NEVER LOST CONTROL!”

The performer of this song, David Bowie (AKA Grand Duke Henri of Luxembourg), a royal relation of both Leopold III (AKA Bing Crosby/Adolf Hitler) and Fred Astaire (AKA Prince Louis of Bourbon Parma/Walt Disney/Al Jolson) is allowing you, the listener, to become privy to a conversation which subtly reveals the hidden identities of two of his royal family relations.

David Bowie (AKA Grand Duke Henri) is also attempting to relate a historical truth which contradicts the “official” documented record regarding the alleged ill-fate of Adolf Hitler (AKA Leopold III/”Bing Crosby”).

In essence, the singer is relating that, though his royal family relation – Leopold III (AKA Bing Crosby/Adolf Hitler) – was historically rumored, at the close of WWII, to have died alone in a bunker after suicided by a poison cyanide pill, he, in fact, lived on to sing about a ‘White Christmas’, a traditional seasonal standard with which everyone is undoubtedly still familiar.

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Not only that, the singer is imparting a trenchant message, addressed to both his enquirer and to the audience: Our royal family – numbered among the thirteen ruling elite Jesuit families and majority owners of the global military/industrial/media/entertainment complex – are still in complete control of the entire world and, in fact, own all of the world’s human and natural resources, a control which we shall never relinquish.

As everyone will soon observe, there are subtle but distinct synchronicities and parallels concerning the comparative details which are contained in the “official” biographical narratives of each fabricated character scheme – “Bing Crosby”, “Adolf Hitler” – relating to the European royal identified as their live-action role player, Leopold the III of Belgium.

But, when one knows what to comparatively look for, each of these narrative details, when held up to comparative and objective scrutiny, suddenly transform into surefire giveaway clues; signposts and billboards on the road to the truth.

Continue reading “The Man Who Sold the World”