Once again, you’re about to enter the twilight zone of Post-Modern Reality Simulation.
Ordinarily, no one would expect there to be connections between classic television shows such as The Twilight Zone, Columbo, and a legendary NFL football coach.
But as everyone who frequents this site has surely learned – though the majority have been psychologically conditioned since birth to believe otherwise – we’re not living in an ordinary world.
Screenwriter, playwright, television and narration screen host Rod Serling – best known for his live television dramas and his anthology television series The Twilight Zone – enjoyed a unique career while in the public’s eye.
Though it is claimed Serling died in 1975, he went on to assume the identity of a popular and award-winning television actor who portrayed one of the television medium’s most iconic and memorable characters – a disheveled, cigar chomping but endearing LAPD detective clad in a rumpled raincoat.
More intriguingly, however, during the era of the 1960’s, Serling took a detour from television hosting, producing and playwrighting to portray a character best-known to loyal and rabid sports fans as a legendary NFL football coach, a man whose name is synonymous with the Super Bowl trophy.
Though a confirmed connection between “Peter Falk” and Rod Serling was made in a previous article, further research led to an even more intriguing discovery – the involvement of “Vince Lombardi”.
Recently, the federal judge assigned to adjudicate the case – “Judge Ronnie Abrams” – chose to recuse herself.
Below: Judge Ronnie Abrams
In an “official” statement released through CIA/Jesuit-controlled MSM channels, Abrams stated she harbored a prior relationship with FTX through her husband, a partner at law firm Davis Polk & Wardwell which offered legal advice to FTX and to “Sam Bankman-Fried”.
Turns out, “Judge Ronnie Abrams” is about as real as “Sam Bankman-Fried” and “Caroline Ellison”, formerly the CEO of FTX/Alameda Research. Putting it another way, “Abrams”, “Bankman-Fried”, and “Ellison” all have one thing in common: they were created as fabricated character schemes.
Each principal was specifically designed to portray their assigned roles in an MSM promoted psychological operation.
Turns out, too, the involvement of “Judge Ronnie Abrams” in the “Sam Bankman-Fried” case asserts a connection to the OJ Simpson trial psychological operation and to more than one famous MSM news anchor personality employed at Fox News.
Below: Fox News anchor/personality Megan Kelley
But not only does “Judge Ronnie Abrams” have more than one connection to the OJ Simpson “trial” simulation/psychological operation, she has been identified as a fabricated character scheme portrayed by a royal princess from Denmark who is also related to the host actor identified in portrayal of “Pete Buttigieg”, US Secretary of Transportation and to the “late” Prince Henrik of Denmark (AKA Hollywood actor Jack Nicholson/Jon Voigt/Neil Young/Jack Ruby/NASA “astronaut” Michael Collins/Robert F. Kennedy/Sir David Attenborough).
This royal live-action role player is an accomplished perpetrator of Post-Modern Reality Simulation.
She also has connections to Microsoft, to Reuters, the intelligence-controlled news agency responsible for MSM “fact-checking”, to the presidential administration of “Joe Biden”, to the CDC’s “Rochelle Walensky”, and to three Fox News anchors/MSM personalities. But believe it or not, she also has a connection – by way of Sequoia Capital – to the Jesuit-trained “alternative-media” provocateur “Alex Jones” (AKA Prince Gustav, 7th Prince of Sayn-Wittgenstein Berleburg).
Upon first impression, the attempt to draw connections between the JFK “assassination” and the classic Hollywood movie Wizard of Oz may appear to be a dubious hypothetical proposition.
Unlikely as the premise might seem, deeper investigation demonstrates this hypothesis has empirical merit.
Turns out, not only was there a family connection between Allen Dulles – who served as CIA director during the brief tenure of the Kennedy presidential administration – and “Lee Harvey Oswald”, JFK’s “assassin”, but Allen Dulles has direct connections to Bing Crosby, to Adolf Hitler, and to Jack Haley, who starred in the classic Hollywood cinema production of Wizard of Oz.
Below from L to R: Allen Dulles, Bing Crosby, Jack Haley
Below: John Foster Dulles, Walt Disney, Ray Bolger
Ray Bolger, cast as the Scarecrow in Wizard of Oz, has direct connections to Walt Disney (AKA Henry Fonda/Jimmy Stewart/Al Jolson/Franklin Delano Roosevelt/Harry S. Truman/Glen Miller/Walter Sommerlath/Prince Tassilo von Furstenberg), and to CBS newsman Walter Cronkite, who was the first to go on the air immediately following JFK’s “assassination” in Dallas’s Dealy Plaza.
Furthermore, actor Jack Haley – cast as the Wizard of Oz’s Tin Woodsman – harbors a host of connections: to Adolf Hitler, Hollywood actor/singer Bing Crosby, and to Serco, the British multi-national corporation formerly known as RCA which now controls the US National Visa Center, the US Defense Ammunition Center, the US patent and trademark office, and FEMA region 9 on the West coast of the United States.
But as everyone shall soon observe, the Wizard of Oz’s Tin Woodsman (Jack Haley), Scarecrow (Ray Bolger), Allen Dulles and John Foster Dulles are descended from European royalty.
But the connections between one of Hollywood’s most celebrated cinematic works – Wizard of Oz – and the JFK “assassination” don’t stop there.
Judy Garland (AKA Shirley Temple Black/Jaclyn Bouvier Kennedy Onassis/Marilyn Monroe/Madeleine Albright/Helen Thomas), who starred as the character known as Dorothy Gale in Wizard of Oz, has more than one connection to not only the JFK “assassination” hoax but to the more recent Sandy Hook school “massacre” hoax.
Added to this, the occult philosophies espoused by “Alistair Crowley”, infamously renowned as the twentieth century’s most influential occultist, are also inextricably linked to the intriguing investigative mysteries surrounding one of American history’s greatest hoaxes.
True to form, upon further investigation it appears that, now, one of the NFL’s most popular stars recently served in Washington D.C. as a congressman.
“David Madison Cawthorn,” according to Wikipedia, “is an American politician who has served as the U.S. representative for North Carolina’s 11th congressional district since 2021. A member of the Republican party, he is the first member of Congress born in the 1990’s and the third youngest in U.S. history. He describes himself as a Christian and a constitutional conservative.”
Below: Madison Cawthorn
Does “Madison Cawthorn” happen to look familiar to anyone?
Indeed, he should appear familiar – especially among those residing in America who also happen to be fans of the NFL (National Football League).
Turns out, however, “Madison Cawthorn”, U.S. congressional representative from North Carolina’s 11th district, and Tom Brady, declared the greatest quarterback to have ever played in the NFL, have been identified as fabricated character schemes modified from a live-action role player – a popular dramatic television actor famous for portraying the role of a serial killer.
In practice, politics is the art of deception. The creation of political capital, on the other hand, is deception writ large. The latter scenario implies using whatever tools are at one’s disposal to remain firmly ensconced in office and to keep one’s snout firmly plunged into the public money trough.
The latest MSM news story involving an “attack” on “Paul Pelosi”, the spouse of U.S. House Speaker “Nancy Pelosi”, represents a dramatic illustration as to what shameful depths, even beyond the point of absurdity, to which some “elected” representatives will stoop to maintain a hold on the reins of power.
But before revealing the genuine identity of “Paul Pelosi”, as most may recall from a previously published article, “Nancy Pelosi” is a pseudonym used by a fabricated character scheme portrayed by a European princess (Princess Lee Bouvier Kennedy Radziwill), a sibling of Jaclyn Kennedy Bouvier Onassis (AKA Shirley Temple Black/Marilyn Monroe/Judy Garland/Helen Thomas/Madeleine Albright/Queen Silvia of Sweden) who, over the course of her long career, has been modified into both a Hollywood actress – one related to Henry Fonda (AKA Walt Disney/FDR/Fred Astaire/Jimmy Stewart/Prince Tassilo Egon von Furstenberg) – and a country/western popular music industry star who most recently performed in a promotional spot for Covid-19 “vaccines”.
Below: Henry Fonda, Jimmy Stewart, Walt Disney, Fred Astaire, Prince Tassilo Egon von Furstenberg
Below from L to R: Franklin Delano Roosevelt, Jimmy Stewart, Henry Fonda
Below L to R: Nancy Pelosi, Jane Fonda, Princess Lee Bouvier Radziwill, Dolly Parton
As everyone shall soon observe, the narrative details of the MSM’s reports concerning the recent “attack” on “Paul Pelosi” are riven with contradictions, anomalies, and outright absurdities.
Below: Princess Lee Bouvier Kennedy Radziwill, Jane Fonda, Nancy Pelosi
In fact, this most recent MSM-promoted story involving “Paul Pelosi” could best be characterized as a melodrama-ridden television production derived from a badly conceived Hollywood movie script.
But none of this is surprising when – upon further investigation – one discovers “Paul Pelosi” – who, according to official biographies was educated at Jesuit-founded Georgetown University and Saint Ignatius Preparatory High School in San Francisco, another Jesuit-founded school located in a city traditionally dominated by Jesuit-trained public officials – is a fabricated character scheme portrayed by a French filmmaker, a former spouse of Hollywood actress “Jane Fonda” (AKA Nancy Pelosi).
In fact – as shall soon be delved into with greater detail – this French filmmaker directed “Barbarella”, the cinema production which helped to make “Jane Fonda” (AKA Nancy Pelosi/Dolly Parton/Princess Lee Bouvier Kennedy Radziwill) into a bankable Hollywood movie star.
The creation of dramatic tension has always been profitable for premium paying prime-time television advertisers. But both advertisers and television executives alike, have always known and understood, manufactured dramas are largely successful at keeping the public’s attention drawn to their television and computer screens, just long enough to sell them products they don’t need but have nonetheless been psychologically conditioned to believe they must covet and desire for the sake of superficial appearances.
Since the advent of the television medium, both Hollywood executives and Madison Avenue’s corporate advertisers have always been aware that stimulating the public’s covetous desires for unlimited material acquisition while at the same time promoting the illusion known as the “American Dream” can be immeasurably profitable.
After all, the job of corporate salesmen is to separate a majority of fools from what little money they possess.
This could also have something to do with the fact “Karine Jean-Pierre”, the current White House press secretary, has been instructed to maintain her absurd insistence – despite overwhelming empirical evidence to the contrary – the US economy is not in freefall recession while speedily plunging headlong into abysmal depression.
Nevertheless, superficial appearances matter, too, when it comes to considering the deceptive realm of politics.
Which is why the current presidential administration headed by “Joe Biden” (AKA Brian Williams/Prince Stefano Casiraghi Grimaldi of Monaco) installed at Pennsylvania Avenue chose Karine Jean-Pierre as its press secretary.
In a way, despite her demonstrated shortcomings, “Karine Jean-Pierre” – purported to be the first ‘woman of color’ and openly LGBTQ person to be appointed White House press secretary – represents the perfect facade the current presidential administration required to insulate themselves from public criticism of their policies.
Regarding “Joe Biden”, the MSM is still laboriously promoting a misleading narrative, that he may be mentally unfit to continue in office, that he is too old and decrepit to withstand another campaign bid for the US presidency.
Rest assured, this is pure bunk, designed to blatantly manipulate and control the perceptions of the American public.
“Joe Biden” (AKA Brian Williams/Prince Stefano Casiraghi Grimaldi of Monaco) is an accomplished actor following a scripted plan to implement the UN’s genocidal Agenda 2030/2050, a plan engineered decades ago.
Agenda 2030/2050’s global implementation is dictated from the top down by Crown Temple bankers/esquires in the City of London, Swiss banking consortium principals, and the Superior General of the Jesuit order at Vatican City in Rome.
The ultimate purpose of this ongoing MSM narrative, of course, is to promote the perception that national sovereign governments – as in this case, the US corporate government – aren’t sufficiently equipped to address much less solve manufactured “crises” such as “climate change” or the Covid-19 “pandemic”.
While openly promoting the prevailing narrative “Joe Biden” appears feeble and mentally unfit, the MSM’s ulterior motive is to covertly help solidify the perception that only global governing structures such as the United Nations can step in to solve “global” crises in lieu of sovereign corporate governments.
After taking the podium in the White House press room to recite scripted responses written for her in a notebook binder, a rather entertaining, amusing, and ongoing drama between “Karine Jean-Pierre” – touted as the first ‘woman of color’ and the first openly LGBTQ person to be named White House press secretary – and the FOX (666) News White House correspondent known as “Peter Doocy” soon developed.
Below: Peter Doocy
But some Americans – at least those with memories still functioning at nominal levels – have observed these pair of actors, one of which has an acting resume with connections to Disney, playing out scripted roles in similarly manufactured television dramas before.
Sometimes, choosing to take the road less traveled is well worth the trip. Although from the perspective of most investigators such an approach may appear unorthodox, on the other hand, this nonconformist procedure can yield great dividends.
This turned out to be the case with one’s continued investigation into the death hoax of Hollywood actress “Anne Heche” (AKA Jodie Foster/Helen Hunt/Judy Greer/Julia Gillard), which led to not only a living member of the historically lionized “Kennedy family” and to Disney, but straight to the doorstep of an esteemed British actor who, as it also turns out, was a key perpetrator of the JFK “assassination” hoax.
In addition, not only did this British actor assume the role of the MSM’s villainous antagonist in the JFK “assassination”, one whose character portrayal, belying its brevity, significantly echoed into posterity, but he also has an intimate genealogical relation to the Hollywood actress identified in portrayal of the “late” “Anne Heche”.
Turns out, too, over the course of his decades long award-winning career, this particular British actor has proved to be quite a chameleon, having assumed several Hollywood-derived pseudonyms as well as an array of famous public personas.
The coup de gras is this: the live-action role player identified in portrayal of the “late” Hollywood actress “Anne Heche” (AKA Jodie Foster/Helen Hunt/Judy Greer/Julia Gillard) is not only still alive, posing as a prominent member of the American political dynasty known as the “Kennedy” family, but she is also the biological daughter of the aforementioned British actor from who, conveniently enough, so MSM sources uniformly claim, she has been estranged for a number of years.
In fact, to be more precise, “Jeff Bezos” is an impostor, a Hollywood derived actor in disguise, the hidden son of yet another renowned Hollywood actor, the “late” Burt Reynolds (AKA Marlon Brando/Doctor Phil McGraw/Dabney Coleman), who, in turn, is the son of Hollywood actor Rod Steiger (AKA Raymond Burr/Howard Cosell/Lou Abbott/Mikhail Gorbachev/Milton Friedman).
Reynolds, everyone will surely recall, was also identified as the live-action role player behind the portrayal of Russian Premiere “Vladimir Putin”. Bezos hidden grandfather – Rod Steiger – meanwhile, was identified as the live-action role player behind former Russian premiere “Mikhail Gorbachev”.
The hidden mother of the Hollywood actor identified in portrayal of “Jeff Bezos” is Lonnie Anderson (AKA Sally Field), a Hollywood actress who is also no stranger to the concept of Post-Modern Reality Simulation.
While making ocular comparisons between the pair of images featured below, everyone will eventually determine – due to identical geometrical symmetry of the teeth, lips, chins, noses, cheekbones, brows, and lower epidermal portions of the ears – that “Lonnie Anderson” is a fabricated character scheme modified – with blonde hair dye and strategically placed makeup applications – from Hollywood actress Sally Fiield.
Both Hollywood actresses were, of course, joined in matrimony with Burt Reynolds (AKA Marlon Brando/Vladimir Putin).
But there’s much more to this story.
Because both the public persona and “official” biographical narrative associated with “Jeff Bezos” was fabricated by CIA in cooperation with the US military/industrial complex, specifically, the US Department of Defense, of which NASA and United States Space Force are subdivisions.
Not coincidentally, both organizations – NASA and USSF – are also chief investors of Blue Origin, Bezos’s private aerospace venture.
The historical veracity attached to the “official” story of “Yuri Gagarin” – uniformly alleged by the MSM and published historical accounts to have been the first human in space – crumbles under greater scrutiny.
Reportedly, before the historic launch of NASA’s Apollo 11, Gagarin died under what can only be described as mysterious circumstances.
There was a very good reason, however, as to why the pioneering Russian cosmonaut’s “death” was kept shrouded in such mystery and intrigue by the MSM.
Turns out, upon further investigation – as confirmed via extensive ear biometric, facial recognition, and image comparison analyses – “Yuri Gagarin”, pronounced as tragically “dead” before Apollo’s maiden but mythical voyage, was resurrected in 1969 as one of NASA’s Apollo 11 “astronauts”, and became the first human alleged to have stepped on the surface of the moon.
Below L to R: Yuri Gagarin, Neil Armstrong
As to the genuine identity of the other pair of NASA’s Apollo 11 “astronauts” alleged to have been launched into space in 1969, further investigation confirms, “Buzz Aldrin” and “Michael Collins” were both fabricated character schemes portrayed by Hollywood actors.
The Hollywood actor identified in portrayal of the former – “Buzz Aldrin” – had previously worked with Stanley Kubrick, one of Hollywood’s most highly touted cinema directors.
While acting under different but renowned pseudonyms, the Hollywood actor identified in portrayal of arguably the least heralded of NASA’s Apollo 11 “astronauts” – “Michael Collins” – went on to star with Dennis Hopper (AKA JFK) in Easy Rider and to star with Burt Reynolds (AKA Marlon Brando/television doctor Phil McGraw/television actor Dabney Coleman/Vladimir Putin) in Deliverance.
As was pointed out in a previously published article, “Doctor Phil McGraw” is also the hidden father of popular internet personality/podcaster Del Bigtree (AKA Quentin Anderson Reynolds/John Wayne Bobbitt/Doctor Drew Pinsky/Kevin Spacey/Jeff Bezos).
As everyone shall soon learn, “Buzz Aldrin” and his NASA colleague “Michael Collins” never left earth in 1969. Their interplanetary communications, which the MSM alleges were sent from the Apollo space craft on the moon to NASA’s mission control, including the famous words spoken by “Neil Armstrong” in a solemn tone of overwrought melodrama – “One small step for man, one giant leap for mankind” – were prerecorded for what was essentially a prime-time television production, the equivalent of 21st century “reality” television.
Though still unknown to a majority of the American public, NASA operates under the umbrella of the US Department of Defense and is nothing more than a Hollywood-styled movie/television production studio disguised as an organization dedicated to astronomical study and scientific discovery.
Since the time of its inception and for its entire duration, Hollywood has covertly operated as a purveying agent of US corporate government propaganda, and has always worked in proximity with the US military/industrial complex and performed at the dictatorial behest of Jesuit controlled CIA.
Therefore, the genuine nature of NASA is synonymous with that of Hollywood, with both operating as propaganda arms and subsidiary divisions of the US Department of Defense.