The primary job of the MSM is to help maintain the global hegemony of their masters – the thirteen Jesuit families – over the proletariat or the great unwashed masses.
Routinely, the success of the MSM’s psychological operations relies on two primary elements: strategically targeted mob coercion and psychological manipulation at the hands of fabricated but influential cults of personality.
In terms of the latter, cults of personality don’t get much more influential among the demographic they’re targeted towards or, for that matter, more animatedly colorful than Stephen Bannon.
After all, the degree of public influence exerted by such fabricated character schemes is often directly proportional to the skill of the actor portraying them.
Turns out, in the case of “Steve Bannon”, deeper investigation reveals the man behind the mask of his public characterization is portrayed by a highly skilled and veteran Hollywood actor, a hidden intelligence asset of the Jesuit controlled CIA and one well-familiar to the American general public.
How do we know for certain “Steve Bannon” is an intelligence asset and psychological operations specialist?
Because, for one, the CIA/Jesuit-trained cubicle ridden desk jockeys composing the “official” biographies which appear at Wikipedia have admitted as much.
In fact, not only does Wikipedia admit “Steve Bannon” once sat on the board of directors at Cambridge Analytica, a company which used psychological profile targeting – “the practice of extracting people’s psychological profiles from their digital footprints (e.g. their Facebook Likes, Tweets or credit card records) in order to influence their attitudes, emotions or behaviors through psychologically informed interventions at scale,” informs Wikipedia – to influence and ultimately control the direction of public discourse and political perception and opinion, but, Wikipedia also informs, the Hollywood actor identified as his host actor (live-action role player) is “a member of the Council on Foreign Relations”, a Jesuit-controlled think tank specializing in U.S. foreign policy and international relations.
The essence of a magician’s craft is making illusions appear possible, materially tangible.
The same could be said regarding the essential craft of acting which, for all intents and purposes, exists as yet another form of magic.
If the actor, through the means of palpable transcendence, can suitably and successfully stimulate an audience’s imagination, causing them to collectively suspend their sense of disbelief, allowing for the collective conception of the impossible as possible, he has successfully mastered the esoteric rudiments of his craft.
It could be said the career of Hollywood legend Ray Liotta, perhaps best known for his role in the gangland extravaganza Goodfellas, was a prime example of one who had mastered the craft of acting.
Unknown to the public, however, before his “death” on May 26th at age 67, Ray Liotta starred in one last production, a role which helped most of the American public to imagine an inconceivable idea as tragic possibility.
Further investigation into the recent “event” alleged to have occurred on May 24th, in the rural town of Uvalde, Texas, has exposed Ray Liotta as a perpetrator of Post-Modern Reality Simulation.
Deeper investigation has also uncovered that a local television reporter from ABC affiliate WFAA, an actress formerly employed by Disney – Andriana de Alba – posed as “Eva Mireles”, one of a pair of Robb Elementary teachers the MSM alleges to have been slain, and that one of the other alleged child “victims” – ten-year-old “Amerie Jo Garza” – appears to be a complete fabrication with no existing birth or death records.
From one crisis to the next, the public is led like feeble lambs to willing slaughter.
Nevertheless, when it comes to considering the “war” in Ukraine, will a majority of the general public, many of whom are still suffering from psychological trauma due to a deliberately manufactured “pandemic” and the deleterious physical effects derived from “mandated” but genocidal “vaccines” (AKA genetic therapy), never conceive of the idea they’ve been utterly and completely deceived on multiple levels by the sinister machinations of the MSM’s psychological operations?
Though one remains eternally optimistic, admittedly, the eventuality of such a collective epiphany coming to fruition doesn’t seem likely to ever occur.
But just what do these multiple levels of deception consist of?
For one: reams of recycled MSM news footage borrowed from other past news events, and still other footage appearing to have been deliberately manufactured via a clever post-production technique – Generative Adversarial Network – which shall be further elaborated upon and explained further.
Secondly: the perpetual and insufferable tin-eared propagandizing issued by both the MSM’s and the US corporate government’s legions of soulless but well-paid mouthpieces.
To be certain, at least to anyone willing to apply even the smallest degree of scrutiny, the MSM’s cloying emotionalism coupled in tandem with galleries of transparent lies and memory searing buzzwords – the use of the term(s) “front lines”, for example – sound very familiar, almost as if the psychologically manipulative propaganda which was utilized to sell the Covid-19 “pandemic” for the last two years had suddenly been rebranded with a new color scheme of yellow and blue.
Of course, as those who’ve been frequenting this site from its inception were already keenly aware, the deployment of psychologically emotive color schemes and the strategic placement of NLP (Neural Linguistic Programming) are both time tested tools which have been repeatedly used to augment the effectiveness of the MSM’s propaganda messaging.
Thirdly: the man now well-known to the American public as “Volodymyr Zelensky”, Ukraine’s “freely elected” president, has been identified as yet another fabricated character scheme, one who exists as a well-handled Jesuit-trained intelligence asset, one not only portrayed by a Hollywood actor, but one who appears to have been deliberately placed on the world’s stage to play out his carefully scripted role, a manufactured myth made to order and transformed into flesh and blood, a political upstart and underdog protagonist whose conception was intended to be marketed and trumpeted by the MSM as a wartime heroic “savior”.
But before this well-known Hollywood actor visited Ukraine in 2016, was named as an official functionary of the UN and was subsequently modified into “Volodymyr Zelensky”, he played the role of a rock star in the Hollywood music industry, one who, according to both the MSM and Wikipedia, was alleged to have “died” in 2017.
Added to these investigative discoveries and more, a distaff member of the Ukraine parliament – “Kira Rudyk” – has also been identified as a fabricated character scheme portrayed by a Hollywood actress, one who, in 2006, co-starred in a film with the host actor (live-action role player) identified in the role of “Volodymyr Zelensky”, a Hollywood production which was but one cinematic episode of what later turned into a popular, award-winning and high-grossing Hollywood film franchise.
Sometimes the winding road of in-depth investigation can lead down the deepest and darkest of rabbit holes.
Some time ago, a regular visitor to this site enquired in the comments section concerning the American entertainer known as “Bob Hope”.
While the results of one’s ensuing investigation were not wholly unsurprising, they were unexpected.
Not only did “Bob Hope” – like that of his famous Hollywood sidekick “Bing Crosby” – turn out to be yet another fabricated character scheme, the man behind his famous public persona was a high-ranking member of the British royal family and – lo and behold – he was also a high-ranking freemason.
Before modifying into “Bob Hope” and several other famous fabricated character schemes, this British prince, forgotten to history, faked his death in a plane crash which, according to one published source, occurred under “mysterious” circumstances.
Indeed, on this occasion, we’re led straight on a path towards yet another dead European royal – dubbed in the annals of the history of the royal House of Saxe-Coburg-Gotha (AKA Windsor/Rothschild/Rockefeller) as the “Forgotten Prince” – who began his life as a vaudeville entertainer and, over the decades, beginning in the mid 20th century, modified into a pair of Hollywood’s and America’s most beloved and well-celebrated popular entertainment icons.
Below: Prince George, Duke of Kent, the “forgotten prince”
From the era of WWII, this British prince is also recorded in the history books as one of Great Britain’s most seminal and popular Prime Ministers.
Turns out too, this “forgotten prince” was also known as the “Great Beast”, an influential occultist, Jesuit-trained perpetrator of Post-Modern Reality Simulation, and a member of the freemasonic Order of the Golden Dawn.
But still more intriguing, this “forgotten prince” – Prince George, Duke of Kent – is genealogically related, via the extensive royal family tree of the House of Saxe-Coburg-Gotha, to King Leopold III of Belgium (AKA Adolf Hitler/iconic Hollywood entertainer “Bing Crosby”/Carol O’Connor/Alger Hiss), to Prince Michael, Duke of Kent (AKA the “late” comedian George Carlin/Max Igan/Hollywood actor James Caan/Joe Cocker/Jean Paul DeJoria), to Prince Edward, Duke of Kent (AKA Lord Jacob Rothschild) and to US House of Representatives Speaker Nancy Pelosi (AKA Princess Caroline Bouvier Radziwill/Hollywood actress Jane Fonda/popular music entertainer Dolly Parton).
In the following video clip, when fast-forwarded to approximately the 11:47 mark, everyone will hear the aforementioned late comedian/actor/popular entertainer – the fabricated Hollywood character scheme known as “Bob Hope” – mention that, though he was “born in England,” he came to America at the “age of four” because he knew “there was very little chance of becoming king.”
This statement by “Bob Hope”, though spoken in a comedic context, also has occult significance.
The number four is a reference to the Gnostic Creed or Ecclesia Gnostica Catholica, an ecclesiastical arm of the Ordi Templi Orientis (OTO) which, according to Wikipedia, “is an international fraternal organization devoted to promulgating the Law of Thelema.” Thelema, Wikipedia goes on to explain, “is a philosophical, mystical and religious system elaborated by Alistair Crowley, and based on the Book of The Law.”
Turns out, “Bob Hope” (AKA Alistair Crowley/Winston Churchill/Jack Benny/Prince George, Duke of Kent) is referencing the first four clauses or the Explication of the (Gnostic) Creed. Wikipedia further explains, “The first 4 clauses are attributed to the four letters of the Tetragrammaton YHVH: the father (Chaos), the Mother (Babylon), the Union of Father and Mother in the Son (Baphomet), and the Daughter, the Bride of the Son (the Church).”
What follows is a story about a man – an abdicated European royal and also one of Hollywood’s biggest stars during the era of the 20th century – who sold out the world to a terrifying future.
For several decades, while this man danced and sang on Hollywood’s silver screen, charming his way into America’s hearts and minds, those same admirers remained blissfully unaware of his hidden identity, the clues to which are subtly hidden in the biographical details of the various fabricated character schemes he famously portrayed.
One of the most blatant clues of this famous Hollywood entertainer’s hidden identity as a European royal stares us in the face from the frames of the following pair of images.
Leopold III of Belgium:
While everyone is performing their ocular comparisons between the previous sets of images and, perhaps, begins to wholly perceive the obvious similarities of facial geometry and the identical epidermal contours of the ears, consider also the lyrical content of a once popular song – ‘The Man Who Sold the World” – from the 1970’s, one which was both recorded and performed by one of Leopold III’s (AKA Bing Crosby) most famous relatives – David Bowie AKA Grand Duke (the thin white duke) Henri of Luxembourg.
The Man Who Sold the World:
We passed upon the stair
We spoke of was and when
He said I was his friend
Which came as a surprise
I spoke into his eyes
I thought you died alone
A long long time ago
Oh no, not me
We never lost control
You’re face to face
With the man who sold the world!
Though, upon first glance, those set of song lyrics may seem rather cryptic, nevertheless, if one knows what to look for, a key word contained within the song’s very first line – ‘stair’ – gives away the identity of yet another famous character scheme portrayed by one of Leopold’s royal relatives, Prince Louis of Bourbon-Parma (AKA Fred Astaire/Walt Disney/Al Jolson).
Both the royal host actors identified in portrayal of the Hollywood fabricated character schemes known as “Bing Crosby” and “Fred Astaire” (AKA Walt Disney/Al Jolson), it turns out, are genealogically related to the singer, David Bowie (AKA Grand Duke Henri of Luxembourg), of this particular song, ‘The Man Who Sold the World’.
Moreover, the line, “I thought you died alone”, when considered within an “official” biographical and historical context, serves as a particularly telling clue about one of the 20th century’s most infamous fabricated character schemes – Adolf Hitler – whom, as confirmed by facial recognition, ear biometric, and image comparison analysis, was portrayed by Bing Crosby (AKA Leopold III of Belgium).
Consider also, the implication of the reply given by the “Man Who Sold the World”: “Oh no, not me, WE NEVER LOST CONTROL!”
The performer of this song, David Bowie (AKA Grand Duke Henri of Luxembourg), a royal relation of both Leopold III (AKA Bing Crosby/Adolf Hitler) and Fred Astaire (AKA Prince Louis of Bourbon Parma/Walt Disney/Al Jolson) is allowing you, the listener, to become privy to a conversation which subtly reveals the hidden identities of two of his royal family relations.
David Bowie (AKA Grand Duke Henri) is also attempting to relate a historical truth which contradicts the “official” documented record regarding the alleged ill-fate of Adolf Hitler (AKA Leopold III/”Bing Crosby”).
In essence, the singer is relating that, though his royal family relation – Leopold III (AKA Bing Crosby/Adolf Hitler) – was historically rumored, at the close of WWII, to have died alone in a bunker after suicided by a poison cyanide pill, he, in fact, lived on to sing about a ‘White Christmas’, a traditional seasonal standard with which everyone is undoubtedly still familiar.
Not only that, the singer is imparting a trenchant message, addressed to both his enquirer and to the audience: Our royal family – numbered among the thirteen ruling elite Jesuit families and majority owners of the global military/industrial/media/entertainment complex – are still in complete control of the entire world and, in fact, own all of the world’s human and natural resources, a control which we shall never relinquish.
As everyone will soon observe, there are subtle but distinct synchronicities and parallels concerning the comparative details which are contained in the “official” biographical narratives of each fabricated character scheme – “Bing Crosby”, “Adolf Hitler” – relating to the European royal identified as their live-action role player, Leopold the III of Belgium.
But, when one knows what to comparatively look for, each of these narrative details, when held up to comparative and objective scrutiny, suddenly transform into surefire giveaway clues; signposts and billboards on the road to the truth.
What do popular music stars do when their career is on the wane?
They change their name and assume another identity, of course.
The following is the story of a famous child singing star, who, during the era of the late 1970’s, discovered his formerly sterling career had come to an abrupt end.
But luckily, serendipity struck, allowing for a fellow music industry colleague to offer him a brilliant solution to his career crippling problem.
After taking valuable advice from a star with a name everyone is certain to readily recognize, this former teen idol decided to do the only thing possible to save his foundering popularity: adopt a catchy pseudonym and adopt a newly minted image to become one of MTV’s biggest stars during the era of the 1980’s.
Before deciding to act upon the sage advice, this former teen idol, for a brief four-year period, also co-hosted a popular television variety hour with his well-known sibling, who also went on to assume the identity of another popular singing star.
Disney has become a brand name synonymous with the perception of family friendly and wholesome entertainment.
But does this wholesome image conceal a darker reality?
Is it merely coincidental the brand name of Disney reached public prominence during the identical era when social scientists like the renowned Edward Bernays were perfecting the post-modern concepts of marketing, advertising and branding that have grown to become so familiar to common vernacular?
During his lifetime, the founder of Disney corporation was a man not unfamiliar with the concept of deception; a man not unfamiliar with the concept of the actor-based-reality.
Though he may have become renowned for steering the development of groundbreaking innovations in the artistic field of animation and the construction of an iconic American theme park, Disney was also a man of many faces; an actor who portrayed the role of not just one historically influential character, but a man who played out the well-documented adventures of many lives during the span of merely one.
But many are unaware there exists a fascinating anecdote concerning the man known as Walt Disney.
At the time of his death in 1966, it is said Walt Disney scrawled two words on a single piece of paper that, to this day, are counted as the final words of one of the twentieth century’s most influential and famous men: “Kurt Russell.” Continue reading “The Final Words of Walt Disney”→
Moral folly is best demonstrated by one who knows and understands the nature of objective truth, and yet, continues to live one’s life adhering to the prevalence of manufactured lies. Such is the curious syndrome that afflicts the distorted perceptions of our world.
Was Adolph Hitler the monster history books portray?
Or, was he but another actor playing out his assigned role on the stage of world history?
Not only, do the ruling elite bloodlines create off-shoot straw families to create legends, myths, and to generate profits from books and movies, but they use their own family members to serve as host actors. In this installment, one shall examine one of the twentieth centuries most significant and infamous figures, Adolf Hitler.
For those regular visitors here at Newspellcom.org, by now, one is well certain in the knowledge that the mainstream recording of American history, if not world history, has been demonstrated to be inauthentic, and should therefore be held to a greater standard of scrutiny.
Would one be surprised to learn, then, that Adolf Hitler was merely yet another of the ruling elite’s puppets, an actor playing out the requirements of a script? Would one find themselves dismayed, to learn that the Beer Hall Putsch, the very event that historian’s tell us acted as the catalyst in propelling an obscure figure into the pantheon of historical record, was but another fake crisis event recorded for posterity as historically significant? Would one be surprised to also learn, that Hitler, or at least his host actor, not only survived the second world war, but was placed front and center on American network television, and went on to become a legendary CBS news anchorman? More surprising still, not only did the host actor portrayed good old Adolph get a job in America at CBS television, but portrayed yet another iconic role, a role synonymous with America’s magic kingdom.