With the visual magic of Hollywood cinema production, the semantic word sorcery of the print media, and the immense propaganda machine of the MSM augmented by the sinister art of neuro linguistic programming and CGI/green screen trickery at one’s disposal, the potential for manipulating the public into believing fabricated falsehoods is never beyond the realm of possibility.
As well, too, the psychological operations of the controlled opposition “alternative media” and assorted social media platforms, which are nothing more than colossal data mining machines managed by the CIA and other alphabet lettered organizations umbrellaed under the centralized control of the Society of Jesus at Vatican City in Rome, exist as vital components in this widespread distribution of information propaganda designed for the purposes of social and political division and pacification.
Though the idea may be inconceivable or even preposterous to most, with such effective perception altering tools at one’s disposal, it even becomes possible to resurrect a man from “death” and turn him into a bona fide Hollywood celebrity, to be worshipped and adored by millions. But believe it or not, such appears to be the case with the “late” Michael C. Rockefeller, the son of Nelson Aldrich Rockefeller, formerly U.S. vice president and governor of New York.
Below: Michael C. Rockefeller
According to “official” biographies and accounts, Michael C. Rockefeller disappeared in the jungles of New Guinea and was never to have been seen again.
Or was he indeed?
The answer: negative.
Over a period of decades, Michael C. Rockefeller has been observed by the American public time and again on Hollywood’s silver screen. As shall be detailed further, the “late” Michael C. Rockefeller, in the guise of the award-winning Hollywood actor observed in the image posted immediately below, has been modified into several high-profile fabricated character schemes operating under pseudonyms in the realms of entertainment, politics, and the medical/pharmaceutical complex.
Upon first impression, the attempt to draw connections between the JFK “assassination” and the classic Hollywood movie Wizard of Oz may appear to be a dubious hypothetical proposition.
Unlikely as the premise might seem, deeper investigation demonstrates this hypothesis has empirical merit.
Turns out, not only was there a family connection between Allen Dulles – who served as CIA director during the brief tenure of the Kennedy presidential administration – and “Lee Harvey Oswald”, JFK’s “assassin”, but Allen Dulles has direct connections to Bing Crosby, to Adolf Hitler, and to Jack Haley, who starred in the classic Hollywood cinema production of Wizard of Oz.
Below from L to R: Allen Dulles, Bing Crosby, Jack Haley
Below: John Foster Dulles, Walt Disney, Ray Bolger
Ray Bolger, cast as the Scarecrow in Wizard of Oz, has direct connections to Walt Disney (AKA Henry Fonda/Jimmy Stewart/Al Jolson/Franklin Delano Roosevelt/Harry S. Truman/Glen Miller/Walter Sommerlath/Prince Tassilo von Furstenberg), and to CBS newsman Walter Cronkite, who was the first to go on the air immediately following JFK’s “assassination” in Dallas’s Dealy Plaza.
Furthermore, actor Jack Haley – cast as the Wizard of Oz’s Tin Woodsman – harbors a host of connections: to Adolf Hitler, Hollywood actor/singer Bing Crosby, and to Serco, the British multi-national corporation formerly known as RCA which now controls the US National Visa Center, the US Defense Ammunition Center, the US patent and trademark office, and FEMA region 9 on the West coast of the United States.
But as everyone shall soon observe, the Wizard of Oz’s Tin Woodsman (Jack Haley), Scarecrow (Ray Bolger), Allen Dulles and John Foster Dulles are descended from European royalty.
But the connections between one of Hollywood’s most celebrated cinematic works – Wizard of Oz – and the JFK “assassination” don’t stop there.
Judy Garland (AKA Shirley Temple Black/Jaclyn Bouvier Kennedy Onassis/Marilyn Monroe/Madeleine Albright/Helen Thomas), who starred as the character known as Dorothy Gale in Wizard of Oz, has more than one connection to not only the JFK “assassination” hoax but to the more recent Sandy Hook school “massacre” hoax.
Added to this, the occult philosophies espoused by “Alistair Crowley”, infamously renowned as the twentieth century’s most influential occultist, are also inextricably linked to the intriguing investigative mysteries surrounding one of American history’s greatest hoaxes.
In practice, politics is the art of deception. The creation of political capital, on the other hand, is deception writ large. The latter scenario implies using whatever tools are at one’s disposal to remain firmly ensconced in office and to keep one’s snout firmly plunged into the public money trough.
The latest MSM news story involving an “attack” on “Paul Pelosi”, the spouse of U.S. House Speaker “Nancy Pelosi”, represents a dramatic illustration as to what shameful depths, even beyond the point of absurdity, to which some “elected” representatives will stoop to maintain a hold on the reins of power.
But before revealing the genuine identity of “Paul Pelosi”, as most may recall from a previously published article, “Nancy Pelosi” is a pseudonym used by a fabricated character scheme portrayed by a European princess (Princess Lee Bouvier Kennedy Radziwill), a sibling of Jaclyn Kennedy Bouvier Onassis (AKA Shirley Temple Black/Marilyn Monroe/Judy Garland/Helen Thomas/Madeleine Albright/Queen Silvia of Sweden) who, over the course of her long career, has been modified into both a Hollywood actress – one related to Henry Fonda (AKA Walt Disney/FDR/Fred Astaire/Jimmy Stewart/Prince Tassilo Egon von Furstenberg) – and a country/western popular music industry star who most recently performed in a promotional spot for Covid-19 “vaccines”.
Below: Henry Fonda, Jimmy Stewart, Walt Disney, Fred Astaire, Prince Tassilo Egon von Furstenberg
Below from L to R: Franklin Delano Roosevelt, Jimmy Stewart, Henry Fonda
Below L to R: Nancy Pelosi, Jane Fonda, Princess Lee Bouvier Radziwill, Dolly Parton
As everyone shall soon observe, the narrative details of the MSM’s reports concerning the recent “attack” on “Paul Pelosi” are riven with contradictions, anomalies, and outright absurdities.
Below: Princess Lee Bouvier Kennedy Radziwill, Jane Fonda, Nancy Pelosi
In fact, this most recent MSM-promoted story involving “Paul Pelosi” could best be characterized as a melodrama-ridden television production derived from a badly conceived Hollywood movie script.
But none of this is surprising when – upon further investigation – one discovers “Paul Pelosi” – who, according to official biographies was educated at Jesuit-founded Georgetown University and Saint Ignatius Preparatory High School in San Francisco, another Jesuit-founded school located in a city traditionally dominated by Jesuit-trained public officials – is a fabricated character scheme portrayed by a French filmmaker, a former spouse of Hollywood actress “Jane Fonda” (AKA Nancy Pelosi).
In fact – as shall soon be delved into with greater detail – this French filmmaker directed “Barbarella”, the cinema production which helped to make “Jane Fonda” (AKA Nancy Pelosi/Dolly Parton/Princess Lee Bouvier Kennedy Radziwill) into a bankable Hollywood movie star.
If – as Karl Marx once wrote – “religion is the opium of the people,” then it could be so argued America became thoroughly addicted to the biblical bromides preached from the television pulpit of Reverend Billy Graham, considered to be the twentieth century’s most revered fundamentalist religious guru.
With a renowned career which lasted for more than five decades, it could also be argued, it was the charismatic Graham’s prolonged predominance in the public’s eye which not only brought the concept of ‘televangelism’ to the masses but made religion into a profitable commercial enterprise.
But there are also key anecdotes relating to “Billy Graham” which are less well known, rare but revealing biographical tidbits which shall be elaborated upon with greater detail later on.
For example, according to mastermedia.com, “on October 15, 1989, the city of Hollywood honored Billy Graham with the 1900th star on its legendary Hollywood Walk of Fame. Mr. Graham was awarded the star for his work as a minister of the Gospel using radio, television, and film.”
According to the New World Encyclopedia, William Franklin Graham was also awarded a knighthood – Knight of the British Empire – by the late Queen Elizabeth II (AKA Lucille Ball) of the House of Saxe-Coburg-Gotha (AKA Windsor/Hanover/Rockefeller/Rothschild).
Furthermore, according to an article published in the Los Angeles Times – it was the intervention of newspaper magnate Willliam Randolph Hearst which helped to not only boost the upstart religious fundamentalist preacher’s career into the American public’s consciousness but significantly transformed the persona of “Billy Graham” into a household name.
In addition, during this same period of time when his religious ministry and public career struggled to gain a foothold in either the radio or television entertainment industry, further research indicates “Billy Graham” was also connected to Cecile B. DeMille who, according to Wikipedia, was “the founding father of the American cinema and the most commercially successful producer-director in film history.”
Regarding the legendary DeMille, Wikipedia also reports that he was “an active Freemason and member of Prince of Orange Lodge #16 in New York City.”
Given these documented connections to Hollywood and to William Randolph Hearst, would it surprise anyone to learn that “Billy Graham” has been identified as a fabricated character scheme – a persona tailor-made for both radio and television’s golden age – portrayed by a Hollywood and television actor who also had connections to Disney?
Recently, much has been said and written about Charles III, the newly crowned British king and former Prince of Wales.
But the MSM will never dare report about Charles’s appetite for deception.
Why should this be so?
Because Charles’s royal family – the House of Saxe-Coburg-Gotha (AKA Windsor/Hanover/Rockefeller/Rothschild) – are majority shareholders of the MSM and, historically, they have directed their propaganda through intelligence vehicles such as BBC (AKA MI7) and independent television network Desilu productions which, until sold to Gulf and Western and renamed Paramount Television under the Paramount Global/CBS umbrella, was owned by television actress and comedienne Lucille Ball (AKA Queen Elizabeth II/JFK “assassination” “eyewitness” Jean Hill).
As demonstrated in several previously published articles, some of the biggest pop music stars of the last two decades – Lady Gaga (AKA Amy Winehouse/Princess Beatrice, Duchess of York), Katy Perry (AKA Princess Sofia of Sweden), and Chester Bennington (AKA Prince Carl Phillip of Sweden/Orlando Bloom/Volodymyr Zelensky) – have turned out to be European royals in disguise.
In the images posted below, while making ocular comparisons, everyone will notice the respetive facial geometries of Princess Beatrice and Lady Gaga are strikingly similar. The dimensional proportions of the chins, noses, brows, and lips are identical.
As well – between the Duchess of York and Gaga – everyone will also observe the identical geometrical, epidermal, and bone structural symmetry of the jawlines extending from the bottom right of the identically proportioned chins.
As for the “late” “Amy Winehouse”, facial recognition and image comparison analysis confirm she is a fabricated character scheme modified from the pop music star known as Lady Gaga (AKA Princess Beatrice, Duchess of York).
Below from L to R: Princess Beatrice, Duchess of York, Lady Gaga, Amy Winehouse
Therefore, would it surprise anyone to learn that, for the last several decades, the Duchess of York’s royal relative – King Charles III, the former Prince of Wales – has portrayed the host actor (live-action role player) cast in the role of one of rock music’s most legendary guitarists – “Keith Richards”?
While examining the first pair of images from left to right posted below, everyone will notice that, comparatively, the geometrical and structural proportions of the respective chins, jawlines, noses, and ears – between “Keith Richards” and his live-action role player, King Charles III – are an identical match.
Drawing attentions to the second pair of images in succession, everyone will begin to notice the identical geometrical and structural proportions of the brows, chins, and ears are particularly conspicuous.
Below from L to R: Keith Richards, King Charles III
But more shockingly, not only was King Charlie once a Rolling Stone – a moniker fabricated as an obvious esoteric reference to freemasonry (stone builders) of which Prince Edward, Duke of Kent (AKA Lord Jacob Rothschild), the brother of Prince Michael, Duke of Kent (AKA Max Igan/George Carlin/Joe Cocker), happens to be the Master of England’s Grand Masonic Lodge – he also portrayed one of America’s most renowned MSM news anchors and a prominent member of the mythical “Kennedy” family.
Upon further examination and more complete investigation, the truth behind the Horatio Alger story of Ukraine “President” “Volodymyr Zelensky” goes much deeper.
“Volodymyr Zelensky” exists only as a Hollywood produced persona, brought to life by a young European prince better known to the American public as a Hollywood actor/rock music industry star.
Below: Volodymyr Zelensky
Turns out, not only is the fabricated character scheme known to the public as “Volodymyr Zelensky” portrayed by a British/Hollywood actor (Orlando Bloom), one who was also once modified into a “dead” rock star (Chester Bennington) but “Zelensky” is also connected to European royalty, specifically, a duke, a royal title subservient only to that of a sitting monarch or king.
Below from L to R: Orlando Bloom, Chester Bennington, Volodymyr Zelensky
As if that weren’t incredible or inconceivable enough, Zelensky’s spouse – “Olena Zelensky” – is also a fabricated character scheme portrayed by a European princess better known to the American public by another name, that of a popular Hollywood music industry star.
As previously detailed, a Hollywood actress operating under a slew of pseudonyms and connected by Hollywood production to Zelensky’s live-action role player – Orlando Bloom (AKA Chester Bennington) – has also starred as “Kira Rudyk” (AKA Kierra Knightley/Natalie Portman/Alexandra Kushynova), a fabricated character scheme cast in the role of a Ukrainian parliamentarian while helping her Jesuit intelligence masters to execute the Ukraine “war” psychological operation/exercise simulation/Hollywood production.
As most who frequent this site may readily recall, the Hollywood actress known as “Natalie Portman”, who is no stranger to the sinister concept of Post-Modern Reality Simulation, previously starred as “Kiri Jewel” in the Branch Davidian Cult/FBI/ATF psychological operation which took place back in 1993.
That MSM-generated event also starred faux cult leader “David Koresh” (AKA David Bowie/Howard Stern/William Clinton/Perry King/Richard Carpenter/Jack Wagoner/Henri, Grand Duke Henri of Luxembourg).
In addition, research indicates, this European prince’s royal ancestry has genealogical connections to the royal House of Saxe-Coburg-Gotha (AKA Windsor/Hanover/Rockefeller/Rothschild), the royal house of the late British Queen Elizabeth II (AKA Hollywood television legend/comedienne Lucille Ball – Lucy=Lucifer/Ball=Baal/Moloch/JFK “assassination” “eyewitness” Jean Hill).
Below: Queen Elizabeth II, JFK “assassination” “eyewitness” Jean Hill, Lucille Ball
The hit Beatles song “Lucy in the Sky with Diamonds”, sung by “John Lennon” (AKA Buddy Holly/the “late” Mike Nesmith/Robert Plant/Rod Stewart/Steve Perry/Peter Sellers), the hidden sibling of “Jack Nicholson” (AKA Neil Young/Sir David Attenborough/Jack Ruby/Robert F. Kennedy/Prince Henrik of Denmark) and Gordon Sumner/”Sting” (AKA James Taylor) was coded (diamonds=33, highest degree of Scottish Rite Freemasonry/Jesuit red lodge/Lucy/Lucifer) as a high tribute to the masonic/Jesuit order, the military styled global cult disguised with ecclesiastical garb in firm control of the international intelligence octopus – CIA/FBI/NSA/MI5/MI6/MI7 (AKA BBC)/KGB/Mossad/Stasi/Falon Gong – and Hollywood, as well as Hollywood’s popular music industry and the military/industrial complex of the United States (AKA Washington DC).
In fact, “Neil Young” (AKA Jack Nicholson/Prince Henrik of Denmark), while performing under the music industry pseudonym of “Rick Neilsen”, still actively plays in a band – appropriately monikered Cheap Trick – with “Robin Zander” (AKA John Lennon).
But details of that scenario will be further expounded upon in a future article.
As shall be much further detailed in another upcoming article, entitled Anatomy of a Hollywood Death Hoax II, the JFK “assassination”, in which the late Queen Elizabeth II (AKA Lucille Ball/Jean Hill) participated as a “witness” from what the MSM termed the “grassy knoll”, was not only a publicly performed masonic/Hollywood styled simulation/psychological operation – as depicted in the thoroughly post-production manipulated “Zapruder film” – but was overseen, stage managed, and executed by principals connected to Serco (AKA RCA), a British based multi-national behemoth corporation in control of the US patent office and connected to Prince George, Duke of Kent (AKA Winston Churchill/Alistair Crowley/Hollywood actor/comedian Bob Hope/Jack Benny) of the House of Saxe-Coburg-Gotha.
Final analysis indicates, the JFK “assassination” simulation/masonic ritual was meant as a stern message sent by the Crown Temple/Swiss Templar/Vatican City bankers to all high-level principals conspiring to bring forth the global agenda(s) of the thirteen Jesuit families, a vast conspiratorial agenda which, decades later, would come to be known as Agenda 2030/2050, a none-too-subtle fatal warning intended to fearfully threaten or signal what could or would happen if sworn oaths in loyalty to the global masonic/Jesuit brotherhood were ever breached or broken.
The primary job of the MSM is to help maintain the global hegemony of their masters – the thirteen Jesuit families – over the proletariat or the great unwashed masses.
Routinely, the success of the MSM’s psychological operations relies on two primary elements: strategically targeted mob coercion and psychological manipulation at the hands of fabricated but influential cults of personality.
In terms of the latter, cults of personality don’t get much more influential among the demographic they’re targeted towards or, for that matter, more animatedly colorful than Stephen Bannon.
After all, the degree of public influence exerted by such fabricated character schemes is often directly proportional to the skill of the actor portraying them.
Turns out, in the case of “Steve Bannon”, deeper investigation reveals the man behind the mask of his public characterization is portrayed by a highly skilled and veteran Hollywood actor, a hidden intelligence asset of the Jesuit controlled CIA and one well-familiar to the American general public.
How do we know for certain “Steve Bannon” is an intelligence asset and psychological operations specialist?
Because, for one, the CIA/Jesuit-trained cubicle ridden desk jockeys composing the “official” biographies which appear at Wikipedia have admitted as much.
In fact, not only does Wikipedia admit “Steve Bannon” once sat on the board of directors at Cambridge Analytica, a company which used psychological profile targeting – “the practice of extracting people’s psychological profiles from their digital footprints (e.g. their Facebook Likes, Tweets or credit card records) in order to influence their attitudes, emotions or behaviors through psychologically informed interventions at scale,” informs Wikipedia – to influence and ultimately control the direction of public discourse and political perception and opinion, but, Wikipedia also informs, the Hollywood actor identified as his host actor (live-action role player) is “a member of the Council on Foreign Relations”, a Jesuit-controlled think tank specializing in U.S. foreign policy and international relations.
The essence of a magician’s craft is making illusions appear possible, materially tangible.
The same could be said regarding the essential craft of acting which, for all intents and purposes, exists as yet another form of magic.
If the actor, through the means of palpable transcendence, can suitably and successfully stimulate an audience’s imagination, causing them to collectively suspend their sense of disbelief, allowing for the collective conception of the impossible as possible, he has successfully mastered the esoteric rudiments of his craft.
It could be said the career of Hollywood legend Ray Liotta, perhaps best known for his role in the gangland extravaganza Goodfellas, was a prime example of one who had mastered the craft of acting.
Unknown to the public, however, before his “death” on May 26th at age 67, Ray Liotta starred in one last production, a role which helped most of the American public to imagine an inconceivable idea as tragic possibility.
Further investigation into the recent “event” alleged to have occurred on May 24th, in the rural town of Uvalde, Texas, has exposed Ray Liotta as a perpetrator of Post-Modern Reality Simulation.
Deeper investigation has also uncovered that a local television reporter from ABC affiliate WFAA, an actress formerly employed by Disney – Andriana de Alba – posed as “Eva Mireles”, one of a pair of Robb Elementary teachers the MSM alleges to have been slain, and that one of the other alleged child “victims” – ten-year-old “Amerie Jo Garza” – appears to be a complete fabrication with no existing birth or death records.
From one crisis to the next, the public is led like feeble lambs to willing slaughter.
Nevertheless, when it comes to considering the “war” in Ukraine, will a majority of the general public, many of whom are still suffering from psychological trauma due to a deliberately manufactured “pandemic” and the deleterious physical effects derived from “mandated” but genocidal “vaccines” (AKA genetic therapy), never conceive of the idea they’ve been utterly and completely deceived on multiple levels by the sinister machinations of the MSM’s psychological operations?
Though one remains eternally optimistic, admittedly, the eventuality of such a collective epiphany coming to fruition doesn’t seem likely to ever occur.
But just what do these multiple levels of deception consist of?
For one: reams of recycled MSM news footage borrowed from other past news events, and still other footage appearing to have been deliberately manufactured via a clever post-production technique – Generative Adversarial Network – which shall be further elaborated upon and explained further.
Secondly: the perpetual and insufferable tin-eared propagandizing issued by both the MSM’s and the US corporate government’s legions of soulless but well-paid mouthpieces.
To be certain, at least to anyone willing to apply even the smallest degree of scrutiny, the MSM’s cloying emotionalism coupled in tandem with galleries of transparent lies and memory searing buzzwords – the use of the term(s) “front lines”, for example – sound very familiar, almost as if the psychologically manipulative propaganda which was utilized to sell the Covid-19 “pandemic” for the last two years had suddenly been rebranded with a new color scheme of yellow and blue.
Of course, as those who’ve been frequenting this site from its inception were already keenly aware, the deployment of psychologically emotive color schemes and the strategic placement of NLP (Neural Linguistic Programming) are both time tested tools which have been repeatedly used to augment the effectiveness of the MSM’s propaganda messaging.
Thirdly: the man now well-known to the American public as “Volodymyr Zelensky”, Ukraine’s “freely elected” president, has been identified as yet another fabricated character scheme, one who exists as a well-handled Jesuit-trained intelligence asset, one not only portrayed by a Hollywood actor, but one who appears to have been deliberately placed on the world’s stage to play out his carefully scripted role, a manufactured myth made to order and transformed into flesh and blood, a political upstart and underdog protagonist whose conception was intended to be marketed and trumpeted by the MSM as a wartime heroic “savior”.
But before this well-known Hollywood actor visited Ukraine in 2016, was named as an official functionary of the UN and was subsequently modified into “Volodymyr Zelensky”, he played the role of a rock star in the Hollywood music industry, one who, according to both the MSM and Wikipedia, was alleged to have “died” in 2017.
Added to these investigative discoveries and more, a distaff member of the Ukraine parliament – “Kira Rudyk” – has also been identified as a fabricated character scheme portrayed by a Hollywood actress, one who, in 2006, co-starred in a film with the host actor (live-action role player) identified in the role of “Volodymyr Zelensky”, a Hollywood production which was but one cinematic episode of what later turned into a popular, award-winning and high-grossing Hollywood film franchise.