Scott Peterson’s Scripted Legal Drama

Scott Peterson’s Scripted Legal Drama

Although I was vaguely familiar with the official media narrative, never before had I chosen to pay much attention to the much-ballyhooed Peterson trial from the early 2000’s. That is, until something of possible significance came to my attention while conducting research for another article. While looking into the career history of a certain well renowned Hollywood actor/director at IMDb, I noticed one of the movies in which this particular actor starred had a rather unique, if not unorthodox title – Gone Girl.

Suffice to say, one’s interest had been piqued.

After watching the movie and consulting with the book from which the movie’s screenplay was later adapted, I couldn’t help but notice how closely the storyline of Gone Girl resembled that of the Peterson case as it was reported by the MSM. Both the movie’s plot and the MSM’s narrative involving Scott Peterson centered around a missing person’s case which was soon transformed into a grisly, but media sensationalized homicide. However, there was yet another comparative aspect which struck me. Not only was the fictional narrative of Gone Girl nearly synonymous with that of the Peterson case, but one couldn’t help but notice a striking resemblance between the accused murderer who stood trial and the Hollywood star cast in the movie.

Since Gone Girl’s release came subsequent to the horrific drama of the Peterson case, naturally, one wondered if this wasn’t a classic case of art imitating real life. Or – had this seemingly synonymous comparative nature been deliberately engineered?

There is every indication that the answer to the latter hypothetical question may indeed be yes, since, incredible though it may seem, the popular Hollywood actor who starred in Gone Girl and Scott Peterson, the alleged convicted murderer, turn out to be one and the very same.

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Up to No Good Again in Minneapolis

Up to No Good Again in Minneapolis

Once again, the American public has been struck then overwhelmed by another round of media manufactured hullaballoo. This time by the alleged ‘death’ or ‘murder’ of Renee Nicole Good who, according to online background checks, has also been known by several other variations on that name.

Moreover, it doesn’t appear to be surprising that the MSM would choose to ring in the new year by heavily promoting another government sponsored crisis simulation exercise staged in Minnesota, a state currently presided over by a ‘governor’ identified as a fabricated character scheme portrayed by a Hollywood director and actor who’s supposed to have recently ‘died’ and was posthumously but effusively honored at this year’s recent Golden Globe Awards.

SEE: MSM Dances to Liar’s Walz

Why characterize the recent alleged shooting of Renee Good in Minneapolis as a government staged operation?

According to Associated Press, on January 8, the Minnesota Bureau of Criminal Apprehension announced that the FBI had taken over the investigation into the ‘shooting’, reneging on the FBI’s promise to BCA officials that, from the outset, the ensuing investigation would be jointly conducted. Given FBI’s history as a lying nest of snakes and a legion of obedient bell boys working at the behest of Jesuit-controlled CIA, this bureaucratic maneuver more than implies that ICE (United States Immigration and Customs Enforcement), FBI, and quite possibly Homeland Security were acting together as colluding components in executing a psychological operation in Minneapolis, Minnesota, designed to satisfy publicly divisive sociopolitical objectives. After all, the CIA’s lapdogs at FBI wouldn’t wish to have any curious investigators operating without government sanction, especially those not initiated into freemasonry’s ranks, to start poking around and finding out this event was completely staged or worse, to have such findings emerge into the light of day, findings which may, through exposure, serve to disrupt or even to altogether scuttle  the government’s covert objectives.

Everyone should take note of the occultic nature of the particular date of AP’s press release – January 8 (18 or 3 6’s/666). Also, as pointed out in previous articles, Associated Press is connected to Reuters which is partnered with BlackRock (aka Vanguard/Depository Trust & Clearing Company).

What truly gave the game away, so to speak, was the subsequent appearance of former Minnesota ‘governor’ and professional wrestler, Hollywood actor, and television personality Jesse Ventura. In addition to being obstreperous and, for the duration of his entire career while standing in the bright glare of the public spotlight, prone to making exclamatorily inane if not altogether insane statements to the media, as it turns out, the buffoonish Ventura’s appearance on the scene was a clue as to the simulated nature of the mainstream news event involving Renee Good who, like Ventura, was on the government’s payroll as an agent provocateur. In fact, as shall be revealed later on, ‘Ventura’ is a media-created live-action cartoon figure played by a Hollywood actor who has also served as the true face behind the false masks of two other character fabrications, including Dodi al-Fayed, the former boyfriend of British royal Princess Diana Spencer (aka Ondine Rothschild/Theresa May/Jill Dando).

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William Kunstler’s Unlucky Chicago Seven

William Kunstler’s Unlucky Chicago Seven

The vital spirit of revolutions is fueled by deluded romanticists. The black smoke billowing from romanticism’s flame blinds followers of revolutions to the notion that they’re merely being utilized as strategic instruments by the very oppressive forces against which they’re attempting to rebel. While motivated by the passionate belief that efforts in fomenting a social or political revolution will change the status quo in their favor, such is quite the opposite. The efforts of revolutionaries, whether of a violent or non-violent nature, only serve to bolster the hegemonic strength of the prevailing status quo. Throughout history, revolutions have been funded by bankers and have been scripted, stage-managed by intelligence agencies to serve private economic, commercial interests and for ulterior sociopolitical motives which only serve to satisfy the impression or perception something is about to change or will change in the favor of the hoi polloi. Therefore, such impassioned followers are only being led straight into the tightening tyrannical grip of their corporate owners by the betraying revolutionary leaders in which they’ve so completely placed their juvenile hopes, utopian dreams, and simple-minded trust. During the 1960’s, the famous revolutionary, anti-establishment lawyer known as William Kunstler, legal defender of the Freedom Riders and The Chicago Seven, was one such betraying agent employed by CIA to only appear as a champion of the people.

However, as shall be shortly demonstrated, Kunstler’s carefully cultivated revolutionary image among his colleagues in the legal profession was nothing more than a well-crafted deception.

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