More Secrets Unearthed from History’s ‘Bunker’

More Secrets Unearthed from History’s ‘Bunker’

Some time ago, while performing research into a famous Hollywood celebrity posing as a high-level American politician – one who played a key role in the execution of the Sandy Hook “massacre” psychological operation – I came upon the following video clip.

It is an excerpt from “All in the Family”, a popular television production of the 1970’s, featuring “Carrol O’Connor” and “Rob Reiner”.

Recently, this particular video excerpt became useful, for purposes of investigative reexamination.

Turns out, it yielded a stunning revelation.

Everyone will notice – in the still frame taken from the video excerpt, displayed immediately below – Reiner has positioned his hands in the formulation of the masonic pyramid, or the iron cross, the identical symbol utilized by the German National Socialists, a political philosophy which was created by the Jesuit order, whom, for centuries, have been in control of the Vatican and the international pseudo-religious cult –  Scottish Rite/York Rite brotherhood/sisterhood of the Eastern Star –  known as the Freemasons.

SEE: http://themillenniumreport.com/2016/08/adolf-hitler-and-the-Jesuit-order/ 

All in the Family (1975)

Of course, as has been proved by facial recognition, ear biometric, image comparison, and voice print analyses, “Rob Reiner” – who went on from “All in the Family” to become one of Hollywood’s most renowned and award-winning cinema directors – also starred as “Doctor Wayne Carver”, the Connecticut state medical examiner, in 2012.

Ear biometric, facial recognition, and image comparison analyses also confirm Hollywood director Rob Reiner as the host actor (live-action role player) behind the fabricated character schemes known to the public as former Connecticut chief medical examiner “Doctor Wayne Carver” and former US vice president “Al Gore”.

ROB REINER

AL GORE

DOCTOR WAYNE CARVER

 

“Carrol O’Connor”, on the other hand, during one of the final interviews he gave before his death, left behind several clues concerning another of the fabricated character schemes his host actor – Leopold III of Belgium (AKA Bing Crosby/Adolf Hitler) – portrayed throughout the course of his long Hollywood career. 

SEE: The Man Who Sold the World

In addition to the other biographical similarities – between “Bing Crosby” and “Carrol O’Connor” – yet another clue exists in plain site: the surname of the famous television character from the era of the 1970’s – “Archie Bunker”. That fictional surname exists as a mockery to the general public and to the television viewing audience, whom remained unaware that a key clue was being divulged concerning the infamous wartime villain, “Adolf Hitler”, a fabricated character scheme once portrayed by Leopold III of Belgium.

In particular, this fictional surname refers to the “official” historical record, which informs “Adolf Hitler”, the defeated and disgraced leader of the German National Socialists, was suicided while alone in a deep underground “bunker” at the close of WWII.  Continue reading “More Secrets Unearthed from History’s ‘Bunker’”

The Man Who Sold the World

The Man Who Sold the World

What follows is a story about a man – an abdicated European royal and also one of Hollywood’s biggest stars during the era of the 20th century – who sold out the world to a terrifying future.

For several decades, while this man danced and sang on Hollywood’s silver screen, charming his way into America’s hearts and minds, those same admirers remained blissfully unaware of his hidden identity, the clues to which are subtly hidden in the biographical details of the various fabricated character schemes he famously portrayed.

One of the most blatant clues of this famous Hollywood entertainer’s hidden identity as a European royal stares us in the face from the frames of the following pair of images.

Leopold III of Belgium:

Bing Crosby:

While everyone is performing their ocular comparisons between the previous sets of images and, perhaps, begins to wholly perceive the obvious similarities of facial geometry and the identical epidermal contours of the ears, consider also the lyrical content of a once popular song – ‘The Man Who Sold the World” – from the 1970’s, one which was both recorded and performed by one of Leopold III’s (AKA Bing Crosby) most famous relatives – David Bowie AKA Grand Duke (the thin white duke) Henri of Luxembourg.

The Man Who Sold the World:

We passed upon the stair

We spoke of was and when

He said I was his friend

Which came as a surprise

I spoke into his eyes

I thought you died alone

A long long time ago

Oh no, not me

We never lost control

You’re face to face

With the man who sold the world!

Though, upon first glance, those set of song lyrics may seem rather cryptic, nevertheless, if one knows what to look for, a key word contained within the song’s very first line – ‘stair’ – gives away the identity of yet another famous character scheme portrayed by one of Leopold’s royal relatives, Prince Louis of Bourbon-Parma (AKA Fred Astaire/Walt Disney/Al Jolson).

Both the royal host actors identified in portrayal of the Hollywood fabricated character schemes known as “Bing Crosby” and “Fred Astaire” (AKA Walt Disney/Al Jolson), it turns out, are genealogically related to the singer, David Bowie (AKA Grand Duke Henri of Luxembourg), of this particular song, ‘The Man Who Sold the World’.

SEE: Doc Kildare Promotes Kill Shot Propaganda

SEE also: US government goes wacko in Waco

Prince Louis of Bourbon Parma:

2d15594a1d7e840f01c72eb6b7dbd133

pes_10036

Walt Disney

f8d397cd41342ffce713bd41e83121ab

Fred Astaire:

Walt Disney 

Al Jolson:

al-jolson-b71f14c5-f8ef-4a42-b251-86aa3d1e4b5-resize-750

Moreover, the line, “I thought you died alone”, when considered within an “official” biographical and historical context, serves as a particularly telling clue about one of the 20th century’s most infamous fabricated character schemes – Adolf Hitler – whom, as confirmed by facial recognition, ear biometric, and image comparison analysis, was portrayed by Bing Crosby (AKA Leopold III of Belgium).

Consider also, the implication of the reply given by the “Man Who Sold the World”: “Oh no, not me, WE NEVER LOST CONTROL!”

The performer of this song, David Bowie (AKA Grand Duke Henri of Luxembourg), a royal relation of both Leopold III (AKA Bing Crosby/Adolf Hitler) and Fred Astaire (AKA Prince Louis of Bourbon Parma/Walt Disney/Al Jolson) is allowing you, the listener, to become privy to a conversation which subtly reveals the hidden identities of two of his royal family relations.

David Bowie (AKA Grand Duke Henri) is also attempting to relate a historical truth which contradicts the “official” documented record regarding the alleged ill-fate of Adolf Hitler (AKA Leopold III/”Bing Crosby”).

In essence, the singer is relating that, though his royal family relation – Leopold III (AKA Bing Crosby/Adolf Hitler) – was historically rumored, at the close of WWII, to have died alone in a bunker after suicided by a poison cyanide pill, he, in fact, lived on to sing about a ‘White Christmas’, a traditional seasonal standard with which everyone is undoubtedly still familiar.

41TSW8egEqL._AC_

Not only that, the singer is imparting a trenchant message, addressed to both his enquirer and to the audience: Our royal family – numbered among the thirteen ruling elite Jesuit families and majority owners of the global military/industrial/media/entertainment complex – are still in complete control of the entire world and, in fact, own all of the world’s human and natural resources, a control which we shall never relinquish.

As everyone will soon observe, there are subtle but distinct synchronicities and parallels concerning the comparative details which are contained in the “official” biographical narratives of each fabricated character scheme – “Bing Crosby”, “Adolf Hitler” – relating to the European royal identified as their live-action role player, Leopold the III of Belgium.

But, when one knows what to comparatively look for, each of these narrative details, when held up to comparative and objective scrutiny, suddenly transform into surefire giveaway clues; signposts and billboards on the road to the truth.

Continue reading “The Man Who Sold the World”

Doc Kildare Promotes Kill Shot Propaganda

Doc Kildare Promotes Kill Shot Propaganda

It is no coincidence that those in positions of high-profile politics are also Hollywood actors and popular music stars, those whom have been thoroughly trained – in many cases from childhood while in attendance at the world’s finest performing arts schools – to seduce and hold an audience’s attentions captive.

Neither is it coincidental, these same popular entertainers are also descendants of the thirteen, ruling elite Jesuit families, those whom are also the owners of Hollywood’s largest movie production corporations and of the US corporation.

The White House and, to a larger extent, the entire American political complex, is nothing more than a movie set, designed as a theatrical set piece.

The president, or commander-in-chief, is nothing more than a high-level and high-pressure salesman portrayed by an actor, hired to sell policies to the general public, the planning, execution, and implementation of which are decided upon by the president’s masters, the Jesuit order in Rome, many of whom also reside at Georgetown University, CIA headquarters, and at the Pentagon.

All of these institutions exist as Jesuit military fortresses and war rooms.

According to Wikipedia and other “official” biographies, “Bill Clinton” attended both Georgetown University (a Jesuit-founded institution) and Yale University, the home of the notorious masonic-oriented fraternity Skull and Bones. 

During the era of the 1990’s, “Bill Clinton” was “elected” to serve two consecutive terms as “president” of the US corporation. Though his eight-year presidential tenure was marred by controversy – the “Monica Lewinsky” scandal, for example – “William Jefferson Clinton” is still considered, due to the congenial and gregarious demeanor he often publicly displayed, to have been one of America’s most popular chief executives of the modern era.

But as shall soon be proved, Clinton’s entire tenure as US president, while basking in the public limelight, was a well-scripted theatrical canard, and acted out by a well-trained and experienced performer in the Hollywood television and music industries, corporate assets of which the host actor’s royal family – royal House of Nassau-Wellberg and House of Bourbon-Parma – also happen to be majority shareholders.

It is also no coincidence, the country where this royal family resides – Luxembourg – is well-known as an off-shore banking haven for tax-free hidden assets and the proceeds from American campaign contributions which violate campaign finance laws.

Nevertheless, at least for those numbered among the royal ranks of the thirteen Jesuit families, laws are made precisely so they can be summarily broken.

Their masses of royal subjects, whom are legally owned in abject and terminal slavery, are, of course, held to a different standard and must unquestioningly abide, or else. 

SEE: https://www.investopedia.com/ask/answers/100115/why-luxembourg-considered-tax-haven.asp  

In fact, the royal host actor (live-action role player) who portrayed the ex-American president known to the American public as “William Jefferson Clinton” has deep genealogical connections to America’s ‘founding fathers’ and to royal figures of the distant past, stretching back to the year 1066. 

The entire “Monica Lewinsky” scandal – which, at the time, was said to have marked a blight on Clinton’s presidential legacy – was purposefully designed by the Jesuit order – whom, for centuries, have been the undisputed masters of psychological warfare –  as a moral, sociological, and psychological behavioral beta test.

In retrospect, this “scandal” tectonically shifted the accepted sexual, moral, and behavioral paradigm of traditional marital relations, and also served to negatively chip away at the already crumbling moral foundation of the American nuclear family.

Before then, and very soon after Clinton’s inauguration in January of 1993, the infamous “siege” at the Branch Davidian compound in Waco, Texas took place.

Turns out, upon further investigation, the media-created boogeyman protagonist for that concocted news story, “David Koresh”, also existed as a purely fabricated character scheme.

Ironically, the results of image comparison, ear biometric, and facial recognition analyses have confirmed “David Koresh” was portrayed by the identical royal host actor – the very same European royal – whom still, to-this-day, portrays ex-US president “William Jefferson Clinton”.

SEE: US government goes wacko in Waco

Still later on, during Clinton’s tenure, came the “bombing” of the Murrah Federal Building in Oklahoma, yet another government created and executed psychological operation which had the intent of cementing the idea of “domestic terrorism” in the minds of the American general public, and to siphon more tax dollars for the creation of an even larger national security apparatus.

SEE: Nothing OK about OKC Bombing

Nevertheless, most Americans, especially those belonging to the ‘baby boom’ generation, had seen the face of “Slick Willie” on television before, and long before he ever appeared as a major figure on the grand stage of American politics.

As everyone, by now, is likely to be aware, the man known to the American public as “Bill Clinton” most recently appeared in a bit of sanctimonious and emotionally cloying Covid-19 propaganda, urging Americans to get vaccinated.

But this, after all, is not wholly unsurprising.

The Bill and Melinda Gates Foundation happens to be the largest contributor to the Clinton Foundation’s coffers.

SEE: https://www.clintonfoundation.org/contributors

Continue reading “Doc Kildare Promotes Kill Shot Propaganda”

Death & Resurrection of Tupac Shakur

Death & Resurrection of Tupac Shakur

On the night of September 7, 1996, the MSM reported that Tupac Amaru Shakur – born, according to Wikipedia, Lesane Parish Crooks – was shot and killed by an unknown assailant after attending a boxing match in Las Vegas.

However, as has been proved time and again, when it comes to pop stars, sometimes they die, resurrect, and live to tell their own story.

Turns out, such was the case with the “late” gangster rapper and Hollywood actor Tupac Shakur.

The artificially created tastes of low brow popular culture have conditioned entire generations to believe the terms “gangster” and “rapper” are synonymous.

But, as everyone shall soon witness in an upcoming video excerpt, the comedian identified as the host actor who once portrayed the “late” but legendary “gangster rapper” “Tupac Shakur” thinks otherwise.

In fact, as everyone shall hear the comedian, identified as Tupac Amaru Shakur’s host actor, put it, he believes the term “gangster rapper” exists as an “oxymoron.’

He would, after all, know very well.

The comedian’s performance exists as prima facie evidence of the duplicity of those helping to perpetrate the phenomenon of Post-Modern Reality Simulation. On the one hand, while Tupac Amaru Shakur’s host actor denounces the “pimping” of gangster rap by his Jesuit masters upon the African-American youth of America, years earlier, he allowed himself, while posing as a “gangster” rapper, to be utilized as an agent of social chaos.

Continue reading “Death & Resurrection of Tupac Shakur”