Dead Man Playing in the NFL?

Dead Man Playing in the NFL?

Organized religion – it has often been said – is the opiate of the masses.

Here, in America, the predominant religion of the masses has become professional sports entertainment or, as it was known during the era of imperial Rome, “Bread and Circuses.”

As is well-known, every religious cult has an underlying governing philosophy, dogma, or doctrine.

Such centralizing doctrines are administered to the congregation of cult members by pastors or high-priests. Or, in the case of the church of sports entertainment, by television analysts and commentators, most of whom were formerly professional athletes. “Howard Cosell” – the obstreperous and opinionated sports television commentator of decades past – once derided this specialized class of sports “journalists” as the “Jockocracy”.

As most of this site’s regular visitors may recall, “Howard Cosell”, the former host of ABC’s Monday Night Football, was identified as a fabricated character scheme portrayed by Hollywood actor Rod Steiger.

SEE: Comrade Gorbachev was once a Hollywood ‘contender’? PART III

But no religious doctrine would be completely solidified without a unifying or centrifugal charismatic figure.

In the religion of Christian fundamentalism, there is the figure of Jesus Christ.

In the universalist religion of the Catholic church – controlled by the Jesuit order or Society of Jesus – there are venerated figures elevated to sainthood such as Mother Mary, the exoteric version of the esoteric or occult figure known as Isis or Sophia.

The religious cult known as sports entertainment has its own “saints” or charismatic figures – star athletes – who are fawned over and virtually worshipped by those known as “fans”.   

These cult worshippers known as sports “fans” are a relatively modern-day sociological phenomenon.

This commonly expressed vernacular – ‘fan’ – exists as an abbreviated form of the term fanatic or fanaticism.

According to Webster’s dictionary, a ‘fanatic’ is defined as follows, 1.) disapproving: a person exhibiting excessive enthusiasm and intense uncritical devotion toward some controversial matter (as in religion or politics), “a religious fanatic (=extremist), the fanatics are convinced they are serving a righteous cause and that all means are justified…”

How many of your friends, family members, or co-workers – whether relating to politics, religion, or sports – would the above definition – as so expressed – appropriately apply?

Turns out, it is just this sort of uncritically devoted fanaticism which has blinded America’s legions of sports fans to its fabricated and utterly scripted theatricality.

Remarkably, this overt fanaticism has also blinded a majority of those congregated among America’s cult of sports entertainment worshippers from noticing an alleged “dead” man is now playing in the NFL.

Also, fans of the cult of sports entertainment have yet to realize one of the NBA’s major stars – Lebron James – was formerly known by another name which, not so long ago, became superlatively renowned in the world of professional sports.

Those who own and collectively control the profitable business of sports entertainment (the Society of Jesus or the Jesuit order) have informed its fanatical legions – in the form of a legal disclaimer printed on ticket stubs and in the form of an official judgement issued by a US Circuit Court of Appeals Judge – of the true nature of professional sports and, specifically, that of the NFL.

In the case of the NFL, the league is only legally required to present their “fans” with a license (i.e. ticket) to observe an entertainment spectacle, but it is not legally required to officially sanction or provide its ‘fans’ with a legitimate sporting contest.

SEE: https://vaticanassassins.org/2012/01/23/the-popes-playoffs-jesuit-connected-owners-of-five-professional-football-teams/

Apparently, in view of this fact, the NFL reserves the right to draft or contract “athletes” (actors) who, allegedly, have been reported as officially “dead”, and to also recycle athletes under the guise of pseudonyms to satisfy profitable motives.

Myles Garret

Does the NFL athlete observed in the image above appear eerily familiar to everyone?

Perhaps, everyone has seen this particular athlete don another professional league’s uniform, one which might be more familiar?

Indeed, he should appear familiar.

As shall be shortly revealed, “Myles Garret” – a 2017 draftee of the NFL’s Cleveland Browns franchise – is not who he claims to be. Continue reading “Dead Man Playing in the NFL?”

Oscar’s ‘Humanitarian’ forgets Hollywood’s Homeless

Oscar’s ‘Humanitarian’ forgets Hollywood’s Homeless

Hollywood has always been about appearances.

But Hollywood, the entertainment capitol of America, has never been what it appears to be.

Hollywood is a grand tool utilized by the thirteen, ruling elite Jesuit families to implement psychological operations.

Its “celebrities” are also merely tools, experimental models used to dispense Pavlovian-styled behavioral modification upon their legions of blind worshipers among the American general public.

Most, if not all, of these “celebrities” aren’t real, and only exist as carefully-crafted personas and well-managed and meticulously designed images – such as the Hollywood filmmaker known as “Tyler Perry” – which are blindly consumed and even admired by the public.

Furthermore, as we’ve learned through the process of in-depth investigation, not only do most of those known as Hollywood’s “celebrities” exist only as fabricated character schemes acted out by live-action role players, many of Hollywood’s “stars” have been identified as royal descendants of the thirteen, ruling elite Jesuit families.

These families not only own and control Hollywood, but, as well, own and control the US corporation.

Most recently, Hollywood’s prestigious Academy saw fit to bestow “Tyler Perry” with a ‘Humanitarian’ award.

Tyler Perry

Will Smith

Everyone may now be aware, before the commencement of the 93rd (12/21/777/Alistair Crowley’s joker intelligence code) Academy Awards – Hollywood’s annual ceremony of narcissistic self-congratulation – hordes of homeless vagrants were forcibly removed from the premises of Union Station in Downtown Los Angeles.

Yet, one should expect, those among Los Angeles’s homeless are the very same Hollywood’s “celebrities” claim suffer from a lack of “representation” and “equitable” consideration.

One of those “celebrities”, attending this year’s Academy Awards, was “Tyler Perry”, who, after being called to the podium to accept The Jean Hersholt Humanitarian Award, delivered a rousing but platitudinous speech denouncing “hate”.

As for the plight of the homeless, those forcibly removed from the premises – one supposes, so the pristine red carpet wouldn’t be sullied – they went unmentioned by Perry during his speech.

Furthermore, not one of those among Perry’s fellow “celebrities” – those also remaining unaware of their insufferable penchant for regurgitating honeyed and politically correct buzzwords – seemed to be bothered taking any discernable notice of this glaring irony.

Again, one supposes, acknowledgment of such a glaring irony would only have served to completely peel away Hollywood’s fig leaf of superficial righteousness.  Continue reading “Oscar’s ‘Humanitarian’ forgets Hollywood’s Homeless”

Bernie Made Off But Still Alive

Bernie Made Off But Still Alive

What follows are not only the results of an investigation into the MSM’s concocted narrative concerning “Bernie Madoff”, it is also the story of one of Hollywood’s richest, most powerful, and influential entertainment executives, and of the many faces and celebrity personas he has adopted throughout his life.

In fact, David Geffen – the son of former Coca-Cola executive Barry Diller (AKA former US president Dwight ‘Ike’ Eisenhower/Prince Eduard Egon von Furstenberg), and grandson of Prince Tassilo Egon von Furstenberg (AKA former US president Harry Truman/Hollywood actor Jimmy Stewart/musician and band leader Glenn Miller) – is a man who, over the long decades, has portrayed some of the MSM’s most high-profile fabricated character schemes.

Barry Diller

Dwight D. Eisenhower

Prince Eduard Egon von Furstenberg

Prince Tassilo Egon von Furstenberg

Harry S. Truman

Jimmy Stewart

Glenn Miller

Maj. Glenn Miller standing with hand in pocket. (U.S. Air Force photo)

Suffice to say, while especially considering the chameleon-like track record of his royal ancestors, is it, therefore, any surprise to discover Mister David Geffen has also been identified as a major perpetrator of the phenomenon of Post-Modern Reality Simulation?

Nevertheless, as everyone is about to learn, in addition to the nearly numberless fabricated character schemes – some famous and, still others, infamous – David Geffen has been discovered as the man behind the mask of “Bernie Madoff”, the alleged mastermind of what – for decades, since 1960 – the MSM claims existed as an abominably vast and grossly criminal Wall Street “Ponzi”-styled financial speculation scheme.

But while the MSM dishes out its tabloid brand of soap opera “journalism”, seeking to dramatize every tawdry facet of “Bernie Madoff” and his infamous “Ponzi” scheme operation, they will never dare to report that “Madoff” himself was nothing more than a fabricated character scheme designed with an entirely ulterior motive in mind.

It could be further argued, the timing of the MSM’s decision to “off” the fabricated character scheme known as “Bernie Madoff” was an attempt to distract the American public from the ongoing Covid-19 psychological operation which, by now, exists as an obvious geo-political cloak for 1.) The covert execution of mass genocide and global population reduction of human resources in lieu of the implementation of AI, robotics, and 5G coordinated digital systems, 2.) The even greater covert efforts to implement the UN’s Agenda 2030 and “climate change” agenda, and, 3.) The global implementation of an experimental blockchain crypto-currency system which has also been designed as a track and trace system using body activity.

SEE: https://medium.com/@ThePixelDoc/most-everything-in-the-coming-years-will-be-managed-by-blockchain-technology-including-physical-1fb71033a083

Shortly, it will, as well, become clear that, from his incipient emergence on the world’s stage, Madoff’s infamous legend was designed and created to distract the general public’s short lived attentions away from the genuine criminals whom routinely devise schemes to rob and economically exploit the American public: the hidden owners of the genuine “Ponzi” scheme known as the US corporation, the thirteen, ruling elite Jesuit families.

Continue reading “Bernie Made Off But Still Alive”

The Joker Still Laughs at You

The Joker Still Laughs at You

This the story of a European prince, one who is alleged to be “dead”.

Nevertheless, decades ago, during the early years of the 1960’s, this Danish prince was cast, perhaps ironically, in the annals of American history as a lowly but mafia-connected night club owner and an “assassin”.

Not more than one-half decade later, however, this Danish prince would go on to play the role of a US presidential candidate who was also “assassinated”.

Considering the concept of karma, one supposes, what goes around comes around.

Turns out, when describing the true nature of Danish Prince Henrik’s family – the royal House of Glucksberg (a royal house originating in Northern Germany) – the former description – ‘mafia-connected’ – is certainly more than appropriate.

Prince Henrik of Denmark (AKA “Jack Nicholson”/”Jack Ruby”/”Robert F. Kennedy”) is, in fact, connected to a mafia, the organized crime families we’ve come to know as the thirteen, ruling elite Jesuit families whom, since the ancient era of imperial Rome, have controlled the destiny of humanity and, as well, controlled – through the monopolization and weaponization of the MSM – what the public has been psychologically conditioned to perceive as recorded “history” and, therefore, “reality” (Post-Modern Reality Simulation).

Continue reading “The Joker Still Laughs at You”

Greta, Klaus & Hilde the Royal Schwabs

Greta, Klaus & Hilde the Royal Schwabs

Turns out – other than the most essential of biographical details – not much is really known about the life of the man known as “Klaus Schwab”, the executive chairman and founder of the World Economic Forum.

For a man in such a high-profile public position, Schwab’s “official” biographies – including his own biographical entry located at Wikipedia – appear to be remarkably threadbare.

Despite being posed by the MSM as a figure of great influential power, “Klaus Schwab” remains a complete mystery.

But further and extensive investigation has managed to peel away the layers of mist, mystery, and intrigue which – up until now – have managed to obscure the true identity of the chief spokesperson for what has become infamously known as the “Great Reset”.

Schwab, as shall soon be made quite evident, has proved to be yet another fraudulent character scheme and portrayed by a Norwegian European royal playing at being actor.

Additionally, the academic bona fides attached to the pseudonym of  “Klaus Schwab” also exist as fabrications and have been tailor-made – most likely by CIA in cooperation with other such agencies operating under the umbrella of the international intelligence octopus – to fit Schwab’s concocted persona.

Not only that, Schwab’s royal host actor has a royal granddaughter who – upon further and extensive image comparison analysis – portrays Greta Thunberg, the ubiquitous but obnoxious “climate change” activist. 

As shall soon be demonstrated, Klaus Schwab’s royal host actor has been caught out as a perpetrator of Post-Modern Reality Simulation.

The man known as Klaus Schwab – as are the royal host actors portraying his spouse “Hilde” and the “climate change” activist known as “Greta Thunberg”, Schwab’s hidden granddaughter – is nothing more than a media generated persona with a concocted biographical intelligence legend attached to a pseudonym, and created to widely promote the “climate change”, “Great Reset”, and Covid-19 psychological operations as paradigm-shifting engines of global social, political, and economic transformation.

Harold V, King of Norway

Though those whom frequent this site may wish to carefully consider the following conclusions of one’s investigation, most, however, may not be able to handle the truth.

By the way, one can solemnly promise, the Hollywood actor everyone witnessed in the previous video excerpt will be prominently featured in my next article.

“Jack Nicholson” has also been discovered to be a fabricated character scheme who – for decades – has been portrayed by a European Danish royal.

Without giving too much away in advance, this Danish royal – though he is alleged to have died in 2018 but has now been proved to be very much still alive – was also involved in the execution of the “assassination” of US president John F. Kennedy (AKA Dennis Hopper), with whom “Nicholson” starred in a Hollywood film production, 1968’s Easy Rider.
Continue reading “Greta, Klaus & Hilde the Royal Schwabs”

More Secrets Unearthed from History’s ‘Bunker’

More Secrets Unearthed from History’s ‘Bunker’

Some time ago, while performing research into a famous Hollywood celebrity posing as a high-level American politician – one who played a key role in the execution of the Sandy Hook “massacre” psychological operation – I came upon the following video clip.

It is an excerpt from “All in the Family”, a popular television production of the 1970’s, featuring “Carrol O’Connor” and “Rob Reiner”.

Recently, this particular video excerpt became useful, for purposes of investigative reexamination.

Turns out, it yielded a stunning revelation.

Everyone will notice – in the still frame taken from the video excerpt, displayed immediately below – Reiner has positioned his hands in the formulation of the masonic pyramid, or the iron cross, the identical symbol utilized by the German National Socialists, a political philosophy which was created by the Jesuit order, whom, for centuries, have been in control of the Vatican and the international pseudo-religious cult –  Scottish Rite/York Rite brotherhood/sisterhood of the Eastern Star –  known as the Freemasons.

SEE: http://themillenniumreport.com/2016/08/adolf-hitler-and-the-Jesuit-order/ 

All in the Family (1975)

Of course, as has been proved by facial recognition, ear biometric, image comparison, and voice print analyses, “Rob Reiner” – who went on from “All in the Family” to become one of Hollywood’s most renowned and award-winning cinema directors – also starred as “Doctor Wayne Carver”, the Connecticut state medical examiner, in 2012.

Ear biometric, facial recognition, and image comparison analyses also confirm Hollywood director Rob Reiner as the host actor (live-action role player) behind the fabricated character schemes known to the public as former Connecticut chief medical examiner “Doctor Wayne Carver” and former US vice president “Al Gore”.

ROB REINER

AL GORE

DOCTOR WAYNE CARVER

 

“Carrol O’Connor”, on the other hand, during one of the final interviews he gave before his death, left behind several clues concerning another of the fabricated character schemes his host actor – Leopold III of Belgium (AKA Bing Crosby/Adolf Hitler) – portrayed throughout the course of his long Hollywood career. 

SEE: The Man Who Sold the World

In addition to the other biographical similarities – between “Bing Crosby” and “Carrol O’Connor” – yet another clue exists in plain site: the surname of the famous television character from the era of the 1970’s – “Archie Bunker”. That fictional surname exists as a mockery to the general public and to the television viewing audience, whom remained unaware that a key clue was being divulged concerning the infamous wartime villain, “Adolf Hitler”, a fabricated character scheme once portrayed by Leopold III of Belgium.

In particular, this fictional surname refers to the “official” historical record, which informs “Adolf Hitler”, the defeated and disgraced leader of the German National Socialists, was suicided while alone in a deep underground “bunker” at the close of WWII.  Continue reading “More Secrets Unearthed from History’s ‘Bunker’”

The Man Who Sold the World

The Man Who Sold the World

What follows is a story about a man – an abdicated European royal and also one of Hollywood’s biggest stars during the era of the 20th century – who sold out the world to a terrifying future.

For several decades, while this man danced and sang on Hollywood’s silver screen, charming his way into America’s hearts and minds, those same admirers remained blissfully unaware of his hidden identity, the clues to which are subtly hidden in the biographical details of the various fabricated character schemes he famously portrayed.

One of the most blatant clues of this famous Hollywood entertainer’s hidden identity as a European royal stares us in the face from the frames of the following pair of images.

Leopold III of Belgium:

Bing Crosby:

While everyone is performing their ocular comparisons between the previous sets of images and, perhaps, begins to wholly perceive the obvious similarities of facial geometry and the identical epidermal contours of the ears, consider also the lyrical content of a once popular song – ‘The Man Who Sold the World” – from the 1970’s, one which was both recorded and performed by one of Leopold III’s (AKA Bing Crosby) most famous relatives – David Bowie AKA Grand Duke (the thin white duke) Henri of Luxembourg.

The Man Who Sold the World:

We passed upon the stair

We spoke of was and when

He said I was his friend

Which came as a surprise

I spoke into his eyes

I thought you died alone

A long long time ago

Oh no, not me

We never lost control

You’re face to face

With the man who sold the world!

Though, upon first glance, those set of song lyrics may seem rather cryptic, nevertheless, if one knows what to look for, a key word contained within the song’s very first line – ‘stair’ – gives away the identity of yet another famous character scheme portrayed by one of Leopold’s royal relatives, Prince Louis of Bourbon-Parma (AKA Fred Astaire/Walt Disney/Al Jolson).

Both the royal host actors identified in portrayal of the Hollywood fabricated character schemes known as “Bing Crosby” and “Fred Astaire” (AKA Walt Disney/Al Jolson), it turns out, are genealogically related to the singer, David Bowie (AKA Grand Duke Henri of Luxembourg), of this particular song, ‘The Man Who Sold the World’.

SEE: Doc Kildare Promotes Kill Shot Propaganda

SEE also: US government goes wacko in Waco

Prince Louis of Bourbon Parma:

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Walt Disney

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Fred Astaire:

Walt Disney 

Al Jolson:

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Moreover, the line, “I thought you died alone”, when considered within an “official” biographical and historical context, serves as a particularly telling clue about one of the 20th century’s most infamous fabricated character schemes – Adolf Hitler – whom, as confirmed by facial recognition, ear biometric, and image comparison analysis, was portrayed by Bing Crosby (AKA Leopold III of Belgium).

Consider also, the implication of the reply given by the “Man Who Sold the World”: “Oh no, not me, WE NEVER LOST CONTROL!”

The performer of this song, David Bowie (AKA Grand Duke Henri of Luxembourg), a royal relation of both Leopold III (AKA Bing Crosby/Adolf Hitler) and Fred Astaire (AKA Prince Louis of Bourbon Parma/Walt Disney/Al Jolson) is allowing you, the listener, to become privy to a conversation which subtly reveals the hidden identities of two of his royal family relations.

David Bowie (AKA Grand Duke Henri) is also attempting to relate a historical truth which contradicts the “official” documented record regarding the alleged ill-fate of Adolf Hitler (AKA Leopold III/”Bing Crosby”).

In essence, the singer is relating that, though his royal family relation – Leopold III (AKA Bing Crosby/Adolf Hitler) – was historically rumored, at the close of WWII, to have died alone in a bunker after suicided by a poison cyanide pill, he, in fact, lived on to sing about a ‘White Christmas’, a traditional seasonal standard with which everyone is undoubtedly still familiar.

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Not only that, the singer is imparting a trenchant message, addressed to both his enquirer and to the audience: Our royal family – numbered among the thirteen ruling elite Jesuit families and majority owners of the global military/industrial/media/entertainment complex – are still in complete control of the entire world and, in fact, own all of the world’s human and natural resources, a control which we shall never relinquish.

As everyone will soon observe, there are subtle but distinct synchronicities and parallels concerning the comparative details which are contained in the “official” biographical narratives of each fabricated character scheme – “Bing Crosby”, “Adolf Hitler” – relating to the European royal identified as their live-action role player, Leopold the III of Belgium.

But, when one knows what to comparatively look for, each of these narrative details, when held up to comparative and objective scrutiny, suddenly transform into surefire giveaway clues; signposts and billboards on the road to the truth.

Continue reading “The Man Who Sold the World”

Doc Kildare Promotes Kill Shot Propaganda

Doc Kildare Promotes Kill Shot Propaganda

It is no coincidence that those in positions of high-profile politics are also Hollywood actors and popular music stars, those whom have been thoroughly trained – in many cases from childhood while in attendance at the world’s finest performing arts schools – to seduce and hold an audience’s attentions captive.

Neither is it coincidental, these same popular entertainers are also descendants of the thirteen, ruling elite Jesuit families, those whom are also the owners of Hollywood’s largest movie production corporations and of the US corporation.

The White House and, to a larger extent, the entire American political complex, is nothing more than a movie set, designed as a theatrical set piece.

The president, or commander-in-chief, is nothing more than a high-level and high-pressure salesman portrayed by an actor, hired to sell policies to the general public, the planning, execution, and implementation of which are decided upon by the president’s masters, the Jesuit order in Rome, many of whom also reside at Georgetown University, CIA headquarters, and at the Pentagon.

All of these institutions exist as Jesuit military fortresses and war rooms.

According to Wikipedia and other “official” biographies, “Bill Clinton” attended both Georgetown University (a Jesuit-founded institution) and Yale University, the home of the notorious masonic-oriented fraternity Skull and Bones. 

During the era of the 1990’s, “Bill Clinton” was “elected” to serve two consecutive terms as “president” of the US corporation. Though his eight-year presidential tenure was marred by controversy – the “Monica Lewinsky” scandal, for example – “William Jefferson Clinton” is still considered, due to the congenial and gregarious demeanor he often publicly displayed, to have been one of America’s most popular chief executives of the modern era.

But as shall soon be proved, Clinton’s entire tenure as US president, while basking in the public limelight, was a well-scripted theatrical canard, and acted out by a well-trained and experienced performer in the Hollywood television and music industries, corporate assets of which the host actor’s royal family – royal House of Nassau-Wellberg and House of Bourbon-Parma – also happen to be majority shareholders.

It is also no coincidence, the country where this royal family resides – Luxembourg – is well-known as an off-shore banking haven for tax-free hidden assets and the proceeds from American campaign contributions which violate campaign finance laws.

Nevertheless, at least for those numbered among the royal ranks of the thirteen Jesuit families, laws are made precisely so they can be summarily broken.

Their masses of royal subjects, whom are legally owned in abject and terminal slavery, are, of course, held to a different standard and must unquestioningly abide, or else. 

SEE: https://www.investopedia.com/ask/answers/100115/why-luxembourg-considered-tax-haven.asp  

In fact, the royal host actor (live-action role player) who portrayed the ex-American president known to the American public as “William Jefferson Clinton” has deep genealogical connections to America’s ‘founding fathers’ and to royal figures of the distant past, stretching back to the year 1066. 

The entire “Monica Lewinsky” scandal – which, at the time, was said to have marked a blight on Clinton’s presidential legacy – was purposefully designed by the Jesuit order – whom, for centuries, have been the undisputed masters of psychological warfare –  as a moral, sociological, and psychological behavioral beta test.

In retrospect, this “scandal” tectonically shifted the accepted sexual, moral, and behavioral paradigm of traditional marital relations, and also served to negatively chip away at the already crumbling moral foundation of the American nuclear family.

Before then, and very soon after Clinton’s inauguration in January of 1993, the infamous “siege” at the Branch Davidian compound in Waco, Texas took place.

Turns out, upon further investigation, the media-created boogeyman protagonist for that concocted news story, “David Koresh”, also existed as a purely fabricated character scheme.

Ironically, the results of image comparison, ear biometric, and facial recognition analyses have confirmed “David Koresh” was portrayed by the identical royal host actor – the very same European royal – whom still, to-this-day, portrays ex-US president “William Jefferson Clinton”.

SEE: US government goes wacko in Waco

Still later on, during Clinton’s tenure, came the “bombing” of the Murrah Federal Building in Oklahoma, yet another government created and executed psychological operation which had the intent of cementing the idea of “domestic terrorism” in the minds of the American general public, and to siphon more tax dollars for the creation of an even larger national security apparatus.

SEE: Nothing OK about OKC Bombing

Nevertheless, most Americans, especially those belonging to the ‘baby boom’ generation, had seen the face of “Slick Willie” on television before, and long before he ever appeared as a major figure on the grand stage of American politics.

As everyone, by now, is likely to be aware, the man known to the American public as “Bill Clinton” most recently appeared in a bit of sanctimonious and emotionally cloying Covid-19 propaganda, urging Americans to get vaccinated.

But this, after all, is not wholly unsurprising.

The Bill and Melinda Gates Foundation happens to be the largest contributor to the Clinton Foundation’s coffers.

SEE: https://www.clintonfoundation.org/contributors

Continue reading “Doc Kildare Promotes Kill Shot Propaganda”

Death & Resurrection of Tupac Shakur

Death & Resurrection of Tupac Shakur

On the night of September 7, 1996, the MSM reported that Tupac Amaru Shakur – born, according to Wikipedia, Lesane Parish Crooks – was shot and killed by an unknown assailant after attending a boxing match in Las Vegas.

However, as has been proved time and again, when it comes to pop stars, sometimes they die, resurrect, and live to tell their own story.

Turns out, such was the case with the “late” gangster rapper and Hollywood actor Tupac Shakur.

The artificially created tastes of low brow popular culture have conditioned entire generations to believe the terms “gangster” and “rapper” are synonymous.

But, as everyone shall soon witness in an upcoming video excerpt, the comedian identified as the host actor who once portrayed the “late” but legendary “gangster rapper” “Tupac Shakur” thinks otherwise.

In fact, as everyone shall hear the comedian, identified as Tupac Amaru Shakur’s host actor, put it, he believes the term “gangster rapper” exists as an “oxymoron.’

He would, after all, know very well.

The comedian’s performance exists as prima facie evidence of the duplicity of those helping to perpetrate the phenomenon of Post-Modern Reality Simulation. On the one hand, while Tupac Amaru Shakur’s host actor denounces the “pimping” of gangster rap by his Jesuit masters upon the African-American youth of America, years earlier, he allowed himself, while posing as a “gangster” rapper, to be utilized as an agent of social chaos.

Continue reading “Death & Resurrection of Tupac Shakur”