From the outset, the likes of Pete Hegseth seemed ill-suited to the office of U.S. Secretary of Defense. A graceless man of diminutive stature whose ambitions extend well beyond his limited grasp, Hegseth appears to precariously shoulder the burdensome weight of awesome power better suited to the presence of a giant.

Thus far, put alongside Donald Rumsfeld, one of Pete’s more recent predecessors, Hegseth’s public performances appear bumbling, artless, that of an untalented, learning-disabled kindergartner struggling with fingerpaints compared with Rumsfeld’s vibrantly creative, Picasso-like canvas strokes. Worse, while having faced a number of allegations – sexual impropriety, fiscal mismanagement, public drunkenness – before the Senate Armed Services Committee, the impression given by mainstream news accounts was that Hegseth’s nomination process was an unmitigated disaster. In fact, without U.S. Vice President J.D. Vance having come to his rescue with a tie-breaking nomination vote, Hegseth would have been left standing in the unemployment line. But Hegseth, Vance were merely practiced vaudevillians playing out their respective roles for the entranced American public, clownish, juggling jokesters, circus ringmasters, theatrical entertainment for rubbernecking motorists passing the scene of some gruesome highway automobile disaster.

Unbeknownst to the American public, ‘Hegseth’ is a character played by a Hollywood music industry performer, a former guitarist/vocalist connected to an inauspiciously monikered rock act, Blink 182, while ‘Vance’ is a hidden member of the British royal family.

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