The local gendarmes are at it again, playing their part, wittingly or not, in spreading the virus of fear and uncertainty among the populace to psychologically reshape behaviors and public perceptions. This, is the very definition of social engineering. Though, it is often touted, how children are America’s most precious resource, the powers that be don’t seem to find anything contradictory or morally objectionable brutalizing America’s youth into obedience and submission with overt psychological terror. The latest terror hoax drill, sold to the public as an actual crisis, was recently staged at Square One Mall complex, located in Saugus, Massachusetts, just eleven miles from Boston. Continue reading “Square One Mall ‘lock down’ hoax”→
In this installment, I shall delve into the concept of ‘predictive programming’. Predictive programming is the true purpose of concocted network news stories, representing public psychological operations, bent on noting other than controlling public perception through emotional manipulation. The Stevie Stevens story is prime evidence of this prevailing method of operation on the part of the media sorcerers. Many, through social and public school conditioning, desperately want to believe what they see and hear on the network televised news. The psychological dependence one has built up over the course of a lifetime, to implicitly trust messages coming from those perceived to be in positions of so-called authority, is indeed, a hard habit to break. But, as the following information shall attempt to demonstrate, the devil is indeed, to be found within the details.
ROCHMOND DUNBAR AKA KENDRICK LAMAR
In the previous installment outlining the results of investigation into the true nature of the nationally broadcast Stevie Stevens story, it was reported the man behind the character mask, playing out his role in this public charade, was identified as rapper/actor Rochmond Dunbar. Dunbar also records as a music artist, working under the alias Kendrick Lamar.
With regard to Lamar, a most curious fact has been discovered.
Approximately two years prior to the event, Lamar recorded a duet with pop star Rihanna, entitled ‘Loyalty’.
Exactly two minutes into the track, one can clearly hear a reference to ‘Kung Fu Kenny’, which breaks down into symbolic numerology, representing a masonic master builder (K, K= 11+11=22). Proceeding from that point, both artists sing the lyrics, seemingly apropos of nothing in particular: 90, 90, 90, 10-4!, or 999=666(masonic law of reversal or reflection/number of man) and 10-4=14, or 77(masonic hoax code/G centered within the masonic square and compass logo).
Though these lyrics don’t make sense within the entire context of the track, the following lyrics rapped by Kendrick put the preceding reference into clearer focus when one considers the concept of predictive programming as related to the future details to be reported in the aftermath of the Stevie Stevens homicide/suicide story:
“All we ask for is Loyalty”, meaning loyalty to the masonic oath of silence, upon pain of death, or at the very least, social embarrassment.
Kendrick, then again, proceeds in blatant reference to the future event that would take place two years later:
“I pull up, hop out, air out, make it look sexy!”
Now, many of you, I’m certain, will dismiss this demonstrative interpretation of what may be construed as a seemingly benign pop song, to be complete rubbish.
Well, so be it. Willful blindness of the masses is what the ruling elites rely on in maintaining their hegemonic stranglehold.
However, this is key in understanding the revelation of the method; the subtle methodology utilized in maintaining subconscious control over the masses.
While one is thinking ‘Loyalty’ is perhaps a benign pop ditty one can sing along to while doing the laundry, you are meanwhile being secretly and subconsciously programmed.
One may choose to dismiss what has been described out of hand, to go ahead and kill the messenger, rather than bothering to penetrate the message. You may go on allowing the likes of Anderson Cooper to spoon feed the elites preferred version of programmed reality straight to your cerebral cortex on a nightly basis.
Go ahead, by all means, knock yourselves completely out!
But, it is important to realize, the world, and especially the media, is filled with lies and liars.
However, just consider this.
Maybe for once, rather than trusting experts, or authority figures, whether in the media, law enforcement, or public office, in telling you what to think, perhaps one should instead become accustomed to trusting themselves, trusting one’s own inherent sense of intuition. Nonetheless, the clandestine details of the Stevie Stevens story shall assuredly remain hidden to most. And yet, the identity of the true perpetrators is well known, as well as their carefully coded messages.
But, only to those with the eyes to see and the ears to hear.
Daring to delve into such sordid details, armed with penetrating insight, enables one to glimpse the very elements of a grand conspiracy, intent on enacting order out of chaos.
Yes, folks, I said it, conspiracy-dreaded word-where between the dark spaces of scorned syllables lurks a hideous monster, lying in wait, poised to devour the most carefully laid vessels of comfortable illusion.
In the previous installment concerning this subject, I identified the agenda behind these concocted news stories, as well as pointing out the placement of not so well disguised celebrities (Oprah, NFL star Colin Kaepernick), to agitate and induce the public into a specified emotionally invested negative reaction. Unlike most in the conspiracy community however, I took the analysis a step further, pointing out that within the scripted nature of these televised crisis events, lie encoded messages, threads woven into what appears to be a much larger, panoramic quilt.
Could it be that within every news story, every headline, one can observe connecting messages? Taking it even further, could it be these messages are the result of some quantum calculations beyond the comprehensive devising of the actors, public officials, law enforcement and politicians involved?
Could it be, future events are scripted, in order to control mankind’s perception of the past?
With one’s senses properly attuned, it may become increasingly clear mankind is being led down the yellow brick road, towards a predetermined future, away from a past both scripted and reinterpreted, to appease the dictates and timetable of a prevailing elite agenda.
Religious and ideological philosophies aside, could it be, there is some non-human intelligence, or at the very least, some sort of quantum computation source responsible for the creation of this agenda intent on shattering the unity of mankind’s collective soul?
While the expression of these ideas may seem outlandish, or in the parlance of common masses, ‘crazy’, the presence of palpable codes within not only the news media, but pop music, and literature, both high and low brow, admittedly fall beyond the scope of mere coincidence.
But, could it be, the kernel of this idea is purposely distorted by paid conspiracy shills in the alternative media?
Cognizant the devil is in the details, could it be, the real messages being conveyed are not within the numerology, not within the translation of numbers into letters, but within the letters themselves, in the form of cross-referencing anagrams?
Could it be this is why human history seems to repeat itself?
If you’ve been following this blog lately, one may get the sense all things connect.
News stories proffered by the media sorcerers, are not only coded with masonic numerology and iconography, but represent a metaphysical quilt woven within the human mass subconscious.
The purpose of the media goes well beyond concepts of entertainment, distraction, and a source of advertising revenue.
The masses are being programmed, mass perceptions and behaviors conditioned towards an agenda, the ultimate significance of which, may seem inscrutable to prevailing pale reason.
Every news story in your local periodical, televised news cast, magazine, including popular music broadcast on the radio airwaves, or even stories told from the pages of popular supermarket paperback publications, each represent a minute stitch, one lone thread, when examined closely, reveal a collective and vast panorama.
DIVIDE AND CONQUER
As a paramount method of ultimate control, the elites have always sought to divide the masses along social, economic, class, and in the case of the engineered news story of random homicide involving the fictional character Stevie Stevens, racial lines.
The agenda on display is this: to divide America by publicizing the possible violent confrontations of a contrived scenario between alternative right wing Trump supporters and the phony CIA sponsored Black Lives Matter. This, I believe, was also behind the impetus for the psychological operation performed here, in my hometown, three years ago, with the Colleen Ritzer hoax, the young teacher allegedly murdered by a young African-American student (see The terrorists are here at home parts I-III).
What is so significant about this particular story, it is unusually loaded, with not only numerology codes, but deeply symbolic gestures. Though such details may entirely escape recognition in the public’s conscious mind, the message nonetheless burrows deep in the subconscious, awaiting the right trigger to bring the desired programmed emotional response forward. In this way, the elites are able to transform human consciousness and social behavior patterns.
In other words, the public is being trained like Pavlov’s drooling dogs.
Most alternative media ‘truthers’ will only point out the superficial nature of the numerology inherent in these stories, pointing out only the translations of letters into numbers. But, here, we shall take the concept much further, and dare to point out the esoteric messages subconsciously purveyed. This encoding, represents musical stanzas, measures of notes, movements in a grand symphony composed long ago, and is still being written today, the composers of which, may be non-human entities. Due to the nature of recognizable numerology codes, it is possible to speculate, all major hoax events, Sandy Hook, Boston bombing, 9/11, etc, etc, are in fact linked.
If one pays close attention to the details of the initial CNN reports concerning Stevie Stevens, the typical numerology codes become readily visible.
Since this has been well covered before in other posts, one will not belabor that aspect here.
There are, however, deeper components of this story of greater, and more intriguing interest.
Warning: You may find the following revelations stunning!
On the replay of Steven’s phone conversation, immediately proceeding the murder of seventy-four-year old Robert Godwin, he claims to have disgraced ‘Zeta Omega’.
OMEGA PSI PHI
This is a direct reference to a chapter of an international, masonic based fraternity, Omega Psi Phi, established on the campus of Howard University on November, 23, 1911, by Amos Love, James Cooper, and Frank Coleman. All were high degree masons, members of the order of the mystic shrine, or Shriner’s. Howard University has, since its inception, been a hot bed for CIA and intelligence activities, and is also linked to the phony intelligence created controlled opposition group Black Lives Matter. The date of the organization’s inception is coded: 23, or two three’s=33 (highest degree of Scottish Rite Freemasonry).
Raging Falcon is it conspiracy or fiction?
Rockmond Dunbar
All participants in these televised hoaxes are actors. In this particular case, the media sorcerers used an actor with a verifiable, professional resume.
Stevie Stevens has been identified as actor/rapper Rockmond Dunbar. Dunbar has starred in, and produced, such films as Soul Food (2000), Prison Break and Kiss Kiss Bang Bang (both released in 2005). One will discover when investigating Dunbar’s resume, the 8X10 still photographs appear older than the Stevie Stevens character (committed suicide at 37, or three 7’s=black jack, you’ve been hoaxed!). This is the key method of deception used in these televised hoaxes broadcast by mainstream media; backdated photos of older people to produce the fictional character simulations.
The footage of the murder broadcast by CNN is actually a composite mixture of CGI and outtakes from one of the movies listed on Dunbar’s resume, Prison Break.
Dunbar has most recently been recording as rapper Chris LeDay.
One shall recall, LeDay appeared in an interview subsequent to the event with known media sorceress Amy Goodman, claiming he had received the video of Godwin’s murder, deciding to upload it online, in the hopes that it would ‘go viral’.
Another interesting tidbit is when Stevens makes mention of Jim Jones, who coincidentally enough, is a fellow rapper signed to the same label as his alter ego, Chris LeDay.
Oh, what a web of deception has been weaved here, folks!
But, wait, the rabbit hole, as they say, goes far deeper.
Colin Kaepernick and Oprah Winfrey
Also subsequent to the Godwin murder, an interview took place with three of Stevens ‘former neighbors’, conducted by CNN’s Anderson Cooper. One is certain, whenever Cooper is involved, there are plenty of lies and deception on display.
In this case, we have more actors involved in the contrived hoax of Stevie Stevens. Turns out, two of these, though disguised, are famous, and, unlike Chris LeDay, possess household names.
Helped by a friend, expert with various types of computer software wishing to remain publicly anonymous, the still screen shots of this interview have come up with some stunning revelations.
Ear bio-metrics, facial recognition, and video voice print analysis, have revealed two of Stevens three ‘neighbors’ participating in the CNN interview, to be none other than daytime television superstar Oprah Winfrey, accompanied by NFL San Francisco 49er’s star QB Colin Kaepernick.
Take a deep breath after reading that piece of information.
Most of you will no doubt dismiss such seemingly outlandish information out of hand. But, it is clear, the elites and their media sorcerers, have chosen to use celebrity African-Americans, in order to sow the demise of America along racial lines.
The irony here, is so thick, one couldn’t cut it with a sharp saber.