Streetcar Named Desire

When it comes to American politics, the illusion of democratic process, freedom of choice must be maintained at all costs. But this elaborate ‘democratic’ veil consisting of theatrical ritual performed by the three branches of the U.S. corporate government – executive, legislative, and judicial – is propped up to conceal a vast, but largely hidden reality. This reality is hidden in the language of contracts, treaties, and in the founding documents of the United States. That reality which is hidden consists of a centralized corporate governing umbrella structure controlled from the City of London’s Crown Temple and Vatican City. While the City of London’s Middle Temple administers and controls the U.S. legal system, the Federal Reserve, a private central bank, exists as a corporate subsidiary of a global central banking consortium consisting of IMF (International Monetary Fund), IBS (International Bank of Settlements), and SNB (Swiss National Bank) which manages and controls the ballooning tide of economic debt tenuously navigated by the United States (aka Washington D.C./Virginia Company) and all other nations (commercial markets) populated with commercially exploitable human and natural resources. When viewed from this perspective, an individual’s ‘vote’ for one political candidate or another, regardless of ideological or party affiliation, merely represents a legal formality, a signatory surrendering of legal consent in submission to this prevailing system of global corporate governance. As shall be further detailed, for over four decades, James Strom Thurmond, former U.S. senator from South Carolina, dutifully played his role in helping to perpetuate the grand illusion of American ‘democracy’.

Below: U.S. Senator Strom Thurmond

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Tennesse Williams is recognized as one of America’s greatest twentieth century authors, playwrights. Some of his most famous theatrical works – Glass Menagerie, Streetcar Named Desire – were not only adapted for Hollywood’s big screen, but they are also still recognized by literature aficionados, theatrical critics, and academics as premiere works of literary greatness.

Below: Tennessee Williams

But despite all of the awards, accolades afforded him and being counted among the pantheon of literary renown, “Tennessee Williams” was not who he claimed to be. As so often happens when held beneath the microscope of investigation, the foundational credibility of Williams’s ‘official’ biography becomes reduced to the realm of myth. Turns out, the most destructive investigative factor which contributed to the demise of the literary figure’s legendary status was the revelation that Williams had something in common – SEE: Cold Blooded Truth about Truman Capote – with literary contemporary “Truman Capote”.

Turns out, they were both media-generated fabrications portrayed by European royalty. Despite claims to the contrary, Williams wasn’t from the state – Tennessee – after which he took his name. Rather, he was a royal prince emanating from a family of German princely nobility, one consisting of Dukes and Holy Roman emperors, who also had an intimate connection with legendary MSM news correspondent/talk show hostess Barbara Walters (aka Hollywood actress Audrey Hepburn/Princess Ira von Furstenberg).

Below: Princess Ira von Furstenberg, Audrey Hepburn, Barbara Walters