Playwright ‘Williams’ wasn’t from Tennessee

Playwright ‘Williams’ wasn’t from Tennessee

Tennesse Williams is recognized as one of America’s greatest twentieth century authors, playwrights. Some of his most famous theatrical works – Glass Menagerie, Streetcar Named Desire – were not only adapted for Hollywood’s big screen, but they are also still recognized by literature aficionados, theatrical critics, and academics as premiere works of literary greatness.

Below: Tennessee Williams

But despite all of the awards, accolades afforded him and being counted among the pantheon of literary renown, “Tennessee Williams” was not who he claimed to be.  As so often happens when held beneath the microscope of investigation, the foundational credibility of Williams’s ‘official’ biography becomes reduced to the realm of myth. Turns out, the most destructive investigative factor which contributed to the demise of the literary figure’s legendary status was the revelation that Williams had something in common – SEE: Cold Blooded Truth about Truman Capote – with literary contemporary “Truman Capote”.

Turns out, they were both media-generated fabrications portrayed by European royalty. Despite claims to the contrary, Williams wasn’t from the state – Tennessee – after which he took his name. Rather, he was a royal prince emanating from a family of German princely nobility, one consisting of Dukes and Holy Roman emperors, who also had an intimate connection with legendary MSM news correspondent/talk show hostess Barbara Walters (aka Hollywood actress Audrey Hepburn/Princess Ira von Furstenberg).

Below: Princess Ira von Furstenberg, Audrey Hepburn, Barbara Walters

Below: Prince Alfonso Hohenlohe

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Kappy’s Kabbalistic Death Charade

Kappy’s Kabbalistic Death Charade

Assuredly, there exist some who would ask as to why one would bother to investigate the story of minor Hollywood actor turned ‘alternative’ media whistleblower Issac Kappy and his alleged suicide now.

Serving as an immediate response, there are a pair of factors.

For one, there are certain details which were left either ignored or undiscovered by other researchers, those who didn’t dig deeply enough to uncover the genuine identity of “Kappy” and his relationship to British royalty, the House of Saxe-Coburg-Gotha (aka Windsor/Hanover/Rockefeller/Rothschild). For another, the particular royal host actor in question and positively identified in portrayal of “Issac Kappy” also portrayed centrifugal roles in both the Trump “assassination” and Bankman Fried cryptocurrency psychological operations.

There exists a long history connecting the “Kappy” military-styled psychological operation with 1960’s counterculture/LSD guru Timothy Leary through Corey Feldman, a hidden family relation of Leary’s who, like “Kappy”, was similarly planted as a Jesuit/CIA-controlled intelligence asset/whistleblower. As most may recall, 1980’s Hollywood child star Feldman was not only identified as a media-generated fabricated character scheme portrayed by Hollywood actor Charlie Sheen (aka Doctor Oz) but, prior to the emergence of “Kappy”, was also posed as a Hollywood whistleblower appearing to expose Hollywood pedophiles and child traffickers. Sheen (aka Oz/Feldman) was also identified as the hidden son of Playboy magazine founder/proprietor Hugh Hefner who, in turn, was identified as the host actor (live-action role player) behind the portrayal of 1960’s counterculture LSD guru and Alistair Crowley acolyte Doctor Timothy Leary, US senator, former Florida governor and fake NASA astronaut/administrator Bill Nelson, and 1950’s pop singer/fundamentalist religious evangelist Pat Boone.

SEE: Something Royally Wrong with Rally Gunman Witness

Bankman Holmes & the Missing Royal Link

Florida’s Playboy Senator & Impostor Governor

Doctor Oz Goes to Washington?

As for “Issac Kappy”, it could certainly be argued that his role as an alternative media intelligence plant was more notable and reached greater notoriety than his rather comparatively insignificant career as a Hollywood actor. It could also be argued that the modified media-generated fabrication known as “Issac Kappy” was solely created to more prominently emerge before the public’s eye in the former role, while his minor movie castings merely served to fill a resume to give the fabricated character the appearance of professional credibility as a Hollywood ‘insider’.

Though the MSM claimed “Kappy” committed suicide and is dead, rest assured, the live-action role player cast in his portrayal is still very much among the living.

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Abraham Lincoln’s Masterpiece ‘Reality’ Theater

Abraham Lincoln’s Masterpiece ‘Reality’ Theater

History is the recording of fables, manufactured stories by scholarly, academic consensus.

Over time, historical fables can be manipulated or tweaked to fit the capricious tastes of political or social propagandists. While the public’s perception towards the foundational template of the historical narrative regarding the “assassination” of President Abraham Lincoln remains unaltered, still, from time to time, the public has been conditioned to tolerably allow for dramatically inspired narrative elements to be newly introduced into the public discourse and into historical record. In consideration of the bigger picture, as it were, to those counted among the scholarly perpetrators of the story of Lincoln’s historic presidency and the ‘assassination’ fable, the public’s fickle perception of newly introduced details augmenting the historical narrative is irrelevant, as long as a majority among successive generations of the American general public continue to wholeheartedly believe in the core fabricated legend. Namely – that Lincoln ‘freed the slaves’, heroically preserved the American union, and was indeed tragically murdered by ‘assassin’ John Wilkes Booth at Ford’s theater.

However, as shall be further demonstrated, each of these historical assertions hold no veracity and amount to nothing more than blatant falsehoods and deliberately engineered hoodwinks.

It shall also be demonstrated that John Wilkes Booth, the noteworthy theater actor alleged to have been Lincoln’s ‘assassin’, was an intelligence asset of the Pinkertons, the forerunning police/security organization of the U.S. president’s Secret Service, a double agent posed as a Confederate sympathizer/provocateur with connections to not only high-degree freemason Albert Pike but to revolutionary and agent provocateur Guiseppe Mazzini and to a member of the Orsini family, an historically powerful and influential clan of European aristocrats whose genealogical history consists of Vatican pontiffs.

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