Month: November 2025

Exposing Homeland Security’s Unknown Noem

Exposing Homeland Security’s Unknown Noem

Department of Homeland Security was set up subsequent to September 11, 2001, representing a reshuffling, restructuring of U.S. federal bureaucracy. Though ostensibly, the U.S. government claimed these newly formed arrangements were to further, better protect American interests and citizens from terrorists, terrorist attacks, in retrospect, this often-repeated claim turned out to be a blatantly misdirecting canard. In addition to being created as an adjunct to and a front for CIA so that the agency could covertly siphon more tax dollars from the federal budget to supplementarily fund its psychological operations, DHS was set up to further and better protect the U.S. corporate government from the citizens over which it presides with greater and more intrusive surveillance capabilities, a citizenry which was, at that time, becoming increasingly restless while throttled and suffocating under the heavy bootheel of an overly burdensome federal security apparatus.

While former Director of Homeland Security Alejandro Mayorkas has already been identified as a Hollywood actor in disguise – SEE: Homeland Insecurity Directed by Hollywood & Bezos Bunk Now Completely Exposed– such has also found to be the case with DHS’s currently appointed director, Kristi Noem.

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Ayn Rand’s Fabricated Fountainhead

Ayn Rand’s Fabricated Fountainhead

Since the emergence of Guttenberg’s printing press, there have existed two prime purposes of the printed word which eventually expanded into the modern publishing industry. One, for commercial, profitable exploitation and, two, for the widespread marketing, promotion of propaganda, whether social or political. In retrospect, the emergence of Russian expatriate Ayn Rand as a major American literary figure soon after the publishing of her debut novel in 1943 appears to have been positioned within the latter context.

Although that which is considered to be Rand’s debut literary effort, The Fountainhead, and her subsequently published work, a seminal magnum opus entitled Atlas Shrugged, were both reportedly commercial best-sellers, Rand’s novels read like none-too-subtle polemics, deliberately contrived mechanisms delivered in the form of literature, each of which was designed for the widespread promotion of a philosophical treatise which came to be known as “Objectivism”. Such an analysis of Rand’s literary approach renders their supposed mass appeal among the American general public, whose remedial reading tastes have always been better suited for the consumption of comparatively trivial supermarket brand paperbacks rather than highbrow hardbacked literature, to have been rather dubious and perhaps even artificially manipulated.

According to Wikipedia, “Rand’s books have sold over 37 million copies worldwide.”

Notice that the number included in the preceding quotation represents a code of an occultic nature: 37 million=3 7’s or 777, Alistair Crowley’s joker intelligence code.

But to put the significance of Rand’s novels into better context, one must consider the timing, and the particular era in which they appeared, during an emerging “cold war” between the U.S. and Soviet governed Russia. When understood within this larger geopolitical context, the true nature of the role in which “Ayn Rand” – identified as an actor portrayed by a British royal – was cast becomes not only better understood but quite transparent.

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Newsom & Musk’s Royal Deception

Newsom & Musk’s Royal Deception

Endeavoring to deceive is tantamount to constructing a fragile abode made of straw which can never withstand truth’s persistent storm. Ultimately, such a pursuit may seem foolish. Unfortunately, it is those designated as the target of liars, those who willfully endeavor to mistake egregious lies for truth who often play the fool.

While the dubious constructions of practiced liars, those in the mainstream corporate media, for example, might appear credible and even attractive, the foundations of their confidence games are proved feeble and subject to ultimate collapse. To such practitioners of the art of the lie, their task is to make improbable suggestions appear possible, and perhaps even irrefutably conceivable.

The same descriptions could well be applied to the game of politics.

Those who pursue politics know that success in their particular profession entails nothing more than perfecting the well-practiced art of deceptive misdirection. Perhaps more than anyone now practicing politics, no one understands this better than Gavin Newsom, the current governor of the state of California, a man whose entire career, reputation in politics rests on a termite infested foundation of rotten, fetid lies. However, though in Newsom’s case, the lies penetrate, resonate much more deeply, he is nothing more than a media derived image, a straw man about to be torn to bits.

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