Senator Thurmond’s Streetcar Named Disaster

Senator Thurmond’s Streetcar Named Disaster

When it comes to American politics, the illusion of democratic process, freedom of choice must be maintained at all costs. But this elaborate ‘democratic’ veil consisting of theatrical ritual performed by the three branches of the U.S. corporate government – executive, legislative, and judicial – is propped up to conceal a vast, but largely hidden reality. This reality is hidden in the language of contracts, treaties, and in the founding documents of the United States. That reality which is hidden consists of a centralized corporate governing umbrella structure controlled from the City of London’s Crown Temple and Vatican City. While the City of London’s Middle Temple administers and controls the U.S. legal system, the Federal Reserve, a private central bank, exists as a corporate subsidiary of a global central banking consortium consisting of IMF (International Monetary Fund), IBS (International Bank of Settlements), and SNB (Swiss National Bank) which manages and controls the ballooning tide of economic debt tenuously navigated by the United States (aka Washington D.C./Virginia Company) and all other nations (commercial markets) populated with commercially exploitable human and natural resources. When viewed from this perspective, an individual’s ‘vote’ for one political candidate or another, regardless of ideological or party affiliation, merely represents a legal formality, a signatory surrendering of legal consent in submission to this prevailing system of global corporate governance. As shall be further detailed, for over four decades, James Strom Thurmond, former U.S. senator from South Carolina, dutifully played his role in helping to perpetuate the grand illusion of American ‘democracy’.

Below: U.S. Senator Strom Thurmond

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U.S. Senator Moynihan’s Legendary Malarkey

U.S. Senator Moynihan’s Legendary Malarkey

When it comes to historical narratives, there’s what everyone expects or wants to hear – volumes of lies. Historical narratives are formulated by consensus to reflect falsely conceived images, consisting of high virtue, justice, and even heroism – everything populations want to desperately believe about themselves. But they’ve merely been fed fanciful fictions rather than brutal reality. As for the truth – no one wants to hear so much as a whisper of that. After all, no one wants to have their safe, comfortable illusions destroyed, particularly those linked with a prominent historical figure in which an emotional or psychological investment has been thoroughly made. Lies are sickly sweet addictions while the truth remains often much too acetous to digest. The illusion of safety and comfort, whether of the material or psychological nature, especially when experienced or reinforced in suffocating overabundance, breed submissiveness, docile complacence in populations which over time deteriorates into apathy, solipsism, moral bankruptcy, even nihilism. Take, for example, Senator Daniel Patrick Moynihan, who American historians, according to one of the latest documentary television productions aired by PBS (Public Broadcasting System), now regard as an historically important and major American political figure, an intellectual of the highest caliber. Without doubt, those who still stubbornly subscribe to that historical characterization will reject out of hand any criticism which undermines the glowing esteem attributed to the former U.S. Senator. Unfortunately, for those brainwashed by and thoroughly invested in the alleged veracity of such panegyrical historical accolades, the following results from further and in-depth investigation into Moynihan only serves to knock him off his lofty pedestal. Rather, if nothing else, ‘Moynihan’ was a skilled thespian, a professional illusionist and legendary actor from golden era Hollywood, a vaudevillian-styled imposter hidden behind an elaborately conceived, modified disguise.

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L. Ron Hubbard’s Mortifying Munster Mash

L. Ron Hubbard’s Mortifying Munster Mash

The twisted legacy, tarnished legend of one L. Ron Hubbard – half con man, half tragic prankster, bombastic but vacuous minded preacher of empty sermons, two-bit peddler, bottler of poisonous, pseudo-religious bilge water – still persists among his legions of cult followers to whom Hubbard’s public image nevertheless remains unsullied if not equivalent to that of a seminal demigod.

It could be so argued that, in his time, motivated by nothing more than ego-driven desperation and with the stubborn, inflexible temperament of a jack-booted dictatorial tyrant, Hubbard managed to create a behemoth, immortal monument to himself in the form of Scientology. Like all successful con men, professional tricksters, Hubbard appeared to possess an uncanny grasp on the fundamentals of human nature – that insatiable need to transcend the mundane, the ordinary to become an integral part of something borne of vivid imagination, to be held captive to a fantastical idea much larger than oneself – the egregious exploitation of which became the foundational bricks upon which his Scientology empire was founded, built. But as shall be explained further, Hubbard was also a chameleon, a sinister changeling, a daring thespian cast in the starring role of dark burlesque theatrical productions.

In fact, it has been discovered that Scientology wasn’t the only large-scale con game “Hubbard” fronted for, and that his professional career began as a journeyman character actor, a product of American television’s golden age who was also a popular pop singer and television host, a culturally influential magazine mogul, and a 1960’s LSD guru posed as counter-culture hippy. 

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Former Fox News Star’s Hanky Panky

Former Fox News Star’s Hanky Panky

What follows are the results of a reinvestigation into a major MSM figure. Although identified as a yet another fabricated media-generated image, recently, upon further investigation, it was discovered the portraying live-action role player had been misidentified. Bill O’Reilly – the former host of gutter trash tabloid Inside Edition and perhaps the most odious, intemperate gas bagging buffoon the MSM has ever put before the public – was at one time hailed as Fox News’s most popular news commentator.

Below: Bill O’Reilly

It turns out that the loud-mouthed and ill-tempered purveyor of propagandistic raw sewage known as “Bill O’Reilly” is merely yet another in an array of high-profile character modifications portrayed by one of Hollywood’s most iconic actors who, in turn, exists as a “reincarnation” of a “dead” Rockefeller, reportedly kidnapped and cannibalized back in the early 1960’s by a wild tribe of troglodytes while visiting an island in the Southwestern Pacific.

Or – so the “official” MSM created narrative would have the public believe.

SEE: Dead Rockefeller Resurrected Hollywood Star 

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PM Starmer’s Storm of Lies

PM Starmer’s Storm of Lies

Politicians are nothing more than professional liars. While some may be better or more subtle practitioners than their colleagues, never has there been a more blatant example than Kier Starmer, current British Prime Minister. Worse, even when caught in his own intricate web of lies by MSM commentators, Starmer’s first impulse is to remain aloof, unflappable and to proceed with his badly conceived political charade. While exuding the personality of a vacant eyed autism-stricken wind-up toy robot, it seems inconceivable how Starmer could have inspired confidence in anyone, much less galvanize a political constituency to cast votes in his favor, enough to secure his lofty position as the UK’s Prime Minister.

Below: British PM Kier Starmer

Though lately it seems his favorability rating among the British public has plummeted to a shocking nadir, while seemingly oblivious to the growing number of hostile attacks to his failing leadership and unmoved by his shrinking popularity index, Starmer, the former Middle Temple barrister, soldiers on, cast in his dubious role as paper mâché puppet for the City of London’s Crown Temple bankers. Like all such high-level political figures, Starmer wasn’t elected, he was selected then installed into Ten Downing Street precisely because he was judged to be a compulsive and even pathological liar, a propensity which made him useful to his overseeing masters and benefactors, someone who could unabashedly take the blame as the crumbling economy of Britian is significantly downsized and then reconfigured with a digitized currency/ID system centrally controlled by artificial intelligence. It comes as no surprise then to find that “Starmer” has been identified as a fabricated character scheme portrayed by someone who makes his living playing pretend as an accomplished actor, one who has been awarded a Hollywood Oscar and in fact was knighted by the British monarchy.

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Playwright ‘Williams’ wasn’t from Tennessee

Playwright ‘Williams’ wasn’t from Tennessee

Tennesse Williams is recognized as one of America’s greatest twentieth century authors, playwrights. Some of his most famous theatrical works – Glass Menagerie, Streetcar Named Desire – were not only adapted for Hollywood’s big screen, but they are also still recognized by literature aficionados, theatrical critics, and academics as premiere works of literary greatness.

Below: Tennessee Williams

But despite all of the awards, accolades afforded him and being counted among the pantheon of literary renown, “Tennessee Williams” was not who he claimed to be.  As so often happens when held beneath the microscope of investigation, the foundational credibility of Williams’s ‘official’ biography becomes reduced to the realm of myth. Turns out, the most destructive investigative factor which contributed to the demise of the literary figure’s legendary status was the revelation that Williams had something in common – SEE: Cold Blooded Truth about Truman Capote – with literary contemporary “Truman Capote”.

Turns out, they were both media-generated fabrications portrayed by European royalty. Despite claims to the contrary, Williams wasn’t from the state – Tennessee – after which he took his name. Rather, he was a royal prince emanating from a family of German princely nobility, one consisting of Dukes and Holy Roman emperors, who also had an intimate connection with legendary MSM news correspondent/talk show hostess Barbara Walters (aka Hollywood actress Audrey Hepburn/Princess Ira von Furstenberg).

Below: Princess Ira von Furstenberg, Audrey Hepburn, Barbara Walters

Below: Prince Alfonso Hohenlohe

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Kappy’s Kabbalistic Death Charade

Kappy’s Kabbalistic Death Charade

Assuredly, there exist some who would ask as to why one would bother to investigate the story of minor Hollywood actor turned ‘alternative’ media whistleblower Issac Kappy and his alleged suicide now.

Serving as an immediate response, there are a pair of factors.

For one, there are certain details which were left either ignored or undiscovered by other researchers, those who didn’t dig deeply enough to uncover the genuine identity of “Kappy” and his relationship to British royalty, the House of Saxe-Coburg-Gotha (aka Windsor/Hanover/Rockefeller/Rothschild). For another, the particular royal host actor in question and positively identified in portrayal of “Issac Kappy” also portrayed centrifugal roles in both the Trump “assassination” and Bankman Fried cryptocurrency psychological operations.

There exists a long history connecting the “Kappy” military-styled psychological operation with 1960’s counterculture/LSD guru Timothy Leary through Corey Feldman, a hidden family relation of Leary’s who, like “Kappy”, was similarly planted as a Jesuit/CIA-controlled intelligence asset/whistleblower. As most may recall, 1980’s Hollywood child star Feldman was not only identified as a media-generated fabricated character scheme portrayed by Hollywood actor Charlie Sheen (aka Doctor Oz) but, prior to the emergence of “Kappy”, was also posed as a Hollywood whistleblower appearing to expose Hollywood pedophiles and child traffickers. Sheen (aka Oz/Feldman) was also identified as the hidden son of Playboy magazine founder/proprietor Hugh Hefner who, in turn, was identified as the host actor (live-action role player) behind the portrayal of 1960’s counterculture LSD guru and Alistair Crowley acolyte Doctor Timothy Leary, US senator, former Florida governor and fake NASA astronaut/administrator Bill Nelson, and 1950’s pop singer/fundamentalist religious evangelist Pat Boone.

SEE: Something Royally Wrong with Rally Gunman Witness

Bankman Holmes & the Missing Royal Link

Florida’s Playboy Senator & Impostor Governor

Doctor Oz Goes to Washington?

As for “Issac Kappy”, it could certainly be argued that his role as an alternative media intelligence plant was more notable and reached greater notoriety than his rather comparatively insignificant career as a Hollywood actor. It could also be argued that the modified media-generated fabrication known as “Issac Kappy” was solely created to more prominently emerge before the public’s eye in the former role, while his minor movie castings merely served to fill a resume to give the fabricated character the appearance of professional credibility as a Hollywood ‘insider’.

Though the MSM claimed “Kappy” committed suicide and is dead, rest assured, the live-action role player cast in his portrayal is still very much among the living.

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Abraham Lincoln’s Masterpiece ‘Reality’ Theater

Abraham Lincoln’s Masterpiece ‘Reality’ Theater

History is the recording of fables, manufactured stories by scholarly, academic consensus.

Over time, historical fables can be manipulated or tweaked to fit the capricious tastes of political or social propagandists. While the public’s perception towards the foundational template of the historical narrative regarding the “assassination” of President Abraham Lincoln remains unaltered, still, from time to time, the public has been conditioned to tolerably allow for dramatically inspired narrative elements to be newly introduced into the public discourse and into historical record. In consideration of the bigger picture, as it were, to those counted among the scholarly perpetrators of the story of Lincoln’s historic presidency and the ‘assassination’ fable, the public’s fickle perception of newly introduced details augmenting the historical narrative is irrelevant, as long as a majority among successive generations of the American general public continue to wholeheartedly believe in the core fabricated legend. Namely – that Lincoln ‘freed the slaves’, heroically preserved the American union, and was indeed tragically murdered by ‘assassin’ John Wilkes Booth at Ford’s theater.

However, as shall be further demonstrated, each of these historical assertions hold no veracity and amount to nothing more than blatant falsehoods and deliberately engineered hoodwinks.

It shall also be demonstrated that John Wilkes Booth, the noteworthy theater actor alleged to have been Lincoln’s ‘assassin’, was an intelligence asset of the Pinkertons, the forerunning police/security organization of the U.S. president’s Secret Service, a double agent posed as a Confederate sympathizer/provocateur with connections to not only high-degree freemason Albert Pike but to revolutionary and agent provocateur Guiseppe Mazzini and to a member of the Orsini family, an historically powerful and influential clan of European aristocrats whose genealogical history consists of Vatican pontiffs.

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LA Fire ‘Sykes’ out America

LA Fire ‘Sykes’ out America

Magic is the art of creating illusions, the successful performance of which relies primarily on distracting, diverting attention through deliberate and oftentimes elaborate sleight of hand. The creation of magical illusions is successfully performed only when the targeted audience’s perception has been adequately manipulated. Upon falling susceptible to the magician’s hypnosis, the deceived audience believes the created illusion is material reality. Accordingly, it could be said that while utilizing the power of audio-visual suggestion, by effectively employing neurolinguistic programming – hypnosis by another name – both the mainstream and ‘alternative’ news media consist of nothing more than illusionists, practitioners of what could be described as magic.

Recently, one of the most theatrically stage-managed magic tricks, illusions (aka psychological operations) was created in Los Angeles, California, manifesting in the form of what appeared to be a massive firestorm catalyzed by high winds which reportedly engulfed the city, surrounding environs.

Upon further examination, as has been revealed by past investigations into similar events – SEE: MSM’s Climate Propaganda up in Flame – all of the related images derived from drone footage of the LA fire and what was alleged to be the subsequent damage to property, residences were without exception demonstrated to be CGI/photo shopped simulations/modifications, while videos broadcasted by corporate MSM sources appeared to have been created by VFX/GAN’S (Generative Adversarial Networks). While both during the ‘event’ and in the wake of the alleged fire’s aftermath meticulously but badly scripted narratives were served up to the public by the MSM (DEI hires in the LA fire department, incompetence of public officials) and the ‘alternative’ media (DEW weapons), complete with blame assigned to scapegoated California public officials – including California’s fake puppet governor, “Gavin Newsom” (aka Ron Goldman/Hollywood actor Matt Lattanzi) – all of which could be easily detected as transparent nonsense, there was also a faked death scenario involving a former child actor, Rory Sykes, son of Shelley Sykes, a very low grade Australian reality television actress, one with a rather varied and interesting biographical resume who bears a striking resemblance to a legendary British star of both stage and screen.

Below from L to R: Shelley, Rory Sykes

But before addressing the story involving the professional acting troupe known as the Sykes family, the MSM’s reportage relating to the LA fires shall be sent – as it were – up in flames.  

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