Charlie & Charlotte: The Royal Connection

Upon first glance, it would seem inconceivable to even suggest there exists any discernable link between two of the most heavily promoted MSM news stories of recent days – the alleged subway ‘stabbing’ of Iryna Zarutska in Charlotte, North Carolina and the alleged ‘assassination’ of Charlie Kirk in Orem, Utah.

Nevertheless, incredible as it may seem to most, indeed there is.

Other than the fact both events proved to have been deliberately manufactured media driven hoaxes with the purpose of promoting sociopolitical agendas, the connecting lynchpin exists in the form of a European royal figure, a modified actor performing under a slew of pseudonyms who is not only connected with the event in Charlotte, to Iryna Zarutska and to Erika Kirk, the widowed spouse of the ‘late’ Charlie Kirk, but also closely connected to the Trump administration and to ‘Donald Trump’, identified as a media-generated image and fabricated character scheme.

SEE: Trumping the MSM’s Assassination Lies

ONE PICTURE IS NOT LIKE THE OTHER

During past investigations, several photographic anomalies alleging to accurately depict MSM news events have been detected. On this occasion – the recently alleged Charlotte subway ‘stabbing’ – such anomalies turned out to be particularly conspicuous. In the case of the pair of following images, mere ocular inspection and comparison should suffice in uncovering several discrepancies.

To those who frequent this site, the first thing most everyone undoubtedly noticed is that the alleged assailant named in the Charlotte subway ‘stabbing’ – Decarlos Brown, said to have been a homeless vagrant – is donned in an orange-colored hoodie. As everyone is most likely aware, the reduction cipher in English Ordinal gematria of the word orange is equivalent to the number of 33 (highest degree Scottish Rite freemasonry), indicating that the masonic police guilds at the highest levels were overseeing the execution of this MSM news production and were responsible for directing its participants.

To judge from the commercial logos affixed both to her black t-shirt and hat advertising Zepeddies, a pizzeria located in downtown Charlotte, in the first of the images displayed above, it would appear that the alleged victim in this case – Iryna Zarutska, said to have been a refugee from Ukraine – is an average young working-class female on her way to or from the workplace. While her attention is fixated to the content on her cell phone’s screen, she remains unaware of the marauding would-be assailant immediately behind her. In the second image, however, it appears that the commercial logos on both her black t-shirt and hat have mysteriously disappeared. Also, there is an additional seat which seems to have magically materialized into the frame. Notice too that, in the first image, a diamond patterned design is printed onto the blue-colored subway car’s seat covers, indicating yet another masonic-associated code or marker while, in the second image, this same pattern has been omitted, perhaps digitally removed.

The English Ordinal Reduction cipher of the word ‘diamond’ is also equivalent to the number of 33.

While the MSM claims that both of these images were stills derived from ‘official’ surveillance subway camera footage, there appears to be evidence of photoshop manipulation, alteration. Also, upon repeated viewings, video footage which the MSM alleges was taken from subway surveillance cameras fails to depict sufficient evidence that any alleged ‘stabbing’ took place and doesn’t in any way accurately depict severe arterial bleeding or spraying likely to have been suffered on the part of the victim due to deep puncture wounds about the region of the neck resulting from a sharp, thrusting knife blade. How is it that the content of two photographs, each depicting an alleged crime scene associated with the same event taking place at the identical location and at the same time, can appear so completely different? One possible answer which can be given is that these diverging photographic depictions were deliberately created and executed as part of a psychological operation to sew confusion, disorientation, and disassociation among the general public. But further investigation into the pair of principals involved in this event alleviates that confusion and lays to rest any doubts that this alleged ‘stabbing’ was nothing more than a badly scripted MSM television production.

BUSINESS ASSOCATE & ASPIRING MODEL?

The MSM has uniformly claimed that the alleged assailant in the Charlotte subway ‘stabbing’, Decarlos Brown, was a homeless vagrant and had a prior criminal record. Further investigation repudiates these claims. Extensive searches online for any felonious criminal record associated with a Decarlos Brown or a Decarlos Brown Jr. in Charlotte, North Carolina or elsewhere returned no substantial results. However, a LinkedIn page for a Decarlos Brown in Charlotte, North Carolina, listed as a business associate employed by SSI Schafer did turn up. While looking at the picture of the account holder in the screenshot image posted immediately below, closer ocular comparison will discern that the person featured in association with Decarlos Brown’s LinkedIn account appears nearly identical to the Decarlos Brown Jr. alleged in connection by the MSM with the recent Charlotte subway ‘stabbing’.

SSI Schafer is a privately owned company operating under the umbrella of Schafer Group and headquartered in Neunkerchin, Germany which, according to Wikipedia, specializes in “Warehouse logistics, engineering, manufacturing, and industrial distribution.” Notice that in the image of Brown posted above, his neck is tattooed with the depiction of what appears to be some sort of bee-like insect. In the realm of the occult, bees hold symbolic significance, in that they are said to be divine messengers associated with the goddess Artemis sent to the material realm. As for the alleged Charlotte subway ‘stabbing’ victim, Ukranian refugee Iryna Zarutska, though the MSM poses her as an average working- class female, she appears to be an aspiring young model.

Both of the images posted above don’t appear to resemble routine pictures resulting from a cell phone ‘selfie’ but rather appear, due to such exceptionally crisp, clear resolution, to have been professionally produced in a studio by a high-end fashion photographer. After examining, studying these images with more scrutiny, it appears that several aspects of Iryna’s facial geometry – cheekbones, lips, nose, brows, eyes, and chin – are similar if not nearly identical to a certain young European royal, one who has worked as a professional model. According to Wikipedia, Princess Marie-Olympia of Greece and Denmark has modeled professionally for Teen Vogue, Vanity Fair, Town and Country, and several other high-end European fashion publications.

Below from L to R: Princess Marie-Olympia of Greece and Denmark, Iryna Zarutska

Further and extensive facial recognition and image comparison analysis indicates there is a connection to the Trump family, specifically, to Tiffany Trump.

Below from L to R: Tiffany Trump, Princess Marie-Olympia of Greece and Denmark

But now for the coup de grace.

Facial recognition and image comparison analysis also indicate that Tiffany Trump (aka Princess Marie-Olympia of Greece and Denmark/Iryna Zarutska) has facial characteristics in common with Erika Kirk.

Below from L to R: Tiffany Trump, Erika Kirk

In the next set of images, it appears that one character fabrication was modified into another based on the host acting template Princess Marie-Olympia of Greece and Denmark (aka Tiffany Trump). Notice that the hairline featured in the following images appears identical, while the respective eyes, brows, cheekbones, lips, noses, and chins, though somewhat modified, appear structurally similar if not identical. According to ‘official’ biographies, Erika Kirk was a former beauty pageant contestant. An article published online by Rolling Stone magazine chronicles the long association of ‘Donald Trump’ with beauty pageants.

SEE: https://www.rollingstone.com/politics/politics-features/a-timeline-of-donald-trumps-creepiness-while-he-owned-miss-universe-191860/

Below from L to R: Erika Kirk, Iryna Zarutska

CHARLIE’S CHICANERY

One of the aspects of the alleged ‘assassination’ of Charlie Kirk which has not been pointed out is that when reversed – in keeping with the occult law of mirrored reversal – the place name of Orem, located in Utah, spells out Rome, as in Vatican City, controlled by the Jesuit order, the military-styled organization disguised in ecclesiastical garb which not only controls Hollywood’s entertainment complex and the MSM but controls the international freemasonic brotherhood, and CIA in Langley, Virginia. As to how this particular psychological operation was executed, it seems most likely it was done much in the same way as the simulated Trump ‘assassination’ in Bethel, Pennsylvania, with sound effects piped in through a PA system and with sophisticated and cutting edge Hollywood-styled special effects either performed in real time or, in this case, perhaps even added in post-production to ramp up or maximize the dramatization, psychological trauma factor for targeted television audience demographics.

SEE: MSM Crooks Hooked Booked & Busted

As for evoking the subsequent crowd reaction to flee in panic, Gustav Le Bon, in his seminal work entitled The Crowd: A Study of the Popular Mind, explains how people when assembled in crowds lose personal identity and therefore become fully susceptible to collective emotions, behaviors. In which case, only a few key people in on the simulation exercise were needed to induce the crowd’s desired reaction, to lead them in their terrified flight away from what they believed to be the ‘assassination’ of a popular public figure. Concerning Charlie Kirk’s alleged ‘shooter’ or ‘assassin’, Tyler James Robinson, everyone should take note of the Jesuitic solar reference suffixing his surname. The Jesuit’s official logo prominently features a depiction of the sun, symbolic of the light of Lucifer or enlightenment.

Below: official logo of the Jesuit Order

Turns out, according to IMDb, Tyler Robinson is somewhat of a seasoned actor.

Regarding “Charlie Kirk”, extensive image comparison analysis indicates he is a fabricated character scheme – modified with dental facades and with prosthetics strategically applied to portions of the facial geometry – portrayed by Michael Boulos, the son of a fake billionaire who is alleged to be joined in matrimony to Tiffany Trump (aka Princess Marie-Olympia of Greece and Denmark/Iryna Zarutska/Erika Kirk). Though the outer epidermal structure of Kirk’s ears appears to have been somewhat modified, either with the strategic application of prosthetics and or with photoshop manipulation, ear comparison analysis indicates that the inner ears and lobes remain structurally similar if not comparatively identical, while facial recognition analysis indicates that the respective noses, chins, brows, and jawlines are also structurally similar if not comparatively identical between Kirk and Boulos.

Below: Charlie Kirk, Michael Boulos

Ronald Reagan the Great Prevaricator

One has never been reluctant to slaughter sacred cows or to trample on the holy ground of historical myths. In keeping with that tradition, one shall now dare to expose former U.S. president ‘Ronald Wilson Reagan’. Though heralded by generations of delusional American political conservatives as ‘The Great Communicator’, in truth, Reagan was nothing more than a bogus sham, a Hollywood-inspired television image wholly created, and stage managed by America’s military/industrial/intelligence complex. While Reagan’s history as a B-level Hollywood actor prior to his “election” as governor of California and then to the U.S. presidency never existed as a closely held secret, nevertheless, it never occurred to his legions of sycophantic followers that for the entire duration of his time in public life, ‘Reagan’ was nothing more than a slick cue-card reading mouthpiece armed with an exploitive used car salesman’s pitch which served the interests of military contractors, the Pentagon, Department of Defense, and alphabet-lettered intelligence agencies such as FBI, CIA, all of whom were the sole beneficiaries of the U.S. corporate government’s grotesquely ballooning ‘cold war’ defense budgets during the era of the 1980’s.

But Reagan’s con game goes deeper than even this.

Perhaps unsurprisingly, it has been discovered that “Reagan” was a modified media-created character scheme, a disguised European royal who is not only still alive and has been identified as the live-action role player behind an array of characters spanning several decades but to this day remains a serial perpetrator of Post-Modern Reality Simulation. In fact, Reagan’s hidden son is a royal prince and is currently disguised as one of Hollywood’s biggest A-list stars. But before getting further into the historical fabrication known as “Ronald Wilson Reagan”, there is the MSM’s latest psychological operation, an alleged ‘shooting’ in Minneapolis to address.

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The Dishonorable Duke of Tel-Aviv

It has become increasingly obvious that the MSM is using programmed artificial intelligence bots to compose the narratives involving most of its major domestic news stories with greater regularity. While investigating some of these MSM narratives published online, it became apparent that most of them lacked any semblance of rational, logical continuity, while the names of the journalists featured in the bylines appeared to be badly conceived pseudonyms. The MSM narratives associated with the “shooting” in New York, the flooding in Texas involving Camp Mystic represent two of the more recent and most conspicuously notable examples. The same principal seems to apply when assessing the narrative validity of those MSM news stories on the geopolitical and international front as well, specifically the ongoing “war” in Gaza between Israel and Palestine. In essence, the MSM has increasingly deployed artificial intelligence as a key, effective weapon in their psychological warfare arsenal targeted at Western European audiences and at the American general public.

Now more than ever, it has become clearer that the entire objective of what appears to be an alleged decades long armed struggle between Arab states and Israel has been a grand confidence game cooperatively stage managed by CIA, Mossad, and British intelligence to assert the dominant diplomatic role of the United Nations as a centralized, chief negotiating arbiter in geopolitical, international affairs while acting as a justification for greater military budget expenditures which, in turn, benefit private military contractors and armaments dealers connected in contractual arrangements with the U.S. military/industrial/complex, CIA, and British intelligence. Given this, would it be so surprising to discover that one of the major perpetrators, actors in this ongoing con game – “Benjamin Netanyahu” – is a British royal in disguise, a grandson of British monarchs George V, Queen Mary, nephew to Kings Edward VIII, George VI, a princely Duke in succession to the British throne and connected to Royal United Services Institute, the world’s oldest and one of the most prestigious military/intelligences think tanks?

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Candy-O’s Sweet Image Goes Sour

Sometimes one can’t help but feel a stab of sympathy for those who’ve fallen prey to the glittering, seductive images projected by imposters such as right-wing media darling Candace Owens. Nevertheless, while certainly attractive, seemingly intelligent, insightful, and perhaps even charming and witty, beneath Owens’s shining facade one couldn’t help but think something was amiss. Sure enough, Owens’s official biographies are filled to the brim with clues that her media image was carefully created, especially calculated to cultivate mass appeal among its targeted audience demographics and that her media emergence was engineered by forces beyond the public’s perception but yet hidden in plain view. These clues linked Owens to not only City of London Corporation, Jesuit-occupied Oxford University but to Prince Michael, Duke of Kent (aka Mick Jagger/Max Igan), to Enron and to Salomon Brothers, the company which occupied WTC’s Building #7 prior to the controlled demolitions executed as part of a grand psychological operation on September 11, 2001. Turns out too, that Owens is connected to a once popular Hollywood actress and to a prominent media personality associated with a high-profile political figure which, before being “elected” U.S. president, was modified into the media generated image of the cave dwelling ‘terrorist’ who, according to the U.S. corporate government, was alleged to have been the perpetrating mastermind behind the events of 9/11.

SEE: Curtain Draws on Nina Jankowicz Show

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Senator Thurmond’s Streetcar Named Disaster

When it comes to American politics, the illusion of democratic process, freedom of choice must be maintained at all costs. But this elaborate ‘democratic’ veil consisting of theatrical ritual performed by the three branches of the U.S. corporate government – executive, legislative, and judicial – is propped up to conceal a vast, but largely hidden reality. This reality is hidden in the language of contracts, treaties, and in the founding documents of the United States. That reality which is hidden consists of a centralized corporate governing umbrella structure controlled from the City of London’s Crown Temple and Vatican City. While the City of London’s Middle Temple administers and controls the U.S. legal system, the Federal Reserve, a private central bank, exists as a corporate subsidiary of a global central banking consortium consisting of IMF (International Monetary Fund), IBS (International Bank of Settlements), and SNB (Swiss National Bank) which manages and controls the ballooning tide of economic debt tenuously navigated by the United States (aka Washington D.C./Virginia Company) and all other nations (commercial markets) populated with commercially exploitable human and natural resources. When viewed from this perspective, an individual’s ‘vote’ for one political candidate or another, regardless of ideological or party affiliation, merely represents a legal formality, a signatory surrendering of legal consent in submission to this prevailing system of global corporate governance. As shall be further detailed, for over four decades, James Strom Thurmond, former U.S. senator from South Carolina, dutifully played his role in helping to perpetuate the grand illusion of American ‘democracy’.

Below: U.S. Senator Strom Thurmond

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U.S. Senator Moynihan’s Legendary Malarkey

When it comes to historical narratives, there’s what everyone expects or wants to hear – volumes of lies. Historical narratives are formulated by consensus to reflect falsely conceived images, consisting of high virtue, justice, and even heroism – everything populations want to desperately believe about themselves. But they’ve merely been fed fanciful fictions rather than brutal reality. As for the truth – no one wants to hear so much as a whisper of that. After all, no one wants to have their safe, comfortable illusions destroyed, particularly those linked with a prominent historical figure in which an emotional or psychological investment has been thoroughly made. Lies are sickly sweet addictions while the truth remains often much too acetous to digest. The illusion of safety and comfort, whether of the material or psychological nature, especially when experienced or reinforced in suffocating overabundance, breed submissiveness, docile complacence in populations which over time deteriorates into apathy, solipsism, moral bankruptcy, even nihilism. Take, for example, Senator Daniel Patrick Moynihan, who American historians, according to one of the latest documentary television productions aired by PBS (Public Broadcasting System), now regard as an historically important and major American political figure, an intellectual of the highest caliber. Without doubt, those who still stubbornly subscribe to that historical characterization will reject out of hand any criticism which undermines the glowing esteem attributed to the former U.S. Senator. Unfortunately, for those brainwashed by and thoroughly invested in the alleged veracity of such panegyrical historical accolades, the following results from further and in-depth investigation into Moynihan only serves to knock him off his lofty pedestal. Rather, if nothing else, ‘Moynihan’ was a skilled thespian, a professional illusionist and legendary actor from golden era Hollywood, a vaudevillian-styled imposter hidden behind an elaborately conceived, modified disguise.

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L. Ron Hubbard’s Mortifying Munster Mash

The twisted legacy, tarnished legend of one L. Ron Hubbard – half con man, half tragic prankster, bombastic but vacuous minded preacher of empty sermons, two-bit peddler, bottler of poisonous, pseudo-religious bilge water – still persists among his legions of cult followers to whom Hubbard’s public image nevertheless remains unsullied if not equivalent to that of a seminal demigod.

It could be so argued that, in his time, motivated by nothing more than ego-driven desperation and with the stubborn, inflexible temperament of a jack-booted dictatorial tyrant, Hubbard managed to create a behemoth, immortal monument to himself in the form of Scientology. Like all successful con men, professional tricksters, Hubbard appeared to possess an uncanny grasp on the fundamentals of human nature – that insatiable need to transcend the mundane, the ordinary to become an integral part of something borne of vivid imagination, to be held captive to a fantastical idea much larger than oneself – the egregious exploitation of which became the foundational bricks upon which his Scientology empire was founded, built. But as shall be explained further, Hubbard was also a chameleon, a sinister changeling, a daring thespian cast in the starring role of dark burlesque theatrical productions.

In fact, it has been discovered that Scientology wasn’t the only large-scale con game “Hubbard” fronted for, and that his professional career began as a journeyman character actor, a product of American television’s golden age who was also a popular pop singer and television host, a culturally influential magazine mogul, and a 1960’s LSD guru posed as counter-culture hippy.

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Former Fox News Star’s Hanky Panky

What follows are the results of a reinvestigation into a major MSM figure. Although identified as a yet another fabricated media-generated image, recently, upon further investigation, it was discovered the portraying live-action role player had been misidentified. Bill O’Reilly – the former host of gutter trash tabloid Inside Edition and perhaps the most odious, intemperate gas bagging buffoon the MSM has ever put before the public – was at one time hailed as Fox News’s most popular news commentator.

Below: Bill O’Reilly

It turns out that the loud-mouthed and ill-tempered purveyor of propagandistic raw sewage known as “Bill O’Reilly” is merely yet another in an array of high-profile character modifications portrayed by one of Hollywood’s most iconic actors who, in turn, exists as a “reincarnation” of a “dead” Rockefeller, reportedly kidnapped and cannibalized back in the early 1960’s by a wild tribe of troglodytes while visiting an island in the Southwestern Pacific.

Or – so the “official” MSM created narrative would have the public believe.

SEE: Dead Rockefeller Resurrected Hollywood Star

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PM Starmer’s Storm of Lies

Politicians are nothing more than professional liars. While some may be better or more subtle practitioners than their colleagues, never has there been a more blatant example than Kier Starmer, current British Prime Minister. Worse, even when caught in his own intricate web of lies by MSM commentators, Starmer’s first impulse is to remain aloof, unflappable and to proceed with his badly conceived political charade. While exuding the personality of a vacant eyed autism-stricken wind-up toy robot, it seems inconceivable how Starmer could have inspired confidence in anyone, much less galvanize a political constituency to cast votes in his favor, enough to secure his lofty position as the UK’s Prime Minister.

Below: British PM Kier Starmer

Though lately it seems his favorability rating among the British public has plummeted to a shocking nadir, while seemingly oblivious to the growing number of hostile attacks to his failing leadership and unmoved by his shrinking popularity index, Starmer, the former Middle Temple barrister, soldiers on, cast in his dubious role as paper mâché puppet for the City of London’s Crown Temple bankers. Like all such high-level political figures, Starmer wasn’t elected, he was selected then installed into Ten Downing Street precisely because he was judged to be a compulsive and even pathological liar, a propensity which made him useful to his overseeing masters and benefactors, someone who could unabashedly take the blame as the crumbling economy of Britian is significantly downsized and then reconfigured with a digitized currency/ID system centrally controlled by artificial intelligence. It comes as no surprise then to find that “Starmer” has been identified as a fabricated character scheme portrayed by someone who makes his living playing pretend as an accomplished actor, one who has been awarded a Hollywood Oscar and in fact was knighted by the British monarchy.

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