CIA’s Bogus Iranian Boogeymen

Iran’s alleged ‘missile’ attack on Israel reported by the MSM on October 3rd necessitated further investigation into the historical meddling of Jesuit-controlled CIA/British intelligence into Middle Eastern geopolitical affairs. More specifically, investigating CIA’s intimate involvement with the internal affairs of Iran. Analysis of one particular video release purporting to represent ‘live’ footage of Iran’s recent ‘missile strike’ on Israel demonstrate it to have been created with and or augmented by CGI VFX overlays. Furthermore, investigative conclusions indicate that since the mid-1950’s, through the use of actors cast as major role players in deliberately created crisis simulation events, the internal political affairs of Iran have been historically directed, stage managed by CIA/British intelligence in cooperation with Rockefeller’s Chase Manhattan Bank.

In practice, the nature of geopolitics is the art of perpetrating global deceptions to justify increased military/intelligence budget expenditures and to expand the active influence of the UN as a credible negotiating arbitrator in international affairs.

For decades, the American public has been misdirected and deceived into perceiving that a ‘war’ between Israel and its neighboring Arab states, including Iran has been ongoing without hope of a peaceful solution. However, the entire Middle Eastern ‘war’ scenario has proved to be complete balderdash, an elaborate and grandly created smokescreen maintained to achieve ulterior, covert objectives. Namely, the ongoing implementation of the UN’s Agenda 2030/2050 and its seventeen sustainability goals.

While Wikipedia and other MSM news sources now openly admit the ouster of Iranian Prime Minister Mohamed Mossadegh in favor of the reinstallation of the Iranian royal family and Shah Reza Pahlavi in 1953 was engineered by both British intelligence (MI6) and Jesuit-controlled CIA, it has also become evident that the Shah’s exile, precipitated by the alleged “Iranian Hostage crisis” of 1979 and the emergence of Islamic revolutionary Ayatollah Ruhollah Khomeini was also engineered by the very same perpetrators. As shall be further detailed, the entire “hostage crisis” was a made for television production with Hollywood actors cast in starring roles.

CGI VFX OVERLAYS

Analysis of the video footage depicting a ‘missile attack’ alleged to have been launched from Iran targeting Israel on October 3rd indicated utilization of CGI VFX, a computer-generated visual overlay process employing the compositing/morphing of stock footage with artificially created visual effects. Describing this process another way, nofilmschool.com reports, “Composite CGI involves a real-life ‘plate” {template} that is augmented with CGI overlays or backdrops. Greenscreens can also be used to key out parts of the image so that CGI scenery or a cool sky replacement can show through the hole.”

Similarly, CGI VFX compositing/morphing techniques were used by the MSM on September 11, 2001, to create the illusion of hijacked airliners crashing into skyscrapers.

The types of computer software which are routinely used to employ such CGI VFX processes range from the rather rudimentary Blender to the more sophisticated software packages – Autodesk Maya, 3DS MAX – utilized by major Hollywood movie studios. Such sophisticated visual trickery has not only been utilized by Hollywood movie and television production studios but apparently also by the MSM to enhance both the dramatic and psychological effects of their news reportage upon targeted audiences.

SEE: https://www.fxelements.com/free/explosions

MSM sources claim that a great percentage of the estimated one-hundred eighty Iranian missiles alleged to have been launched towards Israel on October 3rd were either prevented from hitting their designated targets and or destroyed by Israel’s Iron Dome missile defense system.

The words ‘Iron Dome’ equal 93 in English Ordinal gematria.

93(9+3) =12/21(law of occult mirrored reversal/inversion) =3 7’s/777, Alistair Crowley’s joker intelligence code

9=6(law of occult mirrored reversal/inversion)

93=63=3 6’s/666

The idea (Iron Dome/777) transformed through the power of suggestion (hypnosis/neurolinguistic programming) into material reality (666).

Keep in mind, this is the same Israeli missile defense system which proved a dismal failure back on October 7, 2023, when paragliding Hamas terrorists allegedly breached Israel’s borders and then via motorcycles launched a successful attack on a music festival in Re’im, an attack which allegedly resulted in the deaths of festivalgoers and the taking of several hostages. One supposes that Israel’s Iron Dome shield either functions as ostensibly designed or decides to badly malfunction depending upon the thrust of the propaganda narrative intended by the MSM. The facts are, Iran’s alleged ‘missile attack’ was a media perpetrated hoax and Israel’s ‘Iron Dome’ missile defense system is a ludicrous sham which doesn’t work and most likely doesn’t exist. As for Hamas, the ‘terrorist’ group is a faux geopolitical agitator, created by Jesuit-controlled Israeli intelligence, Mossad. Likewise, the man known as Hamas’s leader, “Khalid Mashal,” has been identified as a media-generated fabricated character scheme – SEE: Hollywood’s Made-for-Television Terrorist , CIA’s Mudd Goes Back to the Future – portrayed by Hollywood actor George Clooney, a serial perpetrator of Post-Modern Reality Simulation.

BRZEZINSKI’S ARC OF CRISIS

Global crises are deliberately created, executed as military-styled psychological operations which are meticulously and strategically stage managed, and also monitored by think tanks – RAND, DARPA, Tavistock Institute of Human Relations, Stanford Research Institute, Council on Foreign Relations, Trilateral Commission, Club of Rome, Bilderberg, Aspen Institute – working in cooperation with CIA/British intelligence. The prime objective of these crisis simulation exercises is to maintain and to even bolster the global economic, monopolistic hegemony over human and natural resources of City of London’s Crown Temple and Rome’s Vatican City which operates as a front for the Swiss central banking consortium – Bank of International Settlements, World Bank, SNB (Swiss National Bank) – controlled by the Jesuit’s Society of Jesus (Knights Templar).

History has shown that these deliberately created crises often necessitate the intervention of the military-industrial complex – NATO, Washington D.C. (AKA United States/Virginia Company) – and the ‘peacekeeping’ arbitration of the United Nations. Once a cessation of hostilities is declared, the UN steps in to arbitrate, negotiate contractual terms and conditions for treaties which always favor those central banking entities – City of London, Vatican/Swiss banking consortium – for which it is operating as a geopolitical front, corporate banking entities of which the thirteen Jesuit families – families such as the House of Saxe-Coburg-Gotha (AKA Hanover/Windsor/Rockefeller/Rothschild) – also happen to be majority shareholders. With the help of Hollywood-styled production, the public’s perception of these ‘crises’ is managed, influenced by propagandized narratives broadcast from corporate MSM news outlets. The ongoing ‘war’ in the Middle East, according to an article from March 1979 republished by foreignaffairs.com, is part of an ‘Arc of Crisis’, defined as “an area stretching from the Indian subcontinent in the east to the Horn of Africa in the West, with the Middle East at its central core.”

According to another article at atlanticcouncil.org, “The concept {Arc of Crisis} was formulated in 1978 by Jimmy Carter’s national security advisor Zbigniew Brzezinski after various events had shaken the Middle East and North Africa.” In retrospect, it indeed seems due to no coincidence that the written formulation of Brzezinski’s ‘Arc of Crisis’, the Iran “hostage crisis”, and the subsequent exile of Shah Reza Pahlavi were deliberately engineered events, formulated to convergently transpire during the same relative time period. But while the bombastic pseudo-intellectual Brzezinski was boasting to the mainstream press that he was solely responsible for deposing the Shah – largely characterized by the American MSM during this period as a corrupt dictator – and sending him into exile, it was Jesuit-controlled CIA, British intelligence working in coordination with BBC (AKA MI7), along with think tanks such as Bilderberg Group, the Rockefeller’s Trilateral Commission, Aspen Institute, and Club of Rome which plotted, schemed while quietly hidden in the shadows.

As confirmed by Doctor Ronen Bergman’s book ‘the Secret War with Iran’, the BBC (British Broadcasting Corporation), played a primary role in Ruhollah Khomeini’s rise to power as the undisputed leader of Iran’s revolutionary movement during the late 1970’s.  While exiled in Paris, Khomeini was given carte blanche by the BBC to broadcast his propaganda scripted by British intelligence (MI6) denouncing the Shah and given free airtime on their Persian language programs.

According to Robert Dreyfus, author of “Hostage to Khomeini” published in 1981, as early as 1975, four years in advance of the hostage crisis at the American embassy in Tehran alleged to have been perpetrated by the Iranian revolutionary movement led by Ayatollah Ruhollah Khomeini, the Aspen Institute began holding symposiums in Persepolis, Iran attended by Club of Rome chairman Aurelio Peccei to discuss facilitating a regime change in Iran to depose the Shah and Empress Farah Diba. Ironically, Dreyfus points out, both the Shah and his empress were donating huge financial sums to the Aspen Institute. Though widely rumored to be a wealthy man, Wikipedia reports that, in 1978, David Rockefeller (AKA alternative media guru Jordan Maxwell) – SEE: Behold the Rockefeller’s Fake Pale Horse – at New York’s Chase Manhattan bank had decided to loan the Shah “five-hundred million dollars under questionable conditions.” William Engdahl’s “A Century of War: Anglo-American Politics and the New World Order” published in 2004 reports that in November of 1978, George Ball, a member of both Bilderberg Group and David Rockefeller’s Trilateral Commission, while heading President Carter’s White House Task Force on Iran, recommended to Brzezinski’s National Security Council that Washington should henceforth withdraw support of the Shah and immediately commence making efforts to prop up the political influence of Islamic fundamentalist revolutionary Ayatollah Ruhollah Khomeini in Iran. According to Wikipedia, “Ball was an advocate of free trade, multinational corporations and their ability to neutralize what he considered to be ‘obsolete’ nation states.” In other words, George Ball, a former US ambassador to the UN, was a dyed in the wool stooge, an agent of global chaos controlled by the Jesuit’s Society of Jesus.  

Though it might seem inconceivable that the Shah was simultaneously taking loans from David Rockefeller while making huge contributions to the Aspen Institute which held private meetings to discuss deposing him in favor of Ayatollah Khomeini, the contradictory nature of this plot begins to make sense when one understands that both the Ayatollah, Shah Reza Pahlavi were media-generated fabricated character schemes, actors cast in roles handled by Jesuit-controlled CIA/British intelligence. While the Shah cultivated a public image made to appear as progressively inclined, in favor of industrializing, modernizing Iran and the revolutionary Ayatollah was posed as an adversarial religious fundamentalist, both roles were designed as polarizing dialectical pieces which could be easily maneuvered on a grand geopolitical chessboard. Iran, like all commercial markets (AKA nations), was set up by City of London’s Crown Temple and Vatican/Swiss bankers, targeted for commercial exploitation of its human and natural resources, economically bled dry then downsized, a scenario similar to what is now unfolding in America, Cananda, England, Australia, and in Western Europe.

IRANIAN REVOLUTION

In short, ‘official’ historical consensus informs that the Iranian Revolution consisted of a series of transformative events from 1977-79 which led to the demise of Iran’s imperial rule and the establishment of an Islamic Republic. Up until that time, CIA/British intelligence’s installation of Shah Reza Pahlavi and the decades long rule of the Iranian imperial family, aligned with U.S. geopolitical interests, had served as a ‘cold war’ buffer against Soviet encroachments in the Middle Eastern region.

“However,” informs Wikipedia, “as ideological tensions persisted between Pahlavi and Khomeini, anti-government demonstrations began in October 1977, developing into a campaign of civil resistance that included communism, socialism, and Islamism.”

Ten years after Mohammed Mossadegh was deposed by a CIA-led coup in 1953, the Shah reportedly began to institute reforms to modernize Iran’s infrastructure. Opposed to these reforms, the upstart Islamic revolutionary Ayatollah Ruhollah Khomeini was driven from Iran in 1964 and thereafter forced to remain in exile. Oddly, though Wikipedia and other historical sources list the beginning of his royal reign as 1941, the Shah’s coronation didn’t take place until October of 1967. More strangely, upon further examination, still images of the Shah dated prior to this time – especially those depicting Pahlavi posed with US presidents Dwight D. Eisenhower (AKA Prince Eduard Egon von Furstenberg/Hollywood executive Barry Diller), and Franklin Delano Roosevelt (AKA Prince Tassilo von Furstenberg/Hollywood actor Jimmy Stewart/Henry Fonda/Walt Disney/Fred Astaire) – appear to be either paintings passed off as photos or crudely photoshopped, primitive cut and paste jobs. This discovery is not surprising, given that both Kermit Roosevelt – credited with crafting the CIA’s Iranian coup of 1953 – and Allen Dulles, former CIA director, are one and the same, having been identified as character modifications of King Leopold III of Belgium (AKA Bing Crosby).

SEE: JFK Hoax Executed by Wizards of Oz

FDR: America’s Royal Hollywood Fraud

Below: Allen Dulles, Kermit Roosevelt

While looking further into the details of the Iranian Revolutionary movement which began in 1977 with demonstrations and intensified with the Cinema Rex fire, it became obvious that the Shah was merely a paper tiger, a proxy figurehead for CIA.

“In August 1978,” reports Wikipedia, “the deaths of about 400 people in the Cinema Rex fire – claimed by the opposition as having been orchestrated by Pahlavi’s SAVAK – served as a catalyst for a popular revolutionary movement across Iran, and large-scale strikes and demonstrations paralyzed the country for the remainder of that year.”

The nouns ‘Cinema Rex’ and the term ‘orchestrated’ are clues as to the true nature of what was alleged by history to have been a grass roots revolution in Iran. Indeed, it was anything but. The Latin word ‘Rex’ translates in English to King, while the word ‘Cinema’ implies the making of films, movies.

This is apt, because, as shall soon be demonstrated, the pair of major players – Shah Reza Pahlavi, Ayatollah Ruhollah Khomeini – cast in this ‘revolutionary’ plot orchestrated by Jesuit-controlled CIA/British intelligence were fabricated characters portrayed by Hollywood actors, one of which – knighted by a sitting British monarch, Queen Elizabeth II (AKA Lucille Ball) – has the word king as part of his surname. As for SAVAK, the intelligence organization which also served as the Shah’s Praetorian-styled guard, Wikipedia admits its employees were trained by U.S. military personnel connected with Jesuit-controlled CIA.

“A U.S. army colonel {left unidentified} working for CIA was sent to Persia in September 1953 to work with General Teymur Bakhtiar,” reports Wikipedia, “who was appointed military governor of Tehran in December 1953, and immediately began to assemble the nucleus of a new intelligence organization. In March 1955, the army colonel was replaced with a new permanent team of five career Central Intelligence Agency (CIA) officers including specialists in covert operations, intelligence analysis, and counterintelligence, including Major General Herbert Norman Schwarzkopf, who trained virtually all of the first generation of SAVAK personnel.”

Perhaps it is not so surprising to discover that earlier in his military career (then colonel) Schwarzkopf was also associated with the Lindbergh baby kidnapping hoax.

‘CANADIAN CAPER’

While researching details of the ‘Canadian Caper’, the ridiculously conceived headlining title historical consensus has dubbed the plot – a coordinated effort by Canadian diplomatic officials, CIA, involving a rescue team disguised as film makers pretending to produce a fake science fiction themed movie entitled ‘Argo’ – which was hatched by the goofballs at Langley to rescue six American diplomats held hostage during 1979’s ‘Iranian Revolution’, a major clue turned up in association with identifying the actor who portrayed Shah Reza Pahlavi. 

SEE: https://www.britannica.com/event/Canadian-Caper

It turns out that John Chambers – a veteran Hollywood make-up artist – was among the CIA’s hostage rescue team alleged to have spirited six American diplomats out of Tehran on November 4, 1979, and into Switzerland. For his considerable efforts, Chambers was later decorated by CIA with the agency’s Intelligence Medal of Merit. More remarkably, among Chambers’s extensive resume is the 1970’s Hollywood blockbuster Jaws, directed by Steven Spielberg who, as some may recall, was previously identified – MSM Helicopter Story Spins out of Control – as the host actor behind the portrayal of the “late” Iranian president Ebrahim Raisi, alleged to have recently perished in a ‘deadly’ helicopter crash.

SHAH REZA PAHLAVI=SPIELBRG/KINGSLEY

Both image, facial recognition comparison analysis confirms that Hollywood/British actor Sir Ben Kingsley is a modification of Hollywood director Steven Spielberg. As indicated by red arrowed marker, both Kingsley, Spielberg have an identically located epidermal landmark striating across the lower portion of their respective left earlobes. 

 

Furthermore, comparative analysis of images featuring Shah Reza Pahlavi, Steven Spielberg, and actor Sir Ben Kingsley demonstrate that all three – as indicated by red arrowed marker – have the same identically located epidermal landmark striating across the lower portions of the respective left earlobes.

Below: Sir Ben Kingsley, Shah Reza Pahlavi, Steven Spielberg

  

Further and extensive biometric analysis confirms that the respective contours, shapes, epidermal architectures of the ears belonging to both Spielberg (AKA Kingsley) and Shah Reza Pahlavi are identical.

KHOMEINI=CONNERY

Though British actor Sean Connery is most noted for his portrayal of Sir Ian Fleming’s famous spy thriller character James Bond, 007, comparative facial recognition analysis confirms that one of his lesser-known roles included that of the portrayal of Iranian Islamic revolutionary Ayatollah Ruhollah Khomeini. As everyone who frequents this site may recall, Sir Ian Fleming, author of the slew of spy thriller novels from which the James Bond film series was adapted, was formerly a British naval intelligence officer who worked with British intelligence (MI5) and was intimately familiar with the occultist known as “Alistair Crowley” (AKA Prince George, Duke of Kent). During WWII, both Crowley and Fleming worked together – Dead Rockefeller Resurrected Hollywood Star – crafting pro-Nazi counterintelligence propaganda. 

Below: Ayatollah Rohullah Khomeini, Sean Connery