Since the advent of the television/radio entertainment industry and the inception of the Jesuit/CIA-controlled Hollywood entertainment complex, the public has been systematically manipulated and on multiple levels.

In depth analysis indicates, there exists no variation in the nature of the delivered content between the MSM and the “alternative” media – except perhaps one. In the case of the latter, broadcasted narratives – psychological operations in disguise – targeted at particular audience demographics are found to be tweaked with alternatively stylized messaging then delivered wrapped in differently colored patinas of visual packaging.

Yet, the objective(s) remains the same.

Namely, through the utilization of Pavlovian psychological methodologies, group dynamics, manufactured consensus via Delphi technique, trance inducing Neuro Linguistic Programming/suggestive hypnosis, and semantic wizardry, to effectively produce preferred emotional reactions, mass behavioral modifications, manipulation of collective perception, and to create both cognitive confusion and demographic divisiveness, in so far that specifically targeted audience demographics, fallen prey while entrapped in a manufactured but fragmented socio-political ethos, can be better identified, targeted, pacified, and neutralized into ineffectualness with even greater precision, and eventually greeted to oppose one another.

The subject of this article – David Rockefeller Junior – is more than aware of these effective but sinister tactics of population manipulation, pacification, and control. 

David Rockefeller Junior is also aware that one of the most effective ways to successfully execute the covert objectives of psychological operations is to pose in disguise as a highly trained and skilled controlled-opposition agent. Further investigation confirms that David Rockefeller Junior, a powerful man on the world’s stage and heir to one of the largest private fortunes ever amassed, once disguised himself as one of the “alternative” media’s most revered and influential founding fathers, the “author” of a famous and best-selling tome entitled ‘Behold A Pale Horse’.

But before modifying himself into a persona which became known as a Goliath of the “alternative” media, David Rockefeller Junior was known to the American general public by pseudonyms attached to famous Hollywood-styled fabricated character schemes.

One which became, for a time at least, a successful Hollywood character actor, an obese but grandiosely styled pop/rock singer, and yet another who starred as a popular comedic performer and who was also a “late” cast member of Saturday Night Live, a popular mainstay of American television and popular culture which, to this day, is still broadcasted from thirty Rockefeller Center in New York City.

But wait, there’s more.

Turns out, David Rockefeller Junior’s father, the late David Rockefeller Senior, also once starred as the host actor disguised behind the manufactured public persona of another giant of the “alternative” media. 


During his youth, David Rockefeller Junior attended the exclusive private school Phillips Exeter Academy in New Hampshire and matriculated at Harvard College before moving on to Harvard Law School. Several biographical accounts also confirm that David Rockefeller Junior is a key member of the Council on Foreign Relations. 

According to Wikipedia, the Council on Foreign Relations, “is an American think tank specializing in U.S. foreign policy and international relations. Founded in 1921, it is an independent and non-partisan non-profit organization.”

Though appearing as superficially informative, the rather bland and milquetoast description offered by Wikipedia is meant to conceal the genuine emanations of the CFR, which extend back to the 19th century and to the formation of the Royal Institute of International Affairs, which involved prominent British intellectuals and financiers such as John Ruskin, Cecil Rhodes, and high-degree freemason Lord Alfred Milner. It is also meant to conceal the Council’s and RIIA’s connections to both the Inner and Middle Temples of the City of London’s Crown Temple which, in turn, are inextricably linked to Vatican City in Rome, controlled by the Society of Jesus or Jesuit order, which is also in control of the International Brotherhood of Freemasonry.

How can we be certain of this?

Because even deeper investigation reveals that before its official inception in 1921, the Council’s formation was stylized after the methods of Machiavellian secrecy employed by the Society of Jesus. This is confirmed by the following excerpt derived from a letter penned in 1890 by the RIIA’s Cecil Rhodes to a colleague, W.T. Stead.

“The key of my idea discussed with you is a society, copied from the Jesuits as an organization…an idea which ultimately leads to the cessation of all wars and one language throughout the world. The only thing feasible to carry this idea is a secret one gradually absorbing the wealth of the world to be devoted to such an object.”  


In America, CFR operated as the American branch of the City of London’s Royal Institute of International Affairs, and as nothing more than a front for the financial interests of J.P. Morgan (AKA King Edward VII/Teddy Roosevelt) and Company. Despite this, an excerpt from an article published at confirms that the Council on Foreign Relations represents but one of several integral elements of operational global control on the part of the Society of Jesus or Jesuit order.


“The Jesuit order is the head of the serpent. It controls the military order of Malta (Knights of Malta), the Knights of Columbus, the United Nations, the European Union, NATO (modern-day Holy War Crusaders), various central banks including the World Bank, IMF and Federal Reserve bank, big corporations, secret societies such as freemasonry, the Bilderberg Group, Skull and Bones, Council on Foreign Relations, and the Trilateral Commission.”

To anyone who wonders how such a large-scale global psychological operation such as the Covid-19 “pandemic” could be so flawlessly executed with unison military precision, one merely needs to consider the information included in the preceding excerpt in merely beginning to contemplate the grand scope of bureaucratic reach exercised by the Society of Jesus in control of Vatican City in Rome. 

As for David Rockefeller Junior, in addition to being appointed as a trustee of the Rockefeller Foundation in 2006, a key player in the execution of the Covid-19 “pandemic” psychological operation/simulation, he is also involved with David Rockefeller Studies Program which, according to Wikipedia, “influences foreign policy by making recommendations to the presidential administration and diplomatic community, testifying before congress, interacting with the media, and publishing on foreign policy issues.” 

But after graduation from Harvard, Wikipedia also informs that David Rockefeller Junior pursued interests in both music and arts entertainment. As everyone shall soon observe, it was to the medium of the Jesuit/CIA-controlled Hollywood arts and entertainment industry that David Rockefeller Junior was directed towards, to help advance and promote the grand objectives of the Society of Jesus’s World Mission (AKA Fourth Industrial Revolution/UN Agenda 2030/2050/Build Back Better/The Great Reset).


Since the early twentieth century, the Hollywood entertainment industry/complex has been used as a well-honed and finely tuned weapon with which to create, distribute, and to promulgate propaganda and to execute psychological operations targeted at the American public. The first video clip displayed immediately above is an excerpt from Independence Day, a Hollywood blockbuster production which while on the surface appeared as sheer entertainment was also meant as psychologically manipulative predictive programming. Independence Day starred a pair of serial perpetrators of Post-Modern Reality Simulation – Will Smith and “Randy Quaid”, a Hollywood pseudonym for a fabricated character scheme portrayed by David Rockefeller Junior. In the movie, “Randy Quaid” plays the role of a heroic jet fighter pilot conscripted to defeat marauding extraterrestrial invaders.

Given his proximity to both the Council on Foreign Relations and to the military/industrial complex, David Rockefeller Junior would certainly be aware of Operation Sky Beam, also known as Blue Beam, a derivation of the Cuban Missile Crisis era declassified Operation North Woods, which planned to disguise American jet fighters as Soviet or Cuban aircraft engaged in an aggressive attack on American commercial jet airliners. To hypothetically judge from what further investigation has uncovered concerning Operation Sky Beam, this covert operation, at some point in the future, appears poised and readied to deploy similar deceptive tactics, in disguising or cloaking UN or American jet fighter craft with sophisticated CGI/holographic technology to make them appear to be of alien or extraterrestrial origin.

As for Hollywood actor Will Smith, of course, he was not only involved most recently with a thoroughly staged incident involving actor/comedian Chris Rock at the Academy Awards – Hollywood’s annual farce of self-congratulation – but he has also been identified as the live-action role player behind the portrayal of several renowned fabricated character schemes, including NASA’s “Neil Degrasse Tyson”, the World Health Organization’s “Tedros Adhanom Ghebreyesus”, and Hollywood actor/director “Tyler Perry”.

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While making ocular comparisons between the first pair in the series of images posted below, everyone will observe the identical epidermal and proportional geometry of the respective ears, noses, brows, and, perhaps most conspicuously, the eyes. Also, the epidermal and geometric alignments of the respective nasolabial folds are identical. Further and extensive facial recognition, ear biometric, and image comparison analysis confirm that David Rockefeller Junior was modified into the Hollywood actor known to the American public as “Randy Quaid”.

Below from L to R: David Rockefeller Junior, Randy Quaid

In the next of pair of images posted below, everyone will observe the respective alignments of the teeth – with particular regard for the shape and contour of those canine cuspids encircled in red – are also comparatively identical. 

NEW YORK, NEW YORK – APRIL 07: David Rockefeller JR. attends 2016 David Rockefeller Award Luncheo at Museum of Modern Art on April 7, 2016 in New York City. (Photo by John Lamparski/WireImage)


During the 1970’s, David Rockefeller Junior (AKA Hollywood actor Randy Quaid) endeavored to expand his foray into the Hollywood arts and entertainment industry when he modified himself into “John Belushi”, a popular cast member of Saturday Night Live, which, not so coincidentally, is performed at and broadcasted from 30 Rockefeller Plaza in New York City.

As everyone already most likely took note, this is the very same address – as detailed in the previously published article Another Fake ‘Phil’ Talk Show Host – synonymous with the talk show that made “Phil Donahue” (AKA Sir Anthony Hopkins/Lee Harvey Oswald/Gene Wilder/Dick Van Patten/Jim Ryan) a daytime talk show star. 

Before he was alleged to have “died” of a “drug overdose” in 1982, the low brow, crude, and scatological slapstick comic stylings of “John Belushi” (AKA David Rockefeller Junior/Randy Quaid) proved to be a hit with the American public.

Turns out, in the case of “John Belushi”, the warning offered by the fictional Dean Wormer of Faber College from Animal House – “fat, drunk, and stupid is no way to go through life, son” – to the unruly and rambunctious fraternity boys on campus proved quite prescient, perhaps even ironic.

To be certain, however, that’s exactly how elitists such as David Rockefeller Junior, a charter member of the Jesuit-controlled Council on Foreign Relations, a member of the owl worshipping Bohemian Club in San Francisco and confirmed to be the host actor (live-action role player) of both “Randy Quaid” and “John Belushi” would characterize the very American public they routinely deride, mock, bamboozle and steal from.

While examining the images posted below, everyone will begin to observe the identical geometric and proportional similarities of the noses, brows, chins, lips, eyes, and ears.

It is also worth noting that gematria analysis of both fabricated character scheme’s pseudonyms – “John Belushi”/”Randy Quaid” – confirms some interesting results.

English Ordinal Reduction and Reverse Reduction totals respectively sum to 51 and 57. When added together, the respective Reduction ciphers total 33 – equivalent to the highest degree of Scottish Rite freemasonry. When the respective Reverse Reduction sums are totaled, they equal to the number of 12 which, when subjected to the occult law of mirrored reversal, also equals 21, 3 7’s or 777, Alistair Crowley’s joker intelligence code.

Below: Randy Quaid, John Belushi


Below: John Belushi, David Rockefeller Junior

NEW YORK, NEW YORK – APRIL 07: David Rockefeller JR. attends 2016 David Rockefeller Award Luncheo at Museum of Modern Art on April 7, 2016 in New York City. (Photo by John Lamparski/WireImage)

In the following pair of images, despite the ears having been reverse raked via photo shop modification, the identical shape, epidermal contours, and geometric proportions of each remain notably conspicuous. 

Below: Randy Quaid, John Belushi


The Hollywood music/entertainment industry represents a monumental commercial enterprise intent on establishing institutionalized adolescence. To put it more succinctly, the product known as rock and roll served up by the corporate popular music business is tantamount to formulaic infant’s pablum. In the late 1970’s, music producer Jim Steinman, together with a then unknown singer with an overblown Ehtel Merman-like delivery and sporting the inauspicious moniker of Meat Loaf, discovered a novel formula for remaking musical baby food directly targeted at American consumers.

This new formula of bombastic schlock – an album entitled ‘Bat out of Hell’ – served up by the faux operatic Meat Loaf, songwriter Jim Steinman, and producer Tod Rundgren was readily consumed by an insatiable but infantilized public which proved all too willing in proceeding to gorge itself. Despite such favorable market conditions, Meat Loaf’s debut ‘Bat out of Hell’ wasn’t immediately successful. It wasn’t until the singer appeared on Saturday Night Live broadcasted from 30 Rockefeller Plaza, that Meat Loaf’s amusingly melodramatic musical bombast caught on with the American public.

According to an article published at, “It took television to finally capture Meat’s theatrical flair and break him on both sides of the Atlantic: a March 1978 performance on Saturday Night Live and in England, a contemporaneous showcase on the BBC The Old Grey Whistle Test. Meat was a vision in long hair and open shirt, sweat pouring off of him as he sang.” 

To judge from the performance of “Meat Loaf” on SNL, appearing as some disheveled Las Vegas lounge singer, it becomes obvious that his act was the result of a meticulously contrived but well-tailored modification of the television image projected by “John Belushi”, a fabricated character scheme performed by live-action role player David Rockefeller Junior. 

Though ‘Bat out of Hell’ is claimed to be one of the best-selling popular music recordings in the history of Hollywood’s music/entertainment industry, the article at implies the album’s popularity was socially engineered. This isn’t surprising, given that yet another source article published at confirms that an alliance between the Rockefeller and Rothschild families – historical pseudonyms for the royal House of Saxe-Coburg-Gotha (AKA Windsor/Hanover) – had successfully weaponized the radio, television, and music industries prior to both world wars, to achieve both sinister and ulterior objectives. 

“Between world wars I and II, accelerating during the 1930’s, scientific studies in musical frequencies best suited for war making were funded by the Rothschild-Rockefeller alliance, the Rockefeller Foundation and U.S. Navy. A major objective of this war, and profitable population control, research was to determine the musical factors capable of producing psychopathology, emotional stress, and ‘mass hysteria’.” 


Given the relationship between the Rockefeller family, Hollywood’s music industry, and the military/industrial complex, it isn’t hard to conceive how “Meat Loaf” (AKA Randy Quaid/John Belushi) – yet another fabricated character scheme portrayed by David Rockefeller Junior – was hoisted to the stellar heights of rock and roll stardom. 

As alluded to earlier, confirms the popular success of “Meat Loaf” and ‘Bat out of Hell’ may have been the result of covert manipulation of the Billboard music charts.

How could this be so?

As the article at reports, “fudgeable” sales numbers were manipulated into the tens of millions by the Recording Industry Association of America. 

“{Bat out of Hell} is the fourth-biggest selling album of all time worldwide at 44 million copies. Global sales stats are notoriously fudgeable – in the U.S., the Recording Industry Association of America has Bat certified for sales of 14 million.” 


But little did Meat Loaf’s fans realize they were worshipping at the altar of a fabricated character scheme portrayed by David Rockefeller Junior (AKA Randy Quaid/John Belushi).

In the pair of images posted below, everyone will notice – encircled in red – an identically located epidermal landmark shared between singer “Meat Loaf” and “Randy Quaid” (AKA John Belushi/David Rockefeller Junior). Though in the first image featuring “Meat Loaf”, the photographers attempted to deploy post-production airbrushing to more completely conceal the identity of the host actor behind the portrayal of the fabricated character scheme, upon closer examination, this particularly distinguishing epidermal landmark nevertheless remains somewhat conspicuous.

Below: Meat Loaf, Randy Quaid

(Original Caption) : Studio close-up of Meatloaf. Photograph, 1983. (Photo by Lynn Goldsmith/Corbis/VCG via Getty Images)


Soon after its publication, “Behold a Pale Horse”, alleged to have been authored by former U.S. naval officer turned controversial “alternative” media darling Milton William Cooper, became a mainstream success. Even though some of the “top secret” documents published in Cooper’s renowned tome have proved to be fabrications, “Behold a Pale Horse” continues to represent a touchstone for “alternative” media “researchers”.

After the faked death of “John Belushi” and the brief fanfare surrounding the success of rock singer “Meat Loaf” had waned, host actor David Rockefeller Junior (AKA Randy Quaid/John Belushi/Meat Loaf) was once again modified into “alternative” media kingpin “Bill Cooper”. While Cooper’s “official” biographies claim he served as a naval officer in the U.S. Navy, it should be noted that, not so coincidentally, David Rockefeller Junior is an avid sailor, and that he is also the founder of Sailors for the Sea, a non-profit organization dedicated to promoting the climate change movement and marine health.

As everyone will observe while examining more closely the similar if not identical epidermal and geometric proportions of the respective eyes, brows, and noses evident in the images posted immediately below, “Bill Cooper” (AKA David Rockefeller Junior) was a clever character modification composited from the manufactured public images of both Hollywood actor “Randy Quaid” and “John Belushi”. While focusing attentions to the respective hairlines observed in the final pair of images in succession, everyone will note the patterned contours are aligned identically.


Extensive ear biometric, facial recognition, and image comparison analysis confirms that David Rockefeller’s father, David Rockefeller Senior was also a perpetrator of Post-Modern Reality Simulation. While David Junior was portraying “alternative” media kingpin “Bill Cooper”, the late David Senior was portraying the fabricated character scheme known as “Jordan Maxwell”. Regarding the following images posted below, while the most conspicuously identical proportions of the respective facial geometries – respective jawlines and chins – are highlighted in red marker, everyone will also notice the epidermal contours and geometric alignments of the respective brows, eyes, noses, and foreheads are comparatively identical.

Below from L to R: David Rockefeller Senior, Jordan Maxwell

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23 thoughts on “Behold the Rockefeller’s Fake Pale Horse

  1. Hi. i wanted to say thanks for the shorter articles lately.
    Do you think the Jesuits might be the Synagogue Of Satan?

    1. Regarding the abbreviated word count of some of my latest articles, you may have a valid point. It’s often better to get right to the point. Although many may disagree, research indicates that those among the highest levels of the Jesuit order aren’t operating with the aid of supernatural intervention. Though many belonging to the blue lodge lower ranks of freemasonry may subscribe to the order’s pseudo-spiritual mumbo jumbo, if the Jesuits worship anything, it is the maintenance and consolidation of global power.

      1. You’re fully entitled to offer your opinion, on the other hand, there’s no doubt DRS was Jordan Maxwell. I’m exposing “Doctor Jim Fetzer” next, who is a former and legendary MSM news anchor in disguise.

      2. My daughter graduated with honors from college this weekend so I was curious. Discovers that we are all Freemasons. Graduation is a Masonic ritual. When the president of the university referred to the graduation cap as a mortarboard I about fell out of my chair. It all makes perfect sense!

      3. I believe you’re referring to a cornerstone ritual which symbolically consists of the concept of the numbers 3 and 4 with the proletariat at the bottom supporting the entire system and with the aristocracy or royalty at the top which benefits from thier labor energy and subsequent tax collection. This ritual is also symbolic of the freemasonic square and compass. Elementarily, of course, the numbers 3 and 4 add to 7, which is equivalent to the letter “G”, the 7th letter of the English alphabet.

      4. Hi. I should have been more clear. Do you think the Jesuits are those that call themselves Jews but are not, they are the synagogue of satan. Why do the Jesuits worship Lucifer? And is there any research indicating that there is or isn’t a supernatural power? And why do they need consolidated global power when they already have it in secret? Or do they just want to come out into the open along with the transvestites?

      5. Yes – clarity as opposed to ambiguity and prevarication. Unfortunately, after having witnessed the behavior of most of humanity over the last four years, a majority seem to prefer to wallow in the latter. Nevertheless, I believe an explanation which would satisfy the answer to your first inquiry is included in the article entitled Columbo & NFL Enter the Twilight Zone – an excerpt quoted from a text composed by researcher Anthony Sutton regarding the Society of Jesus and their methods of operation. Though to you and others “Lucifer” is an anthropomorphic being, to those at the highest levels of the Jesuit order it is a concept – “enlightenment” – symbolically represented by their logo which prominently displays a depiction of the sun. As for the concept of centralized global governance, that has never been a secret but, to those with the eyes to see, rather openly stated in the terms and conditions of the legal documents written in legalese upon which the US corporate government was founded. However, the indoctrination of the public school system, Hollywood entertainments and the propaganda broadcasted by the MSM are designed to keep the proletariat from ever discovering the fraudulent concept of “democracy” is merely a cruel sham, an illusion. But as I’m certain even you have observed, the reality of centrally controlled global governance from the Crown Temple in the City of London and Vatican City is now being incrementally revealed.

  2. As usual, your article is extremely inciteful. The fact that “David Rockefeller Jr.” is the same host actor that plays Belushi, Cooper and Meatloaf is a bombshell. It is only fitting that Belushi was portrayed by a host actor as most of the original male and latter SNL cast (a cast is a “mold”) either played host actors or crisis actors. (it would behoove us to look up ALL of the meanings of “cast” “set” and “actor”).

    Beside Murray and Chase playing several roles, Eddie Murphy is on tape as playing a surviving “witness” in the Jim Jones “massacre”. Samuel (Capital One) Jackson was also interviewed as a surviving witness in that fiasco, with Whoopi on tape playing Leo Ryan’s personal aide.

    Thank you for sharing your extensive research, your work is appreciated.

    I would like to share this US Military official video on psyops with you and your subscribers.

    Take care, and keep up the good work!!

  3. i met someone who said he was meatloafs cousin. he was from Texas and his last name was Aday. anyone who has the last name as a celebrity would be enticed to fabricate relatives. i know people who have allegedly met some of these live action roll players in person. Is there any identifying characteristics i can inquire to see if they saw the silicone or other tactics they use?

    1. Have you never considered this individual could have consulted Meatloaf’s “official” biographies and learned these details in order to bolster the legitimacy of his claim? This is the oldest trick in the book used to discredit researchers. On the other hand, as demonstrated by the content of the article in question, what are the odds that an epidermal landmark identically located on the facial geometry and discovered to be in common between two actors – could that be discredited as mere happenstance, or construed as empirical evidence that they’re perhaps portrayed by the same live-action role player? While one has never made the claim of infallibility, at this point, there have been slews of verifiable identifications accompanied by copious examples of patterned criminal behavior made on this site, more than enough to lend credence to the premise that the hypothesis of post-modern reality simulation can no longer be considered merely theoretical. On the other hand, you and your alleged acquaintance can choose to believe whatever you wish. The act of deception is destructive enough. But choosing to deceive oneself in the face of compelling or empirical evidence is tantamount in consenting to the destruction of one’s own critical faculties.

      1. When i met meat loaf’s family member we were both in a correctional setting in 05. i do not think the internet had the biography of meatloaf on wikipedia before I met Aday, or some 55 year old guy locked up with “meat loaf’s” last name. i can mention that he took his 5 yr old New Balance sneakers home with him.
        Best regards,

      2. Surely, you realize, Wikipedia is not the sole source of such biographical information. Nor is it reliable. As has been repeatedly demonstrated, it is an intelligence operation. Furthermore, the process of image comparison analyses aided by facial recognition software, particularly when the results are demonstrated to be repeatable, does not harbor informational bias. On the other hand, human beings wedded towards beliefs absent of empirical basis and anchored in nothing more than dogmatic faith oftentimes do. As to your fellow inmate’s brand of “sneakers”, I hardly see how that could be considered apropos or hold any particular relevance.

  4. Hi. i can only use my own critical thinking skills. i don’t think Aday was lying. He believed he was meat loaf’s relative.
    i also went to school with the black kid who died in Columbine Isaiah. I also met the kid who was shot in the jaw. i am relying on actual experience and not just pictures from the internet. The pictures i found or Isaiah’s dad show weird claw anomolies.
    i am not a troll. i believe something is afoot.
    What are your thoughts on the Buffalo Tops shooting? my woman works at Tops in Derby NY, where an 80 mil powerball winner was sold. i bet you live in Japan. How about come home and prove the silicone masks and other stuff

    1. Whatever shred of credibility existed dwindled away with your comment on Columbine, a psychological operation which, as I and countless other researchers have credibly demonstrated, was a drill simulation based on FEMA’s emergency preparedness protocols and executed with the active participation of multi-jurisdictional law enforcement units. Though you claim to use “critical thinking skills”, apparently not well enough to recognize the inherent contradiction concerning your comment about the use of pictures. As for your comment concerning trolls, I’ve made no such accusation. On the other hand, your very mention of such appears telling. Perhaps a confession of sorts as to the genuine reason why you’re here, to launch feeble attempts in personally impugning the author and the controversial nature of the site’s content. As for proof of the use of silicon masks, if you had bothered to read the published articles thoroughly, you would be aware that CIA and other intelligence organizations have utilized such contrivances and identity concealments for decades. Therefore, Mike – if that is indeed your real name – I rest my case.

      1. if it was easy to send you correspondence without having to comment on an article, i could explain in more detail. you constantly show pictures that are not real.

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