Tag: Ford’s Theater

Abraham Lincoln’s Masterpiece ‘Reality’ Theater

Abraham Lincoln’s Masterpiece ‘Reality’ Theater

History is the recording of fables, manufactured stories by scholarly, academic consensus.

Over time, historical fables can be manipulated or tweaked to fit the capricious tastes of political or social propagandists. While the public’s perception towards the foundational template of the historical narrative regarding the “assassination” of President Abraham Lincoln remains unaltered, still, from time to time, the public has been conditioned to tolerably allow for dramatically inspired narrative elements to be newly introduced into the public discourse and into historical record. In consideration of the bigger picture, as it were, to those counted among the scholarly perpetrators of the story of Lincoln’s historic presidency and the ‘assassination’ fable, the public’s fickle perception of newly introduced details augmenting the historical narrative is irrelevant, as long as a majority among successive generations of the American general public continue to wholeheartedly believe in the core fabricated legend. Namely – that Lincoln ‘freed the slaves’, heroically preserved the American union, and was indeed tragically murdered by ‘assassin’ John Wilkes Booth at Ford’s theater.

However, as shall be further demonstrated, each of these historical assertions hold no veracity and amount to nothing more than blatant falsehoods and deliberately engineered hoodwinks.

It shall also be demonstrated that John Wilkes Booth, the noteworthy theater actor alleged to have been Lincoln’s ‘assassin’, was an intelligence asset of the Pinkertons, the forerunning police/security organization of the U.S. president’s Secret Service, a double agent posed as a Confederate sympathizer/provocateur with connections to not only high-degree freemason Albert Pike but to revolutionary and agent provocateur Guiseppe Mazzini and to a member of the Orsini family, an historically powerful and influential clan of European aristocrats whose genealogical history consists of Vatican pontiffs.

Continue reading “Abraham Lincoln’s Masterpiece ‘Reality’ Theater” →

History’s story of “Honest Abe” fiction? (part II)

Rewriting history may seem like a rather quixotic notion.

After all, one doesn’t lack understanding as to why creating such blatant contradictions to that body of historical knowledge in which generations of American public school students have been psychologically conditioned to unquestioningly believe, would largely be perceived as foolhardy, perhaps even absurd.

Or – does applying critical thought and analysis in questioning the bedrock tenets of American history seem absurd only because its veracity has largely been held on purely faith alone?

Is it that the myth of America’s sixteenth president, Abraham Lincoln, seems so seductively indelible only because – rather than reflecting a truthful and verifiable historical account –  the historical narrative associated with that particular historical figure was designed to reflect and even exalt those higher virtues the American nation would like to believe it inherently embodies?

The obvious question remains: how can such mythical historical narratives, based wholly upon lies, withstand truth’s penetrating probe of critical analysis?

The answer: they can’t and they won’t.

That is why critical thought and analysis regarding America’s historical narratives are eschewed and even scorned by the social conditioning and indoctrination methods that have been assiduously utilized on generations of American public school students.

Therefore, as loyal readers shall soon discover, when put to any modicum of critical analysis, the alleged assassination of Abraham Lincoln represents a fraudulent historical narrative that was designed to create the indelible image of a mythical and heroic martyr, rather than an accurate, verifiable and chronological portrayal of an historical event capable of withstanding analytical scrutiny. Continue reading “History’s story of “Honest Abe” fiction? (part II)” →