Playwright ‘Williams’ wasn’t from Tennessee

Playwright ‘Williams’ wasn’t from Tennessee

Tennesse Williams is recognized as one of America’s greatest twentieth century authors, playwrights. Some of his most famous theatrical works – Glass Menagerie, Streetcar Named Desire – were not only adapted for Hollywood’s big screen, but they are also still recognized by literature aficionados, theatrical critics, and academics as premiere works of literary greatness.

Below: Tennessee Williams

But despite all of the awards, accolades afforded him and being counted among the pantheon of literary renown, “Tennessee Williams” was not who he claimed to be.  As so often happens when held beneath the microscope of investigation, the foundational credibility of Williams’s ‘official’ biography becomes reduced to the realm of myth. Turns out, the most destructive investigative factor which contributed to the demise of the literary figure’s legendary status was the revelation that Williams had something in common – SEE: Cold Blooded Truth about Truman Capote – with literary contemporary “Truman Capote”.

Turns out, they were both media-generated fabrications portrayed by European royalty. Despite claims to the contrary, Williams wasn’t from the state – Tennessee – after which he took his name. Rather, he was a royal prince emanating from a family of German princely nobility, one consisting of Dukes and Holy Roman emperors, who also had an intimate connection with legendary MSM news correspondent/talk show hostess Barbara Walters (aka Hollywood actress Audrey Hepburn/Princess Ira von Furstenberg).

Below: Princess Ira von Furstenberg, Audrey Hepburn, Barbara Walters

Below: Prince Alfonso Hohenlohe

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MSM Dances to Liar’s ‘Walz’

MSM Dances to Liar’s ‘Walz’

As has been demonstrated time and again on this site, professional actors, bound not only by legal contract, but masonic oath have been routinely recycled, modified into other identities and cast to perform in high-profile roles. While working in these modified, fabricated roles, actors who’ve become known as Hollywood ‘stars,’ ‘celebrities’ are cast before the public as live-action participants in media-promoted psychological operations and or as covert sociological ‘change’ operatives, while still others pose as agent provocateurs, political agitators. This sinister but common method of operation has been repeatedly utilized in the context of professional sports entertainment, of Hollywood music/television/cinema, and even in the arena of politics. Biographies, backstories complete with pseudonyms, death and birth dates are routinely fabricated, widely distributed by intelligence sources working in cooperation with the corporate MSM to publicly legitimize the actor’s recycled, modified identities.

On this occasion, an investigation has revealed this to be the case regarding a current political ‘candidate’ – “Tim Walz” – embroiled in the recent, ongoing theatrical farce presented by the MSM to the public in the form of an upcoming U.S. ‘presidential election’. Remarkably, the actor cast in the role of Vice-Presidential candidate “Tim Walz” has a Hollywood family pedigree which extends back several decades to the mid-twentieth century during the dawn of popular television entertainment. This veteran actor, most renowned as an award-winning Hollywood film director, has portrayed many roles in the public arena and over the decades due to numerous television appearances, his direction of award-winning Hollywood films, and his impassioned political activism has served his masters – Jesuit/CIA controlled military intelligence – as an effective high-level operative, cultural/sociological influence agent.

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The Champ Who Transitioned Into A Congresswoman

The ideological thrust of the UN’s Agenda 21 into the West has now become readily transparent.

Both the media exploitation of the trans-gender community and the psychotic propaganda of “toxic masculinity” constitute a massive veil thrown up by the high-level criminals belonging to the thirteen, ruling elite Jesuit families, who while hiding in the shadows behind the publicly displayed government reported to have been recently ‘shut down’, remain in firm control of the US corporation.

Clearly, the ruling elites have targeted groups perceived to have been historically exploited such as women, LGBTQ, and African-Americans, and through strategically planned psychological operations augmented by repetitive propaganda campaigns, have united these groups and posed them in hostile opposition in helping to psychologically subdue the one group capable of strategically organizing some measure of resistance against the prevailing tyranny: middle and working class white males, a certain percentage of whom possess licensed and perhaps even unlicensed weaponry.

These agendas constitute gaslighting conversion schemes to blindfold the masses, to keep them from ever discovering the post-modern phenomenon of the actor based reality and, of course, to prevent those the thirteen families collectively rule over from ever coming to the conclusion the presence of their tax farm/global protection/extortion rackets called governments are criminal pyramid operations and ultimately unnecessary and thoroughly superfluous.

Utilizing a full array of puppet celebrities, media personalities, politicians, and those merely famous for being famous, the thirteen families have successfully, via proxy, been able to direct and manipulate the economic, political, and socio-cultural energy of the US corporation.

However, the ruling elites do have a funny penchant of placing truth in the mouths of their chosen puppets:

“Only two things are infinite, the universe and human stupidity, and I’m not sure about the former.” (Albert Einstein)

Agitating divisiveness between races, genders, and social and economic demographics not only keep the masses fighting against each other rather than their true enemies, but significantly bolsters the profitability of the ruling elite’s globally organized commercial trade markets.

This installment shall feature one such puppet who, in the 1960’s, began his career as a heavyweight boxing champion by defeating the same opponent who was instructed to take a dive to the canvas – twice.

A few years later though, this same “champion” of the boxing ring transitioned into a congresswoman who testified at the absurd clown circus known as the Watergate hearings in the early 1970’s.  Continue reading “The Champ Who Transitioned Into A Congresswoman”