Hollywood’s Made-for-Television ‘Terrorist’

Hollywood’s Made-for-Television ‘Terrorist’

In the hands of those who govern, a comprehensive understanding of the human mind, how it perceives, interprets experiences can become a most useful tool. In the hands of a tyrannical government with totalitarian designs, such knowledge, when used strategically, can be utilized as a weapon far more powerful, effective, and perhaps even more destructive than any gun, bomb, or missile. During the Roman imperial era, the ruling Caesars realized that, over the long term, a meticulously well-planned psychological warfare campaign was more effective and less costly in maintaining control over populations than having to rely upon the loyalties of occupying legions of armies.

In our modern era, this same sort of knowledge is still highly valued by those inhabiting the halls of governance.

When it comes to successfully executing psychological warfare upon population groups, those who govern today have distinct advantages over Roman emperors of old: exclusive access to the MSM (mainstream media) while social media platforms, acting as augmenting propaganda organs, are programmed to influence, manufacture public, political consensus.

Properly weaponized with a combination of verbal priming, neuro-linguistic programming, emotional, dramatic emphasis, and when exposure is broadened to maximum saturation levels while reinforced by repetition, the MSM’s prevailing ‘news’ narratives have the capability to not only capture and to hold the attentions of intended audiences, but to destabilize, immobilize, and to reshape, mold hearts and minds among the general public into any desired formulation.

Seized, galvanized by emotional hysteria, ridden with psychological demoralization, the public’s powers of rational discernment are compromised, disabled. Rendered psychologically, emotionally vulnerable, the public is left unequipped to comprehend that its thoughts, subsequently adopted behaviors have been sufficiently altered, transformed towards embracing the ulterior objectives of the MSM’s propagandists.

Lately, of course, the American public’s malleable attentions have been held captive, dominated by the ongoing ‘war’ in Gaza, Palestine, and with the accompanying ‘protests’ which have appeared to spring up on college campuses.

As was pointed out in a previously published article – Middle East’s War Simulation Spectacle – the ‘war’ alleged to be taking place in Gaza, Palestine is nothing more than a stage-managed, televised simulation, a psychological operation replete with actors and Hollywood-styled props, a grandly conceived smokescreen contrived to hide ulterior objectives which are, namely, the ongoing global implementation of the UN’s Agenda 2030/2050 and its seventeen ‘sustainability goals’ – goals which run counter to the specific economic interests of American citizens among the working and middle classes and to the interests of humanity in general. Added to more information which supports these findings, later, the true identity of a prime perpetrator in Gaza’s war charade shall be revealed.

Turns out, an alleged former leader of Mossad-created Palestinian ‘terror’ group Hamas – “Khaled Mashal” – is a renowned Hollywood actor in disguise.

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Middle East’s War Simulation Spectacle

Middle East’s War Simulation Spectacle

Emotional hysteria is never conducive to dispassionate objectivity, which is necessary for capable, penetrative analysis of world events. While broadcasting images of what appears to be a war-ravaged Gaza and delivering ham-fisted propaganda disguised as “news”, the MSM knows this all-too-well. Held in the grip of television’s beguiling spell, blinded by ideological extremes, a majority of the targeted population becomes incapable of observing they’ve been thoroughly manipulated into warring with each other. But such skillful con artists have always repetitively utilized the power of suggestion, accompanied by neurolinguistic programming, stage managed images, and scripted messaging broadcasted through electronic mediums, to peddle outrageous lies as absolute truth.

For the past several decades, since the post-WWII period, such blatant but nevertheless skillful con artists have managed to persuade Western audiences, specifically American ones, selling them on the idea there is a bloody and protracted war ongoing in the Middle East.

More recently, social media outlets – specifically, that digitally platformed abomination known as TikTok, targeted at demographics consisting of the cerebrally stunted, the emotionally juvenile, and those prone to gullibility – have developed into the MSM con artist’s invaluable primary weapons of psychological warfare, trusty handmaidens with which to market their egregious war propaganda.

Repeatedly, both Americans and the world-at-large, have been told the State of Israel and the State of Palestine are opposing factions involved in bloody armed conflict.

But what if both sides were discovered to be in on the ruse, covertly cooperating in the execution of a grand confidence game which, for decades, overseen, managed by the United Nations, has been theatrically staged for ulterior motives?

In fact, upon further investigation, a former leader of the Palestine Liberation Organization – “Yassar Arafat” – has been identified as a fabricated character scheme portrayed by one of popular music’s most legendary and iconic personalities.


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