As has been demonstrated time and again on this site, professional actors, bound not only by legal contract, but masonic oath have been routinely recycled, modified into other identities and cast to perform in high-profile roles. While working in these modified, fabricated roles, actors who’ve become known as Hollywood ‘stars,’ ‘celebrities’ are cast before the public as live-action participants in media-promoted psychological operations and or as covert sociological ‘change’ operatives, while still others pose as agent provocateurs, political agitators. This sinister but common method of operation has been repeatedly utilized in the context of professional sports entertainment, of Hollywood music/television/cinema, and even in the arena of politics. Biographies, backstories complete with pseudonyms, death and birth dates are routinely fabricated, widely distributed by intelligence sources working in cooperation with the corporate MSM to publicly legitimize the actor’s recycled, modified identities.
On this occasion, an investigation has revealed this to be the case regarding a current political ‘candidate’ – “Tim Walz” – embroiled in the recent, ongoing theatrical farce presented by the MSM to the public in the form of an upcoming U.S. ‘presidential election’. Remarkably, the actor cast in the role of Vice-Presidential candidate “Tim Walz” has a Hollywood family pedigree which extends back several decades to the mid-twentieth century during the dawn of popular television entertainment. This veteran actor, most renowned as an award-winning Hollywood film director, has portrayed many roles in the public arena and over the decades due to numerous television appearances, his direction of award-winning Hollywood films, and his impassioned political activism has served his masters – Jesuit/CIA controlled military intelligence – as an effective high-level operative, cultural/sociological influence agent.
Names, faces, and personas can be modified but the actors behind the disguises seem to never change.
Then again, most high-level US corporate government officials, as well as those in other countries, have proved to be actors following scripts.
The following video clip represents a dramatic illustration. Everyone will immediately recognize the content of the speeches given by both the Canadian and British politicians appear identical and to have been derived from a centralized source.
However, most of these actors are rarely privy to the nuances of the policymaking process. Nor, despite appearances to the contrary, do most of them possess the intellectual capacity to explain in detail the intricate nuances of the government policies they have been charged with selling to the public.
Assuredly, if and when pressured to go beyond the limitations of their individual scripts, most would fumble and proceed to embarrassingly fold like a cheap suit.
Why should this be so?
Because even though some of the most trusted and even talented intelligence trained assets who often appear on television may be counted among the exclusive membership of the Council on Foreign Relations and other Jesuit-controlled think tanks, policymaking groups, Senate and Congressional committees, the actor’s knowledge is often highly compartmentalized.
More often than not, the actor only knows what they need to know to perform the functions of the job they’ve been tasked with.
Through the force of their fabricated personas while regurgitating assigned “talking points” and staying “on message”, the actor’s chief objective is to effectively sell government policies to the general public. The emanations of government policy derive, not from the minds of public figures, but from Jesuit-controlled Vatican City, the Crown Temple located in the City of London, and from the Swiss banking consortium which includes the IMF (International Monetary Fund) and the World Bank.
Then, through consensus, public private partnerships cemented by mutual self-interests – between NGO’s (Non-Government Organizations), Fortune 500 corporations, non-profit organizations and private foundations, and the US corporate government – conspire to execute centrally controlled global policies (ideas), molding them into solid material reality.
Though the public has been conditioned to perceive otherwise, the aforementioned elements do indeed conspire together. Contrary to the opinion of many, there exists no supernatural influence guiding this intricate process. Time and again, analyses based on extensive research demonstrates, those belonging to the thirteen ruling Jesuit bloodlines worship but one God – the hegemonic expansion of global power.
In-depth investigation has also shown, a majority of US presidents, both past and present, possessed genealogical connections to European and British royalty. As well, actors and intelligence-trained assets permeating the three branches of the US corporate government routinely perform under pseudonyms to conceal their genealogical connections either to royalty or to European aristocracy and nobility.
The current US Secretary of State – “Antony Blinken” – has proved to be no exception.
The highly skilled actor/entertainer portraying “Antony Blinken” is not only a serial perpetrator of Post-Modern Reality Simulation, but he is also the hidden son of “Madeleine Albright” who served as Secretary of the US Department of State which, for all intents and purposes, is nothing more than a public relations firm to promote and market the covert interests of US corporate government foreign policy.
But as has been illustrated before, the modified actors behind the masks cannot help but give away clues as to their genuine identities and, in the process, also can’t resist mocking the naivete of the general public.
According to Wikipedia, “Anthony Blinken” plays in a band dubbed A Blinken, a play on the name of former US president Abe Lincoln.
The video clip posted below features Antony Blinken’s appearance on the Stephen Colbert late-night talk fest. During the course of the interview, Blinken’s hammy regurgitation of well-rehearsed talking points proves par for the course. As everyone will observe though, at the very end of the clip, “Antony Blinken” performs on guitar, giving us a clue as to the actor/entertainer’s regular line of work.
