Those belonging to the monopoly criminal cartel of the thirteen ruling elite Jesuit families just can’t help but leave glaring clues of their malfeasances at the scene of the crime.
One often wonders, could this be due to sheer arrogance, an overwhelming sense of infallibility, perhaps even inscrutability?
Or do they grossly underestimate the perceptive abilities of the general public?
Either way, on this occasion, the perpetrator has been well caught.
Though the true identity of former New South Wales Premiere “Gladys Berejiklian” was most likely thought to be well-hidden, under further scrutiny, a glaring similarity – in the form of a conspicuous epidermal landmark – between the fabricated character scheme and the live-action role player was discovered. Regarding the pair of images posted immediately below, everyone will notice they have both been subjected to degrees of photo shop, particularly in the case of the image to everyone’s left which features the former Premiere of New South Wales, “Gladys Berejiklian”.
The former Premiere of New South Wales – “Gladys Berejiklian” – recently resigned her post due to charges of alleged corruption.
Be that as it may, the former Premiere’s live-action role player is now most likely comfortably ensconced in her royal castle, remaining comfortably insulated from further scrutiny. Alas, under prevailing Admiralty Law, a fabricated character scheme acting under the cover of a pseudonym – someone who doesn’t legally exist as a corporation or person – cannot be held legally accountable for any alleged criminalities.
But there is one more thing of which everyone can be certain.
Though, in future, the fabricated character scheme known to the public as “Gladys Berejiklian” may indeed be brought forth to dutifully play her role in a formally executed legal hearing – merely some well-scripted piece of staged masonic theater – the live-action role player identified in portrayal of the former Premiere of New South Wales – a British royal and daughter of Queen Elizabeth II and the late Prince Phillip Mountbatten – has remained inconspicuous from the public’s view.
Here are some things MSM “journalists” will never report.
The system of global governance is administered from three capitals: 1.) Crown Temple in the City of London (AKA the one-square mile), 2.) Vatican City, in Rome, controlled by the Society of Jesus or the Jesuit order and, 3.) Washington’s District of Columbia.
While the four Inns of Court at the Crown Temple in the City of London administer the global legal system of Admiralty Law, Washington’s District of Columbia represents the military enforcement arm of global governance.
The Vatican bank and the Holy See in Switzerland (Swiss National Bank) collect the taxes on all Crown land.
In the West, the sitting monarch of the royal House of Saxe-Coburg-Gotha – according to royal charter – represents the Vatican’s exchequer or official tax collector for all Crown land owned by the Vatican and, on the Pope’s behalf and in cooperation with the “elected” US president, acts as his Commander-in-Chief of all military forces.
The “Crown” represents a legal Commonwealth or Commonwealth of Nations which is overseen by the sitting British monarch, Queen Elizabeth II of the House of Saxe-Coburg-Gotha.
This intricate system of global governance was established by the issuance of a series of three Papal Bulls, the first of which – Unam Sanctum, established in 1302 by Pope Boniface – claimed ownership of all Crown land by the Vatican. The second Crown, Romanus Pontifex, a Bull which, after some tweaking of the legal terms and conditions and ratification in 1481 by Pope Sixtus IV, legally bound all Crown land to the Vatican bank in perpetuity. The third Crown – Convocation – was established as a testamentary deed in 1537 by Pope Paul III (AKA Alessandro Farnese). This third and final Crown legally bound all people or “corporations” inhabiting Crown land under the control of the Vatican and the Holy See.
As for the history of the United States, before its legal incorporation in 1871, the Treaty of Verona – ratified in 1822 – invalidated the US constitution in lieu of the original Virginia Charter of 1602.
But where does the former US president “Franklin Delano Roosevelt” fit into all of this?
In 1933, soon after he was “elected” 32nd president of the US corporation, Roosevelt signed UCC 2107, or the War Powers Act into Law. This meant the US corporation was officially bankrupted and all persons (corporations) were put up as collateral against the accrued interest on the mounting debt owed to the Federal Reserve, a private merchant banking subsidiary of the Crown Temple in the City of London and of the SNB (Swiss National Bank) or Holy See in Switzerland.
UCC 2107 also restructured each state of the US under new charters.
But that’s not all regarding “Franklin Delano Roosevelt”.
Turns out, America’s 32nd president has some interesting genealogical relations – to Henry VIII, Charlemagne Holy Roman emperor, and to the Holy Roman Emperor and Duke of Swabia Frederick II – which, according to famouskin.com and two other sources, links FDR to the current sitting British monarch Queen Elizabeth II, and to the entire ancient family tree of the royal House of Saxe-Coburg-Gotha (AKA Windsor/Hanover/Rockefeller/Rothschild).
Further and extensive investigation revealed “Franklin Delano Roosevelt” was a fabricated character scheme, who was modified from a European royal of the von Furstenberg family (AKA Pallavicini/Aldobrandini), the Dukes of Swabia, who, during the middle ages, became the Vatican’s crowned emperors of the Holy Roman Empire and the Kings of the Romans.
But as everyone shall soon learn, during the twentieth century, this European royal also portrayed several of Hollywood’s most revered figures.
For decades, Marxist Cuban dictator Fidel Castro was the enfant terrible of America’s “cold war” with the Soviet Union. Reams of official historical documentation indicates, on several occasions, the CIA (the Jesuit’s military/intelligence fortress in the West) attempted to carry out several assassination attempts. The consensus among historical scholars alleges that, during the presidential administration of “John F. Kennedy” (AKA Hollywood actor Dennis Hopper), it was Castro who conspired with the Soviet Union to stockpile defensive nuclear missiles on the island of Cuba. At the time, this was heralded as a bold and dangerous maneuver, a clear and genuine threat to America’s security which – so it is claimed – precipitated America’s “Cuban Missile Crisis” during the early 1960’s.
But both historical accounts are myths.
As demonstrated in a previous article, the “Cuban Missile Crisis” was a hoax, a well-coordinated joint naval training exercise between the US and the USSR which was designed as a grand cover for the fact Cuba was being used – in the same fashion as Southeast Asia – as a beta testing ground for the Marxist social, economic, and political transformations which are now occurring in North America. Furthermore, Cuba’s gaming industry – which “Fidel Castro” nationalized soon after taking power – was used as a money laundering operation to wash profits from international drug trafficking involving the CIA. For decades, Havana, Cuba’s capital city, has also been used as a key distribution point – from both South America and Southeast Asia – for drugs shipped and smuggled into the naval and commercial ports of Miami, Florida.
Further and in-depth investigation has demonstrated, not only was “Fidel Castro” a Jesuit trained intelligence asset, he was also a fabricated character scheme portrayed by a European prince.
In addition, as documented by the NY Post in an article published in September of 2017, “Fidel Castro” had a mistress – Marita Lorenz – who, it is claimed, was also Castro’s “would-be assassin.”
Nevertheless, though such an account may seem seductive and even intriguing, “Marita Lorenz” has been identified as a former Hollywood actress who later became a European princess.
Below: “Marita Lorenz” & “Fidel Castro”
It also turns out, the European royal identified as the man behind the mask of “Fidel Castro” was genealogically related to the host actor (live-action role player) who has portrayed the fabricated character schemes known to the American public as former US presidents “George W. Bush” and “Donald Trump” (AKA MSM newsman Brian Williams/Prince Stefano Casiraghi Grimaldi of Monaco).
Stefano Casiraghi Grimaldi – alleged to have died in a boating accident during the 1980’s – is also now playing the role of the current US president “Joe Biden”.
As shall shortly be explained, the royal house of Grimaldi is connected to the history of the ancient Republic of Genoa, to the House of Bourbon Two Sicilies, to the Pallavicini family, and to the Dukes of Castro. It seems likely, the latter noble title is the source from where the fabricated character scheme known to history as “Fidel Castro” derived his pseudonym.
But first, before delving into the results of the investigation into the legendary historical figure known as “Fidel Castro, there is yet more revealing news to report about the ongoing Covid-19 psychological operation. Recently, it was discovered that a patent – owned by Google – for a Covid track and trace application device was issued over six years ago.
According to the official “priority” date of the patent, the first submission for this particular device application occurred – wait for it, folks – back in 2015, over a full half-decade before the global “outbreak” of what initially became known as a “coronavirus pandemic”.
Sometimes – after deeper investigation – the truth stares back at you in plain sight.
This only proves what can happen when close enough attention isn’t paid to every pertinent and important detail.
In which case, the truth can become most elusive and it will escape you.
Such was found to be the case with the fabricated character scheme known as Congresswoman “Alexandria Ocasio-Cortez”.
Although, previously, her host actor (live-action role player) was misidentified, on this occasion, the right suspect has been well caught.
“Alexandria Ocasio-Cortez” is a fabricated character scheme portrayed by a British royal.
Indeed, this helps to explain her meteoric rise from utter obscurity to political prominence in the US House of Representatives.
After all, the royal family AOC’s host actor has married into – the royal house of Saxe-Coburg-Gotha (AKA Windsor/Rothschild/Rockefeller) – is a majority proprietor of the MSM.
While keenly honing ocular senses upon the images posted above, everyone will begin to notice a birthmark conspicuously and identically positioned just below the jawline.
Not only do “Alexandria Ocasio-Cortez’ and her host actor (live-action role player) Meghan, Duchess of Sussex have this identically positioned epidermal landmark in common, but extensive ear biometric, facial recognition, and image comparison analyses confirm Meghan, the Duchess of Sussex has been modified into the charismatic American political persona known as “Alexandria Ocasio-Cortez”.
Of course, “Alexandria Ocasio-Cortez” (AKA Princess Meghan, Duchess of Sussex) is well-known as an ideological proponent of “Social Justice”.
Though both the royal duchess and her fabricated character scheme continue to be vigorous promoters and staunch proponents of this popularized socio-political philosophy – to many among the American public – the doctrine’s emanations are less well-known.
However, research has revealed, the doctrines of ‘Social Justice” and Marxism are closely related, if not synonymous, and both originate from a single source: the Jesuit order at the Vatican in Rome.
In fact, Social Democrats – the lobbying/marketing organization responsible for positioning “Alexandra Ocasio-Cortez” (AKA Meghan, Duchess of Sussex) into the US House of Representatives and promoting her through the MSM into the forefront of the American public’s consciousness – is filled with avowed Marxists.
As shall soon be further explained, both the philosophies of “Social Justice” and Marxism were derived from the fertile minds of 19th century Jesuit scholars, one of whom – Luigi Taparelli D’ Azeglio – was also a contemporary of Karl Marx and Josef Engels.
This is the story of an ‘unelected’ US president who emerged onto the world’s stage in the wake of the early 1970’s “Watergate” affair and “Tricky Dick” Nixon’s (AKA Hollywood actor Warren Beatty) disgraceful departure from the oval office.
In 1976, President “Gerald R. Ford”, accompanied by US vice president Nelson Rockefeller in the oval office, went on to oversee a “swine flu epidemic”.
Due to the fearful campaign of propaganda unleashed by the MSM in 1976, a reported 46 million Americans decided to get inoculated by a “vaccine”.
Turns out, the “treatment” was far worse than the disease, with reportedly hundreds of thousands contracting debilitating side effects. In addition, a slew of law suits seeking legal recourse were also reportedly filed.
As well, to no surprise – given what has been discovered about the nearly numberless and gross malfeasances of the pharmaceutical industry – some who willfully took the “vaccine” even died.
In fact, if there still exist any doubters as to the extensive preplanning that went into mapping out the progression of the “Covid-19 pandemic” towards its goals of significantly reducing the global population and linking the remainder of human consciousness with artificial intelligence to eliminate the concept of political and social dissent, the link to the following paper composed by a select panel commissioned by the government of the European Union – entitled Graphene Flagship – and the subsequent video detailing the covert legal maneuverings of GlaxoSmithKline, one of the world’s largest pharmaceutical manufacturers, should serve to thoroughly dispel any lingering incredulities.
Regarding GlaxoSmithKline, the preceding video content reveals how the pharmaceutical giant, prior to the H1N1 scare of more than a decade ago, set up “sleeper” contracts with European governments, in anticipation that the World Health Organization was soon to change its definition of a “pandemic”.
Turns out, prior to the beginning of 2009’s global H1N1 swine flu scare, the World Health Organization decided to alter the definition of what constituted a “pandemic”, an official alteration which they later deleted from their website to hide evidence of their collusion with GlaxoSmithKline.
Little did the public realize, the WHO’s decision to alter the definition of a “pandemic” was influenced by GlaxoSmithKline’s robust lobbying efforts, to the tune of hundreds of millions of dollars.
Later, the bureaucrats at the WHO denied any such collusion with GlaxoSmithKline.
Furthermore – so that their obvious conflict of interest with one of the world’s largest pharmaceutical giants would remain covert – the MSM actively helped the WHO with a campaign of perception management media spin.
Additionally, the following link details how Pfizer’s Comirnaty, though recently receiving FDA approval, will not reportedly be ready for the US market until 2024 while, for the meantime, the other slew of Covid-19 “vaccines” are still being distributed under the designation of “emergency use.”
Surely, everyone can see the deception at work which has been designed to thoroughly manipulate the public’s perceptions to advance the UN’s Sustainable Development goals (Agenda 2030).
As the article available at the link posted below also points out, despite this, state, local and federal officials in the US continue to force vaccination mandates.
Of course, such a deceptive turn of events has not been reported upon by the MSM, which is controlled via monopoly ownership by the same thirteen, ruling elite Jesuit families who also enjoy controlling proprietorship over the pharmaceutical industry, families such as the royal House of Saxe-Coburg-Gotha, to whom the host actor identified in portrayal of the fabricated character scheme known as “Gerald R. Ford” belongs.
But there is more to the story of former US president “Gerald R. Ford”.
As everyone who frequents this site may be well aware, it was the Rockefeller family (AKA Rothschild/Windsor/Saxe-Coburg-Gotha) who, prior to the beginning of the current “Covid-19 pandemic”, released a detailed document – “Scenarios for the Future of Technology and International Development – which described how the pandemic would be used to bring about unprecedented economic and technological transformations.
It seems, 1976’s “swine flu epidemic” was a dry run or beta test to further test the “vaccine” as a deterrent to population growth in the West.
This, too, isn’t surprising, since the man discovered behind the mask of “Gerald R. Ford” is a not only a high-level freemason but also a close relation of Queen Elizabeth II of the royal House of Saxe-Coburg-Gotha.
Ford’s first lady, “Betty Ford”, has also been identified as a hidden British royal.
While often referred to as the bugbear of “conspiracy theorists”, assuredly, everyone, at one time or another, has observed the famous prosthetic mask which hides the face of the host actor (live-action role player) identified in portrayal of Kissinger’s fabricated character scheme.
On many occasions, to be certain, everyone has seen the golem countenance observed in the image posted below prominently featured on both television and computer screens, as well as appearing on the front cover of the prestigious Time magazine and upon the front pages of respected periodicals such as the New York Times.
Perhaps, on occasion, some of you may have even bothered to tread through some of the turgidly composed newspaper columns, or one of the many ponderous self-aggrandizing tomes which have been published and attributed to Kissinger’s authorship.
But such publications – larded with opaque ideological generalizations, historical canards – merely represent more colorful but distractive, disposable scenery, created for the public to gawk at, to admire, and for those throngs of useful dupes desperately wishing to vicariously obtain some measure of intellectual legitimacy while simultaneously pretending to have read or to have even understood their execrable content.
In fact, everyone who frequents this site – by now – has become well-familiarized with the Hollywood executive who, for decades while donned in strategically-layered prosthetics, has portrayed this master of geopolitical disaster.
Though “Heinz Kissinger” is better known as a geopolitical chess master of global diplomacy, his host actor is also one of the world’s greatest actors now living.
He is also, respectively, the hidden grandson, son, and sibling of a trio of men – Harry S. Truman (AKA Hollywood actor Jimmy Stewart/Prince Tassilo von Furstenberg), “Dwight D. Eisenhower” (AKA Hollywood executive Barry Diller/Prince Eduard Egon von Furstenberg), “Richard M. Nixon” (AKA Hollywood actor Warren Beatty) – who served as “president” of the US corporation.
Behind Kissinger’s carefully crafted public persona as a geopolitical mover and shaker hides a powerful Hollywood executive who, throughout his life, has worn many masks and donned a myriad of famous disguises, a man to whom the theatrical execution of Post-Modern Reality Simulation has become second nature.
When it comes to considering the influential politicians whom appear on the world’s stage, things are never what they seem. The political machinations the general public witnesses, played out on their television and computer screens, are purely theatrical charades; a well-scripted manifestation of Post-Modern Reality Simulation.
As everyone who regularly visits this site has discovered, when it comes to politics, the major executive decisions, the sweeping geo-political agendas – such as the Covid-19 psychological operation – are made and carefully crafted behind closed doors by those representing and working on behalf of the global commercial interests of the thirteen, ruling elite Jesuit families.
As extensive investigation has revealed, the politicians (blackmailed puppets/freemason intelligence operators) everyone witnesses performing on their television and computer screens, are merely salesman, pitchmen, and high-level influencers, and sworn by solemn oath to the international brotherhood of Freemasons whom, in turn, are controlled by the military order of the Society of Jesus, at the Vatican, in Rome.
Considering the political career of Tony Blair, his turns out to be no exception to this rule.
“Tony Blair”, too, like his hidden mother (Shirley Temple Black), is a controlled operative, and a highly skilled one at that.
L to R: Tony Blair, Charles Alden Black Junior/Shirley Temple Black
Blair, of course, is known to the American and British publics as the former Prime Minister of the United Kingdom.
However, incredible as it may seem – at least among the maiden voyagers to this site – Blair is a fabricated character scheme portrayed by Charles Alden Black Junior, a man who – in addition to the world of politics – also has connections to Hollywood, and to the music/entertainment complex.
Charles Aden Black Junior
L to R: Shirley Temple Black/Charles Alden Black Junior
The chameleon-like Charles Alden Black Junior, the son of former Hollywood child star Shirley Temple Black (AKA Jaclyn Kennedy Onassis/Judy Garland/Marilyn Monroe/Helen Thomas/Queen Silvia of Sweden), not only performs on the world stage as “Tony Blair”, he also portrays one of Hollywood’s most widely renowned celebrities.
But before the dramatic unveiling of that shocking revelation, everyone – decades ago – may have known the notorious Mister Black in the guise of yet another of his famous fabricated character schemes, “John Taylor”, bass player of the 1980’s MTV pop band Duran Duran.
L to R: John Taylor, Charles Alden Black Junior
Ear biometric, facial recognition, and image comparison analyses also confirms that throughout his career(s), “John Taylor” (AKA Tony Blair/Charles Alden Black Junior) has also been specifically modified to portray the live-action role players of several other famous figures (fabricated character schemes) in the Hollywood music/entertainment industry. Among these: “Steven Tyler” of American classic rock band Aerosmith, the “late” “Freddie Mercury” of pomp rock act Queen, the “late” “Sid Vicious”, the heroin-addicted bass player who performed as part of the short-lived “punk rock” phenomenon the Sex Pistols, and the “late” Chris Cornell, the American rock singer who was alleged to have hung himself from a hotel showerhead.
But even deeper investigation has revealed, both of these commercially profitable institutions, the political arena and the Hollywood music/entertainment industry, while serving as experimental crucibles and think-tank laboratories for the execution of psychological operations, are also controlled by the military/industrial/complex, the CIA’s global intelligence octopus and, primarily, in the case of Hollywood, controlled by the Pallavicini, Von Furstenberg, and families genealogically related to the royal House of Saxe-Coburg-Gotha (AKA Windsor/Rockefeller/Rothschild).
It should also be noted, these three families are numbered among the majority shareholders/owners of the US corporation.
Lately – at least to anyone paying attention – “Tony Blair” has emerged, once again, on the world’s stage.
But this time, as an advocate for the success of the ongoing Covid-19 psychological operation and the complete fruition of its covert end game – per the UN’s Agenda 2030 – of globally implementing a crypto-currency (cashless) financial system based on the use of body activity, a blockchain system which will replace mobile “smart phones” as the predominant tracking system of global human resources.
In what would appear to be an unprecedented political maneuver, the governor of Ohio, Mike DeWine, has made an offer of one million dollars – along with free college tuition and other commercially-oriented perquisites – to incentivize Ohioans, especially those perceived to harbor what has been termed “vaccine hesitancy”, into willingly accepting the “coronavirus vaccine”.
One supposes, DeWine – or, rather, his masters belonging to the highest echelons of the Society of Jesus, the Jesuit order – is counting on the fact the residents of Ohio are too obtuse to have figured out that, according to page 1051 of the AMA (American Medical Association) Encyclopedia (1989 edition), the term “coronavirus” is synonymous with what was formerly known as the common cold or flu.
Indeed, Don Corleone, the fictional but ruthless mob boss of Hollywood’s ‘the Godfather’, would be proud to learn of DeWine’s clever strategy in offering the citizens of his state what was, no doubt beforehand, perceived as ‘an offer they can’t refuse’.
From all that we have learned, thus far, about the genuine motivations behind the Jesuit-executed Covid-19 psychological operation, DeWine’s proposal smacks of an exercise in cynicism, if not utter desperation.
Turns out, too, however, like Don Corleone, “Mike DeWine”, the reigning governor of Ohio, exists as a fictional character, a fabricated character scheme portrayed by a Hollywood actor.
Everyone should look very closely at the image posted below.
Has everyone seen this guy somewhere before?
Does he, at all, appear familiar?
To everyone, especially those who spent their formative years during the era of the 1980’s, the Governor of Ohio, known to the American public as “Mike DeWine”, should, indeed, appear familiar.
Immediately below, everyone shall observe a video excerpt from a popular movie of the 1980’s.
Somebody, though, should speak up and tell the high school teacher, featured in the following video clip, taking classroom role call that the location of “Bueller” has been discovered.
The Hollywood actor who was once cast in the role of “Bueller” has now been busted, caught out as the host actor (live-action role player) in portrayal of Ohio Governor “Mike DeWine”.
Yet another novel attraction has been brought into the carnival known as American politics.
Rest assured, though the American public has been repeatedly told of her glittering biographical backstory, “Kamala Harris” – recently named as the official running mate of democratic presidential nominee “Joe Biden” – is a phantom made to appear as material living color, a popular image created for the grand theatrical stage which we have come to recognize as the phenomenon of Post-Modern Reality Simulation.
Yes, folks, “Kamala” is a fabricated character scheme currently portrayed by a Hollywood actress, one who has co-starred in cinematic productions with the likes of Liam Neeson, Leonardo di Caprio, and the Jesuit trained (Fordham University) Denzel Washington.
Furthermore, there exists circumstantial evidence, her political character’s pseudonym was drawn from, or, perhaps, was inspired by the name of a fictional movie character portrayed by a child actor who, in 2019, co-starred with Kamala Harris’s host actor.
Though the “official” biographies of “Kamala Harris” tell us her racial profile derives from Indian and African-American emanations, these details have merely been scripted and tailormade for a fabricated character scheme.
In fact, as shall be proved – like Barack Obama (AKA Jerry Seinfeld) – the biographical racial profile attributed to the fabricated characterization(s) of “Kamala Harris” is fraudulent, a cynical manipulation which was designed for the purpose of political image making.