Royal Minstrel Show Still Rolling

When considering their incomparable longevity, historical place in popular music’s pantheon, the Rolling Stones could be characterized as the enduring deities of Mount Olympus among a multitude of mere mortals. Indeed, after more than fifty years of hitmaking, while having embarked upon their latest tour in 2024, the band still exudes, projects an image of indefatigable vitality, preternatural vigor. While nearly all of their remaining classic rock contemporaries wheeze like winded mules while pathetically attempting to clutch renewed glory from the past’s fading shadows, the legendary luster of the ‘glimmer twins’ – Keith Richards, Mick Jagger – remains still largely undiminished.

But by no means should this be construed as hagiography.

On the contrary, the popular music industry, controlled from the top down by the Jesuit military order (AKA Knights Templar), continues to be utilized as a soft power weapon of psychological warfare, a well- sharpened tool of population pacification, a vital but brutal instrument of sociological management. The industry’s highest profile performers, entertainers are intelligence directed assets, operatives, many of whom, including Keith Richards (AKA King Charles III) – SEE: Charles and Ted’s Not So Excellent Adventure – have been identified as hidden descendants of European royalty. Further investigation has uncovered that the other half of the dynamic rock and roll songwriting partnership known as the ‘glimmer twins’ – Rolling Stone Sir Mick Jagger – is in fact not only a hidden relation of the late Queen Elizabeth II – SEE:  Something Royally Wrong with Rally Gunman Witness , MSM Crooks Hooked Booked & Busted – but a royal Duke who for decades has effectively masqueraded as one of rock and popular music’s most renowned, iconic figures.

That is, until now.

APALACHEE & VERITONE

Before addressing the subject at hand, there is something else to first report.

While briefly viewing the MSM’s video reportage in connection to the recent “shooting” alleged to have taken place at Apalachee High School in Winder, Georgia, a discovery was made which validates a previous assertion regarding a connection between artificial intelligence and the MSM.

If there’s anyone who still doubts the hypothesis that the MSM routinely augments, modifies its audio/visual reportage with artificially fabricated images created by generative adversarial networks, perhaps the following information will persuade you to believe otherwise.

As reported upon in a previously published article concerning fabricated footage which MSM news network sources uniformly claimed depicted an ongoing “war” in Ukraine – Dead Man Blooms into Ukraine Hero – there exists significantly corroborative evidence that the MSM is in fact utilizing AI-generated image processing to reconstruct 3D models of objects and human image synthesis to produce fabricated photographs of people who do not exist and augmenting, modifying their video news presentations with AI-generated computer graphics imagery to effect greater dramatic impressions upon targeted audiences.

SEE: https://en.wikipedia.org/wiki/Generative_adversarial_networks

After viewing the footage presented by various MSM networks in the wake of the alleged “shooting” at Apalachee High School in Winder, GA, one’s analysis concludes that technologies such as generative adversarial networks were in fact employed to either augment the MSM’s video reportage or to entirely fabricate simulated footage presented as actual, organic.

But there was something else which emerged, a paramount discovery helping to confirm one’s hypothetical analysis.

As most are aware, internet site links are routinely posted in conjunction with video presentations posted on popular audio-visual internet platforms from both private content creators and official sources such as MSM television networks and their corporate affiliates. The links posted in connection to one particular video produced by CBS (Columbia Broadcasting System) News featuring a local news affiliate’s coverage of the alleged “shooting” at Apalachee High School in Winder, GA proved rather revealing, providing additional information which served to validate one’s hypothesis that AI-generated computer imaging processes and generative adversarial networks were employed.

Whenever network news affiliates post video content on any platform, it is done so in accord with permissions expressed in the terms and conditions of licensing agreements contracted with their umbrella corporate networks, other corporate entities and or private licensors. Legally, such local affiliate networks are contractually obligated to post links to the websites of those with which they’ve signed such licensing agreements.

In this case, not only were links to a major Hollywood movie studio discovered – Paramount Pictures – but to a company, Veritone, which specializes in AI-generated video production. Paramount Pictures/CBS is connected to Hollywood executive Barry Diller (AKA Prince Eduard Egon von Furstenberg/Dwight D. Eisenhower/Alfred Hitchcock/Cary Grant/Oliver Stone/Mike Nichols) who was identified as having portrayed a major role in the OJ Simpson trial simulation cast in the role of Attorney “Robert Shapiro”.

Turns out, Veritone advertises as an “Enterprise AI that makes people superhuman” and describes the nature of the company’s mission statement as: “We’re a leading enterprise AI software, applications, and service provider on a mission – advancing AI to empower people to become better.”

Or perhaps better to say – advancing AI to further empower the ruling thirteen families believing themselves to be superhuman – Saxe-Coburg-Gotha (AKA Windsor/Hanover/Rockefeller/Rothschild), Von Furstenberg, Orsini, Aldobrandini, Farnese, Grimaldi, Massimo, Pallavincini, Borgia, Breakspear, Somaglia, Colonna, Medici – to better enslave humanity.

Not only is Veritone collaboratively partnered with CBS News, the parent network of the local Georgia news affiliate which aired the aforementioned video reportage, but they are also partnered, perhaps unsurprisingly, with CNN, Bloomberg, Fox, CNBC, Amazon, HBO, ABC/Disney, FedEx, Microsoft, FBI, DOJ (US Department of Justice), Sony Pictures, and State of California’s Department of Corrections and Rehabilitation.

JAGGER & LONDON’S SCHOOL OF ECONOMICS

Sir Mick Jagger matriculated at London’s School of Economics; an institution founded by the Fabian Society; a multi-national think tank which is now working to implement UN Agenda 2030/2050 and its seventeen ‘sustainability’ goals. Economics is synonymous with banking and central bankers whom, in turn, work hand in glove with the military-industrial-intelligence complex controlled from Vatican City by the Jesuit’s military order of the Society of Jesus.

It could be said that, within the context of psychological warfare, while it is the bankers – City of London’s Crown Temple, Swiss banking consortium, managers of the BAR/legal system governed by Admiralty Law, central planners of the prevailing global economic system – who wield their monopolistic dominance over the creation of currency like a loaded machine gun held to the submissive heads of human resource populations to control them, it is to the military-industrial complex and to the multi-national pharmaceutical-medical-corporate cartel who they issue orders to pull the trigger when their accounting balance sheets indicate that it is necessary for human resource population numbers to be strategically reduced.

During the early twentieth century, the Fabian Society was begun by a group of self-proclaimed ‘elite’ British intellectuals, including the playwright George Bernard Shaw and futurist author H G Wells, both of whom were advocates of a centrally controlled technocratic future for mankind cloaked in the innocuous mantle of secular humanism.

Not surprisingly, therefore, the covert nature of the Fabian’s and their incremental method of operation is symbolically represented by a logo decorating a coat of arms which features a predatory wolf disguised as a meek sheep. Though the Fabian’s have been historically credited with having influenced, perhaps even created what came to be known as the British Labor party, and that its chartered members traditionally harbor socialist ideological convictions, these ideological trappings are merely utilized as an opportunistic facade, a systematic pandering to acquire sympathetic support among the British working and lower middle classes for Fabian policies and in doing so, gaining the necessary political momentum in moving towards the achievement of their long-term social, political objectives. If the study of history has proved anything, it is that political ideologies, in whatever form they appear, whether positioned on the political left, right, are merely grand dialectical instruments, in the manner of a militarized pincer maneuver designed to entrap, immobilize an enemy, to position the collective masses more firmly under the ruling family’s monopoly umbrella of hegemonic control. The Fabian’s methodical approach in this regard – patient, gradual applications of long-range planning – was said to have been inspired by the unorthodox exploits of the Roman military general Quintus Fabius Maximus, nicknamed the “Delayer”, who, when faced with achieving victory over a superior enemy, the invading armies of Carthage led by Hannibal, utilized Fabian tactics in strategizing gradual victory through persistence, guerilla styled harassments, and bogging down his enemy by attrition rather than engaging in pitched, climatic battles.

London’s School of Economics’ motto – ‘To understand the causes’ – derives from a Georgic of classical Latin verse composed by the Roman poet Virgil thought to have been inspired by the ancient Roman philosopher Lucretius whose work later influenced not only the development of religious humanism during the historical period known as the ‘Enlightenment’, but still later, in the modern era, developed into secular humanism, the latter-day advocates of which have fallen into line with a rigid, intractable consensus supporting the implementation of a global income tax (carbon/social credit system), population stability (population reduction/human resource genocide), scientific rationalism (eradication of human free will/political/social dissent), system of world law (court rulings/decisions made by artificially intelligent ‘virtual judges’), environmental protection (geoengineering), and a world parliament (global technocracy governed by artificial intelligence).

From a larger historical perspective, it is within this Fabian philosophical milieu which the “counterculture” of the 1960’s was spawned and operated, and in which the Rolling Stones and Sir Mick Jagger were cast to play a major role as cultural agitators, influencers. While superficially the counterculture was sold as a revolution of sex, drugs, and rock and roll, covertly, it was a well-plotted psychological operation executed by the military-industrial-intelligence complex which, through the liberation of primitive, sensual urges, desires in the form of incapacitating drug consumption, sexual promiscuity, sought to enslave the souls of impressionable youth, transforming them into politically pacified, conformist consumers of commercially promoted, marketed popular music, fashion trends.

While the youthful masses were deceived by myths of freedom, liberation through rebellious behaviors, they had only succeeded at becoming entrapped in their own self-destruction while marching in obedience to the London School of Economics influenced, Fabian-styled, covert objectives adopted by corporate governments against which they were attempting to rebel.

Meanwhile, during this era, Mick Jagger and his Rolling Stones, a moniker fashioned in tribute to the stone builders of freemasonry, emerged as a very rich, famous, and legendary popular music hitmaking parade. Today, the counterculture is dead, but thanks to the staunch, unshakable consumer brand loyalty of that nostalgia-driven generation which came of age during the ‘peace’, ‘love’, and ‘flower power’ era of the 1960’s, Mick and his Stones still live on.

REDLANDS GOES BUST

Over the decades, much has been written about Jagger and Richards and their involvement in a well-publicized drug bust at the hands of the London police led by the infamous Detective Seargeant Norman Pilcher, a character who was satirized in the Beatles’ song ‘I am the Walrus’. However, upon further investigation, it becomes apparent that this event which took place in late July of 1967 at Keith Richards’s cottage residence, Redlands, in Sussex, a house that was said to have once been occupied by Anne Boleyn, the ill-fated wife of King Henry VIII, was nothing more than a staged media event. The first narrative element to be considered is that “Keith Richards”, Rolling Stones’ guitarist, is a fabricated character scheme portrayed by Prince Charles, who was then, of course, the heir to the British throne.

In the first pair of images in succession, matching elements of the respective facial geometries are indicated with arrowed red markers. Not only does comparative ear biometric analysis demonstrate that the respective ears are identical, but comparative facial recognition analysis demonstrates that the respective brows, brow ridges, eyes, jawlines, philtrum, and lips are identically proportioned, aligned. In the second pair of successive images, teeth analysis indicates the respective central, lateral incisors, and cuspids are identically aligned. Facial recognition analysis demonstrates that the architectural, epidermal structures of the noses and nasolabial folds are identical while ear biometric analysis indicates that the respective epidermal structures of the inner ears and lobes identically align.

Considering the hidden identity of “Keith Richards” (AKA Prince Charles/royal House of Saxe-Coburg-Gotha) positions the alleged “drug bust” at Redlands, Sussex into an entirely different context. Legally, from the standpoint of Admiralty Law, British royals are sovereign and police, judges presiding over courts, barristers are their subjects, crown agents. According to some MSM sources, reporters from the British tabloid News of the World were assembled outside Richards’s residence even before Detective Sargeant Pilcher and his gaggle of officers from the London police arrived to serve a warrant and conduct their search of the premises. As for Jagger, he was alleged to have been arrested for possession of amphetamines, and after reportedly serving three days, nights in jail, he was summoned by Granada Television’s John Birt to conduct an interview on the British network’s World in Action program at an undisclosed location with the London Times’s William Rees Mogg, Lord Stow-Hill (Frank Soskice), and Father Thomas Corbishley, a Jesuit priest.

All of these “establishment” figures had something in common: They had connections to colleges on the campus of Britian’s prestigious and exclusive Oxford University. As pointed out in a previous article, Tavistock’s Institute of Human Relations, Britian’s psychological operations hub working in tandem with MI5, MI6 was founded on the Oxford campus in the early twentieth century.

Granada Television’s John Birt – later known as Lord Birt – was a graduate of Oxford’s Saint Catherine’s college. Both Rees-Mogg and Lord Stow-Hill were graduates of Oxford’s Baliol college, while Fr. Corbishley was Master of Oxford’s Campion Hall. Wikipedia confirms, “Campion Hall hosts the Jesuit academic community within University of Oxford and has an international student body, admitting graduate students in Humanities and Social Sciences and occasionally other disciplines.”

Decades prior to his television interview with Jagger, Lord Stow-Hill (Soskice) had been made a barrister or esquire, called to the City of London’s Inner Temple. Granada Television’s Birt not only went on to work in a head administrative position with the BBC, but he was also appointed to a cabinet post at Ten Downing Street by PM Tony Blair. In addition to being identified as a modified fabricated character scheme portrayed by Charles Alden Black Jr., the son of Hollywood child star Shirley Temple Black (AKA Jaclyn Bouvier Kennedy Onassis/Marilyn Monroe/Judy Garland/Madeleine Albright/Helen Thomas) and a serial perpetrator of Post-Modern Reality Simulation, “Blair” is also a member of the Fabian Society. While Jagger’s interview was subsequently framed by the MSM as a unique opportunity for high-ranking members of ‘The Establishment’ to begin to understand the nature of the counterculture, on the contrary, the entire scenario – the “drug bust”, subsequent arrests, and Grenada Television’s interview featuring Jagger shortly thereafter – was a preplanned media-generated theatrical charade staged with ulterior motives.

To make the elaborate ruse even more convincing, it was necessary to place a high- profile intelligence operative and culturally influential entertainer, “Mick Jagger”, before the television cameras, with a Jesuit inquisitor, Fr. Thomas Curbishley, present and serving as master of ceremonies, in order to help further promote, sell the Fabian’s covert agenda to impressionable British youth, the population demographic at which the counterculture psychological operation was targeted.

BEAU BRUMMEL

Yet another prominent figure involved with the Rolling Stones’s alleged ‘drug bust’ scenario was Christopher Gibbs, a confidant of Jagger’s and a noted London art and antique dealer hailing from British aristocracy. Gibbs was credited with creating the image of 1960’s “Swinging London” through his influence on the British men’s fashion business. Jesuit/CIA-controlled New York Times once described Gibbs as “a man of infinite taste, judgment and experience, the one who introduced a whole generation to the distressed Bohemian style of interior design.” Some among the British press described Gibbs as a ‘dandy’, a modern-day Beau Brummel, in reference and in comparison, to an influential British courtier who was, for a time, a close friend and confidant of British Prince Regent George IV of Hanover during early nineteenth-century England and considered to be an arbiter of popular men’s fashions throughout Europe.

As for Gibb’s dealing in classical art and antiques, these business activities have been found to be connected both with money laundering and to the global narcotics trafficking trades controlled by the Jesuit’s alphabet-lettered international intelligence octopus, including MI5, MI6, CIA, FBI, and Mossad.

The buying and selling of both classical and oftentimes modern art, antiques among European aristocratic peerage and even royals is utilized as a smooth but covert method of operation to legitimize funds, profits procured through the shipping, distribution, and handling of trafficked narcotics. Once these funds have been laundered, legitimized through the sale of classical and modern art/antiques, either through auctions at Sotheby’s or private sales at shops owned by intelligence assets such as Gibbs, the profits are parked in numbered, private accounts at Swiss banks affiliated with the Swiss banking consortium and or placed into private, untaxable trust funds made legally immune from audits.

Gibbs’s father was the Honorable Sir Geoffery Gibbs, inducted into the prestigious Order of Saint Michael and Saint George while his mother, Helen Margaret Leslie was inducted into the Order of the British Empire. Gibbs is also related to Herbert Gibbs, 1st Baron of Hunsdon, and to sibling Sir Roger Gibbs, founder of the Wellcome Trust connected to multi-national pharmaceutical giant Glaxo-Smith-Kline, makers of lethally poisonous Covid-19 “vaccines”.

But it was Christopher Gibbs, shortly after the media buzz surrounding the Rolling Stones’s “drug bust” at Redlands, Sussex ebbed away the following year in 1968, who was reportedly responsible for procuring the legendary pop/rock group’s new business manager – Prince Rupert Lowenstein.

‘RUPIE THE GROUPIE’

Prior to his long-time professional involvement with the Rolling Stones as the group’s business manager, Prince Rupert Lowenstein – nicknamed ‘Rupie the Groupie’ – was renowned as a merchant/investment banker, expert at the business of currency exchange and creating tax shelters for his clientele consisting of British aristocracy. Not surprisingly, Lowenstein, a former scion of the royal Bavarian houses of Wittelsbach-Wertheim, was educated at Magdelene College, Oxford University.

The official story informs that “Mick Jagger” was introduced to Lowenstein through Christopher Gibbs.

At that time, along with “Keith Richards” (AKA Prince Charles), Jagger was reportedly dissatisfied with the management of the Rolling Stones’s business affairs, then handled by Allen Klein who was simultaneously managing the group’s popular music industry rivals, the Beatles.

But upon further investigation, it became clear something was amiss with “Allen Klein”.

Comparative ear biometric, facial recognition, and image comparison analysis demonstrate that “Alein Klein” was a fabricated character scheme modified from 1950’s ‘Rat Packer’ and hammy lounge singer/Hollywood B movie star/comedian Dean Martin who was formerly partnered with iconic comedian/Hollywood movie director Jerry Lewis AKA Spiro Agnew, former U.S. VP under Richard M. Nixon (AKA Warren Beatty/George Hamilton/John McCain/Rudi Juliani/Colin Powell/alternative-media guru Jim Fetzer).

Lewis (AKA Agnew) is the hidden father of 1960’s legendary folk-rock singer Bob Dylan (AKA Gary Lewis/Hollywood movie director George Lucas).

In the following pair of images, when examined closely, everyone will notice that both Martin and Klein have an identically placed epidermal striation – indicated with arrowed red marker – near the top portion of the respective earlobes.

Below: Alein Klein, Dean Martin

After Jagger agreed that Lowenstein should assume control over the Rolling Stones’s business affairs, the prince created foreign tax shelters both in France and at various other offshore locations. Lowenstein also copyrighted the band’s famous logo – an enlarged pair of lips featuring a protruding red tongue, a covert symbolic representation of the Hindu goddess Kali, the Destroyer – to increase merchandising revenues, and finagled greater appearance/performance fees and gate receipts from stingy, tight-fisted concert promoters. In essence, Lowenstein’s business acumen is credited with making the Rolling Stones in to not just a profitable enterprise branded as the “world’s greatest rock band” but also the richest.

But it may not have been merely Lowenstein’s keen head for business alone which secured him the job as the band’s business manager.

Further genealogical research into Prince Lowenstein’s family unearthed an even more significant royal connection.

Given the hidden royal identities of both “Keith Richards” and “Mick Jagger”, it was indeed no coincidence to have discovered that Lowenstein’s daughter, Princess Dora, is wed to Count Manfredi della Gherardesca, a 12th century noble Italian clan connected to the powerful Guelph family of Holy Roman emperors which, in turn, is genealogically connected to not only the Von Furstenberg, Dukes of Swabia, to the Grimaldi of Monaco whom originally emanate from ancient Genoa, but also – surely, everyone has by now surmised it – to the House of Saxe-Coburg-Gotha (AKA Windsor/Hanover/Rockefeller/Rothschild), the very royal house to which “Keith Richards” (AKA King Charles III) and “Mick Jagger” (AKA Prince Michael, Duke of Kent) both belong.

MICK=PRINCE MICHAEL

Comparative ear biometric, facial recognition, and image comparison analysis definitively demonstrate that from the very beginning of his long career in the popular music industry, Rolling Stone (freemason) “Mick Jagger” was created as a media-generated fabricated character scheme, a covert British intelligence asset portrayed by Prince Michael, Duke of Kent, cousin to the late Queen Elizabeth II (AKA Lucille Ball/Jean Hill).

Furthermore, meticulous examination of Michael’s images indicates his beard and mustache are strategically applied attachments, Hollywood-styled props which the duke also dons when he is modified into another fabricated character – alternative-media guru “Max Igan”.

As evidenced by the image posted below, when modified into “Max Igan”, not only does Prince Michael, Duke of Kent (AKA Mick Jagger) don a fake mustache and beard, but generous portions of stippling are also strategically applied to the nose to better distance the royal host actor (live-action role player) from the modified fabricated character scheme and to frustrate any attempts at detailed facial recognition analysis.

As everyone has readily surmised from his masonic regalia, Prince Michael, Duke of Kent (AKA Mick Jagger/Max Igan) is a high-degree freemason whose brother, Prince Edward, Duke of Kent (AKA Lord Jacob Rothschild) is currently the Grand Master of the United Grand Lodge of England.

Below: Mick Jagger, Prince Michael, Duke of Kent