It is no coincidence that those in positions of high-profile politics are also Hollywood actors and popular music stars, those whom have been thoroughly trained – in many cases from childhood while in attendance at the world’s finest performing arts schools – to seduce and hold an audience’s attentions captive.
Neither is it coincidental, these same popular entertainers are also descendants of the thirteen, ruling elite Jesuit families, those whom are also the owners of Hollywood’s largest movie production corporations and of the US corporation.
The White House and, to a larger extent, the entire American political complex, is nothing more than a movie set, designed as a theatrical set piece.
The president, or commander-in-chief, is nothing more than a high-level and high-pressure salesman portrayed by an actor, hired to sell policies to the general public, the planning, execution, and implementation of which are decided upon by the president’s masters, the Jesuit order in Rome, many of whom also reside at Georgetown University, CIA headquarters, and at the Pentagon.
All of these institutions exist as Jesuit military fortresses and war rooms.
According to Wikipedia and other “official” biographies, “Bill Clinton” attended both Georgetown University (a Jesuit-founded institution) and Yale University, the home of the notorious masonic-oriented fraternity Skull and Bones.
During the era of the 1990’s, “Bill Clinton” was “elected” to serve two consecutive terms as “president” of the US corporation. Though his eight-year presidential tenure was marred by controversy – the “Monica Lewinsky” scandal, for example – “William Jefferson Clinton” is still considered, due to the congenial and gregarious demeanor he often publicly displayed, to have been one of America’s most popular chief executives of the modern era.
But as shall soon be proved, Clinton’s entire tenure as US president, while basking in the public limelight, was a well-scripted theatrical canard, and acted out by a well-trained and experienced performer in the Hollywood television and music industries, corporate assets of which the host actor’s royal family – royal House of Nassau-Wellberg and House of Bourbon-Parma – also happen to be majority shareholders.
It is also no coincidence, the country where this royal family resides – Luxembourg – is well-known as an off-shore banking haven for tax-free hidden assets and the proceeds from American campaign contributions which violate campaign finance laws.
Nevertheless, at least for those numbered among the royal ranks of the thirteen Jesuit families, laws are made precisely so they can be summarily broken.
Their masses of royal subjects, whom are legally owned in abject and terminal slavery, are, of course, held to a different standard and must unquestioningly abide, or else.
In fact, the royal host actor (live-action role player) who portrayed the ex-American president known to the American public as “William Jefferson Clinton” has deep genealogical connections to America’s ‘founding fathers’ and to royal figures of the distant past, stretching back to the year 1066.
The entire “Monica Lewinsky” scandal – which, at the time, was said to have marked a blight on Clinton’s presidential legacy – was purposefully designed by the Jesuit order – whom, for centuries, have been the undisputed masters of psychological warfare – as a moral, sociological, and psychological behavioral beta test.
In retrospect, this “scandal” tectonically shifted the accepted sexual, moral, and behavioral paradigm of traditional marital relations, and also served to negatively chip away at the already crumbling moral foundation of the American nuclear family.
Before then, and very soon after Clinton’s inauguration in January of 1993, the infamous “siege” at the Branch Davidian compound in Waco, Texas took place.
Turns out, upon further investigation, the media-created boogeyman protagonist for that concocted news story, “David Koresh”, also existed as a purely fabricated character scheme.
Ironically, the results of image comparison, ear biometric, and facial recognition analyses have confirmed “David Koresh” was portrayed by the identical royal host actor – the very same European royal – whom still, to-this-day, portrays ex-US president “William Jefferson Clinton”.
Still later on, during Clinton’s tenure, came the “bombing” of the Murrah Federal Building in Oklahoma, yet another government created and executed psychological operation which had the intent of cementing the idea of “domestic terrorism” in the minds of the American general public, and to siphon more tax dollars for the creation of an even larger national security apparatus.
Nevertheless, most Americans, especially those belonging to the ‘baby boom’ generation, had seen the face of “Slick Willie” on television before, and long before he ever appeared as a major figure on the grand stage of American politics.
As everyone, by now, is likely to be aware, the man known to the American public as “Bill Clinton” most recently appeared in a bit of sanctimonious and emotionally cloying Covid-19 propaganda, urging Americans to get vaccinated.
But this, after all, is not wholly unsurprising.
The Bill and Melinda Gates Foundation happens to be the largest contributor to the Clinton Foundation’s coffers.