Tag: Ann-Margaret

The Queen of Rock still lives?

The Queen of Rock still lives?

America’s obsession with the tragic deaths of young entertainment stars has become a persistent pastime.

When rock and roll was still a young art form – and for a time, during an era when some would say America was still innocent – there seemed to be no bigger superstar in the world of popular music entertainment than Janis Joplin; a raspy voiced blues belter whose tragically abbreviated period while basking in fame’s fickle limelight seemed – at every turn – to skirt tragedy’s perilous ledge with reckless abandon.

One’s loyal readers will soon learn, however, we’ve not only discovered that yet another iconic show business character was portrayed by one of Hollywood’s most famous host actors, but we’re also about to discover, Janis Joplin was a European royal in disguise. Continue reading “The Queen of Rock still lives?” →

The Rockefellers and Their Phony Feminists

The Rockefellers and Their Phony Feminists

With all the divisive and volcanic rhetoric bandied about concerning the issue of gender-identity and gender politics, this installment shall prove especially noteworthy, and as usual, perhaps even controversial.

But as loyal readers have surely come to learn, the sinister concept of political correctness – due to its deceptively Orwellian nature – merely represents a barrier to penetrative analysis and ultimately, free thought.

Any such barriers deserve to be utterly smashed to bits.

What if one was to learn that the radical feminist ideology and its recent offshoot movements currently tearing the West asunder (i.e. #MeToo, Times Up, etc. etc.), were artificially created for ulterior commercial purposes and upon false premises, and that some of the earliest and most staunch proponents of this paradigm changing social movement during the era of the 1970’s were nothing more than artificially created social agitators spewing lines from a script handed to them by a queue of intelligence masters at Langley.

Furthermore, what if a case could be made that renowned feminists Claire Booth Luce, Gloria Steinem and Dame Rebecca West –  the first of which was a figure from Hollywood’s golden era while the latter two were European royalty in disguise – were portrayed by actors and all continue to be an integral part of the maintenance of the post-modern phenomenon known as the actor-based-reality?

Moreover, what if it could be determined beyond shadow of doubt that all were characters and in fact nothing more than straw parties – a trio of theatrical props set up and funded by that ubiquitous and prominent family of merchant bankers, the Rockefellers – designed to carry out the sinister objectives of an agenda clandestinely driven by the ulterior and commercially profitable motivations of the thirteen, ruling elite Jesuit families?

Stay tuned folks, as we once again dare to tear the veil of illusion aside, and proceed to cast the detritus of imposed popular perceptions into the four winds.

Oh, and there is a Sandy Hook connection!

Continue reading “The Rockefellers and Their Phony Feminists” →

Kim Kardashian: Behind The Hollywood Mask

Coming up very soon after this installment, loyal readers will not want to miss the results of the author’s investigation into the most recent mass casualty event in Christchurch, New Zealand (Christchurch/Christ consciousness/CC=33/high-degree Scottish Rite Freemasonry/sums to 138 in English Ordinal gematria/12/21/777/ intelligence joker code).

Guaranteed, that installment shall prove to be filled with shocking revelations left unconsidered by other alternative news researchers, most of whom are insipidly labeling the event as either a “false flag” or have inexplicably decided to invest credulity into some aspects of the “official” narrative spun by the MSM media sorcerers.

As one’s loyal readers have come to learn, many of the biggest stars of stage and screen – both past and present – are not at all who they claim.

In a uniquely post-modern sense, each is a willful participant in a CGI-driven conversion scheme of deliberate identity fraud and, in many cases – due in part through both contractual obligation and genealogical relations – are strategically utilized to not only garner perpetual profit streams for their Templar/Jesuit/Masonic masters, but to bring forth the sinister and often perverse social and political goals of the thirteen ruling elite families who have long monopolized the entertainment industry.

The subject of this installment, while she no doubt still represents a cornerstone of 21st century Western pop culture, is a fraud with links to not only the monolithic mainstay of the corporate industrial/entertainment complex, Disney, but links to Hollywood executive titan, David Geffen, and the royal European House of von Furstenberg. Continue reading “Kim Kardashian: Behind The Hollywood Mask” →

8 Mile Slim is very shady

Once again, the author wishes to express his sincere gratitude for those who have most recently decided to become followers here at Newsspell.

If you’re a new arrival, you’re in for quite an introduction.

In a recent installment concerning the renowned pop music career of Madonna, one identified Hollywood and Broadway legend Ann-Margaret as a hidden family member, most likely her mother. In expanding one’s research, it seems Madonna has additional family relations, relations which have also been renowned as award winning stars in the contemporary music industry. These shocking revelations support one’s ongoing hypothesis that for decades, and perhaps since its inception, the American music industry has been monopolized by nepotism.

Admittedly, the recent media hoopla – which is no doubt completely drummed up –  between Eminem and music industry upstart Machine Gun Kelly served as a catalyst for the author to delve even further.

Once again, one shall present a well-known performer who was touted as having been plucked from the dregs of obscurity while struggling as a young artist in the trailer parks of a Detroit ghetto known as 8 Mile before eclipsing fame and fortune’s elusive mantle. But it turns out, this wasn’t so, and like Madonna and her mother Ann-Margaret, this particular performer was not only born into wealth and privilege, but also portrayed multiple personas within the music industry.

Loyal readers shall readily recognize his name, and the name of yet another famous, though controversial pop music industry personality he flawlessly but secretly portrayed during the decade of the 1990’s and proceeding well into the new millennium.

Having been born into wealth and privilege rather than working-class drudgery, this performer, like others of his ilk and his famous family members, was most likely trained from the earliest age and at the finest and most prestigious performing arts institutions before appearing onstage and on record to receive widespread fame and popularity.

And, before he became known as one of the music industry’s premiere performers and one of the most controversial stars in not only the genre of hip-hop but in the popular genre of alternative rock, he started off his skyrocketing career as a teen idol, known to his rabid teenage female fans as Leif Garret.

In fact folks, this former teen idol’s stage name exists as a primary clue as to the host actor’s actual genealogical identity, a stage name he used long before going on to portray other famous music industry personalities. Minus the letter M (=3/33), the name of Garret turns out to be a clever anagram for the pseudonym of the former teen idol’s legendary family relation: Garret (Margaret)

Prepare yourselves folks, because it only gets wilder from here! Continue reading “8 Mile Slim is very shady” →

Real deal about 80’s “Material Girl” (Part II)

Though not necessarily germane, allow this short preamble to remain illustrative of the lengths the so-called authorities will go to discredit those that attempt to tell the truth about the money grubbing tax driven protection rackets and goon squads respectively disguised as local governments and law enforcement. Apparently, the local police, in cooperation with their clandestine trolls, have seen fit to put my personal email under surveillance and hijack my personal information.

In doing so, they have evidently utilized that personal information to covertly sign me up at various pornography and dating sites, of the sort where barely legal local girls post photographs of themselves in the buff. No doubt, this is a puerile, and illegal attempt at entrapment. One’s spam folder has been harassed with emails that the author immediately throws in the trash. Alas, though one has since endeavored to take extra precautions in an effort to stymie such cowardly efforts, the harassment continues seemingly unabated. Wherever one goes, one has been gaslighted by town construction vehicles, ambulances, patrol cars and at home, harassed with prank phone calls on a regular basis from unfamiliar phone numbers originating from sources that appear to be immediately untraceable.

Suffice to say, one knows  from where these efforts derive, and the precise individuals involved – certain individuals belonging to the local mason hall and either directly or indirectly involved with the staging of a fake crisis event here in my hometown at the local high school. In short, they are positively frightened one is able to maintain this forum, and armed with certain information referred to in a past installment (See: THE TERRORISTS ARE HERE AT HOME), they are worried about exposure. But, this is the price one pays when one endeavors to tell the truth. That’s right folks, if these vermin can’t find anything at hand to discredit you, then they will make it up.

At any rate, thanks for your patience – and now on with the show, as it were.

In the last installment concerning 1980’s pop music superstar Madonna, one began to float the hypothesis that the family members shown to appear in her documentary expose, Madonna: Driven, may have been actors posed as family members, and that one of those alleged family members, may have been portrayed by the legendary star of  Broadway stage and Hollywood screen, Ann-Margaret.

Could it be, that Ann-Margaret is our Material Girl’s actual mother hiding behind the veil of a carefully crafted pseudonym?

The conclusion at which the author has arrived may not be surprising to those who are regular visitors. Nevertheless, such conclusions may seem shocking or even implausible to those who may be new comers to the material found here at Newsspell. Those numbered among the latter, however, should consider the empirical and photographic evidence that may not only prove one’s hypothesis to be correct, but added to those considerations, one believes to have uncovered yet another genealogical connection between American pop music’s glitterati and old European bloodlines. Continue reading “Real deal about 80’s “Material Girl” (Part II)” →