As Chairman of the Planetary Society, Neil DeGrasse Tyson has assumed the mantle of public science communicator which, over two decades ago, was left vacated by the death of the legendary Carl Sagan.
Perhaps, it is better to say, like his mentor, Sagan, Tyson is renowned for his ability to make the esoteric sciences appear palatable and even comprehensible to the American public.
Since the beginning of his career in the science community during the era of the 1990’s, Tyson has made several high-profile television appearances, most notably as the host of PBS’s Nova Science Now. Tyson has also been the author of several books and articles on the subject of astrophysics and, in 2001, was appointed by President George W. Bush (AKA Brian Williams/Joe Biden/Prince Stefano Casiraghi Grimaldi of Monaco) to serve on the Commission on the Future of the United States Aerospace industry and, in 2004, served on the President’s Commission on Implementation of United States Space Exploration Policy.
But when the “science” career of “Neil deGrasse Tyson” is examined much more closely, it becomes quite evident, the great majority of Tyson’s career has been devoted to either the hosting of slickly produced television programs or as an appointee to vaguely entitled government panels created as promotional vehicles for NASA, a taxpayer funded organization, which, in turn, falls under the rubric of the US corporate government’s Department of Defense.
Examination of Tyson’s “doctoral thesis” reveals a gumbo of inspirational pop-astronomy and theorized assertions created to appear authoritatively plausible.
In the case of iconic Hollywood actor Charlie Sheen (AKA Corey Feldman) there can be fewer examples of greater irony.
Some time ago, as everyone may be aware, the actor known as “Corey Feldman”, the fabricated character scheme portrayed by Charlie Sheen, went on record, threatening to expose the seedy underbelly of Hollywood’s hidden pederasts. “Corey Feldman” even went so far as attempts to solicit funds for a documentary expose which, he promised, during several high-profile interviews, upon its release to the public, would serve to shed devastatingly revelatory light on Hollywood’s covert cabal of pedophiles. Among these, “Feldman” claimed, existed some of Hollywood’s most prominent and influential figures, executives, and even film directors.
Alas, Feldman’s expose has yet to see the light of day.
Nor, is it ever likely to.
It seems probable, Feldman’s (AKA Sheen) “film project” was designed as a cruel deception, merely more distractive noise generated and promoted by the MSM.
This is a standard and time-worn tactic of psychological operations: placing a fabricated cult of personality at the forefront of a social movement – controlled opposition – to co-opt, dissuade, or even to mitigate the further development and organization of genuine grass-roots motivated movements which are perceived as potential or even genuine threats to the hegemonic status quo of the thirteen, ruling elite Jesuit families.
The other grand irony of this scenario: not only is “Corey Feldman” a fabricated character scheme, the father of his host actor (live-action role player), Charlie Sheen, was the chief editor and executive founder of – what was for decades – a popular men’s publication filled with soft-core pornography.
From L to R, Hugh Hefner, Charlie Sheen, Corey Feldman
As everyone is about to learn, Sheen’s (AKA “Corey Feldman”) secret father, in fact, was himself no stranger to the phenomenon of Post-Modern Reality Simulation.
As confirmed by ear biometric, facial recognition, and image comparison analyses, Sheen’s (AKA Corey Feldman) father was known as “Hugh Hefner”, America’s primary purveyor of commercially peddled soft-core smut.
“Hefner”, however, as confirmed by further and extensive ear biometric, facial recognition, and image comparison analyses, was also known, during the era of the 1950’s forward, as Pat Boone, a successful pop singer/”B” Hollywood movie actor, who, even more ironically, was reputed to cultivate the public image of a god fearing “Christian”.
From L to R, Pat Boone, Hugh Hefner, Charlie Sheen, Corey Feldman
But as everyone shall also learn, the king of soft core smut Hugh Hefner (AKA Pat Boone) has a fascinating genealogy which connects him to William Bradford, the former governor of Plymouth Colony, established in the 17th century.
Through an extensive study of William Bradford, it was discovered Hefner (AKA Pat Boone) has connections to King Edward VII of England (AKA Teddy Roosevelt/J.P. Morgan Senior), to Alistair Crowley (AKA Winston Churchill), to 1960’s counter-culture LSD guru Timothy Leary, and to the history of Crown Temple in the City of London.
Organized religion – it has often been said – is the opiate of the masses.
Here, in America, the predominant religion of the masses has become professional sports entertainment or, as it was known during the era of imperial Rome, “Bread and Circuses.”
As is well-known, every religious cult has an underlying governing philosophy, dogma, or doctrine.
Such centralizing doctrines are administered to the congregation of cult members by pastors or high-priests. Or, in the case of the church of sports entertainment, by television analysts and commentators, most of whom were formerly professional athletes. “Howard Cosell” – the obstreperous and opinionated sports television commentator of decades past – once derided this specialized class of sports “journalists” as the “Jockocracy”.
As most of this site’s regular visitors may recall, “Howard Cosell”, the former host of ABC’s Monday Night Football, was identified as a fabricated character scheme portrayed by Hollywood actor Rod Steiger.
But no religious doctrine would be completely solidified without a unifying or centrifugal charismatic figure.
In the religion of Christian fundamentalism, there is the figure of Jesus Christ.
In the universalist religion of the Catholic church – controlled by the Jesuit order or Society of Jesus – there are venerated figures elevated to sainthood such as Mother Mary, the exoteric version of the esoteric or occult figure known as Isis or Sophia.
The religious cult known as sports entertainment has its own “saints” or charismatic figures – star athletes – who are fawned over and virtually worshipped by those known as “fans”.
These cult worshippers known as sports “fans” are a relatively modern-day sociological phenomenon.
This commonly expressed vernacular – ‘fan’ – exists as an abbreviated form of the term fanatic or fanaticism.
According to Webster’s dictionary, a ‘fanatic’ is defined as follows, 1.) disapproving: a person exhibiting excessive enthusiasm and intense uncritical devotion toward some controversial matter (as in religion or politics), “a religious fanatic (=extremist), the fanatics are convinced they are serving a righteous cause and that all means are justified…”
How many of your friends, family members, or co-workers – whether relating to politics, religion, or sports – would the above definition – as so expressed – appropriately apply?
Turns out, it is just this sort of uncritically devoted fanaticism which has blinded America’s legions of sports fans to its fabricated and utterly scripted theatricality.
Remarkably, this overt fanaticism has also blinded a majority of those congregated among America’s cult of sports entertainment worshippers from noticing an alleged “dead” man is now playing in the NFL.
Also, fans of the cult of sports entertainment have yet to realize one of the NBA’s major stars – Lebron James – was formerly known by another name which, not so long ago, became superlatively renowned in the world of professional sports.
Those who own and collectively control the profitable business of sports entertainment (the Society of Jesus or the Jesuit order) have informed its fanatical legions – in the form of a legal disclaimer printed on ticket stubs and in the form of an official judgement issued by a US Circuit Court of Appeals Judge – of the true nature of professional sports and, specifically, that of the NFL.
In the case of the NFL, the league is only legally required to present their “fans” with a license (i.e. ticket) to observe an entertainment spectacle, but it is not legally required to officially sanction or provide its ‘fans’ with a legitimate sporting contest.
Apparently, in view of this fact, the NFL reserves the right to draft or contract “athletes” (actors) who, allegedly, have been reported as officially “dead”, and to also recycle athletes under the guise of pseudonyms to satisfy profitable motives.
Does the NFL athlete observed in the image above appear eerily familiar to everyone?
Perhaps, everyone has seen this particular athlete don another professional league’s uniform, one which might be more familiar?
But Hollywood, the entertainment capitol of America, has never been what it appears to be.
Hollywood is a grand tool utilized by the thirteen, ruling elite Jesuit families to implement psychological operations.
Its “celebrities” are also merely tools, experimental models used to dispense Pavlovian-styled behavioral modification upon their legions of blind worshipers among the American general public.
Most, if not all, of these “celebrities” aren’t real, and only exist as carefully-crafted personas and well-managed and meticulously designed images – such as the Hollywood filmmaker known as “Tyler Perry” – which are blindly consumed and even admired by the public.
Furthermore, as we’ve learned through the process of in-depth investigation, not only do most of those known as Hollywood’s “celebrities” exist only as fabricated character schemes acted out by live-action role players, many of Hollywood’s “stars” have been identified as royal descendants of the thirteen, ruling elite Jesuit families.
These families not only own and control Hollywood, but, as well, own and control the US corporation.
Most recently, Hollywood’s prestigious Academy saw fit to bestow “Tyler Perry” with a ‘Humanitarian’ award.
Everyone may now be aware, before the commencement of the 93rd (12/21/777/Alistair Crowley’s joker intelligence code) Academy Awards – Hollywood’s annual ceremony of narcissistic self-congratulation – hordes of homeless vagrants were forcibly removed from the premises of Union Station in Downtown Los Angeles.
Yet, one should expect, those among Los Angeles’s homeless are the very same Hollywood’s “celebrities” claim suffer from a lack of “representation” and “equitable” consideration.
One of those “celebrities”, attending this year’s Academy Awards, was “Tyler Perry”, who, after being called to the podium to accept The Jean Hersholt Humanitarian Award, delivered a rousing but platitudinous speech denouncing “hate”.
As for the plight of the homeless, those forcibly removed from the premises – one supposes, so the pristine red carpet wouldn’t be sullied – they went unmentioned by Perry during his speech.
Furthermore, not one of those among Perry’s fellow “celebrities” – those also remaining unaware of their insufferable penchant for regurgitating honeyed and politically correct buzzwords – seemed to be bothered taking any discernable notice of this glaring irony.
On the night of September 7, 1996, the MSM reported that Tupac Amaru Shakur – born, according to Wikipedia, Lesane Parish Crooks – was shot and killed by an unknown assailant after attending a boxing match in Las Vegas.
However, as has been proved time and again, when it comes to pop stars, sometimes they die, resurrect, and live to tell their own story.
Turns out, such was the case with the “late” gangster rapper and Hollywood actor Tupac Shakur.
The artificially created tastes of low brow popular culture have conditioned entire generations to believe the terms “gangster” and “rapper” are synonymous.
But, as everyone shall soon witness in an upcoming video excerpt, the comedian identified as the host actor who once portrayed the “late” but legendary “gangster rapper” “Tupac Shakur” thinks otherwise.
In fact, as everyone shall hear the comedian, identified as Tupac Amaru Shakur’s host actor, put it, he believes the term “gangster rapper” exists as an “oxymoron.’
He would, after all, know very well.
The comedian’s performance exists as prima facie evidence of the duplicity of those helping to perpetrate the phenomenon of Post-Modern Reality Simulation. On the one hand, while Tupac Amaru Shakur’s host actor denounces the “pimping” of gangster rap by his Jesuit masters upon the African-American youth of America, years earlier, he allowed himself, while posing as a “gangster” rapper, to be utilized as an agent of social chaos.
The following conclusions, at least to first-time visitors, may seem eccentric, controversial and, perhaps, even implausible.
This is the true story of a young Hollywood actor — James Dean — who was alleged to have died young and, yet, incredible as it may seem, he was seemingly resurrected, and went on to become an even bigger Hollywood star than before.
Though empirical evidence will prove Dean’s death was a staged hoax, it shall also be proved that, it was, indeed, likely, he had help staging his death from a veteran British actor, a man who had starred on both the theatrical stage and on Hollywood’s silver screen.
Turns out, the celebrated and legendary actor, Sir Alec Guinness, not only had a hand in staging James Dean’s death, but, he also helped stage one of history’s most colossal hoaxes — the “Cuban Missile crisis”, a militarily staged psychological operation which involved one of Dean’s co-stars in ‘Rebel Without a Cause’.
Now, the truth, regarding the intriguing connections between the mythical death of a young Hollywood actor, the Cuban Missile Crisis hoax, the ill-fated JFK presidential administration, and the award-winning and iconic British stage and screen actor, Sir Alec Guinness, the “man of one-thousand faces”, shall finally become known.
As for Dean, he went on to assume another similar sounding name, which some of you may be familiar with, and played a US president while cast in, what became, a highly-rated and popular television drama.
What do popular music stars do when their career is on the wane?
They change their name and assume another identity, of course.
The following is the story of a famous child singing star, who, during the era of the late 1970’s, discovered his formerly sterling career had come to an abrupt end.
But luckily, serendipity struck, allowing for a fellow music industry colleague to offer him a brilliant solution to his career crippling problem.
After taking valuable advice from a star with a name everyone is certain to readily recognize, this former teen idol decided to do the only thing possible to save his foundering popularity: adopt a catchy pseudonym and adopt a newly minted image to become one of MTV’s biggest stars during the era of the 1980’s.
Before deciding to act upon the sage advice, this former teen idol, for a brief four-year period, also co-hosted a popular television variety hour with his well-known sibling, who also went on to assume the identity of another popular singing star.
“There’s more to the picture, than meets the eye…Rock and roll will never die,” Neil Young sang, once upon a time.
Yes indeed, Mister Young, if only the general public knew, what you really meant, about there being “more to the picture.”
The thirteen, ruling elite Jesuit families will never cease, in utilizing the concept of order out of chaos, to maintain and even, from time-to-time, reshape and transition the status quo of their global commercial system.
As a hidden member of one of the thirteen Jesuit families, “Neil Young” understands that, while rock and roll is perpetually used as a weapon of mass distraction, popular music also exists as an unexpected source of insight into that which the public is being distracted away from ever discovering what the thirteen families don’t want them to know.
Rock stars often appear to die. But, what the public doesn’t realize, such music legends also possess – like the legendary blues/rock guitarist “Stevie Ray Vaughn” – a truly miraculous gift for resurrection.
Indeed, such has proved to be the case with Vaughn, the “late” superstar blues guitarist who, like the “late” Kobe Bryant, was alleged to have tragically perished, along with three others, in a fiery helicopter crash in 1990.
But, it turns out, Vaughn is still alive, and he has a connection to 1980’s MTV rock superstar, Jon Bon Jovi.
Everyone will recall that, from the results of a past investigation, “Neil Young” was positively identified as Hollywood actor Jack Nicholson/Danish Prince Consort Henrik, in disguise.
It stands to reason, therefore, that “Jack”, perhaps more than most, understands the concept of Post-Modern Reality Simulation.
It just so happens, there is a connection between “Jack Nicholson” AKA Neil Young/Danish Prince Consort Henrik and the Los Angeles Lakers, the former team of the “late” Kobe Bryant. It is well-known, Nicholson attended Lakers’ home games, and has often been observed sitting courtside. Turns out, as well, there exists masonic symbolism connecting Bryant’s alleged “death” with that of Stevie Ray Vaughn’s.
But before an explanation of those stunning connections can be divulged, there are more details to report, concerning the coronavirus psychological operation, as well as some startling revelations as to the possibilities of its covert objectives. Continue reading “Different Air Crash…Same Story?”→
Somewhere, behind deception’s inexhaustible veils hides the truth.
No matter how inexhaustible or numerous, we shall now tear those veils to utter shreds.
The following shall expose the man to whom is credited the creation of Facebook.
Breathtaking in its sheer scale as well as its social, cultural, and even political influence, the creation of Facebook, the popular social media platform, marked the inception of one of the grandest of psychological operations and human behavioral conditioning tools ever observed in mankind’s history.
Very few of its billions of adherents, however, have begun to seriously consider the darker implications of the social media platform’s vast influence over not just Western and global popular culture, but the way in which such vast influence has been utilized to, in turn, alter, mold, and reshape human behavior through its ongoing but covert psychological operations.
Facebook – for all intents and purposes – is a large scale Skinner Box filled with billions of lab rats and Pavlov’s starving dogs.
The hidden family of the man credited as its creator – the man with royal genealogical connections and concealed behind the well-crafted mask of “Mark Zuckerberg” – are also the covert financiers of Facebook’s vast human behavioral laboratory. Continue reading “The Truth about Facebook and Zuckerberg”→