A Familiar Face with an Unfamiliar Name

A Familiar Face with an Unfamiliar Name

Though the name of “Harvey Robert Levin” – {sums to 219 (2+19) in English Ordinal gematria = 21/777/Alistair Crowley’s intelligence joker code} – may remain unfamiliar to most, the true face behind this Hollywood television executive’s brilliant masquerade – at least to those who frequent this site – is certainly not.

REELZ Presents "TMZ Hollywood Sports" Panel With Harvey Levin And Evan Rosenblum At TCA In Pasadena
PASADENA, CA – JANUARY 13: Founder and Executive Producer of the TMZ brands Harvey Levin participates in the REELZ Presents “TMZ Hollywood Sports” Panel With Harvey Levin And Evan Rosenblum At TCA In Pasadena at Langham Hotel on January 13, 2015 in Pasadena, California. (Photo by Charley Gallay/Getty Images for REELZ)

Turns out – depending upon the required modifications of the fabricated character scheme and with the help of hair pieces, wigs, photo shop rakes/distorting lighting angles, and strategically layered latex stippling applied to various regions of the facial geometry – the host actor (live-action role player) identified in portrayal of the Hollywood television executive known as “Harvey Levin” is one of the most masterful chameleons numbered among the perpetrators of Post-Modern Reality Simulation.    

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In fact, “Harvey Levin”, who is credited with the creation of TMZ, the popular tabloid television news network, is better known to the world by another name. A name which is not only instantly recognizable to everyone – “Doctor Anthony Fauci” – but one which has become synonymous with the ongoing Covid-19 “pandemic”.

According to Levin’s own words, recorded during an interview featured in the following video excerpt posted immediately below, TMZ, the very network of tabloid journalism he is credited with creating, was the first to break the sordid details of the OJ Simpson “trial”, the “deaths” of Hollywood celebrities such as Heath Ledger, Brittany Murphy, Whitney Houston, Kobe Bryant, and Michael Jackson, as well as juicy stories about Tiger Woods and the Kardashians.

According to Wikipedia, during an interview with Television Week in 2005, Levin euphemistically characterized TMZ’s uniquely stylized nature of delivering news and information to the public as “on demand”: “This is not television. It’s rawer, it’s urgent, it’s less produced. I really think this is the future. People want to get what they can get on demand, and they have as much access to a computer as they do a TV set.”

As everyone heard in the preceding video clip, “Harvey Levin” likes to boast about how his network was the first to break stories which gripped the captive American television audience in a virtual stranglehold. Not only that, but, later on during the same interview, Levin also goes on to describe and to detail TMZ’s curious process of information gathering. While listening to “Harvey Levin” describe TMZ’s rather suspect operations, the smirking executive appears to slyly imply that not only does his network deliver the “news” to the public in a uniquely stylized fashion, but, if one listens closely and, as it were, reads between the lines, his network also helps to create it from whole cloth – in much the same fashion as blue lodge masonic law enforcement/police guilds and red lodge alphabet intelligence agencies recruiting informants to gang stalk and entrap targeted individuals – through a process of financially incentivizing specialized operatives.

Suffice to say, since long before the inception of Levin’s network, TMZ’s “on-demand”, tabloid style of news and information delivery has dominated the print, radio, and television media, infecting each like a putrid fever. Worse yet, the philosophical moral relativism, intellectual lassitude, and ethical solipsism which informs the fetid brand of sensationalistic “journalism” popularized by Levin’s network has not only grown to widely influence the general public’s perceptions of “reality” – the “Natalie Holloway” (AKA Chelsea Clinton/Hollywood actress Charlize Theron) psychological operation, for example – but has also permeated the realms of politics and public policymaking.

As twentieth century journalist Henry Louis Mencken once keenly observed, “The whole aim of practical politics is to keep the populace alarmed (and hence clamorous to be led to safety) by an endless series of hobgoblins, most of them imaginary.”

No doubt, the host actor (live-action role player) identified in portrayal of Levin’s fabricated character scheme is certainly well-aware of the dire implications of Mencken’s observation.

But as everyone shall also soon observe, due both to who “Harvey Levin” really is and to the vast commercial interests harbored and protected by his powerful family’s connections, the incremental saturation of this sinister state of affairs into not just “journalism” but into the arena of politics did not occur by accident, nor did it come about as the result of coincidence.

Rest assured – it came about quite by crafty, assiduous, and careful design.

Indeed, though “Harvey Levin” would like to pretend otherwise, the subversive method(s) of operation deployed (media sorcery) by his “news” network, TMZ, to manipulate, shape, and to even dictate public discourse, opinion and perception is certainly not new, nor is it innovative.

But that’s not all.

Upon further and extensive investigation, the sinister method(s) of operation Levin’s TMZ network utilized to create then promote fabricated news events such as the OJ Simpson “trial”, which, as everyone shall discover, also starred an immediate family relation of “Harvey Levin” cast as attorney “Robert Shapiro” and MSM news personality Meghan Kelly AKA Mary, Queen of Denmark/”Nicole Brown Simpson”, was recently deployed on a much grander scale, to create Event 201, the coronavirus pandemic simulation exercise which took place at John Hopkins Bloomberg School’s Center for Health Security. That “exercise” – Event 201 – was executed on October 18, 2019, in cooperation with Bill Gates and “Michael Bloomberg”, the former mayor of New York City, who, it also turns out, is yet another modified and fabricated character scheme portrayed by the identical host actor (live-action role player) cast in the public role of “Harvey Levin”, the man credited with creating TMZ, (AKA thirty-mile zone) America’s most popular Hollywood tabloid television network.

Continue reading “A Familiar Face with an Unfamiliar Name”

Frankie Died and Went to Hollywood

Frankie Died and Went to Hollywood

It could be argued that, during the brief span of his entertainment career during the late 1950’s, Franklin Joseph Lymon – better known as the “late” “Frankie Lymon” – became the American music industry’s first popular performer to garner what came to be termed crossover demographic appeal.

During the era of the late 1950’s, Lymon and his doo-wop vocal group the Teenagers enjoyed a meteoric rise to the heights of stardom.

But alas, after a string of hits, including what came to be known as the group’s signature song, “Why Do Fools Fall in Love”, both Lymon and the Teenagers duration in the limelight was remarkably short lived.

Though, official biographies inform, “Frankie Lymon” (Lie-Man/masonic play-on-words) attempted to forge a comeback before his tragic “death” from a heroin overdose in 1968 at the age of 25 on February 27 (37’s or 777, Alistair Crowley’s intelligence joker code), he would never again attain the heights of popularity he once enjoyed.

Or did he indeed?

Additionally, both the “official” and alleged DOB and DOD listed for “Frankie Lymon” are mirrored with the number of 33 (highest degree Scottish Rite Freemasonry). 

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Stunningly, not only did “Frankie Lymon” endure to once again reach the heights of stardom while operating under several famous pseudonyms, he was modified into a well-known Hollywood actor – observed in the succession of images displayed above – who was also educated at Fordham University, a prestigious institution of higher learning established by the Jesuit order.

As well, ironically, “Frankie Lymon” (AKA Hollywood actor Denzel Washington) was also modified into a fabricated character scheme named “Freeway Rick Ross” who became known as one of Los Angeles’s most notorious narcotics traffickers.

Franklin Joseph Lymon (AKA Hollywood actor Denzel Washington) was also modified into the “artist” known as Jean-Michael Basquiat who was also associated with Andy Warhol (AKA former president John F. Kennedy/Hollywood actor Dennis Hopper, rock singer Roger Daltry).

Still later, “Frankie Lymon” (AKA Denzel Washington/”Freeway” Rick Ross, Jean-Michael Bisquiat) was modified into a famous music industry figure, a rapper – “Jay-Z”/Sean Carter – who, according to official biographies, began his life in the streets of New York as – wait for it folks – a drug dealer.     

Continue reading “Frankie Died and Went to Hollywood”

Royal Duchess Meghan Completely Unmasked

Royal Duchess Meghan Completely Unmasked

Global commercial finance is a deadly weapon.

Geopolitics represents the iron will to pull the trigger.

The covert object of the art of politics, of course, is to utilize euphemism, emotionalism, and all manner of psychologically manipulative deception – with the ends justifying whatever means – to not only persuade or outright trick the targeted populations into consenting to their own enslavement at the hands of the ruling elite thirteen Jesuit families but to demand it.

The royal House of Saxe-Coburg-Gotha – led by the reigning monarch of Britain, Queen Elizabeth II – well understands the great utility of this Machiavellian tactic and, over the last two centuries, they have deployed it to great effect.

Most recently, in the 21st century, with the help of CIA, MI5, MI6, and MI7 (BBC) in gaining unlimited access and even some measure of influential control over the MSM, the royal House of Saxe-Coburg-Gotha (AKA Windsor, Hanover, Rothschild, Rockefeller) have cleverly used the ongoing marital saga of the Duke and Duchess of Sussex – in combination with the Covid-19 psychological operation and the “climate change” agenda – to thoroughly distract the public from their ultimate objective: bringing the UN’s “sustainability” goals of Agenda 2030 to complete fruition; a grand agenda which entails global human resource depopulation, the elimination of entire human resource employment sectors, and the global implementation of a universal blockchain digital crypto-currency system conceptually based on the total surveillance of human body activity while acting in symbiosis with artificial intelligence.

The following information, excerpted from a CDC document entitled “2019 Novel Coronavirus (2019-nCOV) Rea-Time RT-PCR Diagnostic Panel,” underscores the premise that the Covid-19 “pandemic” was created as a grand Trojan horse to conceal a global effort to place human consciousness under the draconian influence of a centrally controlling artificial intelligence apparatus.

Though the CDC published the first version of this document on July 13, 2020, the amended version of December 1, 2020, on page 42, under the subheading of “Performance Characteristics”, states: “Since no quantified virus isolates of the 2019-nCoV are currently available, assays {diagnostic tests} designed for detection of the 2019-nCoV RNA were tested with characterized stocks of in vitro transcribed full length RNA…”

SEE: https://www.fda.gov/media/134922/download

The first line of the preceding excerpt appears to clearly indicate the CDC is admitting to the fact they have not comprehensively or quantifiably isolated any measurable samples of the “Covid” virus under laboratory conditions.

Therefore, to objectively interpret from their own published document – for all intents and purposes – it would appear, the CDC is also admitting to the world at large the “Covid-19” virus does not and has never existed.

To everyone who frequents this site, it has also become clear, the Covid-19 “vaccines” are merely delivery devices to implement a digital form of human genetic therapy, with the genetic information of human resources efficiently stored in a global “Digital Library” hosted by the United Nations.

SEE: https://digitallibrary.un.org/record/3894424?In=en

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The detailed substance of a pair of recently published articles – one at thesun.com and the other at goodtoknow.com – would appear to support the premise of the preceding thesis.

The first, published at the sun.com, details Queen Elizabeth’s decision to strip both the Duke and Duchess of Sussex of their royal titles while the second, published at goodto.com, reports “Prince Harry could ‘address rumors’ Prince Charles isn’t his father in new memoir.”

Regarding the Duchess of Sussex – “Meghan Markle” – it shall soon be revealed that further and extensive ear biometric, facial recognition, and image comparison analyses confirms, the “Duchess” is not only the hidden face behind the mask of the fabricated character scheme known as American congresswoman Alexandria Ocasio-Cortez, she also is a fabricated character scheme portrayed by another European royal, a princess of the ancient Italian royal House of Borromeo who is married to the eldest son – Prince Pierre Casiraghi (AKA ABC newsman David Muir) – of the “late” Prince Stefano Casiraghi Grimaldi (AKA George W. Bush/Hollywood actors Martin Sheen, James Dean/Donald Trump/current US president Joe Biden/MSM newsman Brian Williams).

SEE: FDR: America’s Royal Hollywood Fraud 

Below: Princess Beatrice Borromeo of Monaco’s House of Grimaldi, Duchess of Sussex Meghan Markle, Alexandria Ocasio-Cortez  

Continue reading “Royal Duchess Meghan Completely Unmasked”

Thanks for the Memories, Your Highness

Thanks for the Memories, Your Highness

Sometimes the winding road of in-depth investigation can lead down the deepest and darkest of rabbit holes.

Some time ago, a regular visitor to this site enquired in the comments section concerning the American entertainer known as “Bob Hope”.

While the results of one’s ensuing investigation were not wholly unsurprising, they were unexpected.

Not only did “Bob Hope” – like that of his famous Hollywood sidekick “Bing Crosby” – turn out to be yet another fabricated character scheme, the man behind his famous public persona was a high-ranking member of the British royal family and – lo and behold – he was also a high-ranking freemason.

Before modifying into “Bob Hope” and several other famous fabricated character schemes, this British prince, forgotten to history, faked his death in a plane crash which, according to one published source, occurred under “mysterious” circumstances.   

Indeed, on this occasion, we’re led straight on a path towards yet another dead European royal – dubbed in the annals of the history of the royal House of Saxe-Coburg-Gotha (AKA Windsor/Rothschild/Rockefeller) as the “Forgotten Prince” – who began his life as a vaudeville entertainer and, over the decades, beginning in the mid 20th century, modified into a pair of Hollywood’s and America’s most beloved and well-celebrated popular entertainment icons.

Below: Prince George, Duke of Kent, the “forgotten prince” 

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From the era of WWII, this British prince is also recorded in the history books as one of Great Britain’s most seminal and popular Prime Ministers.

Turns out too, this “forgotten prince” was also known as the “Great Beast”, an influential occultist, Jesuit-trained perpetrator of Post-Modern Reality Simulation, and a member of the freemasonic Order of the Golden Dawn. 

But still more intriguing, this “forgotten prince” – Prince George, Duke of Kent – is genealogically related, via the extensive royal family tree of the House of Saxe-Coburg-Gotha, to King Leopold III of Belgium (AKA Adolf Hitler/iconic Hollywood entertainer “Bing Crosby”/Carol O’Connor/Alger Hiss), to Prince Michael, Duke of Kent (AKA the “late” comedian George Carlin/Max Igan/Hollywood actor James Caan/Joe Cocker/Jean Paul DeJoria), to Prince Edward, Duke of Kent (AKA Lord Jacob Rothschild) and to US House of Representatives Speaker Nancy Pelosi (AKA Princess Caroline Bouvier Radziwill/Hollywood actress Jane Fonda/popular music entertainer Dolly Parton).     

SEE: The Man Who Sold the World 

SEE: More Secrets Unearthed from History’s ‘Bunker&#8217

SEE: Begging the ‘Parton’ of a Princess

SEE also: Carlin’s Big Club of Rome

In the following video clip, when fast-forwarded to approximately the 11:47 mark, everyone will hear the aforementioned late comedian/actor/popular entertainer – the fabricated Hollywood character scheme known as “Bob Hope” – mention that, though he was “born in England,” he came to America at the “age of four” because he knew “there was very little chance of becoming king.”

This statement by “Bob Hope”, though spoken in a comedic context, also has occult significance.

The number four is a reference to the Gnostic Creed or Ecclesia Gnostica Catholica, an ecclesiastical arm of the Ordi Templi Orientis (OTO) which, according to Wikipedia, “is an international fraternal organization devoted to promulgating the Law of Thelema.” Thelema, Wikipedia goes on to explain, “is a philosophical, mystical and religious system elaborated by Alistair Crowley, and based on the Book of The Law.”

Turns out, “Bob Hope” (AKA Alistair Crowley/Winston Churchill/Jack Benny/Prince George, Duke of Kent) is referencing the first four clauses or the Explication of the (Gnostic) Creed. Wikipedia further explains, “The first 4 clauses are attributed to the four letters of the Tetragrammaton YHVH: the father (Chaos), the Mother (Babylon), the Union of Father and Mother in the Son (Baphomet), and the Daughter, the Bride of the Son (the Church).”  

Continue reading “Thanks for the Memories, Your Highness”

Space Case Snake in the Grass

Space Case Snake in the Grass

As Chairman of the Planetary Society, Neil DeGrasse Tyson has assumed the mantle of public science communicator which, over two decades ago, was left vacated by the death of the legendary Carl Sagan.

Perhaps, it is better to say, like his mentor, Sagan, Tyson is renowned for his ability to make the esoteric sciences appear palatable and even comprehensible to the American public.

Since the beginning of his career in the science community during the era of the 1990’s, Tyson has made several high-profile television appearances, most notably as the host of PBS’s Nova Science Now. Tyson has also been the author of several books and articles on the subject of astrophysics and, in 2001, was appointed by President George W. Bush (AKA Brian Williams/Joe Biden/Prince Stefano Casiraghi Grimaldi of Monaco) to serve on the Commission on the Future of the United States Aerospace industry and, in 2004, served on the President’s Commission on Implementation of United States Space Exploration Policy. 

SEE: The Resurrection of a Chameleon Prince

But when the “science” career of “Neil deGrasse Tyson” is examined much more closely, it becomes quite evident, the great majority of Tyson’s career has been devoted to either the hosting of slickly produced television programs or as an appointee to vaguely entitled government panels created as promotional vehicles for NASA, a taxpayer funded organization, which, in turn, falls under the rubric of the US corporate government’s Department of Defense. 

Examination of Tyson’s “doctoral thesis” reveals a gumbo of inspirational pop-astronomy and theorized assertions created to appear authoritatively plausible.     

Turns out, upon deeper and more extensive investigation, “Neil Degrasse Tyson” has closer ties to Hollywood’s entertainment industry than science or academia. Continue reading “Space Case Snake in the Grass”

Playboy Charlie’s Deceptive Hollywood Sheen

Playboy Charlie’s Deceptive Hollywood Sheen

In the case of iconic Hollywood actor Charlie Sheen (AKA Corey Feldman) there can be fewer examples of greater irony.

Charlie Sheen

Corey Feldman

Some time ago, as everyone may be aware, the actor known as “Corey Feldman”, the fabricated character scheme portrayed by Charlie Sheen, went on record, threatening to expose the seedy underbelly of Hollywood’s hidden pederasts. “Corey Feldman” even went so far as attempts to solicit funds for a documentary expose which, he promised, during several high-profile interviews, upon its release to the public, would serve to shed devastatingly revelatory light on Hollywood’s covert cabal of pedophiles. Among these, “Feldman” claimed, existed some of Hollywood’s most prominent and influential figures, executives, and even film directors.

Alas, Feldman’s expose has yet to see the light of day.

Nor, is it ever likely to.

It seems probable, Feldman’s (AKA Sheen) “film project” was designed as a cruel deception, merely more distractive noise generated and promoted by the MSM.

This is a standard and time-worn tactic of psychological operations: placing a fabricated cult of personality at the forefront of a social movement – controlled opposition – to co-opt, dissuade, or even to mitigate the further development and organization of genuine grass-roots motivated movements which are perceived as potential or even genuine threats to the hegemonic status quo of the thirteen, ruling elite Jesuit families.

The other grand irony of this scenario: not only is “Corey Feldman” a fabricated character scheme, the father of his host actor (live-action role player), Charlie Sheen, was the chief editor and executive founder of – what was for decades – a popular men’s publication filled with soft-core pornography.

From L to R, Hugh Hefner, Charlie Sheen, Corey Feldman

As everyone is about to learn, Sheen’s (AKA “Corey Feldman”) secret father, in fact, was himself no stranger to the phenomenon of Post-Modern Reality Simulation.

As confirmed by ear biometric, facial recognition, and image comparison analyses, Sheen’s (AKA Corey Feldman) father was known as “Hugh Hefner”, America’s primary purveyor of commercially peddled soft-core smut.

“Hefner”, however, as confirmed by further and extensive ear biometric, facial recognition, and image comparison analyses, was also known, during the era of the 1950’s forward, as Pat Boone, a successful pop singer/”B” Hollywood movie actor, who, even more ironically, was reputed to cultivate the public image of a god fearing “Christian”.

From L to R, Pat Boone, Hugh Hefner, Charlie Sheen, Corey Feldman

But as everyone shall also learn, the king of soft core smut Hugh Hefner (AKA Pat Boone) has a fascinating genealogy which connects him to William Bradford, the former governor of Plymouth Colony, established in the 17th century.

Through an extensive study of William Bradford, it was discovered Hefner (AKA Pat Boone) has connections to King Edward VII of England (AKA Teddy Roosevelt/J.P. Morgan Senior), to Alistair Crowley (AKA Winston Churchill), to 1960’s counter-culture LSD guru Timothy Leary, and to the history of Crown Temple in the City of London.

King Edward VII

Teddy Roosevelt

J.P. Morgan Senior

Crown Temple, as we’ve learned, is a principality – “one square mile” – which, in turn, is connected to the Vatican, in Rome, controlled by the Jesuit order. Continue reading “Playboy Charlie’s Deceptive Hollywood Sheen”

Dead Man Playing in the NFL?

Dead Man Playing in the NFL?

Organized religion – it has often been said – is the opiate of the masses.

Here, in America, the predominant religion of the masses has become professional sports entertainment or, as it was known during the era of imperial Rome, “Bread and Circuses.”

As is well-known, every religious cult has an underlying governing philosophy, dogma, or doctrine.

Such centralizing doctrines are administered to the congregation of cult members by pastors or high-priests. Or, in the case of the church of sports entertainment, by television analysts and commentators, most of whom were formerly professional athletes. “Howard Cosell” – the obstreperous and opinionated sports television commentator of decades past – once derided this specialized class of sports “journalists” as the “Jockocracy”.

As most of this site’s regular visitors may recall, “Howard Cosell”, the former host of ABC’s Monday Night Football, was identified as a fabricated character scheme portrayed by Hollywood actor Rod Steiger.

SEE: Comrade Gorbachev was once a Hollywood ‘contender’? PART III

But no religious doctrine would be completely solidified without a unifying or centrifugal charismatic figure.

In the religion of Christian fundamentalism, there is the figure of Jesus Christ.

In the universalist religion of the Catholic church – controlled by the Jesuit order or Society of Jesus – there are venerated figures elevated to sainthood such as Mother Mary, the exoteric version of the esoteric or occult figure known as Isis or Sophia.

The religious cult known as sports entertainment has its own “saints” or charismatic figures – star athletes – who are fawned over and virtually worshipped by those known as “fans”.   

These cult worshippers known as sports “fans” are a relatively modern-day sociological phenomenon.

This commonly expressed vernacular – ‘fan’ – exists as an abbreviated form of the term fanatic or fanaticism.

According to Webster’s dictionary, a ‘fanatic’ is defined as follows, 1.) disapproving: a person exhibiting excessive enthusiasm and intense uncritical devotion toward some controversial matter (as in religion or politics), “a religious fanatic (=extremist), the fanatics are convinced they are serving a righteous cause and that all means are justified…”

How many of your friends, family members, or co-workers – whether relating to politics, religion, or sports – would the above definition – as so expressed – appropriately apply?

Turns out, it is just this sort of uncritically devoted fanaticism which has blinded America’s legions of sports fans to its fabricated and utterly scripted theatricality.

Remarkably, this overt fanaticism has also blinded a majority of those congregated among America’s cult of sports entertainment worshippers from noticing an alleged “dead” man is now playing in the NFL.

Also, fans of the cult of sports entertainment have yet to realize one of the NBA’s major stars – Lebron James – was formerly known by another name which, not so long ago, became superlatively renowned in the world of professional sports.

Those who own and collectively control the profitable business of sports entertainment (the Society of Jesus or the Jesuit order) have informed its fanatical legions – in the form of a legal disclaimer printed on ticket stubs and in the form of an official judgement issued by a US Circuit Court of Appeals Judge – of the true nature of professional sports and, specifically, that of the NFL.

In the case of the NFL, the league is only legally required to present their “fans” with a license (i.e. ticket) to observe an entertainment spectacle, but it is not legally required to officially sanction or provide its ‘fans’ with a legitimate sporting contest.

SEE: https://vaticanassassins.org/2012/01/23/the-popes-playoffs-jesuit-connected-owners-of-five-professional-football-teams/

Apparently, in view of this fact, the NFL reserves the right to draft or contract “athletes” (actors) who, allegedly, have been reported as officially “dead”, and to also recycle athletes under the guise of pseudonyms to satisfy profitable motives.

Myles Garret

Does the NFL athlete observed in the image above appear eerily familiar to everyone?

Perhaps, everyone has seen this particular athlete don another professional league’s uniform, one which might be more familiar?

Indeed, he should appear familiar.

As shall be shortly revealed, “Myles Garret” – a 2017 draftee of the NFL’s Cleveland Browns franchise – is not who he claims to be. Continue reading “Dead Man Playing in the NFL?”

Oscar’s ‘Humanitarian’ forgets Hollywood’s Homeless

Oscar’s ‘Humanitarian’ forgets Hollywood’s Homeless

Hollywood has always been about appearances.

But Hollywood, the entertainment capitol of America, has never been what it appears to be.

Hollywood is a grand tool utilized by the thirteen, ruling elite Jesuit families to implement psychological operations.

Its “celebrities” are also merely tools, experimental models used to dispense Pavlovian-styled behavioral modification upon their legions of blind worshipers among the American general public.

Most, if not all, of these “celebrities” aren’t real, and only exist as carefully-crafted personas and well-managed and meticulously designed images – such as the Hollywood filmmaker known as “Tyler Perry” – which are blindly consumed and even admired by the public.

Furthermore, as we’ve learned through the process of in-depth investigation, not only do most of those known as Hollywood’s “celebrities” exist only as fabricated character schemes acted out by live-action role players, many of Hollywood’s “stars” have been identified as royal descendants of the thirteen, ruling elite Jesuit families.

These families not only own and control Hollywood, but, as well, own and control the US corporation.

Most recently, Hollywood’s prestigious Academy saw fit to bestow “Tyler Perry” with a ‘Humanitarian’ award.

Tyler Perry

Will Smith

Everyone may now be aware, before the commencement of the 93rd (12/21/777/Alistair Crowley’s joker intelligence code) Academy Awards – Hollywood’s annual ceremony of narcissistic self-congratulation – hordes of homeless vagrants were forcibly removed from the premises of Union Station in Downtown Los Angeles.

Yet, one should expect, those among Los Angeles’s homeless are the very same Hollywood’s “celebrities” claim suffer from a lack of “representation” and “equitable” consideration.

One of those “celebrities”, attending this year’s Academy Awards, was “Tyler Perry”, who, after being called to the podium to accept The Jean Hersholt Humanitarian Award, delivered a rousing but platitudinous speech denouncing “hate”.

As for the plight of the homeless, those forcibly removed from the premises – one supposes, so the pristine red carpet wouldn’t be sullied – they went unmentioned by Perry during his speech.

Furthermore, not one of those among Perry’s fellow “celebrities” – those also remaining unaware of their insufferable penchant for regurgitating honeyed and politically correct buzzwords – seemed to be bothered taking any discernable notice of this glaring irony.

Again, one supposes, acknowledgment of such a glaring irony would only have served to completely peel away Hollywood’s fig leaf of superficial righteousness.  Continue reading “Oscar’s ‘Humanitarian’ forgets Hollywood’s Homeless”

Death & Resurrection of Tupac Shakur

Death & Resurrection of Tupac Shakur

On the night of September 7, 1996, the MSM reported that Tupac Amaru Shakur – born, according to Wikipedia, Lesane Parish Crooks – was shot and killed by an unknown assailant after attending a boxing match in Las Vegas.

However, as has been proved time and again, when it comes to pop stars, sometimes they die, resurrect, and live to tell their own story.

Turns out, such was the case with the “late” gangster rapper and Hollywood actor Tupac Shakur.

The artificially created tastes of low brow popular culture have conditioned entire generations to believe the terms “gangster” and “rapper” are synonymous.

But, as everyone shall soon witness in an upcoming video excerpt, the comedian identified as the host actor who once portrayed the “late” but legendary “gangster rapper” “Tupac Shakur” thinks otherwise.

In fact, as everyone shall hear the comedian, identified as Tupac Amaru Shakur’s host actor, put it, he believes the term “gangster rapper” exists as an “oxymoron.’

He would, after all, know very well.

The comedian’s performance exists as prima facie evidence of the duplicity of those helping to perpetrate the phenomenon of Post-Modern Reality Simulation. On the one hand, while Tupac Amaru Shakur’s host actor denounces the “pimping” of gangster rap by his Jesuit masters upon the African-American youth of America, years earlier, he allowed himself, while posing as a “gangster” rapper, to be utilized as an agent of social chaos.

Continue reading “Death & Resurrection of Tupac Shakur”