Stars of the Hollywood music industry – and oftentimes, too, their “music” – are often used for ulterior purposes.
As many who frequent this site may by now have surmised, the Hollywood music and entertainment industry – from its inception – has always been closely dialed in with the US military/industrial complex and the Jesuit-controlled CIA/FBI.
Many of the music industry’s biggest stars – those such as “Kanye West”, for example – are routinely used as controlled-opposition and psychological operational intelligence assets.
Therefore, would it surprise anyone to learn that “Kanye West” has also been identified as a fabricated character scheme portrayed by a former NFL/UFL athlete and the eldest son of one of Hollywood’s most renowned movie stars – a Fordham educated Jesuit-trained actor and music recording star – with not only a long award-winning resume but one which, as revealed in a previously published article, stretches back several decades to when this iconic performer began his illustrious career as a child star in the Hollywood music industry as the leader of a doo-wop pop vocal group called the Teenagers.
It seems his eldest son – the actor identified in portrayal of music industry star “Kanye West” – has decided to follow in his famous father’s footsteps as a perpetrator of Post-Modern Reality Simulation.
Therefore, no, the results of the following investigation into “Kanye West” shouldn’t disturb or surprise anyone.
Because not only was “Kanye West” created as an MSM-driven Hollywood music industry image and socio-political influence agent/CIA intelligence-controlled opposition asset, but his former spouse – “Kim Kardashian” – is a fabricated character scheme portrayed by the hidden daughter of Cher and Sonny Bono (AKA Hollywood executive David Geffen/Doctor Anthony Fauci) who played a key role in the January sixth “insurrection” psychological operation which was staged in cooperation with Jesuit/Vatican-controlled FBI in 2021.
To avoid detection, evil must maneuver with utmost deliberation and under the cloak of darkness.
Unfortunately, for the perpetrators of sinister deeds, there are those whose keen sight is capable of piercing the cover of darkness to uncloak them.
Apparently, Wikipedia is somewhat ambiguous about the DOB – “(born 1965 or 1966)”, their official biographical entry claims – for Bonnie J. Fraser Henry, the Provincial Health Minister for British Columbia, Canada.
Below: Bonnie Henry
Even without the benefit of investigative scrutiny, such biographical anomalies always and without fail signal there may exist further clues that something is amiss.
After all, in an age dominated by wondrous digital technologies, with any bit of information regarding virtually anyone now living readily available at the mere flick of a key stroke, how is it that Wikipedia cannot produce and publish the exact year of Henry’s DOB?
What exactly are the CIA/Jesuit trained script writers employed by Wikipedia attempting to hide concerning Canada’s first woman Health Minister?
Could it be they’re trying to hide the fact Bonnie Henry isn’t who she claims to be?
Coming up very soon after this installment, loyal readers will not want to miss the results of the author’s investigation into the most recent mass casualty event in Christchurch, New Zealand (Christchurch/Christ consciousness/CC=33/high-degree Scottish Rite Freemasonry/sums to 138 in English Ordinal gematria/12/21/777/ intelligence joker code).
Guaranteed, that installment shall prove to be filled with shocking revelations left unconsidered by other alternative news researchers, most of whom are insipidly labeling the event as either a “false flag” or have inexplicably decided to invest credulity into some aspects of the “official” narrative spun by the MSM media sorcerers.
As one’s loyal readers have come to learn, many of the biggest stars of stage and screen – both past and present – are not at all who they claim.
In a uniquely post-modern sense, each is a willful participant in a CGI-driven conversion scheme of deliberate identity fraud and, in many cases – due in part through both contractual obligation and genealogical relations – are strategically utilized to not only garner perpetual profit streams for their Templar/Jesuit/Masonic masters, but to bring forth the sinister and often perverse social and political goals of the thirteen ruling elite families who have long monopolized the entertainment industry.
The subject of this installment, while she no doubt still represents a cornerstone of 21st century Western pop culture, is a fraud with links to not only the monolithic mainstay of the corporate industrial/entertainment complex, Disney, but links to Hollywood executive titan, David Geffen, and the royal European House of von Furstenberg. Continue reading “Kim Kardashian: Behind The Hollywood Mask”→