The American Revolution ‘Reality’ Show

The American Revolution ‘Reality’ Show

The recent revolutionary rampage at the U.S. capitol building was a scripted reality television show.

The date, officially recorded for the event, is telling enough: January 6, 2021/7+5=12/21 (mirrored reflection)/777, Alistair Crowley’s intelligence joker code.

SEE: https://en.m.wikipedia.org/wiki/777_and_Other_Qabalistic_Writings_of_Aleister_Crowley

Of course, the story of any historical revolution would not be complete without the appearance of violent mayhem and sacrificial death.

Everyone should take note to underscore that particular word: ‘appearance’.

However, as everyone whom frequents this site has learned – when it comes to considering the validity of any “news” distributed to the public by the MSM – things are never as they appear. 

Although, one of these “revolutionaries”, a young woman, “Ashli Babbitt”, appeared to have been shot and killed while “storming” the capitol building with her revolutionary cohorts, she appears, upon initial investigation – to be a small-time Hollywood actress, activist, and political hack with an IMDB page and, as well, married to a man – Grant Babbitt – currently working in Hollywood’s cinema production industry.

But, as everyone shall soon discover, the story of “Ashli Babbitt” goes much deeper. “Ashli Babbitt” is a former Disney child-star and the hidden daughter of a very powerful Hollywood executive.   

Upon further investigation, Babbitt turns out to have been a fabricated character scheme created under the guise of several aliases.

Subsequent investigation, into Grant Babbitt, led to a trail filled with a slew of Hollywood connections, to the doorstep of DreamWorks – one of the largest and most profitable movie studios in Hollywood – and to both David Geffen (AKA “Doctor” Anthony Fauci) and Steven Spielberg.

However, “Ashli Babbitt” wasn’t the only actor discovered to have participated in this well-scripted but badly executed MSM ruse.

Moreover, the man alleged to be the U.S. corporate government’s senate majority leader – “Mitch McConnell” – is also an actor who, by his own admission, has been cast in the role of a political masquerade for the past thirty-six years.

Everyone will readily recognize the man who stars as this fabricated character scheme’s host actor.

Certainly, at one time or another, over the last several decades, everyone has observed this man performing on America’s television screens, cast as a high-profile MSM news anchor. Continue reading “The American Revolution ‘Reality’ Show”

Chelsea Clinton’s Three-Ringed CGI Circus

At present, the genuine nature of the philosophical battleground in the West, and specifically in America, is not political or social, rather, it is one of a moral nature.

The genuine combative struggle is not between the false political dialectic of left versus right or between proto-Marxist Democrats and so-called alternative-right conservatives.

For these battles are merely superficial, serving as disorienting smokescreens, mirrored slaughterhouses of dissociation to conceal the scope of a much grander philosophical struggle.

The survival of America, and indeed the West, stands on the precipice between the crippling bankruptcy of relativist moral degradation and the evanescent vigor of objective truth.

To a growing majority, it is becoming obvious the idea of representative “democracy”, both in America and in the West, represents a cruel and bogus sham.

Both those “elected” to public office, and the alleged dynastic families to which they belong are fabricated images and fraudulent personas designed to distract, hoodwink and to covertly deceive.

Even the entire “democratic” political construct, those three branches of “government” everyone has learned of through the American public school system, of executive, legislative, and judicial, are merely demonstrations of tax payer funded theatrical exercises.

The Clintons, like the family members of the Kennedy, Bush, and Nixon clans, are tantamount to the characters populating Hollywood fairytales. They are fabricated political dynasties. The “history” of these fabricated families has been meticulously conceived to, not only, direct the conscious perceptions of the mass general public, but they are created to establish historical myths, and to create generous profits from the sale of books, movies, television documentaries and online videos that, in turn, generate even more substantial profits from the sale of advertising.

The high-profile public character known as Chelsea Clinton (CC=33) is portrayed by a Hollywood actress known to many for her role in a Hollywood blockbuster production, and in the recent past, she also starred as “Natalie Holloway” in a high-profile psychological operation staged with the cooperation of the corporate owned media. Continue reading “Chelsea Clinton’s Three-Ringed CGI Circus”