Royal Minstrel Show Still Rolling

Royal Minstrel Show Still Rolling

When considering their incomparable longevity, historical place in popular music’s pantheon, the Rolling Stones could be characterized as the enduring deities of Mount Olympus among a multitude of mere mortals. Indeed, after more than fifty years of hitmaking, while having embarked upon their latest tour in 2024, the band still exudes, projects an image of indefatigable vitality, preternatural vigor. While nearly all of their remaining classic rock contemporaries wheeze like winded mules while pathetically attempting to clutch renewed glory from the past’s fading shadows, the legendary luster of the ‘glimmer twins’ – Keith Richards, Mick Jagger – remains still largely undiminished.

But by no means should this be construed as hagiography.

On the contrary, the popular music industry, controlled from the top down by the Jesuit military order (AKA Knights Templar), continues to be utilized as a soft power weapon of psychological warfare, a well- sharpened tool of population pacification, a vital but brutal instrument of sociological management. The industry’s highest profile performers, entertainers are intelligence directed assets, operatives, many of whom, including Keith Richards (AKA King Charles III) – SEE: Charles and Ted’s Not So Excellent Adventure – have been identified as hidden descendants of European royalty. Further investigation has uncovered that the other half of the dynamic rock and roll songwriting partnership known as the ‘glimmer twins’ – Rolling Stone Sir Mick Jagger – is in fact not only a hidden relation of the late Queen Elizabeth II – SEE:  Something Royally Wrong with Rally Gunman WitnessMSM Crooks Hooked Booked & Busted – but a royal Duke who for decades has effectively masqueraded as one of rock and popular music’s most renowned, iconic figures.

That is, until now.

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Charles and Ted’s Not So Excellent Adventure

Charles and Ted’s Not So Excellent Adventure

Recently, much has been said and written about Charles III, the newly crowned British king and former Prince of Wales.

But the MSM will never dare report about Charles’s appetite for deception.

Why should this be so?

Because Charles’s royal family – the House of Saxe-Coburg-Gotha (AKA Windsor/Hanover/Rockefeller/Rothschild) – are majority shareholders of the MSM and, historically, they have directed their propaganda through intelligence vehicles such as BBC (AKA MI7) and independent television network Desilu productions which, until sold to Gulf and Western and renamed Paramount Television under the Paramount Global/CBS umbrella, was owned by television actress and comedienne Lucille Ball (AKA Queen Elizabeth II/JFK “assassination” “eyewitness” Jean Hill).

SEE: His Highness Hollywood Fraud Zelensky

As demonstrated in several previously published articles, some of the biggest pop music stars of the last two decades – Lady Gaga (AKA Amy Winehouse/Princess Beatrice, Duchess of York), Katy Perry (AKA Princess Sofia of Sweden), and Chester Bennington (AKA Prince Carl Phillip of Sweden/Orlando Bloom/Volodymyr Zelensky) – have turned out to be European royals in disguise.

In the images posted below, while making ocular comparisons, everyone will notice the respetive facial geometries of Princess Beatrice and Lady Gaga are strikingly similar. The dimensional proportions of the chins, noses, brows, and lips are identical.

As well – between the Duchess of York and Gaga – everyone will also observe the identical geometrical, epidermal, and bone structural symmetry of the jawlines extending from the bottom right of the identically proportioned chins.

As for the “late” “Amy Winehouse”, facial recognition and image comparison analysis confirm she is a fabricated character scheme modified from the pop music star known as Lady Gaga (AKA Princess Beatrice, Duchess of York).

Below from L to R: Princess Beatrice, Duchess of York, Lady Gaga, Amy Winehouse

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SEE: Lady Gaga is a Royal Princess

Therefore, would it surprise anyone to learn that, for the last several decades, the Duchess of York’s royal relative – King Charles III, the former Prince of Wales – has portrayed the host actor (live-action role player) cast in the role of one of rock music’s most legendary guitarists – “Keith Richards”?

While examining the first pair of images from left to right posted below, everyone will notice that, comparatively, the geometrical and structural proportions of the respective chins, jawlines, noses, and ears – between “Keith Richards” and his live-action role player, King Charles III – are an identical match.

Drawing attentions to the second pair of images in succession, everyone will begin to notice the identical geometrical and structural proportions of the brows, chins, and ears are particularly conspicuous.

Below from L to R: Keith Richards, King Charles III

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But more shockingly, not only was King Charlie once a Rolling Stone – a moniker fabricated as an obvious esoteric reference to freemasonry (stone builders) of which Prince Edward, Duke of Kent (AKA Lord Jacob Rothschild), the brother of Prince Michael, Duke of Kent (AKA Max Igan/George Carlin/Joe Cocker), happens to be the Master of England’s Grand Masonic Lodge – he also portrayed one of America’s most renowned MSM news anchors and a prominent member of the mythical “Kennedy” family.

SEE: Steve Bannon’s Transparent Political Theater

Mad Max the Duke of Doom

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ACTORS IN HISTORY’s GRAND STAGE PLAY (part V)

As promised in part IV, one shall continue to examine connections between members of the classic pop act the Rolling Stones and British royalty. Many, will no doubt consider the ultimate conclusion as to the true identity behind the host actor portraying Rolling Stones guitarist Keith Richards as pure absurdity. One supposes, that outcome alone, is truly testament to the global media sorcerer’s mastery of hypnotic power of suggestion. And yet, it is that very spellbinding power of media hypnosis, chiefly prevents the general public from ever thinking too critically in attempting to examine celebrity biographies. In the case of Keith Richards, even the most cursory of analysis reveals gross biographical anomalies. Often, one doesn’t consider blindness until the blindfold has been removed and thoroughly discarded.

Now, one shall attempt to permanently remove the mask, that for over the star spangled course of a hit making career spanning fifty years, has so well managed to obscure the true identity of one of pop musics most charismatic, and in many ways, enigmatic characters.

One may be shocked to discover, the true identity of the rock legend known as Keith Richards, has been hiding in plain sight for decades.   Continue reading “ACTORS IN HISTORY’s GRAND STAGE PLAY (part V)”