Tag: Beatles

Royal Minstrel Show Still Rolling

Royal Minstrel Show Still Rolling

When considering their incomparable longevity, historical place in popular music’s pantheon, the Rolling Stones could be characterized as the enduring deities of Mount Olympus among a multitude of mere mortals. Indeed, after more than fifty years of hitmaking, while having embarked upon their latest tour in 2024, the band still exudes, projects an image of indefatigable vitality, preternatural vigor. While nearly all of their remaining classic rock contemporaries wheeze like winded mules while pathetically attempting to clutch renewed glory from the past’s fading shadows, the legendary luster of the ‘glimmer twins’ – Keith Richards, Mick Jagger – remains still largely undiminished.

But by no means should this be construed as hagiography.

On the contrary, the popular music industry, controlled from the top down by the Jesuit military order (AKA Knights Templar), continues to be utilized as a soft power weapon of psychological warfare, a well- sharpened tool of population pacification, a vital but brutal instrument of sociological management. The industry’s highest profile performers, entertainers are intelligence directed assets, operatives, many of whom, including Keith Richards (AKA King Charles III) – SEE: Charles and Ted’s Not So Excellent Adventure – have been identified as hidden descendants of European royalty. Further investigation has uncovered that the other half of the dynamic rock and roll songwriting partnership known as the ‘glimmer twins’ – Rolling Stone Sir Mick Jagger – is in fact not only a hidden relation of the late Queen Elizabeth II – SEE:  Something Royally Wrong with Rally Gunman Witness , MSM Crooks Hooked Booked & Busted – but a royal Duke who for decades has effectively masqueraded as one of rock and popular music’s most renowned, iconic figures.

That is, until now.

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A Partridge & the Prince of Darkness

A Partridge & the Prince of Darkness

It is generally believed, by musicians seeking to become stars while wallowing in obscurity and popular music fans alike, that Hollywood music industry executives remain busy constantly scouring nightclubs from coast to coast looking for the ‘next big thing’.

But this widely held belief is a fallacy. Nothing could be further from the truth. The renowned stars with which popular music fans have become most familiar have proved to be sons and daughters of either industry legends, corporate entertainment executives, or the family offspring of those who own the record companies, oftentimes child prodigies who’ve been well trained at the finest performing arts schools to master their specialized trade. After being signed to a contract with a major corporate recording label and becoming designated as a priority project, such artists are instantly surrounded by what is tantamount to an efficient brain trust, consisting of premiere record producers, song writers and arrangers – termed ‘song doctors’ in the industry – top-notch sound engineers, wardrobe and makeup specialists, attorneys, managers, and booking agents. 

Since its inception, the Hollywood music industry promotes from within, and those promotions are often based on nepotism. As has been discovered to be the case with contracted assets performing in professional sports – SEE: NFL’s Touchdown Tom Not So Terrific – likewise, popular, profitable assets with successful resumes contracted for employment in the Jesuit and US military/industrial complex-controlled Hollywood music and entertainment industry are routinely recycled into new identities.

Once media marketed entertainment images prove popular with particular audience demographics, to exploit the profitability of new commercial markets, actors or assets working under contract are often cleverly outfitted with sparkling new images, as well as carefully crafted pseudonyms designed for commercial appeal to targeted markets.

In essence, once recycled into new identities and images, Hollywood entertainment industry assets become perpetrators of Post-Modern Reality Simulation designed with the ulterior purpose of promoting social engineering, and with the deliverance of behavioral programming and media messaging. The execution of such operations is directed from the top down by the Jesuit’s Society of Jesus in control of Vatican City in Rome, overseen by military psychological operations units in cooperation with US and British intelligence, while the emotional, behavioral reactions of targeted population demographics are meticulously monitored by organizations such as Tavistock Institute of Human Relations in London, Stanford Research Institute. Such psychological operations prove beneficial to the City of London’s Crown Temple and Swiss banking consortium and their hegemonic maintenance of population centers and the global status quo.

Ironically, while rock music has sold successive generations on the idea of liberating rebellion, they’ve been covertly programmed for enslaving conformity.

Turns out, a pair of intelligence-controlled Hollywood music entertainment assets, perpetrators of Post-Modern Reality Simulation, pose as this article’s featured subjects: “Ozzy Osbourne” and “Randy Roads”.

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More extensive investigation indicates and in fact confirms that both of these legendary rock stars were previously known by other famous monikers. One of them was formerly known as a member of perhaps the most famous pop group of the 1960’s, a star who also became known – under another name – as perhaps one of that decade’s most prominent, well-respected, and influential pop musicians and instrumentalists, while the other, before assuming the identity of heavy metal rock guitar god “Randy Roads”, was a 1970’s teen idol cast in the television sitcom “The Partridge Family.” Now, today, this former ‘Partridge’ stars as a podcast sidekick for one of the alternative media’s most influential and well-known figures.

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Merv Griffin’s Menagerie of Misdeeds

Merv Griffin’s Menagerie of Misdeeds

Over the decades, since the advent of the television medium, mainstream television talk show productions and those cast as their hosts have both played important roles in so far as the application, execution of mass societal behavioral modification, social engineering, the manufacture of social, political consensus, and population perception management.

Quite unexpectedly, while performing research for a recently published article, one happened upon a pair of audio/visual excerpts from The Merv Griffin Show, a popular prime time Hollywood celebrity-oriented talk fest broadcasted during the eras of the 1970’s and early 1980’s. On the surface, though Merv’s show seemed rather dull, filled with the usual mundane and rather trivial talk show fare, nevertheless, selections of banter between Griffin and some of his selected guests proved rather interesting, if not wholly revealing.

Merv Griffin during Broadcasting & Cable Hall of Fame – November 7, 1994 at Marriott Marquis Hotel in New York City, New York, United States. (Photo by Ron Galella, Ltd./Ron Galella Collection via Getty Images)

In the first video excerpt encountered, Griffin was interviewing the “late” Sharon Tate, alleged to have been murdered by “Charles Manson” (AKA Hollywood executive David Geffen). The second excerpt – and perhaps just as intriguing – featured Griffin interviewing Barry and Robin Gibb, members of the Bee Gees, a formerly popular 1970’s disco era pop music group.

Below from L to R: Robin Gibb, Barry Gibb

As everyone shall shortly observe, in the first video excerpt, while Griffin and Tate are walking down Carnaby Street in London, England, they are suddenly approached by Hollywood actor Hugh O’Brien. An encounter which, although made to appear spontaneous, was undoubtedly well-planned, tightly scripted. It also became apparent that, concerning the affectations of social sophistication and airy demeanor demonstrated by the show’s host, Griffin was a highly skilled thespian putting on a performance. In addition, one developed an intuition that “Merv Griffin” seemed rather familiar.

After exchanging introductory formalities with O’Brien – at approximately 2:53 in the video posted directly above – Griffin makes an eye-opening quip concerning the CIA. Later, during the interview segment of Griffin’s program, Tate reveals that not only is her father employed by Army intelligence and is stationed in Vietnam, but that she was also born in Dallas, Texas. Of course, Dallas, Texas served as the movie set for the staged “assassination” of U.S. president “John Fitzgerald Kennedy” (AKA Hollywood actor Dennis Hopper) filmed by “Abraham Zapruder” (AKA Walt Disney). Tate also mentions her new film – Vampire Killers – which was directed by Roman Polanski who Tate would later wed. It turns out that “Merv Griffin” has connections to both “Roman Polanski” and to Dallas, Texas, specifically Dealy Plaza.

SEE: JFK Hoax Executed by Wizards of Oz

In fact, not only did further, deeper investigation reveal that the “late” “Merv Griffin” was a fabricated character scheme, a manufactured mainstream television persona behind which lurked a most familiar live-action role player, but, in the case of the Bee Gees, both Robin and Barry Gibb, respectively, have connections to legendary popular music groups – both to the Beatles and to Led Zeppelin. Continue reading “Merv Griffin’s Menagerie of Misdeeds” →