Over the decades, since the advent of the television medium, mainstream television talk show productions and those cast as their hosts have both played important roles in so far as the application, execution of mass societal behavioral modification, social engineering, the manufacture of social, political consensus, and population perception management.
Quite unexpectedly, while performing research for a recently published article, one happened upon a pair of audio/visual excerpts from The Merv Griffin Show, a popular prime time Hollywood celebrity-oriented talk fest broadcasted during the eras of the 1970’s and early 1980’s. On the surface, though Merv’s show seemed rather dull, filled with the usual mundane and rather trivial talk show fare, nevertheless, selections of banter between Griffin and some of his selected guests proved rather interesting, if not wholly revealing.
In the first video excerpt encountered, Griffin was interviewing the “late” Sharon Tate, alleged to have been murdered by “Charles Manson” (AKA Hollywood executive David Geffen). The second excerpt – and perhaps just as intriguing – featured Griffin interviewing Barry and Robin Gibb, members of the Bee Gees, a formerly popular 1970’s disco era pop music group.
Below from L to R: Robin Gibb, Barry Gibb
As everyone shall shortly observe, in the first video excerpt, while Griffin and Tate are walking down Carnaby Street in London, England, they are suddenly approached by Hollywood actor Hugh O’Brien. An encounter which, although made to appear spontaneous, was undoubtedly well-planned, tightly scripted. It also became apparent that, concerning the affectations of social sophistication and airy demeanor demonstrated by the show’s host, Griffin was a highly skilled thespian putting on a performance. In addition, one developed an intuition that “Merv Griffin” seemed rather familiar.
After exchanging introductory formalities with O’Brien – at approximately 2:53 in the video posted directly above – Griffin makes an eye-opening quip concerning the CIA. Later, during the interview segment of Griffin’s program, Tate reveals that not only is her father employed by Army intelligence and is stationed in Vietnam, but that she was also born in Dallas, Texas. Of course, Dallas, Texas served as the movie set for the staged “assassination” of U.S. president “John Fitzgerald Kennedy” (AKA Hollywood actor Dennis Hopper) filmed by “Abraham Zapruder” (AKA Walt Disney). Tate also mentions her new film – Vampire Killers – which was directed by Roman Polanski who Tate would later wed. It turns out that “Merv Griffin” has connections to both “Roman Polanski” and to Dallas, Texas, specifically Dealy Plaza.
In fact, not only did further, deeper investigation reveal that the “late” “Merv Griffin” was a fabricated character scheme, a manufactured mainstream television persona behind which lurked a most familiar live-action role player, but, in the case of the Bee Gees, both Robin and Barry Gibb, respectively, have connections to legendary popular music groups – both to the Beatles and to Led Zeppelin.
WHILE YOU WEREN’T PAYING ATTENTION TO THE WHO
Before getting to the primary subject at hand, there exists an important issue well worth addressing. During the apex of the hysteria generated by the Covid-19 “pandemic” psychological operation, in December of 2021, the World Health Organization – funded by the Rockefeller (AKA House of Saxe-Coburg-Gotha/Windsor/Hanover/Rothschild) Foundation – proposed an international treaty ostensibly designed to deal with “pandemic prevention and preparedness.”
According to an article published at alethonews.com, the purpose of the World Health Organization’s proposal was to “deliver a progress report to the 76th World Health Assembly in 2023 and then have the proposed instrument ready for implementation by 2024.”
Of course, this sweeping proposal and the ensuing treaty planned for global implementation – accompanied by the willing cooperation of the European Union and the United Nations – has conveniently escaped the notice of the MSM. For the last several years, this issue has been completely ignored by all major mainstream networks and their regional affiliates.
Rather, the MSM has been busy promoting the Ukraine “war” (AKA controlled infrastructure demolition, reconstruction and modification/strategic population relocation/destabilization/reduction) LGBTQ+ and “climate change” (AKA depopulation/weaponized weather modification), Homeland Security Emergency Preparedness Drills presented as spontaneous “active shootings” (AKA disarming of licensed firearm owners), and thoroughly fabricated “racism” scenarios , all of which are elements designed to help implement the UN’s genocidal Agenda 2030/2050 and its seventeen “Sustainability Goals”.
Early on during the launch of the “coronavirus pandemic” operation, which was soon rebranded “Covid-19”, certain MSM print news sources even admitted the Covid-19 “pandemic” was a military controlled and executed psychological operation. For example, an article published at ottawacitizen.com in 2021 reported that military leaders – both in the US and Canada – “saw the pandemic as a unique opportunity to test propaganda techniques…”
Though still considered to exist as mere “conspiracy theory” by a majority, even upon cursory observation, the objective(s) of the UN’s Agenda 2030/2050 – stabilization/reduction of selected human resource population groups, implementation of digital ID, Universal Basic Income/Central Bank Digital Currency, establishment of “smart”/artificial intelligence/technocratic surveillance grids – have become quite transparent.
As has been detailed in several previously published articles on this site, just as the World Health Organization exists as a front for the Rockefeller Foundation, from its inception in 1948, the United Nations has been merely a front for the Crown Temple, its four courts in the City of London, the Swiss National Banking Consortium, and the Vatican which, in turn, is controlled by the military order of the Jesuit’s Society of Jesus.
Beginning in 1302 with the issue of the first of three papal bulls or Cestui Que Vie Trusts (AKA three crowns) – now hidden behind the veil of BlackRock and Vanguard (AKA DTCC/Depository Trust and Clearing Corporation/Holding Company) – the pope was declared supreme global sovereign, with the principality of Vatican City overseeing the ownership of all crown land divided up into nations (AKA commercial/corporate markets/central banking districts) demarcated by artificially created but legal/corporate boundaries and governed by Admiralty/Maritime (AKA Roman) Law symbolically represented by the Roman Fasces which are conspicuously featured – to the left and right of the twin ionic columns in the image posted directly below – in the U.S. House of Representatives.
Below: Roman Faces
The World Health Organization’s proposed treaty, slated for implementation by 2024, exists merely as a legal but unlawful instrument to incrementally reveal the reality of centrally controlled global governance which, in modern times, has been hidden behind the curtain of “national security”.
Even still, one remains hopeful a majority won’t be fooled by the MSM’s fear/trauma-based propaganda concerning yet another “pandemic”.
BIG BAND SINGER
Although not generally well-known, the legendary talk show host known as “Merv Griffin” began his career in show business during the era of the 1940’s as a radio and big band singer and actually enjoyed a string of highly charting ‘hit’ song recordings. His biggest selling record – though inauspiciously titled – was called “I’ve Got a Lovely Bunch of Coconuts”, released in 1950. According to Wikipedia and other mainstream biographical sources, Griffin’s “Coconuts” reportedly sold three million copies. With the exception of popular music superstars such as Glenn Miller, Frank Sinatra, or Bing Crosby, moving that many units represented a rather rare accomplishment for contemporary recording artists of that era. What makes this exceptional statistic especially curious, is that, during this period of time, record players, even among the middle and upper middle classes, were still a novel consumer item. Record playing technology designed for the American consumer of recorded popular music was still in its incipient phases and comparatively primitive to the home stereo systems marketed and sold in later decades. Rarer still, during his string of hits which culminated with “I’ve Got a Lovely Bunch of Coconuts”, in 1945, “Merv Griffin” was allegedly given control over his own recording label, dubbed Panda Records.
This sort of business development was and still is unprecedented.
Even today, the Hollywood music industry exists under the monopolized control of Universal Music Group (Sony, RCA AKA Serco, Columbia) and, therefore, artists under contract are not granted ownership control over their music catalogues, publishing, or the profitable licensing of master recordings. Harking back to Griffin’s telling quip directed towards Hollywood actor Hugh O’Brien, the question remains: what did the talk show host know about the CIA?
Griffin’s Panda popular music recording label was one of the first to use magnetic tape, a technology developed in Germany during the latter half of the 1920’s before being brought over to America during the Post-World War II period by “Bing Crosby” (AKA King Leopold III of Belgium/Adolf Hitler/Allen Dulles/Jack Haley/Alger Hiss/Carol O’Connor/Danny Kaye) and used in cooperation with Ampex tape machines.
Given this, and the fact King Leopold III of Belgium (AKA Bing Crosby/Adolf Hitler) was also identified as the live-action role player in portrayal of the fabricated character scheme known as “Allen Dulles” who not only headed the Jesuit-controlled CIA as director during the hoaxed “Cuban Missile Crisis” and the simulated JFK “assassination” in Dallas, Texas but who also subsequently chaired the sham Warren Commission – a reference hidden in plain sight to the genuine identity of “Richard M. Nixon” (AKA Hollywood actor Warren Beatty) – it is more than fair to intuit or to begin to conclusively determine “Merv Griffin” knew plenty about whom he was truly working for – Jesuit-controlled CIA and the Society of Jesus’s international intelligence octopus.
Below from L to R: Richard M. Nixon, Warren Beatty
Regarding Griffin’s professional career trajectory, it shall soon become evident that, despite facing career ending failures as a premiere television talk show host in the early 1960’s, “Merv Griffin” was helped along to success in the Hollywood television/entertainment business by a stern but guiding and nurturing hand belonging to none other than Central Intelligence, headquartered in Langley, Virginia controlled from Vatican City by the Jesuit’s Society of Jesus.
Below: King Leopold III of Belgium, Bing Crosby
TALK SHOW IMPRESSARIO
After his string of hit songs recorded while performing as a hammy lounge singer dried up sometime in the late 1950’s, the professional career of “Merv Griffin” – who also made several television appearances during this era as a game show host – appeared to have stalled, standing at a perilous crossroads.
Nevertheless, true to form, Griffin proved unflappable, if not serenely bulletproof.
While examining, investigating the course of his show business career, it became evident that a certain career break afforded to Griffin mirrored a nearly identically timed opportunity which serendipitously arrived for yet another fabricated character scheme who was also breaking into the radio/television industry – “Phil Donahue”.
Though circumstantial, these are the sort of seemingly “coincidental” biographical anomalies which, when conceptually viewed within the context of Post-Modern Reality Simulation, transform into key clues exposing the concocted and concealing nature of such biographical details.
Between the time period encompassing 1957-1962, it appears that the professional careers of both “Phil Donahue” and “Merv Griffin” were effectively guided by a combination of clandestine but powerful influence and nepotism – their relationship to “Bing Crosby” (AKA King Leopold III of Belgium/CIA director Allen Dulles).
In 1962, Griffin appeared as a guest host on the Tonight Show. As a result of being considered by television executives as one of the show’s most successful guest hosts, early in 1963, Griffin was soon given an opportunity to host his own eponymously entitled show.
However, when the first installment of the Merv Griffin Show failed to make a significant dent in the ratings, it was cancelled by NBC executives, temporarily stalling Griffin’s incipient television career.
Everyone may recall from a recently published article entitled Another Fake Phil Talk Show Host that, later, during that same year, in 1963, “Phil Donahue”, before going on to become a daytime television talk show superstar, was hosting a radio call-in show entitled Conversation Piece broadcasted from Dayton Ohio’s WHIO-TV/radio when, despite the fact Donahue was still merely an industry upstart, he was given the opportunity to interview John F. Kennedy shortly before he was “assassinated” in Dallas’s Dealy Plaza.
Below from L to R: Merv Griffin, Phil Donahue
Remaining undeterred, Griffin not only went on to host another version of his own eponymously titled talk show, but he also established his own television production companies – Merv Griffin Enterprises and Merv Griffin Entertainment. While the former company operated as a subsidiary of Columbia TriStar and Sony Pictures, the latter company was sold to Coca-Cola, a multi-national corporation executively helmed by Hollywood executive Barry Diller (AKA Prince Eduard Egon von Furstenberg Hohenlohe/Dwight D. Eisenhower/Oliver Stone/Alfred Hitchcock/Cary Grant/Robert Shapiro/John Avery/Bill O’Reilly/John Ramsey/Mike Nichols). Recently, Diller, Hollywood executive David Geffen, and Prince Alexander von Furstenberg (AKA Ron DeSantis/Joe Rogan) were suspected and investigated for insider trading by the SEC.
Griffin also endeavored to create the concepts for two hit game shows – Wheel of Fortune, Jeopardy – which became long-running highly rated staples of American daytime television. How is it that “Merv Griffin” came into such extraordinarily good fortune? Because, it turns out, extensive facial recognition and image comparison analyses confirm that both “Merv Griffin” and “Phil Donahue” are fabricated character schemes modified from British actor Sir Anthony Hopkins (AKA Lee Harvey Oswald/Dick Van Patten/Gene Wilder/Jim Ryan/Tim Russert), the son of Hollywood entertainment superstar “Bing Crosby” (AKA King Leopold III of Belgium/Adolf Hitler/Allen Dulles/Alger Hiss/Carol O’Connor/Jack Haley/Danny Kaye).
Below from L to R: Merv Griffin, Phil Donahue, Sir Anthony Hopkins
In each image posted below, everyone will observe that not only are the respective central incisors identically aligned, structured, and shaped, but that, in particular, the respective alignments, structures, and shapes of the left cuspids – encircled in red marker – are conspicuously identical.
Below from L to R: Merv Griffin, Phil Donahue, Tim Russert, Sir Anthony Hopkins
STAIRWAY TO HEAVEN’S MAGICAL MYSTERY TOUR
The video posted immediately above is an excerpt from the Merv Griffin Show, broadcasted sometime in 1978. On that show, Griffin welcomed two members of the Bee Gees – Robin and Barry Gibb – a legendary popular music recording artist who are most famous for recording the soundtrack to Saturday Night Fever which starred John Travolta (AKA Joe Namath/Joe Montana/Michael Eisner/Barry Manilow).
Not being overly familiar with the Bee Gees music, one was nevertheless immediately stricken with a sense of deja vu while studying the respective facial geometries of both Barry and in particular, “Robin Gibb”.
At the link to the article posted above, everyone will discover a satisfactory if not thorough explanation of the process of image recycling within Hollywood’s popular music recording and professional sports industries. In the case of Robin and Barry Gibb, both performers were known by other names in the music recording industry and have connections to the Beatles and to Led Zeppelin.
Facial recognition and image comparison analysis indicates that “Robin Gibb” was recycled into the Bee Gees from the image of Led Zeppelin guitarist Jimmy Page.
Below: Robin Gibb, Jimmy Page
As for the other member of the Bee Gees invited onto the “Merv Griffin” show, Barry Gibb appears to be donned in a wig resembling Chewbacca the Wookie from Star Wars. Further and extensive ear biometric, facial recognition, and image comparison analysis confirms that Barry Gibb is also George Harrison of the Beatles. When viewed closely, while making ocular comparisons, everyone will begin to notice the conspicuously identical structure of the respective ear lobes.
Below from R to L: Barry Gibb, George Harrison
It is also rather amusing to consider the fact that during the era of the late 1970’s, the MSM was promoting and even stoking the growing divide between fans of rock and ‘disco’ brands of popular music. If only fans artificially divided into both camps could have realized, they were being thoroughly manipulated into confrontational and even violent opposition.
Early on during their interview, “Merv Griffin” asks both Barry (AKA George Harrison) and Robin Gibb (AKA Jimmy Page) if their brother Andy Gibb had ever considered “stepping in” to perform with the group. Turns out, ear biometric, facial recognition, and image comparison analysis confirms that the “late” and one-time popular music teen idol known as Andy Gibb was later recycled into MTV era rock singing heart throb Jon Bon Jovi. In the second set of images posted below, everyone will notice, in addition to the proportional, structural alignments of the respective chins, jawlines, noses, brows, lips, and eyes, the geometric structure of the respective ear lobes – encircled in red marker – are also comparatively identical.
Below: Andy Gibb, Jon Bon Jovi
POLANSKI THE FAKE ROMAN
Further and extensive investigation into the formerly exiled American film director “Roman Polanski” revealed that he is a Hollywood fabricated character scheme modified from the image of “Danny Kaye” portrayed by “Bing Crosby” (AKA King Leopold III of Belgium).
Below: Danny Kaye, Roman Polanski
While making ocular comparisons between the pair of images – featuring Danny Kaye (AKA Bing Crosby), Roman Polanski – posted below, everyone will take note of the identical epidermal and geometrical structure, shape of the respective ear lobes. In the next succession of images – also encircled in red – everyone will take note of the identically placed epidermal flap aligned along the respective jawlines. The fabricated character scheme known as Hollywood film director “Roman Polanski” was backdated/modified with a lush hairpiece, a prop which the host actor “Bing Crosby” (AKA King Leopold III of Belgium/Danny Kaye) often wore throughout his professional career when making public appearances..
Polanski’s “marriage” to Sharon Tate was a manufactured sham and his character was created and promoted by the MSM to help authenticate the staged media event/fear/trauma-based psychological operation known as the “Charles Manson” (AKA Hollywood executive David Geffen) family murders.
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