Candy-O’s Sweet Image Goes Sour

Candy-O’s Sweet Image Goes Sour

Sometimes one can’t help but feel a stab of sympathy for those who’ve fallen prey to the glittering, seductive images projected by imposters such as right-wing media darling Candace Owens. Nevertheless, while certainly attractive, seemingly intelligent, insightful, and perhaps even charming and witty, beneath Owens’s shining facade one couldn’t help but think something was amiss. Sure enough, Owens’s official biographies are filled to the brim with clues that her media image was carefully created, especially calculated to cultivate mass appeal among its targeted audience demographics and that her media emergence was engineered by forces beyond the public’s perception but yet hidden in plain view. These clues linked Owens to not only City of London Corporation, Jesuit-occupied Oxford University but to Prince Michael, Duke of Kent (aka Mick Jagger/Max Igan), to Enron and to Salomon Brothers, the company which occupied WTC’s Building #7 prior to the controlled demolitions executed as part of a grand psychological operation on September 11, 2001. Turns out too, that Owens is connected to a once popular Hollywood actress and to a prominent media personality associated with a high-profile political figure which, before being “elected” U.S. president, was modified into the media generated image of the cave dwelling ‘terrorist’ who, according to the U.S. corporate government, was alleged to have been the perpetrating mastermind behind the events of 9/11.

SEE: Curtain Draws on Nina Jankowicz Show

Continue reading “Candy-O’s Sweet Image Goes Sour”

When Hollywood Halle became Michelle

When Hollywood Halle became Michelle

The actor based reality is indeed, all-pervasive. The character narrative of Michelle Obama continues to be a well-scripted screen play. But once again, the American public has been bamboozled into emotionally investing into yet another mythical, holographic construct they’ve mistaken for a flesh and blood icon.

With this installment, beyond merely identifying the host actor behind the myth, one shall endeavor to examine and speculate upon the grand implications of the phenomenon of the actor based reality, and what meaning its continued perpetuation may hold for the future of humanity.

The dawn of the new millennium brought with it the explosion of the commercial availability of digital technology.

The ensuing assault upon mankind’s cognitive perceptions has debilitated and distorted his ability to accurately discern objective reality and forced him – both collectively and individually – to go kicking and screaming into the dark maw of post-modern perceptual and cognitive relativism, and even dissonance.

One would submit, the existence of the character of Michelle Obama, stands as not only case in point, but a prime outcome of the philosophical solipsism underlying the forward thrust of this newly arrived post-modern era. Continue reading “When Hollywood Halle became Michelle”