Tag: Orson Welles

Milton’s Free-For-All Fraud

Milton’s Free-For-All Fraud

For decades, Milton Friedman was the rock star of theoretical economics.

Over a period of decades, Friedman’s face became just as recognizable to Americans as those of many Hollywood celebrities.

It could also be said, Friedman’s ubiquitous public appearances while serving up fast food academia to middle America helped to create the concept of television punditry, television personalities which, today, are better known as “experts”.

With numerous television appearances, door stopping publications, and college lectures to his credit, Friedman became the symbolic epitome of free market economics.

But what if, Friedman’s persona was nothing more than a theatrical stage act, a live action cartoon guru backed with nothing more than manufactured academic bona fides to legitimize it?

Recently, a curious piece of footage surfaced, which featured Friedman facing off with a slew of European academics to discuss the validity of his economic theories.

The facial geometry of one those “academics” appeared familiar.

Upon closer scrutiny, this “European academic” turned out to be very familiar indeed.

In fact, the actor portraying the role of this “academic” enjoyed a long career on both British television and on the theatrical stage, before, in the latter stages of his career, moving on to both featured appearances on American television and in award-winning Hollywood cinematic productions.

Of course, upon making this relatively startling discovery, one became suspicious of Friedman as well.

Could it have been possible, as in the case of this “European academic”, Friedman was also a fabricated character scheme?

Not only did “Milton Friedman” turn out to be an award-winning Hollywood actor in disguise, it also turns out, Friedman’s host actor is the hidden father of Marlon Brando (AKA Burt Reynolds). Continue reading “Milton’s Free-For-All Fraud” →

Texas Twice Conned by Hollywood “John”?

Texas Twice Conned by Hollywood “John”?

Fool me once – shame on you.

Fool me twice – shame on me!

Native Texans, it has been said, know this old adage well.

On the other hand, Texans may be unaware they’ve fallen prey to being fooled, on not just one, but two occasions, and by the same well-known Hollywood actor donned in latex stippling, which, to television viewers, created the ocular illusion he was chronologically much older than his actual age.

How appropriate, then, the proper name, to which this “late” politician and historical figure is known to history, includes the prefix CON – “as in John Connolly”.

Those familiar with American history know, the name of “John Connolly” is synonymous with one of America’s most significant and, many still believe, tragic historical events – the “assassination” of US president “John Fitzgerald Kennedy” (AKA Hollywood actor, Dennis Hopper).

The following video, which everyone will find displayed immediately below, features a performance – filmed at a Dallas hospital, soon after Kennedy’s “assassination” –  from the host actor who portrayed “John Connolly”.

 

 

 

 

When the actor’s facial mannerisms and unique facial geometry are viewed more closely, and while paying especial attention to the tone, rhythm, and timbre of the familiar voice, the identity of the man portraying “John Connolly”, a young and, at that time, obscure actor who would go on to become an award-winning Hollywood icon, should become readily identifiable to everyone.

This Hollywood actor also has a particularly conspicuous facial mannerism, which not only helped to identify him in the role of Texas governor “John Connolly”, but, as well, helped to identify him in the portrayal of yet another famous role, one which greatly effected the course of American history. Continue reading “Texas Twice Conned by Hollywood “John”?” →

007 & The Legend of Tubal-Cane

007 & The Legend of Tubal-Cane

Many may not be aware that, when sitting down to watch their favorite spy finagle and charm his way out of death defying scenarios while matching wits with another of the world’s most dangerous villains, they are witnessing and actively participating in an occult ritual.

Historically speaking, the Bond film franchise has also existed as a major vehicle for the concepts of predictive, social and political programming.

Many adherents to the legend of 007 may also be unaware that Sean Connery – believed by many movie critics and aficionados of the Bond film franchise to have provided audiences with the most definitive and overall best portrayal of those cast in the iconic role – was himself a character portrayed by a host actor.

Yes folks, the truth of the post-modern phenomenon known here at Newsspell as the actor based reality has many protective layers, of which the character known for decades to the general public as Sean Connery is but merely one.

Within this informative installment, one shall discover not only paradigm changing revelations, but unexpected connections to the popular music industry, to Disney, a 90’s era “boy band”, a popular singer allegedly from Wales, and a legendary singer/songwriter from New York, known as “the piano man”, who enjoyed his hitmaking heyday of popularity during the late 1970’s and 80’s. Continue reading “007 & The Legend of Tubal-Cane” →

Howard Hughes: Man of mystery revealed (Part II)

It seems, the mainstream media sorcerers have begun to pay attention to what has been published here at Newsspell. Just moments ago, one happened to have noticed an article published very recently by the establishment mouthpieces at the Washington Post entitled “Junk Science used to undermine Ford.”

In this obliquely fashioned hit piece, undoubtedly aimed at independent researchers regarded as ‘conspiracy theorists’, the Post specifically referenced Doctor Ford’s undermining testimonial discrepancy that was pointed out in Newsspell’s previous installment. Unintentionally, in seeking to bolster the entire mainstream narrative concerning the concocted scandal that enveloped Supreme Court Justice nominee Brett Kavanaugh AKA McKenzie Astin, the Post has rather served to undermine it.

No doubt, too, this represents an example of reactionary damage control.

Furthermore, it is truly shameful the practice of genuine journalism is now practiced by independent researchers and not, as has been traditionally claimed, by the propaganda shoveling, teleprompter reading hacks employed by the corporately owned, mainstream media, those commonly referred to as “journalists”.

Nevertheless, the theme chosen by those at the Washington Post is quite telling, and their ruling elite masters are running scared. They are worried, that with every passing day, the tear in their veil of digitally generated illusions grows exponentially.

Nevertheless, please allow the author to once again, welcome those who’ve decided to become new followers.

Although Newsspell hasn’t put the mainstream news sorcerers out of business yet, one can still take solace in the fact, hope does spring eternal.

In the previous installment concerning the subject of the legendary Howard Hughes, one proffered the hypothesis Hughes was in fact a mere celluloid image, a mythical character created by the host actor’s rich and prominent family.

The author also hypothesized Hughes’ confirmed host actor, the equally legendary Hollywood film director Orson Welles had most likely hailed from royal genealogy and that, in his seminal film, Citizen Kane, Welles’ left behind the one clue that revealed his true genealogical origins – rosebud.

However, concerning Citizen Kane, there may be other clues Welles left behind as to his true family origins.

But, most shocking of all, folks, Welles portrayed a significant role in the long-running JFK assassination psychological operation hoax. Continue reading “Howard Hughes: Man of mystery revealed (Part II)” →

Howard Hughes: Man of mystery revealed (part I)

This time, one shall present to one’s loyal readers the story of a man who became one of the twentieth century’s most legendary, if not enigmatic characters.

While still a young man, though he appeared before the public both adored as a triumphant hero and scorned as a villainous scoundrel, the question remains: did Howard Hughes ever really exist?

Though often a genuine enigma, Hughes’ indelible image left such a lasting impression upon the general public’s consciousness, that he managed to eclipse both fame and infamy within the span of a single lifetime.

But, was this self-made tycoon, this epitome of the American dream, this eccentric hermit flesh and blood or, did he merely exist as a celluloid image?

Was he, in fact, merely yet another actor in history’s grand stage play?

The answer to those pertinent questions, may duly reveal itself during our near thorough examination of yet another of the twentieth century’s grandest Hollywood mavericks and legends, the director, writer and producer of Citizen Kane, the cinematic epic that featured a mythical narrative about the rise and fall of an eccentric, tyrannical, and even self-destructive American billionaire uncannily resembling Howard Hughes, the brilliant creator of the transcendent movie that for decades, movie critics have heralded as the single most seminal example of American cinema – Orson Welles.

Although it has been by now well-established Kane was a cinematic portrayal of  billionaire newspaper magnet William Randolph Hearst, does the possibility exist Welles may have secretly designed the movie’s narrative as an epic sketch of Hughes?

Is it possible, the controversy between Welles and Hearst subsequent to Kane’s release was drummed up by Hearst himself? Could it be, that Wells and Hearst were genealogically related, and that their vicious public feud was merely a ruse, hatched and perpetrated for nothing more than mutual profit?

And, perhaps more intriguing still, does the possibility exist that Hughes was merely a celluloid characterization of Welles’ alter ego?

Could it be, Hughes was a fictional character after all, and that none other than Orson Welles was his host actor?

If so, were there other characters Welles portrayed throughout the course of his storied career?

Stick around folks, because you may be surprised to learn that Welles – it must be remembered – was not only first and foremost a man of the theater, and himself an accomplished actor, but a genius thespian, who wore several, publicly prominent masks. And one of these, he wore as an active participant in the JFK assassination hoax!
Continue reading “Howard Hughes: Man of mystery revealed (part I)” →

TAVISTOCK: Pop culture mind war masters (Part 1)

This series of posts will center on how government propaganda, media and its accompanying technologies have not only shaped the minds of the masses, but have manufactured the incremental social and political changes retrospectively witnessed for the last one-hundred years. Who or what sits at the very hub of this grand latter day societal transformation, birthing the prevailing culture(s) of the 21st century?

The answer: Tavistock Institute of Human Relations, masters of psychological warfare and sociological culture creators.

Tightly cloistered within the borders of London, sits the brain trust of global psychological manipulation, the head of a sociological octopus whose tentacles extend to the four corners of the globe. Though its existence goes largely unnoticed by the mainstream media and public alike, there is not a single aspect of global society where the influence of London’s Tavistock Institute of Human Relations is not felt. Whether realized or not, each generation coming of age since the post-war years, extending from the pivotal year of 1947, has been fully bound and tied under the spell of the masters of global mind war headquartered at London’s Tavistock Institute.

https://youtu.be/RXObtvrXBnk    Continue reading “TAVISTOCK: Pop culture mind war masters (Part 1)” →