Julian Assange’s Media Manufactured Mirage

Regarding the ubiquity of digital technologies, artificial intelligence, the general public’s consensus has grown to reflect the idea that dependence on such devices have facilitated ease of informational access, commercial convenience, streamlined the performance, execution of mundane tasks.

On the other hand, seldom has it been considered that those same technologies, especially when placed in the hands of the morally bankrupt corporate mainstream media, could have gravely insidious, even perception altering implications.

Within the context of mainstream news television production, the idea that digital technologies are often utilized to satisfy the objectives of ulterior, covert agendas or become weaponized as effective instruments to widely distribute propaganda against the interests of targeted viewing audiences often goes unconsidered, completely ignored. As has been demonstrated time-and-again, ideas of that sort are largely dismissed out of hand, branded as outlandish ‘conspiracy theory’ by those among a majority of the American public. Those most inclined to regurgitate that particular pejorative response are unaware that not only does control of the MSM fall under a single monopolizing umbrella belonging to the Swiss banking consortium, City of London’s Crown Temple, but that all forms of media messaging – including those messages tailored for distribution to targeted audiences whom frequently seek out sources of information from “alternative media” channels – track back to and derive from a single source: CIA (AKA Virginia Company) controlled by the Jesuit’s Society of Jesus at Vatican City, in Rome.

Given this, would it be so surprising to discover that research has indicated and in fact confirms, the media-driven phenomenon known as “Julia Assange” was spawned at and directed from CIA’s headquarters in Langley, Virginia? Nor, therefore, would it be so surprising to discover that, accordingly, the actor identified in portrayal of Assange’s fabricated character scheme, a popular MSM news anchor, also has admitted ties to the agency.

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Nigel Farage’s Political Horror Show

Heroic political figures – oftentimes evolving into cults of personality – are created to pacify the grievances of a restless public, to thwart incipient societal upheavals before they develop into uncontrolled chaos or revolutions which, if not immediately undermined by infiltrating government agents, may pose a threat to maintaining the order of the prevailing status quo.

The historical concept of hero or savior creation is confirmed by the text of Morals and Dogma, the seminal masonic tome authored by Albert Pike, revered as one of high-degree freemasonry’s most significant, influential figures. Recently, in the UK, broadcaster, politician, former fringe political party leader – Reform Party, UKIP (United Kingdom Independence Party) – and reality-television star Nigel Farage emerged as one such revolutionary figure.

Remember that latter biographical detail – ‘reality-television star’- when considering the genuine nature of Farage’s charismatic public image, colorful profile. In 2023, Farage competed in a ridiculously ill-conceived ‘reality-television’ program entitled ‘I’m a Celebrity…Get Me Out of Here’.

After considering this telltale biographical detail, you may begin to intuit that the political phenomenon known as “Nigel Farage” is wholly inauthentic, a calculated contrivance, a cruel sham.

In which case, you’d be correct.

“Nigel Farage” is a media created product which, through clever and cynical marketing, promotion ploys, has been transformed into a popular cult of personality, a public persona which was wholly tailored, carefully packaged to pacify and to neutralize politically disgruntled segments of the British public.

Research indicates that before becoming a significant, influential figure in British politics, “Nigel Farage” was known by another name, one belonging to an actor, singer, and voice artist who was cast as “Doctor Frank-N-Furter” and starred in the 1975 film Rocky Horror Picture Show, a movie which also, interestingly enough, starred Hollywood actress Susan Sarandon who later went on to portray the role of “Marcia Clark”, the prosecuting attorney in the OJ Simpson trial simulation/hoax.

SEE: CIA Simpson’s Most Infamous Performance

But wait – there’s more.

Remarkably enough, it turns out that “Farage” is also connected to a highly visible Russian political figure, Dimitri Medvedev.

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General Milley’s Royal Hoodwink

Sometimes the MSM’s sleight of hand trickery isn’t quite tricky enough.

This certainly turned out to be the case with retired US Army General Mark Milley, presented to the American public as the former Chairman of the Joint Chiefs of Staff.

Though, in its entirety, Milley’s “official” biography published at Wikipedia presents what appears – at least to the rather naive numbered among a majority of the American general public, anyway – to be a credibly composed facade, when put under the microscope of greater scrutiny, it represents an elaborately concocted prevarication, a colossal lie.

Nevertheless, Milley’s biography published at Wikipedia contains key clues which when discovered then arranged into a discernable pattern, create a navigable trail leading to the princely doorstep of a hidden British royal. One who, in recent years, the MSM has been busy characterizing as the troublemaking bad boy black sheep of the House of Windsor (AKA Saxe-Coburg-Gotha).

Upon further investigation, it becomes clear that a ruse – perpetrated by the House of Windsor/Saxe-Coburg-Gotha, aided by the Jesuit/CIA controlled MSM – was created to not only misdirect the public away from suspicion regarding the genuine identity behind the media-generated fabricated character scheme known as General Mark Milley, but to satisfy an ulterior objective: Primarily, as the “General” describes in the following video excerpt at the link posted immediately below, to begin transforming command and control of the US military over to artificial intelligence systems during Milley’s tenure as Chairman of the Joint Chiefs of Staff.

https://youtu.be/ongAkDflJuY

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David Cameron No Friend to UK

A political tyrant’s genuine nature lies hidden behind layers of benign gestures, faux sincerity, feigned smiles, and shameless pandering. Or – in the case of this article’s subject – behind a facade of earnest but bumbling ineffectuality. With a gift for duplicity, a talent for showing the public one face while concealing another, modern-era political tyrants are truly never what they seem upon first impression. While adopting, conforming to socially accepted behaviors, speaking in common vernaculars, the darkness of their clandestine, and even sinister motivations remains well hidden behind a carefully cultivated, calculating television image. It was this deceptive mold from which emerged the public personage known to the UK as former Prime Minister – and now chief UK Foreign Minister under current British PM Rishi Sunak – “David Cameron”.

As shall be further elaborated upon, both Sunak – about who more shall be revealed in a forthcoming article – and Cameron, through their mutual connection to World Economic Forum (WEF) headquartered in Davos, Switzerland, have been complicit in various schemes involving criminal and deliberate fraud, deceit. Though there may exist those who consider that charge to be dubious; after considering the case laid out against them, you will see that indeed it isn’t. Sunak is connected to Infosys, a multi-national digital technology company officially partnered with WEF which seeks to globally implement a digitally oriented social credit score financial bureaucracy centrally controlled by artificial intelligence systems. Foundationally, this proposed financial system, already underway in China and test marketed in select US cities, intends to be formulized on centrally controlled issue of ‘carbon credits’ determined by a social credit index, severely limiting or even eliminating a citizen’s financial autonomy and eventually leading to the obsolescence of political, social dissent.

As for Cameron, while attempting to pose as an advocate of the people’s interests during the tenure of his political career, unknown to the British public, their former Prime Minister was operating in concert with the covert – now, of course, perhaps not so covert – tyrannical objectives of WEF, a cult-like masonic organization and an elaborate theatrical front for the Vatican/Swiss banking consortium, working in cooperation with the UN to achieve global implementation of the genocidal sustainability goals of Agenda 2030/2050 (AKA Jesuit 4th Industrial Revolution/”Build Back Better”). Not surprisingly, Cameron is also a member of the Council on Foreign Relations, sitting on the organization’s Board of Advisors.

The CFR is merely a front for the Jesuit’s Society of Jesus (AKA Knights Templar) in control of Vatican City, Rome.

But there is much more which shall be revealed.

Cameron is merely a soulless marionette taking orders and performing the will of his Jesuit intelligence masters. As photographic forensic evidence shall later clearly prove, Cameron is a media-generated fabricated character scheme portrayed by a Hollywood television actor best known for his comedic role as ‘Chandler Bing’ in a highly popular prime time American television series. According to consensus MSM sources, the actor cast in this particularly popular television role was supposed to have ‘died’ in 2023.

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MSM Helicopter Story Spins out of Control

One should never underestimate the MSM’s contempt for its targeted audiences. A contempt which, though barely concealed beneath a wafer-thin facade, always demonstrates a very low estimation when considering the collective intelligence quotient of the general public.

Remarkably, on this occasion, the MSM seems to have outdone itself.

The latest reportage – what “official” consensus attempts to describe as an alleged helicopter crash in a remote, mountainous geographical area resulting in the ‘deaths’ of Iran’s sitting president, Ebrahim Raisi, his foreign minister, and reportedly several other passengers – exists as perhaps one of the MSM’s most blatant examples of contemptuous disregard for the general public yet. The most recent accounts from MSM sources such as Associated Press, which appear to have been penned by mentally challenged, logic deficient artificial intelligence bots, are chock full of ambiguities, unconfirmed, contradictory details and, as was the case with the MSM’s “official” story associated with “late” NBA star Kobe Bryant, alleged to have also perished in a helicopter accident, coded with a slew of numerological markers, occult symbology. Indeed, when put under the weight of greater scrutiny, examination, whatever credibility the MSM attempts to attribute to its latest helicopter disaster narrative simply spins out of control, crashes and burns.

Expectantly, in the immediate wake of this alleged incident, both the MSM and the preponderant controlled opposition agents infesting the “alternative media” began to enthusiastically bloviate with tales of imminent apocalypse, characterizing Raisi’s alleged death as a catalyst for what could proliferate into a global conflict.

But not only do contradictory details undermine the MSM’s problematic, even nonsensical reportage, there are greater problems with Iranian president Raisi and with his political benefactor, mentor Ayatollah Sayyed Ali Hosseini Khamenei.

Below: Ebrahim Raisi, Ayatollah Khamenei

Turns out, they are both media-generated fabrications portrayed by actors. Deeper investigation indicates that the actor portraying the former – the “late” Iranian president Raisi – is better known as a renowned Hollywood film director, while the latter, Khamenei, is a modified fabricated character scheme portrayed by a well-known US politician alleged to have hailed from the state of Vermont, one whose host actor (live-action role player) has not only been identified as a hidden European royal, but as a repeat, serial perpetrator of Post-Modern Reality Simulation.

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Hollywood’s Made-for-Television ‘Terrorist’

In the hands of those who govern, a comprehensive understanding of the human mind, how it perceives, interprets experiences can become a most useful tool. In the hands of a tyrannical government with totalitarian designs, such knowledge, when used strategically, can be utilized as a weapon far more powerful, effective, and perhaps even more destructive than any gun, bomb, or missile. During the Roman imperial era, the ruling Caesars realized that, over the long term, a meticulously well-planned psychological warfare campaign was more effective and less costly in maintaining control over populations than having to rely upon the loyalties of occupying legions of armies.

In our modern era, this same sort of knowledge is still highly valued by those inhabiting the halls of governance.

When it comes to successfully executing psychological warfare upon population groups, those who govern today have distinct advantages over Roman emperors of old: exclusive access to the MSM (mainstream media) while social media platforms, acting as augmenting propaganda organs, are programmed to influence, manufacture public, political consensus.

Properly weaponized with a combination of verbal priming, neuro-linguistic programming, emotional, dramatic emphasis, and when exposure is broadened to maximum saturation levels while reinforced by repetition, the MSM’s prevailing ‘news’ narratives have the capability to not only capture and to hold the attentions of intended audiences, but to destabilize, immobilize, and to reshape, mold hearts and minds among the general public into any desired formulation.

Seized, galvanized by emotional hysteria, ridden with psychological demoralization, the public’s powers of rational discernment are compromised, disabled. Rendered psychologically, emotionally vulnerable, the public is left unequipped to comprehend that its thoughts, subsequently adopted behaviors have been sufficiently altered, transformed towards embracing the ulterior objectives of the MSM’s propagandists.

Lately, of course, the American public’s malleable attentions have been held captive, dominated by the ongoing ‘war’ in Gaza, Palestine, and with the accompanying ‘protests’ which have appeared to spring up on college campuses.

As was pointed out in a previously published article – Middle East’s War Simulation Spectacle – the ‘war’ alleged to be taking place in Gaza, Palestine is nothing more than a stage-managed, televised simulation, a psychological operation replete with actors and Hollywood-styled props, a grandly conceived smokescreen contrived to hide ulterior objectives which are, namely, the ongoing global implementation of the UN’s Agenda 2030/2050 and its seventeen ‘sustainability goals’ – goals which run counter to the specific economic interests of American citizens among the working and middle classes and to the interests of humanity in general. Added to more information which supports these findings, later, the true identity of a prime perpetrator in Gaza’s war charade shall be revealed.

Turns out, an alleged former leader of Mossad-created Palestinian ‘terror’ group Hamas – “Khaled Mashal” – is a renowned Hollywood actor in disguise.

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CIA Simpson’s Most Infamous Performance

To those grown comfortable living with lies, deception, acknowledging the truth is to risk suffering a fatality perhaps worse than death. To discover the truth, one must first dare to cross the Rubicon of fear. But most dare not because once navigated, the very thought, realization of being unable to return, marooned and left to survive alone in an unfamiliar wilderness, remains inconceivable, too much to bear. It seems that for the unfortunate majority, letting down one’s defenses – ego, vanity – and sacrificing unquestioned faith in improbable beliefs, to stand apart, isolated from the madding crowd to accept absolute, unfettered truth appears too high of a price to pay.

Speaking of death, as undoubtedly most are aware, it was recently announced that, former legendary NFL star, journeyman Hollywood actor, Orenthal James Simpson has shuffled off this mortal coil, reportedly having succumbed to a long-term battle with cancer.

1975: O.J. Simpson #32 of the Buffalo Bills looks on during an NFL game circa 1975. (Photo by Robert Riger/Getty Images)

But there’s much more the MSM left out concerning OJ Simpson which, shortly, in due course, will be further elaborated upon.

One couldn’t help but notice, while eulogizing the “Juice”, conveniently enough, undoubtedly by deliberate omission, the MSM failed to report that not only did Simpson become a professional actor even before he was drafted into the NFL, but that he was also employed as a covert CIA asset.

Furthermore, regarding Simpson’s most infamous acting performance during his staged trial simulation spectacle, the MSM fails to report the involvement of Carl Colby, son of former CIA director William Colby. Further investigation has confirmed that Carl Colby lived in Brentwood, Los Angeles, in proximity to “Nicole Brown Simpson”. In addition to this, more shall be shortly revealed about some of the other major participating principals in Simpson’s ‘trial’, regarding Los Angeles County prosecuting counsel “Marcia Clark”, Simpson’s defense attorney Robert Shapiro, Time/Warner and Henry Luce, all of whom, along with “OJ Simpson”, were contract assets utilized by the CIA in the execution of an antagonistically divisive, population destabilizing psychological operation.

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Kennedy’s Chappaquiddick Drowned in Lies

Beyond creating, promoting emotionally provocative narratives, the MSM also specializes in the popularization of myths. Typically, such classically inspired tales – of both heroism and tragedy – acquire Shakesperean dimensions.

The media-generated tragedy of Chappaquiddick, which forever dashed the seemingly bright political future of one Ted Edward Kennedy, at once transforming a shining presidential hopeful into a pathetic Hamlet-like figure with no hope of redemption, still echoes into posterity.

As the decade of the 1960’s waned, plunged into a war’s quagmire far abroad, dangerously atomized with chaotic civil strife at home, the subsequent effect of Chappaquiddick’s sorrowful narrative seemed poised to further demoralize an already downtrodden America.

Nevertheless, with the help of a rabid MSM eager to capitalize on the tragedy for the sake of skyrocketed television ratings, sensational front-page headlines, Chappaquiddick unfolded into a compelling drama, a thrilling distraction served up to a nation deeply mired in despondency.

In Chappaquiddick’s morbid wake, the death of Mary Jo Kopechne and the deferred political dreams of the last-living Kennedy brother were subsequently spun into epic drama, a made-for-television spectacle through which a gaping mob of American spectators could vicariously live.

Turns out though, upon further investigation, there’s more truth in the latter characterization than perhaps many could ever possibly conceive.

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A Partridge & the Prince of Darkness

It is generally believed, by musicians seeking to become stars while wallowing in obscurity and popular music fans alike, that Hollywood music industry executives remain busy constantly scouring nightclubs from coast to coast looking for the ‘next big thing’.

But this widely held belief is a fallacy. Nothing could be further from the truth. The renowned stars with which popular music fans have become most familiar have proved to be sons and daughters of either industry legends, corporate entertainment executives, or the family offspring of those who own the record companies, oftentimes child prodigies who’ve been well trained at the finest performing arts schools to master their specialized trade. After being signed to a contract with a major corporate recording label and becoming designated as a priority project, such artists are instantly surrounded by what is tantamount to an efficient brain trust, consisting of premiere record producers, song writers and arrangers – termed ‘song doctors’ in the industry – top-notch sound engineers, wardrobe and makeup specialists, attorneys, managers, and booking agents.

Since its inception, the Hollywood music industry promotes from within, and those promotions are often based on nepotism. As has been discovered to be the case with contracted assets performing in professional sports – SEE: NFL’s Touchdown Tom Not So Terrific – likewise, popular, profitable assets with successful resumes contracted for employment in the Jesuit and US military/industrial complex-controlled Hollywood music and entertainment industry are routinely recycled into new identities.

Once media marketed entertainment images prove popular with particular audience demographics, to exploit the profitability of new commercial markets, actors or assets working under contract are often cleverly outfitted with sparkling new images, as well as carefully crafted pseudonyms designed for commercial appeal to targeted markets.

In essence, once recycled into new identities and images, Hollywood entertainment industry assets become perpetrators of Post-Modern Reality Simulation designed with the ulterior purpose of promoting social engineering, and with the deliverance of behavioral programming and media messaging. The execution of such operations is directed from the top down by the Jesuit’s Society of Jesus in control of Vatican City in Rome, overseen by military psychological operations units in cooperation with US and British intelligence, while the emotional, behavioral reactions of targeted population demographics are meticulously monitored by organizations such as Tavistock Institute of Human Relations in London, Stanford Research Institute. Such psychological operations prove beneficial to the City of London’s Crown Temple and Swiss banking consortium and their hegemonic maintenance of population centers and the global status quo.

Ironically, while rock music has sold successive generations on the idea of liberating rebellion, they’ve been covertly programmed for enslaving conformity.

Turns out, a pair of intelligence-controlled Hollywood music entertainment assets, perpetrators of Post-Modern Reality Simulation, pose as this article’s featured subjects: “Ozzy Osbourne” and “Randy Roads”.

More extensive investigation indicates and in fact confirms that both of these legendary rock stars were previously known by other famous monikers. One of them was formerly known as a member of perhaps the most famous pop group of the 1960’s, a star who also became known – under another name – as perhaps one of that decade’s most prominent, well-respected, and influential pop musicians and instrumentalists, while the other, before assuming the identity of heavy metal rock guitar god “Randy Roads”, was a 1970’s teen idol cast in the television sitcom “The Partridge Family.” Now, today, this former ‘Partridge’ stars as a podcast sidekick for one of the alternative media’s most influential and well-known figures.

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