It has often been said pride comes before the fall.
However, when one observes mainstream news sources echoing what the author here at Newsspellcom.org concluded months ago concerning Elon Musk’s Tesla Motors (See: Should America buy what Elon is selling?), one cannot resist heralding the accuracy of one’s foresight.
The glaring question, however, is this: why suddenly have those in the mainstream media begun to bark like meat starved hounds over the obvious and utter folly demonstrated by Musk’s Tesla Motors?
Why now, have they chose to begin crucifying a media figure they had previously and so obsequiously lionized as a “next level genius”?
Admittedly, as a novelist and creative artist who had once admired the considerable accomplishments of Alfred Hitchcock, one approached the subject of this installment with initial reluctance.
However, one cannot deny the implications of one’s investigations. And, considering what shall be revealed, the implications are indeed, of enormous proportions. One also cannot allow their selfish sense of betrayal, however palpable, to stand as an impenetrable garrison to discovering the truth about the world at large. As the author and his loyal readers are discovering, this world, and everything in it, are filled with deep and willful deceptions.
Alfred Hitchcock has been almost universally lauded among filmmakers as a masterful creator of indelible images, and a maestro of cinematic composition.
While it may seem inconceivable to those who still regard Hitchcock with the highest esteem, and perhaps even consider his reputation to be unimpeachable, no doubt they will loathe and even scorn the idea of the master thrown headlong from the dizzying heights of his lofty pedestal.
Painful as this terrible notion may be, one shall attempt to do just that.
Television – that panorama of intellectual and spiritual bankruptcy – remains as America’s insatiably fantastic playground of colorful images, tailored to pacify a nation populated by the perpetually bored, and the emotionally arrested.
During the daytime hours, millions can be found whittling away their vast energies better spent elsewhere in zombie-like dedication to the ringleader of a most ghastly entertainment, and human interest spectacle, known as “Doctor Phil.”
Turns out folks, not only is Doctor Phil an impostor, but a grotesquely drawn character portrayed by a famous host actor who was recently embroiled in allegations of sexual impropriety. One has also managed to discover, connections between “Doctor” Phil’s host actor and the British royal family.
Needless to say, America has been bamboozled, and for quite an extended time, held hostage to the willful mind games of a prevaricating fraud.
“In the future, everyone will be world famous for fifteen minutes.” – Andy Warhol, while appearing in a program featuring an exhibition of his work at the Moderna Museet in Stockholm, Sweden in 1968.
For many, the concept of fame is at once elusive, and yet simultaneously, insatiable and beguiling – to be loved, adored, and admired by millions of strangers – to the extent those in dogged pursuit are willing to sacrifice their priceless integrity for its treasures of material spoils.
In the post-modern age, one finds that the concept of fame has been compromised, not so much predicated on meretricious achievement, but rather, considerably more superficial and ulterior factors.
With this installment, one shall feature a demonstrative, but brief portrait, of an individual whose quixotic pursuit and rather unlikely eclipse of glorious fame, however short-lived, was no doubt manufactured for reasons other than inherent talents. Continue reading “This is how American idols are made”→
Admittedly, when research began for this installment, one balked.
To slowly come to the realization that perhaps one of the most fascinating artists from the past may not have been who he claimed, an artist that truly appeared to have represented the last gasp of genuine rock and roll rebelliousness, felt as if a moribund shroud had begun to blot out whatever glimmers of hope still existed.
Then again – one began to reason the with the cold and objective observations of an investigator – why should the subject of this installment exceptionally differentiate from any other examined in the past? After all, despite the anti-establishment image this star born character came to the world cloaked in, the “late” Kurt Cobain was, after all, and like any other, merely another corporate product, created and marketed by the global commercial system.
Still – what a product he was!
But, as one shall soon observe, the influence, and deliberate guiding hand of a powerful, executive Hollywood figure featured before here at Newsspell, shall once again prove to have played a most prominent role. Continue reading “Suicide of teen spirit smells like a hoax (Part I)”→
This installment shall concern an intriguing yet no less transparent story most recently featured by mainstream news sources.
One shall endeavor to examine the recent alleged “death” of rapper XXXTentacion, the twenty-year-old late rapper allegedly slain outside of a motorcycle dealership in Deerfield, Florida on June 18.
Many – to whom this blog has become a sanctuary of not only free and alternative thought, as well representing an oasis of psychological, sociological, and historical examination of both contemporary and events belonging to a distant antiquity – shall no doubt have considered that the alleged death of “rapper” XXXTentacion was indeed a hoax perpetrated by the corporate owned, mainstream and alternative media controlled via proxy through the global intelligence octopus (specifically CIA), featuring a character portrayed by yet another Hollywood connected host actor.
The genuine question remains – who was the target of this particular psychological operation? But, perhaps there are other considerations which loom more paramount – why, and to what benefit or profit? Continue reading “Out of Death’s Darkness a Star is Born”→
The success of the illusionist relies on their ability to blur the clear distinction between reality and fantasy until the intended audience, or the target of the psychological operation can no longer perceive any delineating demarcation. When this dynamic is expertly and properly achieved, the target will no longer possess the ability to discern between black and white, between up or down, between a lie and the truth.
When deliberated upon, this fantastical blurring damages the psychological demeanor of the target to such a degree as to induce – and through repeated targeting, reinforce – a state of acute confusion, and perhaps, when the target is continually subjected to the effects of such operations, even incipient psychosis. Within the highest degrees of the Brotherhood of Freemasonry, which is merely a front for the Jesuit order, can be found masters of this illusionist’s dynamic. Although loyal readers are aware one has articulated this idea many times, the egregious and deliberate lies broadcast to the public through the medium of the mainstream (and alternative), corporate owned media(s) represent the assiduous creations of such illusions, and are in truth, black magic spelled upon the public in the guise of “news.”
These sorts of stories proffered by mass media in the post-modern age – that of Anthony Bourdain et al. – are not just perpetrated psychological operations, but in fact are tantamount to directed energy weapons.
The death of “Anthony Bourdain” was one such illusion perpetrated upon the public, and once again, one shall reveal the identity of the host actor involved in what was essentially a Freemasonic ritual.
Though surely, there are those who think it may be unbecoming, one simply could not resist the urge to gloat. Merely one day after identifying Roseanne Barr (See: Lottery: the longer you play the more you pay) starring as a host actor in a fake lottery commercial, the elite controllers have chosen to pull the plug on Roseanne’s television show:
Though perhaps it would be presumptuous to imagine, nevertheless, the ruling elites are beginning to run scared from the overwhelming possibility the peasants are catching on to their decades and even centuries of psychologically based nonsense. And I’m certain the loyal readers here at Newsspell have become aware this may be so.
At any rate, on to the matter at hand.
Rock and pop superstars, of the type that transcend the parameters of entertainment to become almost archetypal totems in the public consciousness, are also merely tools of the ruling elite Jesuit families. After all, when an entire industry becomes monopolized by a handful of colossally powerful financial interests, those contracted to work on behalf of elite, monopoly business interests can be built up into culturally influential figures, figures that can, in turn, influence public behaviors for the benefit of globally expanding commercial interests.
One must comprehend that the music business, and to a very large extent the whole of the entertainment industry, including sports, represents a colossal psychological operation, designed not only to increase commercial profits through the presentation of bread and circuses, but also to shape human perceptions of prevailing culture, politics, and to shape and mold mass human consciousness itself.
There is oftentimes an overlooked irony concerning the concept of popular music, in that, while representing a ‘universal language’ capable of enchanting millions from all walks of life across social, political, and economic boundaries, many still refuse to believe or are yet unaware of the more profound and lasting effects – mostly negative due to the intention of its clandestine purpose – upon psychological and behavioral entrainment, designed to segment humanity into units of commercial demographics that can be profitably exploited by the prevailing commercial system of the ruling elites.
In this installment, the aspect of psychological entrainment as it relates to the mass marketing of popular music shall be investigated and explored a bit further.
But first, one shall reveal even further evidence of the actor based reality of psychological operations as it pertains to the profit making machinery of the pop music industry.
It may come as no surprise to loyal readers that Alex Jones, the vaunted king of alternative media is an absolute fraud. However, many still do not know that the moniker, Alex Jones, is yet another pseudonym hiding a royal lineage.
Quite frankly, after all one has learned regarding who actually owns the US corporation, of the major shareholders of the American mainstream media, and the nepotistic, royal entanglements regarding Hollywood and mainstream entertainment, one finds this discovery still somewhat shocking.
For, long ago, when one began their sinuous sojourn on the dangerous path towards truth, one found Mr. “Jones” to be a most helpful, even enlightening guide.
But, one has also learned that life, such as it is, can often be found fraught with betrayal.
One finds, it bears repeating: the existence of the so-called alternative media is tantamount to a cruel hoax, a manufactured sham, designed to lead astray those small percentages of the multitudes harboring notions something may indeed be amiss with everything they’ve taken for granted as their perception of reality.
And – Alex Jones has been found to be perhaps the most conspicuous sham artist of them all.
But now, this latter-day P.T. Barnum and his parlor game of grand deception is over, and one shall soon discover – like seemingly everyone else either in the mainstream or the so-called alternative media – Alex Jones is merely a trained thespian, a scripted, carnival barking character portrayed by not just any host actor, but a royal prince belonging to a most ancient and prestigious royal European bloodline.
