Tag: assassination

Another Fake Talk Show Host Named ‘Phil’

Another Fake Talk Show Host Named ‘Phil’

Though many who frequent this site may have read about the results of the investigation into “Doctor Phil McGraw” who was identified as a fabricated character scheme, he wasn’t the only talk show host named ‘Phil’ with a hidden identity.

SEE: Del’s Big Tree Bears Rotten Fruit

Before the vivid persona of Oprah Winfrey became the predominant figure on the daytime television talk show circuit, there was another with whom Oprah credits the possibility for her meteoric success – “Phil Donahue”.

From the beginning of his television career, the popular television persona who became known to the American public as “Phil Donahue” carved out a rather sizable and dominant niche on what was up until then, during the era of the 1980’s, an almost barren daytime television landscape populated by mindless game shows and melodramatic soap operas.

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Even after his emergence on the American television airwaves, the format of Donahue’s talk show contrasted sharply with that of his would-be competitors. Instead of founding a platform for inane discussions concerning crass popular culture or a shallow promotional showcase for Hollywood celebrities, “Phil Donahue” showed a penchant for tackling issues which appeared to be of social or political import. Issues which sometimes were considered controversial or even taboo by targeted audiences and network executives alike.

As shown in the video clip at the link posted below, in 1985, decades before the Covid-19 “pandemic”, “Phil Donahue” invited Doctor Robert S. Mendelsohn – who at the time was considered to be a most controversial figure among his colleagues in the medical profession – onto his show to discuss the clear and present dangers to the public’s health posed by vaccinations.

https://archive.org/details/phil-donahue-1985

Though today, mainstream talk show hosts wouldn’t dare allow such contrarian views to be aired, at least in this regard, “Phil Donahue” proved to be well ahead of his time and his would-be competitors. But did this penchant for exploring controversial topics emanate from a deeply held conviction? Or was “Phil Donahue” merely playing out the role he was scripted to portray?

Upon further investigation, the latter turned out to be the case.

“Phil Donahue” was a fabricated character scheme. A carefully tailored image designed to titillate and entertain a particular targeted audience of daytime television consumers. After all, as any television executive knows, controversy is a marketable commodity, profitable to not only the network’s bottom line, but to the network’s advertisers. But there is much more to the story of “Phil Donahue” which won’t be found in “official biographies”.

Before becoming daytime television’s premiere talk show host, “Phil Donahue” played the role of a villain in one of American history’s most tragic narratives – the “assassination” of an American president. Not only that, but the Hollywood actor knighted by the British royal family who has been identified as his host actor (live-action role player) has been known by a slew of famous pseudonyms.

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Anatomy of a Hollywood Death Hoax II

Anatomy of a Hollywood Death Hoax II

Sometimes, choosing to take the road less traveled is well worth the trip. Although from the perspective of most investigators such an approach may appear unorthodox, on the other hand, this nonconformist procedure can yield great dividends.

This turned out to be the case with one’s continued investigation into the death hoax of Hollywood actress “Anne Heche” (AKA Jodie Foster/Helen Hunt/Judy Greer/Julia Gillard), which led to not only a living member of the historically lionized “Kennedy family” and to Disney, but straight to the doorstep of an esteemed British actor who, as it also turns out, was a key perpetrator of the JFK “assassination” hoax.

SEE: Anatomy of a Hollywood Death Hoax

In addition, not only did this British actor assume the role of the MSM’s villainous antagonist in the JFK “assassination”, one whose character portrayal, belying its brevity, significantly echoed into posterity, but he also has an intimate genealogical relation to the Hollywood actress identified in portrayal of the “late” “Anne Heche”.

Turns out, too, over the course of his decades long award-winning career, this particular British actor has proved to be quite a chameleon, having assumed several Hollywood-derived pseudonyms as well as an array of famous public personas.

The coup de gras is this: the live-action role player identified in portrayal of the “late” Hollywood actress “Anne Heche” (AKA Jodie Foster/Helen Hunt/Judy Greer/Julia Gillard) is not only still alive, posing as a prominent member of the American political dynasty known as the “Kennedy” family, but she is also the biological daughter of the aforementioned British actor from who, conveniently enough, so MSM sources uniformly claim, she has been estranged for a number of years.

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NASA’s Fake Hollywood Space Cadets

NASA’s Fake Hollywood Space Cadets

The historical veracity attached to the “official” story of “Yuri Gagarin” – uniformly alleged by the MSM and published historical accounts to have been the first human in space – crumbles under greater scrutiny.

Reportedly, before the historic launch of NASA’s Apollo 11, Gagarin died under what can only be described as mysterious circumstances.

There was a very good reason, however, as to why the pioneering Russian cosmonaut’s “death” was kept shrouded in such mystery and intrigue by the MSM.

Turns out, upon further investigation – as confirmed via extensive ear biometric, facial recognition, and image comparison analyses – “Yuri Gagarin”, pronounced as tragically “dead” before Apollo’s maiden but mythical voyage, was resurrected in 1969 as one of NASA’s Apollo 11 “astronauts”, and became the first human alleged to have stepped on the surface of the moon.

Below L to R: Yuri Gagarin, Neil Armstrong

As to the genuine identity of the other pair of NASA’s Apollo 11 “astronauts” alleged to have been launched into space in 1969, further investigation confirms, “Buzz Aldrin” and “Michael Collins” were both fabricated character schemes portrayed by Hollywood actors.

The Hollywood actor identified in portrayal of the former – “Buzz Aldrin” – had previously worked with Stanley Kubrick, one of Hollywood’s most highly touted cinema directors.

While acting under different but renowned pseudonyms, the Hollywood actor identified in portrayal of arguably the least heralded of NASA’s Apollo 11 “astronauts” – “Michael Collins” – went on to star with Dennis Hopper (AKA JFK) in Easy Rider and to star with Burt Reynolds (AKA Marlon Brando/television doctor Phil McGraw/television actor Dabney Coleman/Vladimir Putin) in Deliverance.

As was pointed out in a previously published article, “Doctor Phil McGraw” is also the hidden father of popular internet personality/podcaster Del Bigtree (AKA Quentin Anderson Reynolds/John Wayne Bobbitt/Doctor Drew Pinsky/Kevin Spacey/Jeff Bezos).

SEE: Del’s Big Tree Bears Rotten Fruit

Below from L to R: Buzz Aldrin, Michael Collins

As everyone shall soon learn, “Buzz Aldrin” and his NASA colleague “Michael Collins” never left earth in 1969. Their interplanetary communications, which the MSM alleges were sent from the Apollo space craft on the moon to NASA’s mission control, including the famous words spoken by “Neil Armstrong” in a solemn tone of overwrought melodrama – “One small step for man, one giant leap for mankind” – were prerecorded for what was essentially a prime-time television production, the equivalent of 21st century “reality” television.

Though still unknown to a majority of the American public, NASA operates under the umbrella of the US Department of Defense and is nothing more than a Hollywood-styled movie/television production studio disguised as an organization dedicated to astronomical study and scientific discovery.

Since the time of its inception and for its entire duration, Hollywood has covertly operated as a purveying agent of US corporate government propaganda, and has always worked in proximity with the US military/industrial complex and performed at the dictatorial behest of Jesuit controlled CIA.

Therefore, the genuine nature of NASA is synonymous with that of Hollywood, with both operating as propaganda arms and subsidiary divisions of the US Department of Defense.

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