What would be the odds placed on a pair of figures from the same British royal family – with their identities thinly veiled by pseudonyms, of course – becoming witnesses to U.S. presidential “assassinations” separated by over six decades of history? Though one should think the odds would be pretty long, if not impossible to calculate, nevertheless, such has been discovered to be quite the case. Then again, in the realm of Post-Modern Reality Simulation, all manner of fantastic scenarios can be made to appear plausible. “Jean Hill”, purported by the MSM to be a resident of Dallas, Texas, claimed to have witnessed the “assassination” of John F. Kennedy in Dealy Plaza on November 22, 1963. Almost sixty years later, on July 13, 2024, “Greg Smith” claimed to have witnessed the “attempted assassination” of former U.S. president Donald Trump.
While both “assassinations” proved to have been staged hoaxes, psychological operations respectively planned, managed by alphabet-lettered agencies CIA, FBI with the complicity of both the MSM, U.S. corporate government, so too, both key “assassination” witnesses – “Jean Hill”, “Greg Smith” – have been identified as live-action role-playing actors, members of the British royal family cast in high-profile roles, whose public testimonies as key witnesses to the events they both claimed to have observed first-hand proved to subsequently help formulate prevailing public narratives, the implications of which hold great historical import, consequence.
Below from L to R: Jean Hill, JFK assassination witness, Greg Smith, Trump assassination witness
It would appear then; it turns out that this peculiar occupation – presidential assassination witness – seems to run in the family, so to speak. After all, devious perpetrators of grand media hoaxes are always in need of reliable witnesses whose testimonies would appear credible, perhaps even beyond reproach. But as everyone shall soon observe, such occurrences are not a matter of happenstance, coincidence or chance.
Regarding the ubiquity of digital technologies, artificial intelligence, the general public’s consensus has grown to reflect the idea that dependence on such devices have facilitated ease of informational access, commercial convenience, streamlined the performance, execution of mundane tasks.
On the other hand, seldom has it been considered that those same technologies, especially when placed in the hands of the morally bankrupt corporate mainstream media, could have gravely insidious, even perception altering implications.
Within the context of mainstream news television production, the idea that digital technologies are often utilized to satisfy the objectives of ulterior, covert agendas or become weaponized as effective instruments to widely distribute propaganda against the interests of targeted viewing audiences often goes unconsidered, completely ignored. As has been demonstrated time-and-again, ideas of that sort are largely dismissed out of hand, branded as outlandish ‘conspiracy theory’ by those among a majority of the American public. Those most inclined to regurgitate that particular pejorative response are unaware that not only does control of the MSM fall under a single monopolizing umbrella belonging to the Swiss banking consortium, City of London’s Crown Temple, but that all forms of media messaging – including those messages tailored for distribution to targeted audiences whom frequently seek out sources of information from “alternative media” channels – track back to and derive from a single source: CIA (AKA Virginia Company) controlled by the Jesuit’s Society of Jesus at Vatican City, in Rome.
Given this, would it be so surprising to discover that research has indicated and in fact confirms, the media-driven phenomenon known as “Julia Assange” was spawned at and directed from CIA’s headquarters in Langley, Virginia? Nor, therefore, would it be so surprising to discover that, accordingly, the actor identified in portrayal of Assange’s fabricated character scheme, a popular MSM news anchor, also has admitted ties to the agency.
Sometimes the MSM’s sleight of hand trickery isn’t quite tricky enough.
This certainly turned out to be the case with retired US Army General Mark Milley, presented to the American public as the former Chairman of the Joint Chiefs of Staff.
Though, in its entirety, Milley’s “official” biography published at Wikipedia presents what appears – at least to the rather naive numbered among a majority of the American general public, anyway – to be a credibly composed facade, when put under the microscope of greater scrutiny, it represents an elaborately concocted prevarication, a colossal lie.
Nevertheless, Milley’s biography published at Wikipedia contains key clues which when discovered then arranged into a discernable pattern, create a navigable trail leading to the princely doorstep of a hidden British royal. One who, in recent years, the MSM has been busy characterizing as the troublemaking bad boy black sheep of the House of Windsor (AKA Saxe-Coburg-Gotha).
Upon further investigation, it becomes clear that a ruse – perpetrated by the House of Windsor/Saxe-Coburg-Gotha, aided by the Jesuit/CIA controlled MSM – was created to not only misdirect the public away from suspicion regarding the genuine identity behind the media-generated fabricated character scheme known as General Mark Milley, but to satisfy an ulterior objective: Primarily, as the “General” describes in the following video excerpt at the link posted immediately below, to begin transforming command and control of the US military over to artificial intelligence systems during Milley’s tenure as Chairman of the Joint Chiefs of Staff.
One should never underestimate the MSM’s contempt for its targeted audiences. A contempt which, though barely concealed beneath a wafer-thin facade, always demonstrates a very low estimation when considering the collective intelligence quotient of the general public.
Remarkably, on this occasion, the MSM seems to have outdone itself.
The latest reportage – what “official” consensus attempts to describe as an alleged helicopter crash in a remote, mountainous geographical area resulting in the ‘deaths’ of Iran’s sitting president, Ebrahim Raisi, his foreign minister, and reportedly several other passengers – exists as perhaps one of the MSM’s most blatant examples of contemptuous disregard for the general public yet. The most recent accounts from MSM sources such as Associated Press, which appear to have been penned by mentally challenged, logic deficient artificial intelligence bots, are chock full of ambiguities, unconfirmed, contradictory details and, as was the case with the MSM’s “official” story associated with “late” NBA star Kobe Bryant, alleged to have also perished in a helicopter accident, coded with a slew of numerological markers, occult symbology. Indeed, when put under the weight of greater scrutiny, examination, whatever credibility the MSM attempts to attribute to its latest helicopter disaster narrative simply spins out of control, crashes and burns.
Expectantly, in the immediate wake of this alleged incident, both the MSM and the preponderant controlled opposition agents infesting the “alternative media” began to enthusiastically bloviate with tales of imminent apocalypse, characterizing Raisi’s alleged death as a catalyst for what could proliferate into a global conflict.
But not only do contradictory details undermine the MSM’s problematic, even nonsensical reportage, there are greater problems with Iranian president Raisi and with his political benefactor, mentor Ayatollah Sayyed Ali Hosseini Khamenei.
Below: Ebrahim Raisi, Ayatollah Khamenei
Turns out, they are both media-generated fabrications portrayed by actors. Deeper investigation indicates that the actor portraying the former – the “late” Iranian president Raisi – is better known as a renowned Hollywood film director, while the latter, Khamenei, is a modified fabricated character scheme portrayed by a well-known US politician alleged to have hailed from the state of Vermont, one whose host actor (live-action role player) has not only been identified as a hidden European royal, but as a repeat, serial perpetrator of Post-Modern Reality Simulation.
To those grown comfortable living with lies, deception, acknowledging the truth is to risk suffering a fatality perhaps worse than death. To discover the truth, one must first dare to cross the Rubicon of fear. But most dare not because once navigated, the very thought, realization of being unable to return, marooned and left to survive alone in an unfamiliar wilderness, remains inconceivable, too much to bear. It seems that for the unfortunate majority, letting down one’s defenses – ego, vanity – and sacrificing unquestioned faith in improbable beliefs, to stand apart, isolated from the madding crowd to accept absolute, unfettered truth appears too high of a price to pay.
Speaking of death, as undoubtedly most are aware, it was recently announced that, former legendary NFL star, journeyman Hollywood actor, Orenthal James Simpson has shuffled off this mortal coil, reportedly having succumbed to a long-term battle with cancer.
1975: O.J. Simpson #32 of the Buffalo Bills looks on during an NFL game circa 1975. (Photo by Robert Riger/Getty Images)
But there’s much more the MSM left out concerning OJ Simpson which, shortly, in due course, will be further elaborated upon.
One couldn’t help but notice, while eulogizing the “Juice”, conveniently enough, undoubtedly by deliberate omission, the MSM failed to report that not only did Simpson become a professional actor even before he was drafted into the NFL, but that he was also employed as a covert CIA asset.
Furthermore, regarding Simpson’s most infamous acting performance during his staged trial simulation spectacle, the MSM fails to report the involvement of Carl Colby, son of former CIA director William Colby. Further investigation has confirmed that Carl Colby lived in Brentwood, Los Angeles, in proximity to “Nicole Brown Simpson”. In addition to this, more shall be shortly revealed about some of the other major participating principals in Simpson’s ‘trial’, regarding Los Angeles County prosecuting counsel “Marcia Clark”, Simpson’s defense attorney Robert Shapiro, Time/Warner and Henry Luce, all of whom, along with “OJ Simpson”, were contract assets utilized by the CIA in the execution of an antagonistically divisive, population destabilizing psychological operation.
It is generally believed, by musicians seeking to become stars while wallowing in obscurity and popular music fans alike, that Hollywood music industry executives remain busy constantly scouring nightclubs from coast to coast looking for the ‘next big thing’.
But this widely held belief is a fallacy. Nothing could be further from the truth. The renowned stars with which popular music fans have become most familiar have proved to be sons and daughters of either industry legends, corporate entertainment executives, or the family offspring of those who own the record companies, oftentimes child prodigies who’ve been well trained at the finest performing arts schools to master their specialized trade. After being signed to a contract with a major corporate recording label and becoming designated as a priority project, such artists are instantly surrounded by what is tantamount to an efficient brain trust, consisting of premiere record producers, song writers and arrangers – termed ‘song doctors’ in the industry – top-notch sound engineers, wardrobe and makeup specialists, attorneys, managers, and booking agents.
Since its inception, the Hollywood music industry promotes from within, and those promotions are often based on nepotism. As has been discovered to be the case with contracted assets performing in professional sports – SEE: NFL’s Touchdown Tom Not So Terrific – likewise, popular, profitable assets with successful resumes contracted for employment in the Jesuit and US military/industrial complex-controlled Hollywood music and entertainment industry are routinely recycled into new identities.
Once media marketed entertainment images prove popular with particular audience demographics, to exploit the profitability of new commercial markets, actors or assets working under contract are often cleverly outfitted with sparkling new images, as well as carefully crafted pseudonyms designed for commercial appeal to targeted markets.
In essence, once recycled into new identities and images, Hollywood entertainment industry assets become perpetrators of Post-Modern Reality Simulation designed with the ulterior purpose of promoting social engineering, and with the deliverance of behavioral programming and media messaging. The execution of such operations is directed from the top down by the Jesuit’s Society of Jesus in control of Vatican City in Rome, overseen by military psychological operations units in cooperation with US and British intelligence, while the emotional, behavioral reactions of targeted population demographics are meticulously monitored by organizations such as Tavistock Institute of Human Relations in London, Stanford Research Institute. Such psychological operations prove beneficial to the City of London’s Crown Temple and Swiss banking consortium and their hegemonic maintenance of population centers and the global status quo.
Ironically, while rock music has sold successive generations on the idea of liberating rebellion, they’ve been covertly programmed for enslaving conformity.
Turns out, a pair of intelligence-controlled Hollywood music entertainment assets, perpetrators of Post-Modern Reality Simulation, pose as this article’s featured subjects: “Ozzy Osbourne” and “Randy Roads”.
More extensive investigation indicates and in fact confirms that both of these legendary rock stars were previously known by other famous monikers. One of them was formerly known as a member of perhaps the most famous pop group of the 1960’s, a star who also became known – under another name – as perhaps one of that decade’s most prominent, well-respected, and influential pop musicians and instrumentalists, while the other, before assuming the identity of heavy metal rock guitar god “Randy Roads”, was a 1970’s teen idol cast in the television sitcom “The Partridge Family.” Now, today, this former ‘Partridge’ stars as a podcast sidekick for one of the alternative media’s most influential and well-known figures.
Behind the facade, the lie contained in every media image, a deeper, darker truth remains hidden. Many of the personalities presented by the MSM and even the “alternative” media to the general public, especially regarding those occupying high-profile government positions, are not at all who they appear or claim to be.
Alejandro Mayorkas, current director of Homeland Security, which is merely a public relations front for CIA and the Jesuit Society of Jesus’s international intelligence octopus, claims to be the offspring of Cuban immigrants who escaped oppressive tyranny and came to the US for a better life. Mayorkas’s official biography reflects an all-too-familiar template which, through deeper investigation, has been observed time and again. This particular biographical template – of the Horatio Alger variety – not only smacks of propaganda, reflecting the shopworn and tattered myth of the “American Dream”, but of one belonging to and carefully crafted for a media generated fabricated character scheme portrayed by a well-known Hollywood actor.
This particular Hollywood actor – Bezos Bunk Now Completely Exposed – is a serial perpetrator of Post-Modern Reality Simulation and has also been identified as the live-action role player in portrayal of, yet another high-profile MSM promoted figure, former Amazon chief “Jeff Bezos”, whose own official biography nearly mirrors that of the current but embattled Homeland Security director “Alejandro Mayorkas”. A telltale sign that the narrative of Bezos’s biography may have been merely tweaked or customized by Jesuit-controlled CIA intelligence handlers to fit certain storyline specifications designed for “Alejandro Mayorkas”.
“Mayorkas” is a Jesuit-trained intelligence asset, educated at Loyola Marymount University, a private research institution located in Playa Vista, California which was named after the legendary mercenary warrior reputed to have been the founder of the military-styled Jesuit order in control of Vatican City at Rome.
The making of media myths oftentimes consists of a specific brand of storytelling.
Generally, the brand of narratives in which the MSM specializes – especially those meant for maximum exposure, saturation – have oftentimes been found to be modernized retellings of ancient Greek or Roman myths. In particular, such was found to be the case with the Titan submarine disaster alleged to have occurred back in June of 2023.
As most may recall, one’s investigation into the alleged demise of the Titan submersible and its five crew members demonstrated that the story presented to the public by the MSM not only possessed masonic symbolism, a human interest narrative element recycled from the Titanic hoax, and plot holes larger than a jet airline hangar, but that one of the alleged “victims” – Suleman Dawood – was a photo shopped/raked image of a young Hollywood actor – Jack Champion – associated with esteemed Hollywood director James Cameron who, it also turns out, is the live-action role player behind the portrayal of NASA JPL “rock and roll rocket scientist” Adam Steltzner.
What better way could exist, therefore, to further solidify a modern retelling of an ancient occult myth in the collective consciousness of the general public, than to also cast one of Hollywood’s most iconic actors – one who was once known as the “late” Michael C. Rockefeller – in a starring role as one of the heroic “victims”?
Within an investigative context, minute details are akin to clues hidden along jungled pathways culminating into ultimate revelation.
After studying the performance of the actor featured in the following video excerpt – alleged to be “Phillip Mudd”, American media commentator and former counterterrorism official at both CIA and FBI – everyone will begin to surely notice similarities, in both tone and nuance(s) of voice as well as physical mannerisms, in common with a Hollywood/television actor who rose to stardom during the era of the 1980’s, one who is perhaps most famous for having been cast in the lead role of the Hollywood science fiction blockbuster ‘Back to the Future’.
During his interview with CNN’s Wolf Blitzer, “Mudd” – a surname which, gematria calculation informs, equals 21, 3 7’s, or 777 in English Ordinal Reverse Reduction, Alistair Crowley’s joker intelligence code – attempts to elaborately spin a ridiculous yarn concerning a car bombing which was alleged to have been carried out by a terrorist, a terrorist he claims to have later spoken with. This narrative represents a gross prevarication undoubtedly created by CIA’s intelligence handlers then delivered by “Mudd” while on air with a theatrical flourish of intense but feigned emotional hysteria. Furthermore, this dubious tale detailing an act of alleged “terrorism” was likely thoroughly concocted to not only bolster in the minds of the targeted audience demographics the utility and continued necessity for CIA and FBI’s domestic and global surveillance efforts to combat “terrorism” and to keep the general public “safe” from “terrorists”, but to justify further tax expenditures beneficial to annual budgetary expansions. Upon viewing the video posted immediately above several more times, it also becomes apparent through detailed ocular analysis that certain portions of the facial geometry belonging to “Phil Mudd” have been strategically modified with CGI layering/animation during CNN’s post-production phase.
What “Mudd” fails to reveal, however, is that the American general public are the genuine target of these alphabet lettered agency’s vast surveillance dragnet and are therefore regarded as potential “terrorists”.
As shall be further detailed later on, the confirmed identity of the Hollywood actor in portrayal of CIA/FBI counterterrorism official “Phillip Mudd” confirms several salient points.
One – that high profile Hollywood actors/celebrities are also well-trained intelligence assets and agents who are regularly contracted to perform under pseudonyms in the guise of high-profile government officials to influence public opinion and perception and, through the effectiveness of demonstrative behaviors exhibited during scripted public performances, to elicit desired emotional responses in their targeted audiences, to justify greater tax expenditures allocated towards alphabet lettered US corporate government agencies acting under the aegis of and in concert with the Jesuit-controlled US military/industrial/Hollywood entertainment complex.
Two – in the case of former counterterrorism CIA/FBI official and MSM commentator “Phillip Mudd”, it becomes apparent his positive identification as a media-generated fabricated character scheme, portrayed by a strategically modified Hollywood actor, Michael J. Fox (666), legitimizes the premise that both CIA and FBI have historically utilized such modified character schemes for the purposes of plausible deniability regarding their various taxpayer funded psychological operations and, three, by virtue of placing such modified characters acting under pseudonyms who cannot be legally prosecuted in any court operating under Admiralty (AKA Roman/Maritime) Law before the public’s eye as “official” spokespersons, they are provided with an impenetrable shield against the possibility of legal scrutiny or worse, criminal prosecution.
But, given that “Alejandro Mayorkas”, the current chief of US Homeland Security, has also been identified as a fabricated character scheme, portrayed by another famous Hollywood actor – more on this will be revealed in another article, coming soon – there arrives an additional, and perhaps even more sinister, hypothetical premise to consider.
Namely, that the office of Homeland Security exists merely as a brass plated front or proxy for Jesuit-controlled CIA, created as a US corporate government funded bank depository from which CIA can clandestinely but legally funnel, in the way of double dipping, more tax dollars into its already bulging coffers both to sufficiently fund and to dramatically expand its domestic and globally connected surveillance and psychological operations.
