Abraham Lincoln’s Masterpiece ‘Reality’ Theater

History is the recording of fables, manufactured stories by scholarly, academic consensus.

Over time, historical fables can be manipulated or tweaked to fit the capricious tastes of political or social propagandists. While the public’s perception towards the foundational template of the historical narrative regarding the “assassination” of President Abraham Lincoln remains unaltered, still, from time to time, the public has been conditioned to tolerably allow for dramatically inspired narrative elements to be newly introduced into the public discourse and into historical record. In consideration of the bigger picture, as it were, to those counted among the scholarly perpetrators of the story of Lincoln’s historic presidency and the ‘assassination’ fable, the public’s fickle perception of newly introduced details augmenting the historical narrative is irrelevant, as long as a majority among successive generations of the American general public continue to wholeheartedly believe in the core fabricated legend. Namely – that Lincoln ‘freed the slaves’, heroically preserved the American union, and was indeed tragically murdered by ‘assassin’ John Wilkes Booth at Ford’s theater.

However, as shall be further demonstrated, each of these historical assertions hold no veracity and amount to nothing more than blatant falsehoods and deliberately engineered hoodwinks.

It shall also be demonstrated that John Wilkes Booth, the noteworthy theater actor alleged to have been Lincoln’s ‘assassin’, was an intelligence asset of the Pinkertons, the forerunning police/security organization of the U.S. president’s Secret Service, a double agent posed as a Confederate sympathizer/provocateur with connections to not only high-degree freemason Albert Pike but to revolutionary and agent provocateur Guiseppe Mazzini and to a member of the Orsini family, an historically powerful and influential clan of European aristocrats whose genealogical history consists of Vatican pontiffs.

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Royal Minstrel Show Still Rolling

When considering their incomparable longevity, historical place in popular music’s pantheon, the Rolling Stones could be characterized as the enduring deities of Mount Olympus among a multitude of mere mortals. Indeed, after more than fifty years of hitmaking, while having embarked upon their latest tour in 2024, the band still exudes, projects an image of indefatigable vitality, preternatural vigor. While nearly all of their remaining classic rock contemporaries wheeze like winded mules while pathetically attempting to clutch renewed glory from the past’s fading shadows, the legendary luster of the ‘glimmer twins’ – Keith Richards, Mick Jagger – remains still largely undiminished.

But by no means should this be construed as hagiography.

On the contrary, the popular music industry, controlled from the top down by the Jesuit military order (AKA Knights Templar), continues to be utilized as a soft power weapon of psychological warfare, a well- sharpened tool of population pacification, a vital but brutal instrument of sociological management. The industry’s highest profile performers, entertainers are intelligence directed assets, operatives, many of whom, including Keith Richards (AKA King Charles III) – SEE: Charles and Ted’s Not So Excellent Adventure – have been identified as hidden descendants of European royalty. Further investigation has uncovered that the other half of the dynamic rock and roll songwriting partnership known as the ‘glimmer twins’ – Rolling Stone Sir Mick Jagger – is in fact not only a hidden relation of the late Queen Elizabeth II – SEE: Something Royally Wrong with Rally Gunman Witness , MSM Crooks Hooked Booked & Busted – but a royal Duke who for decades has effectively masqueraded as one of rock and popular music’s most renowned, iconic figures.

That is, until now.

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Trumping the MSM’s Assassination Lies

Without doubt, for the last several days, many have hungrily consumed the content offered by hundreds of videos, articles concerning this particular news story. As to be expected, the nature of these volumes of content fall neatly within two classifications, either within the rigid structure of politically partisan parameters set by the MSM or comfortably between the lines of accepted narratives preset and regurgitated by gatekeeping controlled-opposition agents dominating the so-called ‘alternative’ media. While as intended, this particular news story – the attempted ‘assassination’ of “Donald Trump” – has inordinately preoccupied the public’s attention away from matters of greater import, some might scoff that, in this particular case, one has arrived late to the party.

Nevertheless, readers shall find that one’s approach to investigating this story as presented by the MSM and the ‘alternative’ media doesn’t follow the usual paths which numerous others have left well-travelled. While some aspects of this story which have already been covered will also be dissected, analyzed, there will be other unexpected investigative elements brought to the fore.

Before delving into the results of one’s investigation, one should mention that this event demonstrated an almost comic, sloppily delivered execution. Though it could be said this is an accurate characterization in relation to other past events which have received widespread exposure from the MSM, in this case, that description appears especially accurate.

In fact, perhaps better to say that the MSM, in seemingly throwing all caution to the wind while deliberately deceiving the public, has now thoroughly abandoned maintaining the facade of at least attempting to deliver a credible narrative. But this state of affairs merely reflects the nadir depths to which the utter contempt of mainstream news executives for their targeted audiences has plummeted.

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Nigel Farage’s Political Horror Show

Heroic political figures – oftentimes evolving into cults of personality – are created to pacify the grievances of a restless public, to thwart incipient societal upheavals before they develop into uncontrolled chaos or revolutions which, if not immediately undermined by infiltrating government agents, may pose a threat to maintaining the order of the prevailing status quo.

The historical concept of hero or savior creation is confirmed by the text of Morals and Dogma, the seminal masonic tome authored by Albert Pike, revered as one of high-degree freemasonry’s most significant, influential figures. Recently, in the UK, broadcaster, politician, former fringe political party leader – Reform Party, UKIP (United Kingdom Independence Party) – and reality-television star Nigel Farage emerged as one such revolutionary figure.

Remember that latter biographical detail – ‘reality-television star’- when considering the genuine nature of Farage’s charismatic public image, colorful profile. In 2023, Farage competed in a ridiculously ill-conceived ‘reality-television’ program entitled ‘I’m a Celebrity…Get Me Out of Here’.

After considering this telltale biographical detail, you may begin to intuit that the political phenomenon known as “Nigel Farage” is wholly inauthentic, a calculated contrivance, a cruel sham.

In which case, you’d be correct.

“Nigel Farage” is a media created product which, through clever and cynical marketing, promotion ploys, has been transformed into a popular cult of personality, a public persona which was wholly tailored, carefully packaged to pacify and to neutralize politically disgruntled segments of the British public.

Research indicates that before becoming a significant, influential figure in British politics, “Nigel Farage” was known by another name, one belonging to an actor, singer, and voice artist who was cast as “Doctor Frank-N-Furter” and starred in the 1975 film Rocky Horror Picture Show, a movie which also, interestingly enough, starred Hollywood actress Susan Sarandon who later went on to portray the role of “Marcia Clark”, the prosecuting attorney in the OJ Simpson trial simulation/hoax.

SEE: CIA Simpson’s Most Infamous Performance

But wait – there’s more.

Remarkably enough, it turns out that “Farage” is also connected to a highly visible Russian political figure, Dimitri Medvedev.

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General Milley’s Royal Hoodwink

Sometimes the MSM’s sleight of hand trickery isn’t quite tricky enough.

This certainly turned out to be the case with retired US Army General Mark Milley, presented to the American public as the former Chairman of the Joint Chiefs of Staff.

Though, in its entirety, Milley’s “official” biography published at Wikipedia presents what appears – at least to the rather naive numbered among a majority of the American general public, anyway – to be a credibly composed facade, when put under the microscope of greater scrutiny, it represents an elaborately concocted prevarication, a colossal lie.

Nevertheless, Milley’s biography published at Wikipedia contains key clues which when discovered then arranged into a discernable pattern, create a navigable trail leading to the princely doorstep of a hidden British royal. One who, in recent years, the MSM has been busy characterizing as the troublemaking bad boy black sheep of the House of Windsor (AKA Saxe-Coburg-Gotha).

Upon further investigation, it becomes clear that a ruse – perpetrated by the House of Windsor/Saxe-Coburg-Gotha, aided by the Jesuit/CIA controlled MSM – was created to not only misdirect the public away from suspicion regarding the genuine identity behind the media-generated fabricated character scheme known as General Mark Milley, but to satisfy an ulterior objective: Primarily, as the “General” describes in the following video excerpt at the link posted immediately below, to begin transforming command and control of the US military over to artificial intelligence systems during Milley’s tenure as Chairman of the Joint Chiefs of Staff.

https://youtu.be/ongAkDflJuY

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MSM Helicopter Story Spins out of Control

One should never underestimate the MSM’s contempt for its targeted audiences. A contempt which, though barely concealed beneath a wafer-thin facade, always demonstrates a very low estimation when considering the collective intelligence quotient of the general public.

Remarkably, on this occasion, the MSM seems to have outdone itself.

The latest reportage – what “official” consensus attempts to describe as an alleged helicopter crash in a remote, mountainous geographical area resulting in the ‘deaths’ of Iran’s sitting president, Ebrahim Raisi, his foreign minister, and reportedly several other passengers – exists as perhaps one of the MSM’s most blatant examples of contemptuous disregard for the general public yet. The most recent accounts from MSM sources such as Associated Press, which appear to have been penned by mentally challenged, logic deficient artificial intelligence bots, are chock full of ambiguities, unconfirmed, contradictory details and, as was the case with the MSM’s “official” story associated with “late” NBA star Kobe Bryant, alleged to have also perished in a helicopter accident, coded with a slew of numerological markers, occult symbology. Indeed, when put under the weight of greater scrutiny, examination, whatever credibility the MSM attempts to attribute to its latest helicopter disaster narrative simply spins out of control, crashes and burns.

Expectantly, in the immediate wake of this alleged incident, both the MSM and the preponderant controlled opposition agents infesting the “alternative media” began to enthusiastically bloviate with tales of imminent apocalypse, characterizing Raisi’s alleged death as a catalyst for what could proliferate into a global conflict.

But not only do contradictory details undermine the MSM’s problematic, even nonsensical reportage, there are greater problems with Iranian president Raisi and with his political benefactor, mentor Ayatollah Sayyed Ali Hosseini Khamenei.

Below: Ebrahim Raisi, Ayatollah Khamenei

Turns out, they are both media-generated fabrications portrayed by actors. Deeper investigation indicates that the actor portraying the former – the “late” Iranian president Raisi – is better known as a renowned Hollywood film director, while the latter, Khamenei, is a modified fabricated character scheme portrayed by a well-known US politician alleged to have hailed from the state of Vermont, one whose host actor (live-action role player) has not only been identified as a hidden European royal, but as a repeat, serial perpetrator of Post-Modern Reality Simulation.

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CIA Simpson’s Most Infamous Performance

To those grown comfortable living with lies, deception, acknowledging the truth is to risk suffering a fatality perhaps worse than death. To discover the truth, one must first dare to cross the Rubicon of fear. But most dare not because once navigated, the very thought, realization of being unable to return, marooned and left to survive alone in an unfamiliar wilderness, remains inconceivable, too much to bear. It seems that for the unfortunate majority, letting down one’s defenses – ego, vanity – and sacrificing unquestioned faith in improbable beliefs, to stand apart, isolated from the madding crowd to accept absolute, unfettered truth appears too high of a price to pay.

Speaking of death, as undoubtedly most are aware, it was recently announced that, former legendary NFL star, journeyman Hollywood actor, Orenthal James Simpson has shuffled off this mortal coil, reportedly having succumbed to a long-term battle with cancer.

1975: O.J. Simpson #32 of the Buffalo Bills looks on during an NFL game circa 1975. (Photo by Robert Riger/Getty Images)

But there’s much more the MSM left out concerning OJ Simpson which, shortly, in due course, will be further elaborated upon.

One couldn’t help but notice, while eulogizing the “Juice”, conveniently enough, undoubtedly by deliberate omission, the MSM failed to report that not only did Simpson become a professional actor even before he was drafted into the NFL, but that he was also employed as a covert CIA asset.

Furthermore, regarding Simpson’s most infamous acting performance during his staged trial simulation spectacle, the MSM fails to report the involvement of Carl Colby, son of former CIA director William Colby. Further investigation has confirmed that Carl Colby lived in Brentwood, Los Angeles, in proximity to “Nicole Brown Simpson”. In addition to this, more shall be shortly revealed about some of the other major participating principals in Simpson’s ‘trial’, regarding Los Angeles County prosecuting counsel “Marcia Clark”, Simpson’s defense attorney Robert Shapiro, Time/Warner and Henry Luce, all of whom, along with “OJ Simpson”, were contract assets utilized by the CIA in the execution of an antagonistically divisive, population destabilizing psychological operation.

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A Partridge & the Prince of Darkness

It is generally believed, by musicians seeking to become stars while wallowing in obscurity and popular music fans alike, that Hollywood music industry executives remain busy constantly scouring nightclubs from coast to coast looking for the ‘next big thing’.

But this widely held belief is a fallacy. Nothing could be further from the truth. The renowned stars with which popular music fans have become most familiar have proved to be sons and daughters of either industry legends, corporate entertainment executives, or the family offspring of those who own the record companies, oftentimes child prodigies who’ve been well trained at the finest performing arts schools to master their specialized trade. After being signed to a contract with a major corporate recording label and becoming designated as a priority project, such artists are instantly surrounded by what is tantamount to an efficient brain trust, consisting of premiere record producers, song writers and arrangers – termed ‘song doctors’ in the industry – top-notch sound engineers, wardrobe and makeup specialists, attorneys, managers, and booking agents.

Since its inception, the Hollywood music industry promotes from within, and those promotions are often based on nepotism. As has been discovered to be the case with contracted assets performing in professional sports – SEE: NFL’s Touchdown Tom Not So Terrific – likewise, popular, profitable assets with successful resumes contracted for employment in the Jesuit and US military/industrial complex-controlled Hollywood music and entertainment industry are routinely recycled into new identities.

Once media marketed entertainment images prove popular with particular audience demographics, to exploit the profitability of new commercial markets, actors or assets working under contract are often cleverly outfitted with sparkling new images, as well as carefully crafted pseudonyms designed for commercial appeal to targeted markets.

In essence, once recycled into new identities and images, Hollywood entertainment industry assets become perpetrators of Post-Modern Reality Simulation designed with the ulterior purpose of promoting social engineering, and with the deliverance of behavioral programming and media messaging. The execution of such operations is directed from the top down by the Jesuit’s Society of Jesus in control of Vatican City in Rome, overseen by military psychological operations units in cooperation with US and British intelligence, while the emotional, behavioral reactions of targeted population demographics are meticulously monitored by organizations such as Tavistock Institute of Human Relations in London, Stanford Research Institute. Such psychological operations prove beneficial to the City of London’s Crown Temple and Swiss banking consortium and their hegemonic maintenance of population centers and the global status quo.

Ironically, while rock music has sold successive generations on the idea of liberating rebellion, they’ve been covertly programmed for enslaving conformity.

Turns out, a pair of intelligence-controlled Hollywood music entertainment assets, perpetrators of Post-Modern Reality Simulation, pose as this article’s featured subjects: “Ozzy Osbourne” and “Randy Roads”.

More extensive investigation indicates and in fact confirms that both of these legendary rock stars were previously known by other famous monikers. One of them was formerly known as a member of perhaps the most famous pop group of the 1960’s, a star who also became known – under another name – as perhaps one of that decade’s most prominent, well-respected, and influential pop musicians and instrumentalists, while the other, before assuming the identity of heavy metal rock guitar god “Randy Roads”, was a 1970’s teen idol cast in the television sitcom “The Partridge Family.” Now, today, this former ‘Partridge’ stars as a podcast sidekick for one of the alternative media’s most influential and well-known figures.

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Errol Musk: ‘Dead’ Man Resurrected?

Certain individuals have a knack for remaining clandestine while simultaneously keeping a somewhat conspicuous public profile. A paradoxical scenario to be sure. To those among the general public, however, someone with the capability to execute such a deceptive trick would be considered tantamount to a magician. And yet again, such a feat may not too difficult for one in possession of great wealth, wealthy enough to gain some modicum of influential or even controlling interest in the MSM.

In addition, when one’s son is the ubiquitous cult of personality known as “Elon Musk”, chief executive of both Tesla, Space X and chief proprietor of X, the social media platform formerly known as Twitter, it may be that much easier, after faking one’s death, for a “dead” man to conceal one’s genuine identity with an appropriated pseudonym attached to an alternate persona. If successful at employing such deceptive tactics, one could conceivably hide among the public arena while operating in plain view.

But why make the hypothesis that the man pictured in the image posted above may be “dead”?

Because it turns out that, upon more extensive investigation, “Errol Musk”, alleged to be the father of “Elon Musk” (AKA Prince Constantijn of the Netherlands) is a British royal in disguise, one who was recently alleged to have “died”. Though there isn’t much biographical information available on “Errol”, enough information remains extant to provide possible clues as to his true identity.

1.) Online biographies reveal that Errol’s mother was British, 2.) There exists a rather well-circulated, but dubious MSM promoted narrative which appears derived from a discarded B grade Hollywood action/thriller script treatment, the reported details of which allege “Errol Musk” fended off an attack from a gang of gun toting home invaders at his plush residence in South Africa.

Suspiciously, this particular widely circulated story is not only ridden with gematria coding, but the veracity of its narrative details – like most if not all such stories promoted by the MSM – crumble to utter dust under the weight of even the slightest scrutiny.

For example, despite being outnumbered and outgunned, this MSM promoted story claims that not only did “Errol” heroically emerge intact and alive, but he managed to gun down three of the seven alleged home invaders.

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