CIA’s ‘Mudd’ Goes Back to the Future

Within an investigative context, minute details are akin to clues hidden along jungled pathways culminating into ultimate revelation.

After studying the performance of the actor featured in the following video excerpt – alleged to be  “Phillip Mudd”, American media commentator and former counterterrorism official at both CIA and FBI – everyone will begin to surely notice similarities, in both tone and nuance(s) of voice as well as physical mannerisms, in common with a Hollywood/television actor who rose to stardom during the era of the 1980’s, one who is perhaps most famous for having been cast in the lead role of the Hollywood science fiction blockbuster ‘Back to the Future’.

During his interview with CNN’s Wolf Blitzer, “Mudd” – a surname which, gematria calculation informs, equals 21, 3 7’s, or 777 in English Ordinal Reverse Reduction, Alistair Crowley’s joker intelligence code – attempts to elaborately spin a ridiculous yarn concerning a car bombing which was alleged to have been carried out by a terrorist, a terrorist he claims to have later spoken with. This narrative represents a gross prevarication undoubtedly created by CIA’s intelligence handlers then delivered by “Mudd” while on air with a theatrical flourish of intense but feigned emotional hysteria. Furthermore, this dubious tale detailing an act of alleged “terrorism” was likely thoroughly concocted to not only bolster in the minds of the targeted audience demographics the utility and continued necessity for CIA and FBI’s domestic and global surveillance efforts to combat “terrorism” and to keep the general public “safe” from “terrorists”, but to justify further tax expenditures beneficial to annual budgetary expansions. Upon viewing the video posted immediately above several more times, it also becomes apparent through detailed ocular analysis that certain portions of the facial geometry belonging to “Phil Mudd” have been strategically modified with CGI layering/animation during CNN’s post-production phase.

What “Mudd” fails to reveal, however, is that the American general public are the genuine target of these alphabet lettered agency’s vast surveillance dragnet and are therefore regarded as potential “terrorists”.

As shall be further detailed later on, the confirmed identity of the Hollywood actor in portrayal of CIA/FBI counterterrorism official “Phillip Mudd” confirms several salient points.

One – that high profile Hollywood actors/celebrities are also well-trained intelligence assets and agents who are regularly contracted to perform under pseudonyms in the guise of high-profile government officials to influence public opinion and perception and, through the effectiveness of demonstrative behaviors exhibited during scripted public performances, to elicit desired emotional responses in their targeted audiences, to justify greater tax expenditures allocated towards alphabet lettered US corporate government agencies acting under the aegis of and in concert with the Jesuit-controlled US military/industrial/Hollywood entertainment complex.

Two – in the case of former counterterrorism CIA/FBI official and MSM commentator “Phillip Mudd”, it becomes apparent his positive identification as a media-generated fabricated character scheme, portrayed by a strategically modified Hollywood actor, Michael J. Fox (666), legitimizes the premise that both CIA and FBI have historically utilized such modified character schemes for the purposes of plausible deniability regarding their various taxpayer funded psychological operations and, three, by virtue of placing such modified characters acting under pseudonyms who cannot be legally prosecuted in any court operating under Admiralty (AKA Roman/Maritime) Law before the public’s eye as “official” spokespersons, they are provided with an impenetrable shield against the possibility of legal scrutiny or worse, criminal prosecution.

But, given that “Alejandro Mayorkas”, the current chief of US Homeland Security, has also been identified as a fabricated character scheme, portrayed by another famous Hollywood actor – more on this will be revealed in another article, coming soon – there arrives an additional, and perhaps even more sinister, hypothetical premise to consider.

Namely, that the office of Homeland Security exists merely as a brass plated front or proxy for Jesuit-controlled CIA, created as a US corporate government funded bank depository from which CIA can clandestinely but legally funnel, in the way of double dipping, more tax dollars into its already bulging coffers both to sufficiently fund and to dramatically expand its domestic and globally connected surveillance and psychological operations.

THE ENEMY OF HUMANITY IS MAN

On page 115 of The First Global Revolution, a report published by the notoriously secretive Club of Rome in 1991, co-authors Alexander King and Bertrand Schneider claim with melodramatic hubris that “the common enemy of humanity is man.”

“In search of a common enemy to unite us,” King and Schneider reveal, “we came up with the idea that pollution, the threat of global warming, water shortages, famine and the like would fit the bill.”

‘Fit the bill’?

The following video excerpt, perhaps inadvertently, reveals how the Club of Rome, with assistance from MIT (Massachusetts Institute of Technology), a tool of the U.S. military/industrial complex, cobbled together a manufactured computer simulation complete with doctored statistics to support their hypothesis.

In other words, MIT was helping the Club of Rome to execute their propaganda.

Furthermore, the obvious implication of the published statement ‘fit the bill’ is that authors Schneider and King – both members in good standing of the council of the Club of Rome when ‘The First Global Revolution’ was published  – were seeking to manufacture crises which would appear credible to the public, in order to ensure the successful coming to fruition of a global agenda, one which, planned, established decades ago, was designed to transform not only all facets of society, but in declaring it as an ‘enemy’, humanity itself.

“In their totality and in their interactions these phenomena,” Schneider and King further claim, “do constitute a threat which demands the solidarity of all peoples. But in designating them as the enemy, we fall into the trap about which we have already warned. Namely, in mistaking symptoms for causes. All these dangers are caused by human intervention, and it is only through changed attitudes and behavior that they can be overcome. The real enemy, then, is humanity itself.”

Contained in the latter portion of the preceding paragraph is the philosophical nexus which conceptually links the UN’s ‘climate change’ and FBI/CIA ‘terrorism’ agendas.

While taking the whole of these brief but profound excerpts from ‘The First Global Revolution’ into consideration, it appears that both authors, and by extension, the aims of the Club of Rome, show their hand, and, in essence, give themselves away. In demanding the “solidarity of all peoples” in response to the implementation of the Club of Rome’s global agenda(s), they are also not so subtly implying any person or persons who do not consent in “changed attitudes and behavior” will be designated as enemies of the State and will, therefore, be charged with acts of “terrorism”.

When fully contemplated, then comprehensively understood, to be sure, the published statements of both Schneider, King, and the Club of Rome are to be classified as tyrannical and even foreboding proclamations indeed. These statements could also be interpreted as the invocation of a new doctrine or dogma against which all those who are branded by such think tanks as the Club of Rome as dissenters or heretics will be rooted out, eliminated. In that sense, high-profile but manufactured public figures, “Phil Mudd”, for example, have been established to represent a newly formulated high priesthood, twenty-first century inquisitors. During his tenure serving as Deputy Director of CIA’s Counter Terrorism Center, “Phil Mudd” admitted to having signed numerous “rendition” orders for terrorism suspects. ‘Rendition’ or ‘enhanced interrogation’ is a bureaucratic euphemism for torture. Torture, of course, was also used by the medieval era Papal inquisitors.

As for authors Schneider and King, as well as Club of Rome co-founder Aurelio Peccei, their official biographies consist of some interesting and rather revealing details.

Alexander King, a renowned chemist, was awarded the Distinguished Order of Saint Michael and Saint George for his efforts in pioneering the sustainable development movement (AKA UN Agenda 2030/2050/Jesuit’s 4th Industrial Revolution), a chivalric award established by the royal House of Saxe-Coburg-Gotha (AKA Windsor/Hanover/Rockefeller/Rothschild), while Bertrand Schneider, after serving as Club of Rome’s General Secretary, went on to become president of think tanks Futuring the World Society (FWS), World Symposium on Information Technologies and also, according to Wikipedia, a chief “consultant in intelligence and International Strategy and Development.”

In other words, Schneider – King’s co-author of The First Global Revolution, a published text in which they both declared humanity a wartime enemy – was a Jesuit-trained asset working at the behest of British/American intelligence.

Perhaps just as notably, however, Schneider was awarded Commander of Ouissam Alaouite, a military-styled decoration bestowed by the King of Morocco, an award which has also been given to General George S. Patton, Hollywood director Ridley Scott, ‘Oliver Stone’, ‘John McCain’, and ‘Dwight D. Eisenhower’. As those who frequent this site have discovered, both former US president “Eisenhower” and Hollywood director “Stone” are fabricated character schemes portrayed by the identical host actor, Hollywood and former Coca-Cola executive and IAC chairman Barry Diller (AKA Prince Eduard Egon von Furstenberg Hohenlohe/Cary Grant/Alfred Hitchcock/John Avery/Mike Nichols/Bill O’Reilly/John Ramsey/Robert Shapiro), while the “late” US senator “John McCain” has been identified as a character fabrication portrayed by Diller’s hidden family relation, Hollywood actor Warren Beatty (AKA George Hamilton), who also portrayed disgraced former US president Richard “tricky dick” Nixon and former New York mayor “Rudy Guiliani”, a fabricated character who was recently, for the purpose of public distraction, inserted back into MSM’s news cycle due to allegations of ‘bankruptcy’.

In the following images, everyone will surely observe that the respective spouses – Alana Hamilton/Cindy McCain – of George Hamilton (AKA Warren Beatty/Richard Nixon/Rudy Guiliani/Robert S. McNamara/Collin Powell) and the “late” former US senator “John McCain” appear strikingly similar.

Diller, Hollywood executive David Geffen, a serial perpetrator of Post-Modern Reality Simulation and Beatty’s hidden sibling, and Diller’s stepson Alexander von Furstenberg (AKA Joe Rogan/Ron DeSantis) – DeSantis Deception Delves Much Deeper – were most recently investigated by the DOJ for insider trading. Beatty (AKA George Hamilton) was also positively identified as the live-action role player behind the silicon modified mask of controlled-opposition intelligence asset “Jim Fetzer”.

SEE: Exposing Doctor Fetzer’s Grand Deception

It was Aurelio Peccei, the Club of Rome’s co-founder, who, according to Wikipedia, “persuaded the Agnelli Foundation to fund a two-day brainstorming meeting on 7-8 April 1968 of 30 economists and scientists at Accademia dei Lincei in Rome.” The Agnelli family is genealogically connected to the Von Furstenberg family, Dukes of Swabia, Dukes of Castro, and Holy Roman emperors, to the royal Grimaldi family of Monaco who control the Las Vegas gaming industry, and to the Gaetani crime cartel. Clara Agnelli (AKA Eleanor Roosevelt) was the former spouse of Prince Tassilo von Furstenberg (AKA Franklin Delano Roosevelt, Walt Disney, Jimmy Stewart, Fred Astaire, Henry Fonda, Walter Cronkite, John Foster Dulles, Harry Truman, Glen Miller, Al Joson, Ray Bolger, Abrahm Zapruder).

Below: Clara Agnelli, Eleanor Roosevelt

WALLOWING IN THE MUD

Phillip Mudd’s career as an intelligence asset and counterterrorism official began in 1985, when, according to Wikipedia, he joined CIA as an analyst specializing in Southeast Asia and the Middle East. Not coincidentally, the period of the mid-1980’s is also when Michael J. Fox – the Hollywood actor identified as Phillip Mudd’s host actor – fully arrived in the public’s eye as a bankable television and Hollywood star. Wikipedia’s biographical information inadvertently confirms, the Hollywood live-action role player in portrayal of Mudd’s modified fabricated character scheme has also been an asset of the Jesuit-controlled agency from the very incipient stages of his award-winning career in both Hollywood and in television.

Official biographical accounts also reveal “Mudd” is an alumnus of University of Virginia, a campus featuring some of America’s oldest fraternities, several of which are over one-hundred years old, having existed since the university’s founding during the early 19th century. One of these is Seven Society, reputed to be one of the oldest, most moneyed, and most secretive of Virginia University’s Greek-lettered brotherhoods. Fraternities and Sororities are institutionalized feeder systems for the masonic order, and, as observed in the image below, there are several examples of occultic symbols displayed in the expansive courtyard of the Seven Society’s on-campus headquarters, including, of course, the number seven or zayin (AKA mind weapon), and the ouroboros or infinity loop.

According to campus legend, membership in the Seven Society can only be revealed posthumously. Some of the Society’s more notable former and late members include Edward Stettinius Jr., first American ambassador to the UN and Secretary of State under Presidents Roosevelt and Truman, and Frank Wisner, head of CIA’s Directorate of Plans during the 1950’s. With former members such as Wisner and Stettinius respectively connected to CIA, the US State Department, and the UN (United Nations), it seems more than probable that latter-day members of University of Virginia’s most secretive fraternity possessed the necessary connections, capability to falsify an academic backstory – known as a ‘legend’ in intelligence parlance – for CIA/FBI intelligence asset, “Phillip Mudd”.

SEE: JFK Hoax Executed by Wizards of Oz

After gaining employment at CIA in 1985, seven years later, “Mudd” joined the agency’s Counterterrorism Center (CTC). From 1995 until 1998, he served as Deputy intelligence officer for the National Intelligence Council, specializing in the Near East and South Asia. In 2001, he took on a policy assignment under the aegis of CIA while serving on the White House’s National Security Council as Director of Gulf Affairs. “Mudd” then returned to CIA at Langley, VA in January of 2002 to serve as Deputy Director of CTC’s Office of Terrorism Analysis. After being promoted in December of 2003 to CTC’s Deputy Director, at the behest of then FBI Director Robert Mueller, “Mudd” agreed to the appointment of National Security Branch’s Associate Executive Assistant Director, tasked, according to Wikipedia, “with transforming FBI into a domestic intelligence agency.”

In other words, after being given his laborious executive title, “Mudd” was tasked with directing FBI agents with spying on American citizens. But upon further investigation into “Robert Mueller”, it became evident that he, too, is also a fabricated character scheme, a modification of Yale Skull and Bones member, former US Senator, and current “Climate Change Czar” “John Heinz Kerry” (AKA Prince Pavlos of Greece and Denmark/George Clooney/Jay Leno/John F. Kennedy Jr./Sean Hannity/Michael Cohen/Antonin Scalia).

Comparative biometric analysis appears to confirm, the respective ears observed in the series of images posted immediately below are structurally, proportionally identical. Though most of the online images featuring both fabricated character schemes, “Robert Mueller”, “John Heinz Kerry”, have been routinely modified with photo shop during post-production – “Mueller”, in particular, has been strategically modified with silicon stippling in several areas of the facial geometry, including the chin and nose – the respective teeth circled in red marker in the last pair of images demonstrate that the shape, structure, and contours of the sets of canine cuspids and first premolars are identical and have remained unmodified by photo shop manipulations.

Below: Robert Mueller, John Heinz Kerry

PARKINSONS FOUNDATION & NIKE

As evidenced by the content of the video excerpt posted immediately below, featuring a teenaged Michael J. Fox starring in a cloyingly sentimental McDonalds advertisement, Fox, identified as the live-action role player behind the manufactured persona of counterterrorism ‘expert’ and empty-suited US corporate government bureaucrat “Phillip Mudd”, was recruited as a key asset of Hollywood’s CIA/Jesuit-controlled entertainment/military/industrial complex at the earliest stages of his life.

After his successful television and movie career, starring in television sitcom Family Ties and Robert Zemeckis’s Back to the Future which spanned most of the 1980’s and into the early 90’s, Fox was alleged to have been diagnosed with Parkinsons Disease, an affliction which effects the human central nervous system. According to Wikipedia, “Fox started displaying symptoms of early onset Parkinsons disease in 1991 while shooting the film Doc Hollywood and was diagnosed shortly thereafter.”

Though Fox was alleged to have been positively diagnosed in the early 1990’s with Parkinsons Disease, the debilitating effects of which were demonstrated – or perhaps better to say, simulated – by Fox in several subsequent interviews broadcast on MSM networks, tellingly, in the video excerpt posted below, featuring his acceptance speech for an award at television’s Golden Globes in 1999, Fox doesn’t appear to exhibit any conspicuous symptoms of Parkinsons.

Furthermore, perhaps just as notably, the timing of Fox’s “diagnoses” and Phillip Mudd’s appointment to CIA’s CTC (Counterterrorism Center) appear to chronologically converge. Meaning, that “Phil Mudd” is a complete fraud, a proxy strawman portrayed by a Hollywood actor, set up by the Jesuit-controlled US military/industrial/intelligence complex as nothing more than a spokesperson and, more importantly for CIA, as a point of focus and prospective scapegoat for the public with a fake resume chock filled with inane and dubious US corporate government titles.

Since his “diagnosis” in the early 1990’s, Fox (AKA Phil Mudd/George Stephanopoulos/Bryan Adams), has shilled for his own private foundation, the chief objective of which, allegedly, is to find a cure for Parkinsons. Further research has uncovered that the Michael J. Fox Foundation is connected to Nike, the multi-national sportswear corporation. The text of an article published at complex.com, the link to which is posted below, reveals that Nike uses the Michael J. Fox Foundation’s charitable drives as a cross-promotional opportunity, to market their new athletic shoe wear lines.

SEE: https://www.complex.com/sneakers/a/brandon-richard/nike-mag-sells-200k-dollars

STOLTZ & FOX

Hollywood legend has it that Michael J. Fox was not director Robert Zemeckis’s first choice for the role of ‘Marty McFly’ in Back to the Future. Nevertheless, destiny intervened on Fox’s behalf when Zemeckis decided Eric Stoltz, originally cast in the role of ‘Marty McFly’, wasn’t right for the role.

Or so the Hollywood director has always claimed.

“In January 1985, Fox was cast to replace Eric Stoltz as Marty McFly, a teenager who is accidentally sent back in time from 1985 to 1955 in Back to the Future,” Wikipedia reports. “Director Robert Zemeckis originally wanted Fox to play Marty,” Wikipedia explains further, “but Gary David Goldberg, the creator of Family Ties, on which Fox was working at the time, refused to allow Zemeckis even to approach Fox as he felt that as Meridith Baxter was on maternity leave at the time, Fox’s character Alex Keaton was needed to carry the show in her absence. Stoltz was already cast and was already filming Back to the Future, but Zemeckis felt that Stoltz was not giving the right type of performance for the humor involved.”

This entire account is a sham because, it turns out, upon further investigation, that ear biometric, facial recognition, and image comparison analysis confirm, Michael J. Fox and Eric Stoltz are one and the same.

Below: Eric Stoltz, Michael J. Fox